Song, by Toad

Archive for May, 2009

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Fence Collective Homegame Festival, April 17th-19th 2009

I love Homegame.  Have I mentioned that before?

For the uninitiated, the Fence Collective‘s Homegame Festival is held once a year in the small fishing village of Anstruther in Fife (well, it used to be a fishing village but it seems to be largely touristy now – neighbour Pittenweem seems to be more of a working harbour).  A huge pile of Fence Records acts, bolstered by friends and neighbours, get together and play lots of gigs in the town halls, school halls and beer halls of the town, and about six hundred or so lucky punters get to go along.

There are a few things I love about this festival, so here are a couple, put as briefly as possible:
- Anstruther is small, so the festival itself has to be small, or the town wouldn’t be able to cope.
- Fence Collective music is fucking brilliant.  There will be no sets by the View, not even acoustic ones.
- It’s actually in a town, so if it pisses down you can just stay in the pub and not get wet.
- The bands themselves are all relaxed, friendly and as interested in seeing good music and getting plastered as the rest of us, which makes for a really nice, communal atmosphere.
- It’s in a seaside town so if you ever get all musicked out, you can pick up a paper, sit on the promenade and read for a bit.
- Did I mention the relaxed atmosphere?  It’s the nicest festival in the world to be at.

This year Mrs. Toad and I rented a couple of cottages in Pittenweem – we were too slow to get Anstruther – which ended up being absolutely full of bodies at the end of every gin-sodden night of debauchery.  And when I say full I mean full; every inch of floor and ever sofa or cushion covered with some passed out drunkard or other.  Fuck me it was fun. Read the rest of this entry »

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White Antelope

Robin Pecknold

Robin Pecknold is more widely known for his Fleet Foxes stuff, but he appears to have a solo project as well, covering folk songs.  To call it a solo project may be exaggerating things slightly, because there’s little evidence of this being much more than a name given to a MySpace page so he can post a couple of solo versions of stuff he just fancied recording.  Maybe not, of course, there could be more to it than that.

I’m no great Fleet Foxes fan, I have to confess.  I think they have a few utterly gorgeous tracks and a lot of pretty unremarkable ones, as far as I personally am concerned, but this stuff I really do like.  Pecknold certainly has an utterly beguiling voice, and when singing these classic old songs he imbues them with a loveliness all his own.

False Knight on the Road was originally a Fleet Foxes b-side, I believe, and I’ve included that here, along with Silver Dagger, and a couple of other versions of that song.  I’d be mildly but pleasantly surprised if there were any plans to take this any further, but it’s the kind of project which doesn’t need to be any more than this kind of small, low key exercise.  Lovely, lovely stuff.   There are a couple more to be enjoyed on their MySpace page, if these tickle your fancy.

White Antelope – False Knight on the Road

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White Antelope – Silver Dagger

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The Men They Couldn’t Hang – Silver Dagger

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Bob Dylan & Joan Baez – Silver Dagger (Live 1964)

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Toad on Fresh Air – Tuesday 12th May, 2009

Wind

It’s that time of the week once again.  At 6.30pm, British Summer Time, myself and Dylan from Blueback Hotrod will be live on Fresh Air, Edinburgh’s student radio station.  There will be no theme, no coherence and no real attempt to do anything more dynamic than just chatter about music, so please do tune in and listen to us blether.

Rather than emailing or (grrr) tweeting, I thought I might just leave this as an open thread for those who want to contribute, and I’ll add the playlist live as we go along.

Click the big ‘Listen Live’ button on this page to tune in, between 6.30pm and 8pm tonight.

01. The Bluetones – Glad to See You Back Again
02. James – Sound
03. Emily Scott – Pageant Queen
04. Frightened Rabbit – Old Old Fashioned (Live)
05. Kid Canaveral – Teenage Fanclub Song
06. Popup – Lucy, What are You Trying to Say?
07. Blur w. Francoise Hardy – To the End
08. Gene – Dolce & Gabanna or Nowt
09. Meursault – Hard On (Charles Latham Cover)
10. Charles Latham – Nite Man
11. Withered Hand – Religious Songs
12. Boo Radleys – Almost Nearly There
13. White Antelope – Silver Dagger
14. Cancel the Astronauts – I am the President of Your Fanclub and Last Night I Followed You Home

Cheers, see you next week at the same time.

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Jesus H. Foxx – Matter

Jesus H. Foxx

When I first heard about Jesus H. Foxx, they were the haircut band support act of choice in Edinburgh, and pretty much the only purveyors of spiky indie punk pop in the city.  That particular niche seems to be quite well inhabited these days, even as the Foxx themselves are leaving it behind.

This EP is very short, very very good, and a hell of a lot more than the slightly one-dimensional band I had rather hastily pigeonholed Jesus H. Foxx as being.  The jerkiness remains in their staccatto percussion and tendency to shift rhythms at surprising times, but these songs are a lot more enigmatic than anything they’ve done before.  There is brooding atmosphere of experimentalism underlying most of it, rendered almost animalistic by the constant thud of the drums.

Occasionally this atmosphere is burst with a flood of unexpected vocal harmonies, or sometimes a caramel guitar riff*.  This breaking back and forth from the easy to the difficult, and the unsettling to the sugary is what makes this such a good EP.

Another thing is the perfect sequencing.  It kicks off with Oh Messy Life, at under a minute, before smacking us round the chops with I’m Half the Man You Were, the obvious pop song, if you can say that there is one, on this record.  To end, we’re given the crunching Xa Xa Xa, followed by the mellower leave-taking of Matter, which deposits you gently back where you were when you started.  This is, make no mistake about it, a really really nice bit of work, and a very promising new direction indeed.

Jesus H. Foxx – Trying to Be Good

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Jesus H. Foxx – Tightt Ideas (single from 2007)

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MySpace | More mp3s

*Yes, I know I know, what the fuck does that mean.  It’s related to the perfection of the surface of caramel – shiny and clean, but with all that sweetness underneath.  I’d have changed it if I could think of a better word, but I can’t.

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King Creosote – Flick the Vs

Flick the Vs

Well it’s taken me a while to come to this conclusion, as you can tell by the monumental lateness of this review, but this really is a bloody gorgeous album.  It seems that the King’s brief excursion back to Fence Records last year has informed a lot of this.  Last year he released the excellent They Flock Like Vulcans… which was shot through with fuzzy, lost techno beats and crackling low-fi electronica.  It was a meandering record of half-finished ideas, some great and some a little obscure, but it seems to have set the scene for Flick the Vs, in a sense.

There’s no doubt about it, though, this is a tight album.  Rarely is it as playful as previous work has been, but the loose experimentation of Vulcans has been reigned in to produce a short, sharp record of coherent songs with not an inch of flab on them anywhere.

I am not in love with all of it, however.  Songs like Coast on By seem to be a hangover from the pop excursion of Bombshell and, whilst I liked Bombshell, that approach seems slightly at odds with the rest of this particular album.  Then again, had he not included it I might well have been complaining about the pace not being varied enough, and you can’t have it both ways.  This particular song, simply, doesn’t really appeal to me.  Camels Swapped For Wives, on the other hand, could also be a Bombshell song, but it’s one which works really nicely in the context of this record.

For the most part, however, this is the wry, melancholy King Creosote we all know and love.  In amongst the whispers of distorted electronics are simple acoustic ballads, giving the record a really nice balance of textures.  Most importantly, however, this album contains an obvious handful of King Creosote classics.  No-one Had it Better is an outstanding opener, Nothing Rings True is aching, Rims is bizarre, but brilliant, No Way She Exists… it goes on.  Not bad for an old timer.  I’m not sure why it took me a while to get used to though, but it definitely did.  I got there in the end, though.

King Creosote – No One Had it Better

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King Creosote – Nothing Rings True

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Website | More mp3s | Buy from Domino Records

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Trembling Bells – Carbeth

Trembling Bells

I mentioned these chaps ages ago, and now it is time to properly review the album, rather than simply acting all excited because something came from nowhere and blew up all over my inbox.  I’ve actually given the album a bit of a break since then, but sticking it on the stereo once more it is still a thundering bloody joy of an album.

There’s something, I certainly will confess, slightly preposterous about Carbeth.  It’s probably due to the exaggeratedly anachronistic sound, so strongly reminiscent of last 60s/early 70s psych folk.  It’s just so unashamed in placing itself in that era, my first thought was a somewhat incredulous ‘Are these guys serious?

Maybe that’s why I love this album so much, though.  It knows exactly what it is, and proceeds to cavort about the place and flaunt its eccentricity with such carefree abandon that I end up just giggling at its cheek and turning the stereo up really fucking loud, just to enjoy it all the more.

Seeing them live, the engine room of this band is Alex Neilson, the drummer.  I was at one of their first live shows, so they may well have evolved a little since then, but he seemed like the only really obvious performer of the group at the time – the one most likely to become the focal point which I felt their live show needed, just to hold things together.  Listen to the record, and Lavinia Blackwall’s gorgeous vocals (she’s also in the brilliant Pendulums), and the guitar of Ben Reynolds come more to the fore, helping to create that swirling euphoria as the songs build to climax.

I know it’s unlikely to ever be a fashionable album but, honestly, I think this is superb.  It actually makes me want to be a hippy, dress in Laura Ashley and take a shitload of mushrooms.  Alright, maybe only the latter, but it really is good.

Trembling Bells – The End is the Beginning Born Knowing

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Trembling Bells – Willows of Carbeth

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MySpace | More mp3s | Buy from Honest Jon’s (no, not a used car dealer, a record label)

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Live in Edinburgh This Week – 10th May 2009

IKEA is a Bastard

My liver is grateful for the small mercy which is the relatively empty Edinburgh gig calendar this week.  Last week was rough.  The Song, by Toad party was a heavy one, and then Broken Records the next day was just total carnage, so an easy week of video editing and IKEA furniture assembly will be most welcome.

Meursault are embarking on a mini tour of the North of England this weekend as well.  I started trying to book them a tour myself, and soon realised that it would need far more time and experience than I myself actually had.  So I stopped, consolidated what we had, and decided that it was far more important to get them a booking agent instead, so the job could be done properly.

Still, if you happen to live in those parts, then you can catch the boys live at the Mad Ferret in Preston on Friday 15th, at the Head of Steam in Newcastle on Sunday 17th and The Library in Leeds on Tuesday 19th May.  There’s a couple of other dates too – The Slaughtered Lamb in London on the 25th May, and Fuel Cafe in Withington, Manchester on 2nd June.   Jolly.  Fucking.  Good.

Monday 11th May, 2009: The Balky Mule, Over the Wall & Art Fag at the Bowery.

I veer somewhat on The Balky Mule – they have undoubtedly got some excellent songs, but occasionally I find my attention wandering a lot.  Perhaps the music can be a tad dry and chalky for me at times, but for the most part their slightly eccentric blend of acoustic and electronic is really quite fascinating.  Over the Wall are just exuberant pop fun, and Art Fag will be beepeing and howling their way through only their second Edinburgh set ever.
The Balky Mule – Wireless

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Monday 11th May, 2009: Devon Sproule at the Voodoo Rooms.

She might be a tad country for you – at times she is a tad country for me – but Devon Sproule’s music can be dusty and gorgeous in its own quiet way, so this could well be worth investigating.
Devon Sproule – Eloise & Alex

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Saturday 16th May, 2009: Randan Discotheque, The Stormy Seas & White Heath play Trampoline at the Wee Red Bar.

I haven’t actually seen a full live set by White Heath yet, but they tend to build from vaguely Balkan folk beginnings to a full-blown indie pomp carnival over the course of a song.  This will also be a first opportunity for me to see the Stormy Seas in full voice, so I’ll be looking forward to what I will pigeonhole as Scottish folk rock until I have seen them and have a better idea what I’m talking about.
White Heath – When the Watchmen Leave Their Stations

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Toadcast #68 – The Leprecast

Toadcast

Me and the missus are rambling away together on this one.  It’s largely new music, bookended by a couple of more well-known things.  We Invent a new term – a weird combination of food and sex called culiniungus.  We offend the Irish and the Scots.  In fact, we are as offensively and predictably us as you could imagine.

We were out and totally smashed at the Broken Records gig at the Bowery yesterday, followed by some hot Sneaky Pete’s action.  There are some disastrously embarrassing pictures here, if you want to point and laugh.  The gig was amazing.  I knew a group like Broken Records would be amazing in a small space like that, and so it proved.

I had to do some very pointed Standing Up though, which was fucking annoying.  What the fuck is it with people, sitting down at fucking gigs?  If the room’s empty that’s one thing, but the room was full, people were on tiptoes up the back, and this shower of cunts insisted on sitting on their fucking arses down the front, protecting a meter and a half of empty floor space between them and the band.  So, as Mr. Discreetandtactful, I went and stood in front of them.  Fuckwits.  The band did get everyone on their feet after a song or two, which was a fucking relief, but honestly… it’s rock ‘n’ roll bitches, get up off your fucking hippy folk arseholes and stop acting like the Chipping Sodbury Chapter of the National Union of Knitting Champions.  It’s not, to paraphrase a friend of mine, the fucking Teddy Bears’ Picnic.

This delightful little anecdote does have a darker side, however.  Some lass tugged on my sleeve to ask me to sit down during the first song, and I attempted to politely but firmly say no thank you.  Unfortunately I may have succeeded more at the latter than the former, and ended up just being rude to the woman.  Who was very pregnant.  Well done me.  Picking fights with pregnant women isn’t really all that clever, is it.  So, er, sorry pregnant lady, I didn’t mean to be quite so terse, nor did I mean to imply that you should just stop moaning about your baby and stand up.  But then, you can’t really expect to sit two metres back from the stage and object to anyone standing in front of you either, because that’s just silly.

Oh, and we met Peej, a reader from New York, who was in town for the week and said hello.  He was a really nice chap, so why he reads this fucking site is a mystery, to be honest, but it was brilliant of him to say hello, and then to put up with our drunken stumbling later on as well.   Sometimes I love teh internetz.  Not times like this of course, but sometimes.

Toadcast #68 – The Leprecast

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1. Joy Zipper – Dosed & Became Invisible (01.40)
2. Love Like Fire – William (08.37)
3. Rock Plaza Central – O Lord, How Many are My Foes (13.17)
4. Animal Magic Tricks & Neil Pennycook (17.24)
5. Ambulances – Last Old Fiver (24.45)
6. King Creosote – Camels Swapped for Wives (27.11)
7. Jesus H. Foxx – I’m Half the Man You Were (33.51)
8. God Help the Girl – Act of the Apostle (44.15)
9. The Limes – Dead Furniture (46.47)
10. The Pogues – Night Train to Lorca (58.06)

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Five Fucking Friday Filibustering Blue Lobsters

Lobster

Well as you read this I will be in a day-long meeting with one of Proper Job’s most important clients.  The product, about which I really can’t divulge all that much, is a really interesting one.  It’s one of those things which may well in some form be essential in about five years time but at the moment is really rather embryonic and still basically on the drawing board.  It makes for a very interesting day’s work however, albeit a very argumentative one.

So whilst I am choking on shit sandwiches and bursting with excessive coffee intake, please sit back, relax, gently stroke your mouse and fire in your five frivolous Friday fuckwitticisms.  It’s not about being first, funniest or anything like that, just chip in.

Tonight there will be monumental levels of drunkenness for myself and my darling girl Mrs. Toad.  We are going to the Bowery to see Rob St.John and Broken Records singe everyone’s eyebrows with all sorts of raucous nonsense.  Well, maybe not Rob.  But he’ll still be good, I can promise you that – I’ve never sen Rob play live and not been impressed.  Broken Records will be different.  In a room that small they might just make your ears bleed.  I, for a change, will not be reviewing or filming or anything like that.  Mrs. Toad and I will be down the front enjoying ourselves and nothing more.  We will be drunk, we will be grinning like fools and staggering about like muppets and in general we will be warming up for a splendid weekend.  There are still tickets available, should you want to join in, just swing by the City Cafe some time tomorrow.

Now, in case you were intending to be so foolish as to attempt anything productive on a Friday, stop right now.  Before you go any further do you love me.  Will you love me forever; do you need me?  Will you… oops, sorry, that was a Meat Loaf lyric.  I’ll stop.  Right now.  Delurking is required, and the filling in of five of the most frivolous answers you’ve ever produced in your life.  Have a good weekend, Toadlings.

1. Best blag you’ve ever pulled off.
2. Most fortuitous ticket.
3. Biggest waste of an expensive ticket purchase.
4. Most unexpected brilliant day.
5. Forced participation which actually turned out okay.

The Decemberists – Mariner’s Revenge Song

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The White Stripes – I Want to Be the Boy to Warm Your Mother’s Heart

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Fanfarlo – Fire Escape

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The Men They Couldn’t Hang – Island in the Rain

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Barenaked Ladies – One Week

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Scottish Internets A-Buzz With Music

Map of the Internet

There seem to be a lot of things happening on the internet in and around the Scottish music scene at the moment.  This is nice, because for a while it seemed like the only real participants in McMusic 2.0 were the old stagers like myself, 17 Seconds, The Vinyl Villain, The Pop Cop, And Before the First Kiss (RIP for now) and Manic Pop Thrills.  We can welcome a couple of new sites to the fold as well, in the form of The Steinberg Principle, Across the Kitchen Table and Scottish Friction.  There are the more venerable organs such as Is This Music? and Jock Rock as well, but it seemed like ages since we’d been fed any fresh meat.  There are a few others run by professional journalists, such as Spins ‘n’ Needles, Broon’s Tunes and Lots of Random Words, but they seem for the most part to be places to store their writings for other people, rather than sites with a focus of their own.

It’s all quite old school though: essentially the text from what would have been a magazine or a fanzine of days gone by has simply been moved to the internet which, although it’s an improvement in many ways, is hardly revolutionary.

There are two reasons I think that a lot of this isn’t quite stretching the internet to its full capability just yet.  Firstly, community.  One of the key things the internet can do which traditonal media could never do is to build a community out of the readership who actually get to participate in the project itself.

Some of the blogs mentioned above, and this one as well, go some way to achieving this sense of community.  The Vinyl Villain is probably the best I can think of, in terms of bringing disparate people together and letting them become friends simply by virtue of reading the same website.  It’s not an easy thing to do, and JC has done it very well indeed, but the undisputed kings are the Fence Collective, whose web presence has really helped cement the community of musicians and fans together.  It probably wasn’t really intended to be when it started, but their Beef Board is a masterpiece of Web 2.0 savvy.  And this from a label that doesn’t even sell mp3s.

The other thing which most of the sites mentioned so far really lack is any kind of multimedia.  I am trying, but a look at the BBC’s Homegame Sessions shows you what I mean.  Since the iPlayer they are pretty much the masters of this universe as far as I can tell, and a splendid example of how to bring together print, video and audio in one fairly seamless package.

Recently there have been some new additions to the tartan interwebs, however, which promise to help push us collectively forward a little.

Off the Beaten Tracks – with whom I have collaborated on a couple of Homegame Sessions – is offering live video sessions and band profiles, exploiting the rather amazing Edinburgh architecture to create some really distinctive videos.  The Malcolm Middleton ones from Homegame can be seen here.

Glasgow Podcart – this is more of an arts and music blog, giving it a broader scope, which I like.  They combine their visual, written and podcast material really well.  This is a bit more Web 2.0, if you ask me, although they shower this train wreck of a site with compliments in this episode, so their judgment does seem to leave just a little to be desired.

Products of a Gaseous Brain – Milo will be shocked rigid and make protestations of amateurish bumbling when he sees me put him forward as an example of what a blog can and should be.  It may be rough, but there’s video, podcasts, writing, reviews, random bollocks and everything.  Apart from one unfortunate error, where he interviews yours truly on his podcast, this is a consistently excellent site.

So there we go, things are starting to move forward in this part of the world.  It’s good too, because these new ventures should spur on those of us who have been around for a few year now to do better and more interesting things.  It’s all about ideas these days, and there are some very good ones knocking around at the moment.

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