Song, by Toad

Archive for February, 2008

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Goldfrapp – Seventh Tree

Seventh Tree

Sheesh, this just isn’t very good. I loved Felt Mountain and I really liked Black Cherry. By the time Supernature came around I was, I must confess, losing interest in the glam disco Minx persona, so I was really excited to hear that this record was to be a shift of pace towards a dreamier, more folky sound.

In practise it just isn’t very successful. Some of the tracks are terrific – Little Bird is really nice, and Eat Yourself is pretty good – but there are times when ‘dreamy’ drifts listlessly into ‘middle class dinner party’ and this, ultimately, is where the album rather disappointingly settles. It has been described as a Return to Felt Mountain, but it is far less spookily atmospheric than that rather excellent record. I described it on a podcast recently as being more than just a little bit like Texas in parts, I stand by that and it is most positively not a compliment.

So whilst there are moments where you are carried away to the dreamy world of faeries and slightly macabre old folk tales, there are rather unfortunately far more times when you are carried away to a tawdry boutique full of pointless lady tat and a soundtrack designed to evoke evenings in with the girls drinking Aussie Chardonnay and lighting candles for ambience. This is shopping music.

Goldfrapp – Little Bird This one’s rather nice…
Goldfrapp – Caravan Girl …but this is woeful.

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Live in Edinburgh This Week – 24th February 2008

Embra

There’s some good stuff in the ‘Burgh this week, including a couple of highly recommended local folk acts that I have yet to catch live, so it might mean the domestic chores getting put on hold for another week. I’ve heard a fair bit recently about both My Kappa Roots and Withered Hand and they are both playing Henry’s Cellar Bar this week, the former on Monday 25th February and the latter next Sunday, 2nd March. I don’t know if I’ll be able to make it to either gig, which is more than a little frustrating, but I’ll try. There are, as Mrs. Toad has to keep reminding me, chores to be done.

Wednesday 27th February: Stephanie Dosen at the Ark.
What happened to her? I heard a fair bit about her about this time last year and since then, nada. God only knows why she’s playing the Ark, which is a shabby place indeed, but she’s easily their most high profile booking for ages.

Wednesday 27th February: Kid Harpoon at Cabaret Voltaire.
After the release of his Second EP a few weeks back, I am really looking forward to his slightly folky indie stuff, and apparently he’s terrific live too. I’m also looking forward to seeing local band The Kays Lavelle for the first time as well, in support.
Kid Harpoon – Flowers by the Shore

Thursday 28th February: Found & Down the Tiny Steps at Cabaret Voltaire.
Down the Tiny Steps are absolutely superb – they go from acoustic folkiness to shoegazey guitar to experimental electronica, often in the same track. They’re superb live too. I’d be here just to see the Tinies, but throw Found into the mix and there’s no chance I’m missing it – what a first class lineup.
Down the Tiny Steps – Aye Spy
Found – You’re Really Quite the Catch

Sunday 2nd March: The Futureheads at The Liquid Room.
Without really expecting it I’ve slowly turned into a really big fan of the Futureheads. The tracks from their new album have a rockier edge than the indie-pop they’ve tended to produce thus far, and they sound terrific. Oddly under-rated if you ask me.
The Futureheads – Broke Up the Time

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The Low Lows

The Low Lows

Another slightly random discovery here, I happened across these fellows from Austin, Texas when poking around bands who were going to be playing at South by Southwest this year.

They do actually have plenty of releases to their name, which I may have to start exploring because their sound is bloody excellent. It’s a kind of low-fi, simmering drone rock combined with the some of the bare bones of Southern American rock. Imagine Band of Horses crossed with the excellent Ravens & Chimes and you might be just about there. They sound just a little like Yo La Tengo at times too, although maybe that’s just me.

The fuzz and the feedback combine beautifully with the more traditional aspects of their stuff – it’s haunting and emotive, almost plaintive somehow, but that may be down to Parker Noon’s voice. Apparently they are amazing live, descending into spirals of feedback, distortion and impassioned noise and amazingly, I am going to get the chance to find out for myself because they’re actually coming to Edinburgh to play Henry’s in April – bloody marvellous.

Either way, I am loving the sound of this lot and am really rather looking forward to investigating further. If it’s all as good as the songs I’ve heard so far it should be a real buzz to dig through their back catalogue. Shining Violence is their new album and is pegged for release in early March, so I’ll definitely be snapping that one up.

The Low Lows – Dear Flies, Love Spider
The Low Lows – Sparrows

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Bricolage, Josef K & Orange Juice

Bricolage

Meet Bricolage. They are a Glasgow band who produce chiming indie pop steeped in that late 80s sound that is so popular at the moment, and from the sounds of it they are pretty bloody good. They have a couple of singles to their names so far, and the tracks on their MySpace page are for the most part terrific, so I find myself really rather looking forward to the album they are releasing. It’s interesting though, since I bought my record player and began to accumulate 7″ singles I have become less and less interested in albums, so I will be getting my hands on their singles as soon as I can.

People compare these guys to the likes of legendary Scottish indie bands Josef K and Orange Juice and, in my colossal ignorance, I find myself unable to contribute to this discussion. I’ve already made my excuses about a foreign upbringing denying me the kind of knowledge that everyone else my age has about the birth of indie, but if anyone can recommend a couple of really good 7″s I should buy, or a classic album or so to help be understand what was going on the last time Edinburgh was a musical powerhouse I would really appreciate it. I am going to bait them intentionally by linking to them, but I am guessing JC, Ed, Colin and Davy could help out. I am pretty confident DC‘ll throw in his tuppence worth, and very grateful I will be for it too.

So, until I make inroads into my monumental ignorance, I can only say that these guys sound like classic 80s indie to me, and that they also sound bloody brilliant. There are a few live dates on their MySpace page, but sadly nothing in Edinburgh for the foreseeable future, so I will just have to wait.

Bricolage – Lucinda Said
Bricolage – Temp it Up

myspace | buy some vinyl, you know you want to

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Toadcast #22 – The Cinecast

Toad FM

Yoo hoo Toadlings, welcome to Toadcast No. 22.  This one is a sort of natural follow-on from the series of movie soundtrack posts we ran on the site a week or so ago.  I can’t believe we managed an entire series without mentioning either Ennio Morricone or Quentin Tarantino.

So I’ve tried to put that part right here, as well as throwing in some corkers by the likes of Nick Cave & Warren Ellis and a few others.  It may come across slightly as a novelty podcast, what with the Darth Vader theme music and so on, but I still think it makes an interesting listen.

It actually made an interesting listen for me this morning too, because I was so utterly shanghaied on gin by the end of it that I actually don’t remember half of the introductions to the songs towards the end.  So join me on a voyage of discovery and find out exactly what on earth I found to say about Nick Cave whilst pickled out of my tits on a Friday evening.

Toadcast #22 – The Cinecast

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01. John Williams – The Imperial March (00.00)
02. Barry Adamson – 007, A Phantasy Bond Theme(05.37)
03. Ennio Morricone – The Good, the Bad & the Ugly (11.44)
04. Hans Zimmer – True Romance (16.20)
05. Nick Cave & Warren Ellis – Rather Lovely Thing (23.37)
06. The Divine Comedy – Chasing Sheep is Best Left to Shepherds (28.10)
07. The Psychedelic Furs – Pretty in Pink (32.21)
08. Simple Minds – Don’t You Forget About Me (36.12)
09. Andrew Lloyd Webber – Everything’s Alright (45.04)
10. The Divine Comedy – Les Jours Tristes (51.43)
11. R.E.M. – Leave (58.31)
12. The Shins – Saint Simon (62.27)
13. Eels – Your Lucky Day in Hell (70.52)
14. Tom Waits & Crystal Gale – Take Me Home (77.49)
15. Barry Adamson – Mitch & Andy (80.30)
16. Andrew Lloyd Webber – King Herod’s Song (88.53)
17. John Williams – Cantina Band Theme (93.01)
18. Nick Cave & the Bad Seeds – Red Right Hand (Scream 3 Version) (97.01)
19. The Pogues – Night on Bald Mountain (105.22)
20. Ennio Morricone – Once Upon a Time in the West (Deborah’s Theme) (109.01)
My Odeo Channel (odeo/03301a3286442766)

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The Mountain Goats – Heretic Pride

Heretic Pride

I am but a casual Mountain Goats fan, so this review might end up sounding like depressingly vacant populism to hardened fanatics. I have no desire to fall foul of the hard-core fans actually, because this happened to my pal Coxon from To Die By Your Side and they are clearly a bit mental. Apparently Mountain Goats fanatics refer to themselves as Goaties, and oddly enough the direct translation of the Dutch slang for goatee – as in the beard – is ‘talking cunt’. I don’t know why I mention this. (It’s worth reading his post actually, because Coxon deals with the crazy comments better than I think I’ve ever seen. “Are you flirting with me?” Priceless!)

Actually, as a long time Mountain Goats fan he finds the album kind of disappointing. I, as a more casual fan, do not.  I first encountered John Darnielle when The Sunset Tree was released in 2005.  It took a while to sink in, but I love that album.  After that I dug back into earlier releases, but I never found Tallahassee or We Shall Be Healed to be as musically varied or, ultimately, as satisfying.  Get Lonely, released a year after Sunset Tree was so low-key and melancholy that I found it tricky to actually dig the individual songs out.

So actually, I find the renewed vigour of this record to be a massively welcome change.  The musical playfulness of Sunset Tree isn’t quite matched, but matters are far less one-paced than can occasionally be the case with Mountain Goats records.  Tracks like In the Craters on the Moon and Lovecraft in Brooklyn are downright venomous, which is a relief.  Darnielle is a very wounded, emotional songwriter and the crackling loneliness can be a little overwhelming, so these releases are much needed.

Funnily enough, I went to San Francisco for a day or so for work reasons a couple of years ago and as I walked the city all I could think was that this was John Darnielle contry.  It seemed odd, but I almost looked at the city through his eyes, as if it were actually his, somehow.  I know that’s a slightly meaningless aside, but his music is like that.  It’s so unprotected and so open that you barely get the impression there is so much as a sliver of a barrier between the writer and the listener, which makes his presence so much more dominant in his songs and perhaps explains the slavering devotion of the sort of fanboys who made a nuisance of themselves at Coxon’s site.

I’ve sort of lost track of myself a bit, there, haven’t I?  Well suffice to say that although I don’t quite elevate it to the status of Sunset Tree, I think this may be one of Darnielle’s best albums and if you give it time to seep in then you should genuinely love it.

The Mountain Goats – How To Embrace A Swamp Creature[audio http://www.matthewjamesyoung.com/sbt/TheMountainGoats-HowToEmbraceASwampCreature.mp3]
The Mountain Goats – In The Craters On The Moon[audio http://www.matthewjamesyoung.com/sbt/TheMountainGoats-InTheCratersOnTheMoon.mp3]

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People I Can Do Without #4562

Teenagers

Steve from Festive Fifty kicked this off, but god knows how. I assume he doesn’t read the UK’s broadest toilet paper The Daily Telegraph, but he spotted their scathing article about John Peel nonetheless.  I am not linking to The Telegraph because this sort of nonsense is just that – link bait – but the text in its entirety is on Steve’s site if you want to read it.

I don’t intend to spend this post criticising The Daily Telegraph, which is basically The Daily Mail for people who know a few long words. Nor do I have any need to defend John Peel from people who think he was a bandwagon jumper because quite frankly making such baldly ignorant statements really just makes you look a tit and does pretty much nothing to the legacy of the Big Man, so snipe away, pygmy, no-one gives a shit. If you want to read a passionate and erudite defence of Mr. Peel, then read Ed.

The one thing that struck me, however, whilst reading Michael Henderson’s dismal article was how revealing it was of him personally. He represents the sort of utterly depressing human being whose presence on the planet sucks all life out of the human race. I’ve hated pricks like him all my life, it’s only now that I am sufficiently his equal in basic societal measures that I feel unchallengeable in saying that no, I am here, I have attained all you fetishise in life and no, you are still a spineless weasel. I am not jealous, you, mate, are a cunt.

The first and most petty of Henderson’s, erm, well, arguments I guess he’d like you to call them, is his paragraph-long forgiveness of grammatical errors in John Peel’s epitaph. It’s a quotation of course, so the grammatical errors should really be taken up with the writers of the song and thus have nothing to do with Peel. But they suffice to establish both an imagined moral high ground and a condescending generosity on the basis of someone else’s errors. Well done Michael.

Apart from picking on one of Peel’s most ill-considered quotes – “I wish I had the courage to be a terrorist”, which is not as bereft of merit as Henderson thinks: do you believe in anything that much? And if not, why not? – his main beef with Peel is that the man “never really grew up”.

And this is why I hate this article and hold its author in utter contempt. If you want to know why, then try this awful quote on for size:

Self-deception is exactly what is wrong with that memorial. Its banal sentiment is not child-like, merely childish. Pop music speaks to teenagers because, green in judgment, they lack the emotional resources to respond to anything deeper. With helpful instruction, and a bit of curiosity, that should come with age, though in this case it didn’t.

Pop music speaks to people, in much the same way that classical art forms do, because it has a fucking good tune. For those intent on creating something more meaningful out of it, then it can also appeal to the innate snobbery of the listener, which is helpful. The pathetic illusion that classical art forms are in any way superior to or more sophisticated than popular ones is just the same kind of infantile snobbery that indie-kids employ to persuade themselves that no-one but them really gets it. Art forms are different and require different parts of our brain to interact with them. Joseph Conrad may have been a technically brilliant writer, but fuck me his books are dull to read. Are you saying that his intellectual pretensions are innately superior to George MacDonald Fraser’s jarring Flash For Freedom? If so, then I think you are looking for the veneer of smug superiority above actual intellectual or artistic merit.

If ever there was a sound reason to entirely dismiss the attention-starved ramblings of this clown it is here:

People in their fifties and even sixties are seen on our streets every day behaving like teenagers. In their eating and drinking habits, clothing, language, and leisure pursuits, they can be hard to distinguish from people young enough to be their grandchildren. No wonder those youngsters fail to grow up.Funeral directors across the land have spoken with sadness in recent years of the lack of respect shown to the dead. The passing of loved ones used to release feelings of love, loss and reflection. Now they are just excuses to have a bit of a larf.

If this poor fellow had ever read any books he would know that lamenting the digressions of today’s wayward youth has been a favourite past-time of the unimaginative since god was a boy. The world, believe me, has always been going to hell in a hand-basket. And Peel was also a football fan, don’t you know, and they’re all thugs and sheep. Ooh, Betty!

I’ve had this quarrel with people who claim age as a virtue since I was about four years old, and I haven’t changed since then. I am better at certain things, and worse at others, but I am no cleverer nor any better a person. The article implies that you actually become more intelligent as you get older which is simply factually incorrect. Any teenager with a brain knows that real life forces you to compromise on your ambitions and your ideals. Teenagers are not stupid, they just know less and that isn’t always a bad thing. If your teenage dreams were so divorced from reality that you have had to abandon them in order to accommodate the real world, Mr. Henderson, then it implies that you weren’t a very bright teenager. And if you can’t see how someone who looks at the world with different fundamental premises than yours might come to different conclusions as to how to inhabit it, then I can only conclude that you aren’t a very bright adult either.

I have made some compromises due to the practical facts of life, but I have no illusions that I was forced to make them. You can always be an iconoclast if you choose, Henderson, but have the courage to acknowledge your compromises for what they are. I accept the discipline of a 9-5 job not because the world is more complicated than I realised, but because I have looked at the options and decided that the restrictions on my personal freedom are worth the sacrifice, and I make no apology to my teenage self for this decision.

What Michael Henderson manages to come across as, and I would be amazed if this weren’t accurate, is morally vacant with no courage, no principles and no integrity. We have all made the same compromises as you, Michael, but we do not try and pretend our cynical self-interest makes us better people. And we treat that as cause to admire the idealism of our youth, not denigrate it. For who has the greater courage, you spineless turkey, the man who knows no better and yet believes in idealistic principles, the man who surrenders his idealism at the first sign of conflict with his own self-interest, or the man who accepts that his ideals may never be achievable, may be at odds with the world, and yet strives to live up to them nonetheless?

And yes, there is a right and a wrong answer to that question. People like you, Michael Henderson, make the world a significantly worse place simply by lumbering about in it in your own snivelling, cowardly little weaselly way. As I get older the more I realise there is less and less excuse for giving in to the multi-nuanced ‘real world’. That is basically just a limp excuse for abandoning moral responsibility, and I would far rather deal with a futile idealist than a successful cynic.

Teenage dreams are hard to beat precisely because they are naive, but that is a good thing and any attempt to paint them as infantile, rather than occasionally just wrong, is almost invariably the work of someone sniffing about for any justification for his own selfish moral capitulation. They take their fat corporate salaries and pretend that they actually earn them, but that voice in the back of their heads never quite gives up whispering to them that they might just have turned into a dull, insecure, spiritless little lickspittle. People like this just depress me. What the fuck purpose is there for this sort of depressing individual, with his cowardly outlook and childish obfuscation? If you have no moral courage, Henderson, and you’ve surrendered your ideals to pamper your vanity then just fucking admit it you spineless bimbo.

It’s nearly lunchtime and christ I need my pint!

Billy Bragg – From Red to Blue
Tom Waits – I Don’t Wanna Grow Up
Frank Turner – Once We Were Anarchists

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Is This the Best You Lot Can Do?

Obscurity

[I really should delete this post, but I think I deserve it to be left up as a salutory lesson about the perils of drunken posting. What a shambles. Feel free to read the utter nonsense below and then point and laugh. I hang my drunken head in shame. WordPress really should come with a fucking breathalyzer.]

Fuck me people, pull yourselves together. This is not a Radiohead, nor a Snow Patrol, nor a Travis fanboy site (Oxford comma there – everyone get that? Cunts). This is a place for people to bring new things and to get really fucking excited about folk having a go, showing some spunk and trying to make the most of a merciless, shitty industry.

As such, when I post about four groups in a single day who are good, young, up-and-coming and showing some enterprise and spirit I am fucking dismayed to come home and find not a single comment and no love at all for these lads. Why are we here, folks, eh? Why, really? Any of us can log onto the nearest bloody Pitchfork, Q Magazine, whatever sort of site and download trendy stuff, even ‘alternative’ trendy stuff. That is not what Song, by Toad is for.

In an industry full of commercial cunts, I make no money at all. I am here to give the small bands, who no-one has heard of and no-one cares about, some praise and some recognition and I should fucking well hope that is what you are here for too. Money and support are parcelled out awfully stingily in this industry and places like this, where small numbers of enthusiasts gather, are oases of love and generosity.

So the next time I write about four small, unheralded but nonetheless superb bands like I have done today I fucking well expect some response. It’s easy to remark on the merits or otherwise of the Arcade Fire. But you can read about them on Drowned in Sound, surely? Here is where you come for something a little different, and I love the fact that I get a ton of hits, but when bands come here and see that I have written about them and no-one gives a shit, then I am fucking well ashamed. If I’m writing about The Mountain Goats then by all means stay silent, but when I’m writing about young bands just on the verge of gaining a little bit of recognition it’s really important that you show them a bit of love.

I know there’s enough of you out there, and I don’t mean to resort to blackmail, but really, when you are needed around here is when the bands are yet to hit the NME.

I write about big bands, like Feist and British Sea Power because they interest me and I guess they probably interest you as well. But I write about small bands, like every band I have written about today, because these little enterprises are what I love: people with a bit of belief and a bit of conviction pitting their passion against the markets (ie: fighting a terminally losing battle) in the hope that some folk will latch onto their stuff. This is supposed to be one of those places – or, at least, it will always be one for me – where the little people get the praise that the quality of their output merits.

So even if you don’t like what I’ve posted it is way, way more important to me that you have your say when I write about bedroom bands than when I write about Vampire Weekend. Honestly, the point of blogs is side-stepping the massive, tedious, PR-fuelled music industry. We are here for the little people so, if you do nothing else ever again, go and find an unsigned band on this site and let everyone know what you think of them. Even criticism is good, as long as it is largely constructive. Just let these lads know you appreciate their efforts. The New Pornographers don’t need it, but wee Edinburgh folk-tronica groups do.

I can’t for the life of me think of a group that will want to be associated with this sort of infantile temper tantrum, so I apologise in advance to Honeytrap.

These fellas are currently assembling one of my most anticipated albums of 2008. Label-mates of the superlative Coventry group The Sequins, Honeytrap are also signed to Tough Love Records and have produced some of the best songs I have ever heard. Death Before the Silver Screen has never been bettered by anyone. Anywhere. Ever. So there you go. Sorry to Honeytrap for roping them into this little rant, but really folks, turn off Black Mountain’s prog-revival shit-fest and clamp your ears around one of the most promising groups the British Isles has produced for fucking years. They have an album approaching this year and if I’m the only one here who splashes out for it then I’ll have a right fucking tantrum. Yes, even crapper than this one.

And if you wish I was posting about someone more famous then fuck you. Fuck you hard and unlubricated with a fucking sea urchin. (And, erm, cheers to Simon for making himself known. Ta mate, much appreciated, honestly).

Honeytrap – Death Before the Silver Screen
Honeytrap – I Don’t Know How it Begins
Honeytrap – Spotlight
Go and buy Honeytrap and Sequins stuff from Tough Love Records. And forsake your subscription to Q forever.

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Singles You Should Buy #4: The Hillfields – A Visit

A Visit

They sound like every indie band you’ve ever imagined.  Sarah Records are mentioned as an influence on their MySpace page and it hardly comes as a surprise, having heard the music, even down to the Morrissey-esque vocals.  Imagine a classic, slightly twee indie band writing the soundtrack to a particularly scenic, sweeping art house movie and you’re pretty much there.

So given the sound is hardly anything new it all comes down to one thing: are the tunes any good?  Is it memorable – does it stick?  Well for me the answer is a resounding yes.   It may not be aggressively hooky nor, in some ways, immediately arresting, but there’s a gentle rise and roll to the sound, and the steady, wistful vocal just compels you to sway gently along.

A Visit is being released by the stupendously good Cloudberry Records and I really urge you to buy it.  Firstly, you’ll be supporting one of the best DIY musical enterprises around, and secondly, the more success The Hillfields get then the more we will hear from them.  And I, for one, want to hear lots lots more.  If you concur and live in London the get along to the Cloudberry gig on Friday 29th February for a little bit of Hillfields action, plus three more Cloudberry favourites, none of whom I’ve actually heard of!

The Hillfields – The Front Room[audio http://www.matthewjamesyoung.com/sbt/TheHillfields-TheFrontRoom.mp3]

myspace page | cloudberry

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Singles You Should Buy #3: The Indelicates – America

America

The Indelicates were one of my favourite discoveries of last year. I got into them by the route of such internet-friendly song titles as Waiting For Pete Doherty to Die, but it was the truly outstanding singles We Hate the Kids and Julia, We Don’t Live in the Sixties that really made me fall hook, line and sinker.

Well their new single America is now available for pre-order, and will be released on the 24th March. If they can reproduce the jarringly direct cabaret indie rock ‘n’ roll with just a touch of glam that has illuminated their releases thus far then we should be in for something of a treat. The tracklisting for their album is out too, and it really does look a bit special – pre-order that one here.

Anyone who can write lyrics like “I give you head and cook your tea/ You make my daddy weep for me.” has to be worth your consideration. That’s from Stars, below, which is, incidentally, your new favourite song. Once you get over the casual brutality that is.  Julia Indelicate was one of the founder members of the excruciatingly bad Pipettes. I praise the day she ditched that dismal shit-fest and teamed up with Simon – what a waste of genuine talent that could have been.  The fucking Pipettes? Honestly!

The Indelicates – We Hate the Kids
The Indelicates – Waiting For Pete Doherty to Die
The Indelicates – Stars

website | pre-order single

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