11. The Cave Singers – Invitation Songs

Screeched vocals, and stomping, percussive guitar playing give this a kind of noirish, raucously foreboding atmosphere.  It’s simultaneously raging and simmering, with an old-fashioned murder balled style, and absolutely brilliant.
The Cave Singers – New Monuments

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12. Gerry Mitchell & Little Sparta – The Ragged Garden

Sounding a lot like the Dirty Three, Little Sparta give a tortured backdrop to the spoken word ramblings of Gerry Mitchell.  It’s part poetry, part interior monologue, dark and obsessively introspective, almost exactly what you might expect at 5am from a drunken Glaswegian who was most of the way through a bottle of whisky and somewhat given to self-pity.  It is a spectacularly good album, but not for those prone to complaining about music that is slightly morose.
Gerry Mitchell & Little Sparta – Widow Dressing

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13. Micah P. Hinson – Micah P. Hinson & the Red Empire Orchestra

It doesn’t have the same feral howl of rage that much of Hinson’s earlier work has spilling from it, but the beauty and intimacy are still there.  If he keeps this up, Micah Paul Hinson will become one of the greats.
Micah P. Hinson – Tell Me it Ain’t So

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14. The Dodos – Visiter

Having talked about the percussive guitar on The Cave Singers’ album, I find myself scrabbling around for something else to describe this record.  It’s not Gothic folky Americana, but the guitar is used like a drum kit, and the constant use of the drumsticks on one another gives this record an irresistible pace.
The Dodos – Ashley

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15. Aidan John Moffat – I Can Hear Your Heart

I’ve swung back and forth on this one a little.  After my initial review Beth pointed out in the comments that it is actually an extremely self-indulgent record.  She’s right, but the emotional impact of half of the songs on this record is so far ahead of pretty much anything else you’ll hear that you just can’t tear yourself away from it.
Aidan John Moffat – Good Morning

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