Song, by Toad

Archive for March, 2009

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Pree – A Chopping Block

Pree

Pree are another band, along with the truly brilliant Donny Hue, who are signed to the excellent Washington/New York label The Kora Records.  There’s precious little information on them to be found anywhere (and, at the time of writing, the label website is down) so I guess that all I can do it tell you what I think of the music.  No harm in that of course.

It’s very much of a type with the likes of Cocoroise and Feist and all that lot, with a slightly thick female vocal enlivening music which is equal parts indie, folk and fairytale.  It is infinitely less cutesy than some of the bands to which it might be compared, and never anything like as shrill as people might fear given the description.

In the Parlour is the official preview track, and given it’s only a five-song EP I didn’t really feel at liberty to ignore that request.  Personally though I find that song a little on the straight-backed side to be the best representation.  When I think of this record it is more of the upright step of the strings on Lack of Fight or the truly beautiful richness of the piano on Light Fails.

While it starts well, in the sense that I have no criticism of the songs at the beginning, I would probably say that the really special ones are, in my view, towards the end.  It’s a nimble EP though; economical, well assembled and lovely.  Highly recommended.

Pree – In the Parlour

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Toadcast #61 – The 1990s

Toadcast

Well, as DC pointed out on Five Friday Fatwas, the 90s revival is not quite upon us yet.  It’s both totally inevitable and somewhat due, so it will be here sooner rather than later, but for the time being it has yet to entirely arrive.

So in anticipation of the inevitable, I thought I might just make a podcast which partly tried to anticipate the revisionism and partly talked just a little about what I myself might remember when the 90s revival hits full swing in a couple of years.

I wouldn’t describe myself as a child of the 90s, but I think that I might be wrong in neglecting to do so.  When they started I was 15, just moved from Singapore back to Vienna and very much a kid.  By the time they ended I had finished my Master’s degree and spent a long time pouring pints waiting for a proper job, which in some ways I suppose might just make you an adult.  It was an interesting era for me personally and when the revival arrives, as it inevitably will, I am downright fascinated to know what the younger generation will make of the music with which I grew up.

Toadcast #61 – The 1990s

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01. Pearl Jam – Go (03.47)
02. R.E.M. – Oddfellows Local 151 (11.05)
03. Cocteau Twins – An Elan (18.16)
04. Gene – Sleep Well Tonight (21.46)
05. Counting Crows – Omaha (30.33)
06. Supergrass – She’s So Loose (38.37)
07. Echobelly – King of the Kerb (41.33)
08. Alice in Chains – Nutshell (47.47)
09. Pavement – Gold Soundz (53.22)
10. Skuobhie Dubh Orchestra – Eggshell Miles (59.01)

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Five Friday Fatwas

Daffs!

Christ, I get back from a long (and, frankly, really rather interesting) meeting and find the website suffering somewhat from the last post being just a little serious. Stop it, people, there will be no meaningful discussions on Friday, particularly not after lunch, it’s just not right.

On the radio show last night I played a song by a band called National Beekeepers Society, and it occurred to me afterwards that they have a sound very reminiscent of a lot of 90s indie rock.  In fact, there’s been a fair amount of that kind of stuff surfacing recently, even down to the likes of the excellent Sholi who I reviewed a day or so ago on this very site.  It’s about time for the 90s revival, I suppose, given that we’re about a decade away from them now, and I suppose these are the first green shoots of that very re-evaluation.  I can’t personally imagine what the 90s revival will be like really, having been a bit too involved with the real thing to guess what it will look like when viewed through uber-ironic teenage eyes.

On the subject of green shoots, I am gazing out the window into the sunshine, desperately hoping that tomorrow is at least vaguely like today.  Our garden has been neglected pretty much entirely since October, and there is something absolutely fucking amazingly wonderful about sitting out in the garden with a cup of tea.  Or a fucking great big gin and tonic.  It actually feels like spring is here – this has been a very pleasant week indeed, long may it continue.

1. Thing you are most looking forward to in the 90s revival.
2. Thing you are least looking forward to in the 90s revival.
3. Most embarrassing thing you allowed yourself to revive during the 80s revival.
4. Has Spring hit where you live yet?
5. Do you grow things or have plants or a garden or something? (What a well-constructed sentence that is.)

National Beekeepers Society – Lazy

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The Ramones – The Garden of Serenity

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The Lemonheads – Confetti

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The Wedding Present – Gazebo

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Echobelly – Natural Animal

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There is No ‘They’ About It

Mentalist

[Disclaimer: this post has been written with no academic authority whatsoever and, perhaps more importantly, no real psychological or sociological training or background, so if you really, seriously know about this stuff I would appreciate you enlightening me.  This is just a 'best guess as I see it' sort of a post, so please don't think I'm setting myself up as an authority.]

There has been some chat going on in the comments section of the Gaza Appeal post which I thought worth elevating to a post all of its own.  When I rant about religions and anti-Darwinism and mysticism and so on one of the things I inevitably end up shouting at everyone is that as a species and as individuals we have a lot of misplaced vanity.  We think we are special, and we aren’t.  I don’t mean it in a mean, pompous way, but I firmly believe that human beings have no real conception of how mechanical, how average, how just like everyone else we all really are.

One of the key comments on the Gaza post was about fundamentalists and fundamentalism and it betrays an important and very dangerous mistake almost all of us make when faced with this sort of behaviour.  It is the ‘they just aren’t like us, they can’t be reasoned with and ‘we’ are nothing like them’ mistake.  There are people who are mentally ill, and there are psychopaths and so on, I am not denying that, but for all these people may also be fundamentalists (of whatever stripe), the characteristic of fundamentalism is not an illness.  It is simply a human behaviour to which we are all prone and which can be relatively easily induced by certain social conditions.  We all like to think that we’re special, that we’re immune, but the vast, vast majority of us would simply be wrong in making that assumption.

Did anyone read about the teen suicide epidemic in the South Pacfic which was described in the Tipping Point?  Lots of otherwise normal teenagers started committing suicide for no obvious reason, until the phenomenon reached something akin to epidemic proportions.  How about the high school experiment The Third Wave, where the behaviours of Nazi Germany were so easily recreated, in order to demonstrate just how easy it is to get human beings to do insane and awful things.

Given that the whole discussion was brought about by discussion of Israeli and Islamic terrorism, it is interesting to note that MI5 has recently concluded that, in terms of domestic Islamic terrorism, there is no simple ‘they’ category.  In fact, the one defining characteristic of domestic Islamic terrorists is that they have no defining characteristics.  They are simply normal people, and in fact are often not all that religious.  It would appear, then, that we are not discussing a kind of person at all, but more accurately a set of circumstances which would make extraordinary behaviour seem perfectly rational to a normal person.

Apart from simply being wrong, I think this blanket ‘they can’t be reasoned with’ approach is also very dangerous.  This is a phenomenon to which we are all prone, and yet is nevertheless reassuringly rare, so to dismiss it in this way is to deny ourselves the opportunity to prevent it.  It’s not something that is going to magically go away as a generation of people with a particularly antiquated mindset die out, it is a social phenomenon which is caused by a set of circumstances, and if we want to solve this issue then we have to identify those circumstances.  And by that I don’t mean the Easy Liberal Answer of jobs and prosperity, because that ignores the fact that a lot of people who you would consider to be dangerous fundamentalists are prosperous, well-educated and middle class.

But turning fundamentalism of any sort into something ‘they’ do is simply to deny the real problem in order to focus on a patently false caricature, which is dangerous for everyone.

Supergrass – What Went Wrong (In Your Head)

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Day One – Ordinary Man

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The Low Anthem – Oh My God, Charlie Darwin

The Low Anthem

This album came to my attention via a couple of routes: firstly, their release of the Charlie Darwin single on End of the Road Records earlier in the year; and secondly, the near-rabid frothing of one of my regular readers.  He’s a reader I take the piss out of quite a bit, but he’s definitely right about this record.

The End of the Road site describes them as being a combination of balladry and rock, which is accurate enough, but I find myself almost entirely preferring the more downbeat numbers.  That’s no surprise, given my general taste, but oddly enough even though I am less keen on the more up-tempo songs I am still glad that they are there because they break the album up really nicely.

There’s something of a bar band Tom Waits air to their rockier numbers, although I may simply be projecting that from their cover of a song the man himself does so well: Home I’ll Never Be.  It’s a good version, to be sure, but the real attraction of this album for me remains the warm sadness of their quiet songs. They aren’t quite as archetypal as the rock numbers, leaving a little more room for Jocie Adams’ arrangements to come to the fore and lift the album into a more unique place than it might otherwise find itself.

The title track, To the Ghosts Who Write History Books, Ticket Taker, To Ohio – there are some cracking songs on this record.  To think that this is a self-release as well.  Honestly, for fuck’s sake record labels.  What are you thinking?

The Low Anthem – Charlie Darwin

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The Low Anthem – Home I’ll Never Be

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Website | More mp3s | Buy direct from the band

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Sholi – Sholi

Sholi

I remember being really excited when I first heard a demo from these guys, one which their label circulated when they signed them a couple of months ago.  No time has been wasted in getting this album out into the big wide world however, so I’m guessing it was largely ready to go at the time Touch & Go/Quarterstick snapped them up.

In terms of descriptions, I guess you could slap this under that all-emcompassing, so broad as to be largely meaningless umbrella we call indie rock.  There’s a good, base* growl to it, out which break little flourishes of something more melodic or, from time to time, something more jerky and angular.  For the most part, however, this album tends to build its songs to a good pace and let them run with it – the sort of pace which inspires just a little bit of table drumming at the desk at Proper Job, to the raised eyebrows of all around.

The don’t rely on verse-bridge-chorus constructions either, which I really like.  There’s a shape to the whole song, generally, and the bit which gets its claws into you can be anything from a sudden, barking guitar detour to a more traditionally harmonised chorus.  This keeps you on your toes, because you can’t relax into that ‘here comes the bit I should pay attention to’ lazy listening which indie rock can often induce.

For such a short album, there’s an awful lot packed in as well, from shoegaze to pop, from the sombre to the (kind of) bouncy. A couple of the later songs are less strong than their earlier cousins, I would suggest, but this is still well worth your cash.  A really promising debut, in my opinion.

Sholi – All That We Can See

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Sholi – November Through June

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Website | More mp3s | Buy from Touch & Go/Quarterstick

*No, I don’t mean bass, I mean base.

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Gaza Fundraiser at Mono, Glasgow on Thursday 19th March 2009

Gaza: Not Funny

I haven’t really mentioned the crisis in Gaza on this site which is, I suppose, somewhat unusual, when you consider my general lack of inhibition when it comes to wading into massive arguments.  It’s a difficult one, I suppose, in part because it’s just so fucking obvious.

Israel, by its alliances and by its supporters, seems to have been adopted as a de facto Western nation.  Imagine if, erm, say the Republic of Ireland adopted the Israel approach to dealing with Northern Ireland.  Maybe that’s the wrong analogy, because Palestine is of course an independent country – albeit one with apparently no right not to have the living shit bombed out of its civillian population on the slightest pretext every six months or so.  Maybe it would be closer to Germany razing Copenhagen to the ground every year.  But then, Denmark is our friend too.  How about if, say, Serbia decided to annihilate a small neighbouring country like, erm, Bosnia for example, and to declare an all-out war on the civillian population of that country.  What would we do if Serbia did that, I wonder?

And don’t get me started on the attack on Lebanon.  Breathtakingly barbaric, and the act of a rogue nation which knows that having its crazy friend leering over its shoulder makes it absolutely immune to any kind of accountability for its actions.

The other really frustrating part of the argument is the ‘in favour of terrorism response’ anyone who disagrees tends to come up with when you express this opinion.  It’s like the Iraq war, when you voiced a dissenting opinion, being asked why you were on the terrorists’ side – a complete non-sequitur, albeit one which tended to arise in the States far more than the rest of the world.  Here the equivalent seems to be that in criticising Israel you are somehow condoning the Palestinian acts of terrorism, as if they didn’t also have to be stopped.  No, of course not, but if attacking the civillian population is bad, then it’s bad for everyone.  It’s not okay for you because you are adamant that they started it.

Anyhow, to help alleviate the suffering caused by recent acts of Israeli terrorism in Gaza, Tom Snowball from Rags & Feathers is organising a fundraiser at Mono in Glasgow tomorrow night.  The lineup is superb: Sparrow & the Workshop, Punch & the Apostles, The John Langan Band, Mike & Solveig and Tom himself will be playing, and I urge you to go along and support the cause.  Who knows, you might just have an enjoyable evening at the same time.

Punch & the Apostles – The Engineers of Salammbo

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Tom Snowball – Isabella

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Sparrow & the Workshop – Devil Song

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And yes, that’s a picture of a man carrying a dead child.  It’s actually quite serious.  Cough up.

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Pairdown – Holykyle

Pairdown

There’s something of a plain quality to this record.  It’s very straightforward, and the delivery is pretty unadorned with straining or flourish.

Stylistically, it’s a largely acoustic indie album, layered with vocal harmonies which strive more to create depth and nuance than to soar or dance.  The acoustic guitar is meanderingly plucked throughout, occasionally hinting at the insistent pace of the Dodos, but never quite going that far.  More usually, there’s an interplay between pick and strum much the same as the one between the vocals; one which creates a good depth of sound without ever feeling the need to do anything very complicated.

Drums and a little bass fill out songs here and there, but for the most part they are played with restraint, more to give a foundation than to take a front seat.  This, I suppose, not a surprise, given that the band is for the most part a collaboration between two musicians: David Leicht and Raymond Morin.

Needless to say, this kind of writing depends heavily on finding a vocal melody, or a simple guitar hook, or a more long-term rhythmic signature in order to pick the individual songs out from their neighbours.  I wouldn’t definitely say that this always happens here, but for the most part it’s pretty successful.  There is something of a lull in the middle, where I found songs like Three Coat and Spotted Eye kind of slipping by unremarked.  However, just as you think they may have run out of ideas, Burning Up a Winning Ticket and Soon You Will Flourish as a Caterer put that notion gently but firmly to bed, giving the album a very strong finish.

Because the sound is far from something you’ll never have heard before it may take a little while for this album to sink in properly.  I’ve listened to it a good dozen times or so before writing this review, and it’s only the last handful of times through that I think I’ve started to really appreciate it.  So take your time with this record and you should find more than enough to reward your patience because it is, unobtrusively, a really good album.

Pairdown – Holykyle

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Pairdown – Soon You Will Flourish as a Caterer

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MySpace | More mp3s | Buy from Sort Of Records

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Found – The Fidelities EP

Found

Found are off to play at SXSW at the moment (support them by buying this) and one of the gigs they’ll be playing there is the Hype Machine Radio launch party.  Hype Machine Radio heavily involves a friend of mine called Dev Sherlock from Blogfresh Radio, who has been about as supportive as humanly possible of  Toad Records, of the blog itself, and of pretty much all of the bands who I’ve sent his way.

Pairing up with the Hype Machine is great news for Dev, I assume, partly because Hype are becoming a pretty heavy hitters in the world of internet music and partly because they seem to be genuinely nice people.  He has also been kind enough to extend that warm, cosy cyber-hug to Found, both by inviting them to play and by including them, and my good self, on the Hype Radio show episode on this page, to go with the launch party event itself (abridged version on Blogfresh Daily).

All of this, in terms of exposure, is great news for Found, who have agreed to record a Toad Session on their return from SXSW.  In amongst all this excitement, however, they have slipped out an EP which is really rather good and has been really rather criminally overlooked, as far as I can tell.

Seven songs seems a bit long for an EP, but there are a couple of fairly short numbers – almost interludes – on there, and the whole thing clocks in at a very efficient twenty-two-and-a-bit minutes.  I have to confess that I really, really do not like Now We’ll Never Make the Playlist, but the rest of it is terrific.  The opener, Enough About Human Rights, is one of my favourite songs for ages.  The rest of the record jumps about a bit, but it’s still a very coherent piece of work.  There’s Let Fidelity Break, which could have been lifted straight from the This Mess We Keep Reshaping sessions, and the excellent, down-tempo Freaky Freaky Raving.  This Way By Design reminds be of their earlier work, actually, and its these little shifts of gear which make this an interesting EP, for me.

They don’t seem like they’ve quite decided on how they want to move beyond their previous album, and The Fidelities seems almost like they’re trying on a few things for size before they take the plunge into their next project*.  But, having said that, it’s still a beautifully packed and highly enjoyable piece of work in its own right.

Found – Enough About Human Rights

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*Disclaimer: I have no idea if this is true or not, of course.

Website | More mp3s | Buy direct from the band

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A Spot of Jeffrey Lewis Fun

I hate to be the sort of blogger who vacantly recycles people’s press releases, but once in a blue moon (which means twice in a week, this week, unusually) press releases arrive which are pretty simply a piece of information in which I am very interested and therefore assume you will be as well.

A site opened recently called $99 Music Videos, and if you can’t figure out what the central concept behind it is then shame on you.  It’s a nice idea though because I am, as you’re already well aware, becoming increasingly tired of the false assumption that art needs to be expensive.  Certainly, entertainment frequently does not need to be expensive.  This is not to deny that certain things cannot be done properly on a budget, more that I think you can achieve an awful lot with an awful lot less if you are really determined to do so.

It helps, of course, to have Jeffrey Lewis as your illustrator.  But then, I suppose that’s sort of the point – that if you have talent – genuine talent – then this should come across whatever your budget.  Anyway, this song is called To Be Objectified and will be on his forthcoming album Em Are I, due out, erm, soonish on Rough Trade.

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