Song, by Toad

Archive for December, 2009

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Toadcast #99 – The Decade

ten post Before you break out into a cold sweat about having to sit through another list of the best albums of the decade, don’t worry, this is not one of those.  Although most of these songs would be there or thereabouts if I were actually compiling a favourite songs of the decade list, that’s not why they’re here.

Basically, rather than try and rank anything against anything else, all this is is a meander through the last ten years and me chattering about how my relationship with music has changed and what sort of stuff I was into at what times of my life.

Basically, this is the soundtrack to a perfectly normal, albeit enthusiastic, music fan’s descent into full-on deranged internet mania.

Toadcast #99 – The Decade

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01. Eels – A Daisy Through Concrete (04.09)
02. Goldfrapp – Pilots (10.04)
03. Grandaddy – The Crystal Lake (14.17)
04. Lift to Experience – To Guard and to Guide You (23.13)
05. Interpol – NYC (30.46)
06. Tom Waits – Kommienezuspadt (34.57)
07. The Decemberists – Red Right Ankle (40.41)
08. The Walkmen – The Rat (44.06)
09. The Mountain Goats – Dilaudid (51.20)
10. Broken Records – Lies (Demo Version) (57.07)
11. The Savings and Loan – Christmastime in the Mountains (64.11)

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Friday is Falling Down Five Flights of Stairs

hamster I am stumbling towards the Christmas break like a punch drunk boxer dreaming of the bell.  I made up my to-do list for the rest of the year and it’s pretty fucking terrifying.  Still, time spent in France with my Mum fussing like a bloody mother hen and being determined for Christmas to be just so and me ruining it by being rude and too busy to be festive.

There tend to be some musical disagreements in our house around Christmas time.  Mum likes her festive shit, even if it is bordering on being a parody of itself at times.  I like what I consider to be relaxing music – that downbeat, morose stuff which is both warm and comforting.  Stuff like The Willard Grant Conspiracy, Micah P. Hinson, Leonard Cohen, that kind of stuff – The Boatman’s Call by Nick Cave is a favourite, for example.  Not for Mum, though, it seems.

So we both have pretty definite ideas of what kind of music should be played around Christmas time, but it just happens to be in total opposition to the other’s.  The difference being, of course, that I am right and she is not.

Last week we had the top five songs vote, probably just shaded by something by Withered Hand, but I’ll do all the proper counting before the new year and make some grandiose declaration of electoral triumph.  Which leaves this week for us to vote for our favourite album of 2009.  So that’s all the Friday Fives are this week – just list your favourite five albums released this year.  And for anyone wondering, voting for The Low Anthem is just fine, if that’s one of your favourites primarily because I can’t be arsed splitting hairs about self-releases, re-releases and all that other shit.  So please de-lurk and say hello and have a vote – these things are always more fun when more people join in.

Meursault – Salt Pt.2 2008

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Grinderman – No Pussy Blues 2007

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The Veils – Not Yet 2006

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The Decemberists – We Both Go Down Together 2005

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Nick Cave & the Bad Seeds – Cannibal’s Hymn 2004

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Waiting For it to Hit Home

christmas Hmmm.  I am not a big fan of Christmas, really.  Which is not to say that I don’t enjoy it, because I do, more that there are a million things about the season which fucking irritate the living shit out of me.  A simple example would be the appearance of Christmas decorations in shops in October; that annoys everyone, I know, I am not claiming to be unique here.  High Street Christmas is an ungodly shitfest of an invention, and the less I have to do with it the happier I am, generally.

Then, on the other hand, there’s actual Christmas.  There’s the dark and the cold, both of which I love, funnily enough.  Then there’s the quiet evenings with family and all the food and watching the Back to the Future Trilogy one after another and all that sort of stuff.  Hell, I even kinda like the decorations.  I really like that Christmas.

The thing is, the first, shitty kind of Christmas starts really early so it’s basically the only kind of Christmas there is available for the best part of two months.  Then, at some undefinable point, Proper Christmas quietly takes over and the whole thing becomes very pleasant indeed.  My Mum’s already been in touch to ask what kind of things we’d like her to cook when we get to France on Christmas Eve.  Christmas trees are available everywhere, and for some reason I really like Christmas trees.  So it’s starting: actual good, decent proper Christmas is starting to rear its head, but it’s not there yet.

For some reason I am still waiting to actually feel at all Christmassy.  I suppose the contradiction of despising the high street at this time of year is that if you boycott it entirely, which we have, and if you make no actual Christmas effort yourself, which we haven’t, then you end up just a little short of the cues to trigger that Christmas feeling, which their relentlessly avaricious Yulery tends to do whether you like it or not.

So I think that at some point, probably towards the end of next week when everyone in the office stops even pretending and I start to feel a genuine panic at not having bought my bloody mother anything, I will start to feel that warm, restful, bosom-of-the-family kind of Christmas feeling, but it hasn’t happened yet.  I can see Christmas starting to happen all around me, but for some reason I am still waiting to actually feel like it’s Christmas time.

Nick Cave & the Bad Seeds – Right Now I’m A-Roaming

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Lift to Experience – Waiting to Hit

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Toad New Year’s House Gig

New Year's Party copy

This new year Mrs. Toad and I will be avoiding the crowds in the centre of town.  We will be doing this for two reasons: firstly, because we’re a pair of antisocial misanthropes and second, because we will have a guest from the States who would like to do something musical.

The result?  The third Toad House Gig, this time going head to head with the nation’s most powerful promoters on the biggest party night in the world – bring it on, bitches!  Actually, we just wanted to avoid the mayhem in the centre of town, and this seemed to be a much more relaxed and congenial way to spend the night.

The gentleman in question is Jon Rooney of the excellent Virgin of the Birds, who have released two free EPs so far this year on Abandoned Love Records.  He will be playing, we will be filming, and it will all be broadcast over the internet as with the other house gigs, although hopefully in somewhat better resolution this time.

Also playing will be Jamie from Broken Records, with a solo acoustic set.  I’ve not seen Jamie play a stripped down set since he very kindly played a couple of songs at the first Toad Christmas Party last year, so I’m really looking forward to this.We’re going to make sure the music goes on fairly early, so anyone who wants to go on somewhere else for the fireworks (which you can see really clearly from Inverleith Park, just near ours, assuming the weather’s nice) can get there in plenty of time, and also so our musical pals can do some serious drinking of their own if they want to.

As usual, we’ll be asking for a fiver from each of you in order to pay the artists.  All of this goes straight to them, so you needn’t worry about your hard-earned cash being siphoned off by an unscrupulous parasite like myself.  And we’ll even treat you all to a glass of champagne at midnight too, if you like.  As it’s New Year, and as we really have no idea of numbers, I’d really like it if you could buy your tickets up front on this one.  It could be really busy, but I’ve really no idea, although if we do sell out (40 tickets, max) then there will be no exceptions.  It is our house after all, and it could turn into chaos if we’re not careful.  Purchase link below, please shop responsibly.

Broken Records – Wolves (Toad Session)

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Virgin of the Birds – Lessons Learned in Turkish Valleys

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New Meursault Singles Out Today

WHM1-DirtRoots Meursault’s new singles are out today, and have been awarded Single of the Week in Drowned in Sound (thanks Wendy!) and have also been nominated for Single of the Week on The 405 (go here to vote, and please do because, erm, who the fuck are Frankie & the Heartstrings, no disrespect intended).

These singles are released on a pair of clear vinyl 7″s, with the really rather gorgeous artwork having been done by Chris from the band, and frankly I think they look fantastic.

The songs themselves, however, had a slightly more uneasy ride.  The tracks on this release are the album versions of The Dirt & the Roots and A Few Kind Words as double A-sides with new recordings of William Henry Miller Parts One and Two respectively, and the first time I heard those new recordings I was rather taken aback.

KindWords-WHM2 Everyone who knows these songs already will know the incredibly sparse acoustic versions from the Nothing Broke EP, but these are a totally different proposition.  Slowed down (in the case of Part 2 almost to a standstill) and incredibly densely layered, they take full advantage of new band memebers Phil Quirie on electric guitar and Pete Harvey on cello.  There are guest vocals provided by Bart from eagleowl and Dan from Withered Hand, and the results may be a shock to the system for fans of the acoustic versions.  As Neil said when he first played them to us: “I thought I’d finally written a song you really didn’t like.”

Give it a few weeks, however and these bloody singles are never off the stereo in Toad Hall.  William Henry Miller Part Two, became a favourite pretty much instantaneously – in fact it’s just about my favourite song of the year.  There’s something about the wailed vocals, rhythmic piano and the truly stunning layers of cello which I just can’t stop listening to.

Part One took a little longer to get used to.  To a degree it sounds like the version from Nothing Broke has had a stroke; the beginning is all thick and slow, a mile from the jaunty handclaps of the acoustic version.  Somehow though I find myself preferring this one these days.  I don’t know why, but I think it’s because there’s just something odd and unsettling about it now.

It’s funny how the two new recordings seem to fit with the songs from Pissing on Bonfires/Kissing With Tongues as well.  In terms of clearing the decks for the new album and drawing 2009 to a close, these singles seem about perfect.

They can be bought as a pair or individually from the Song, by Toad Records site, recently given a very, very snazzy redesign by Andy from Nonimage.  Preview pretty much all of these on the Meursault MySpace page if you like, and digital versions are available from the likes of iTunes and Amazon mp3 as well.

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Bombadil – So Many Ways to Die

Bombadil are a fucking lovely group of guys, and they just emailed me through their first music video.  I’ll be honest, I’ve seen more polished productions in the past but frankly it’s such a good song that I just don’t care.  Listen and enjoy.

If you want to hear or read a little more, we interviewed them at the Pickathon Festival a year and a bit ago.

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Live in Edinburgh This Week – 6th December 2009

edinburgh-christmas Mrs. Toad and I held our annual Christmas party on Saturday and I still feel wrecked.  Fucking hell, that was some bash.  I think the last gin and tonic was poured at something like half eight in the morning; I was like a zombie yesterday.  Funnily enough, the cleaning up wasn’t really too bad, because basically most of it just went in bin-bags and the rest in the dishwasher.  Still, I still have that kind of dazed feeling you get after these things.  Mental.  I think we deserve some sort of prize for truly epic parties after this one.

So, time for a nice gentle week this week I think, so I can recover nicely.  What’s that you say?  No fucking chance?  No, thought not.  This is December after all, and this week might the craziest of the lot.

Oh, and on Saturday we’re recording a Toad Session with eagleowl which is, frankly, brilliant.  Clarissa’s double-bass rumbling through our living room might just scare the shite out of the cafe downstairs though!

Tuesday 8th December 2009: Deerhoof at the Bongo Club.

Deerhoof are a bizarre combination of the tuneful and the fucking insane.  Christ knows how that’ll translate into a live performance I have no idea, but I’m fascinated.

Deerhoof – Chandelier Searchlight

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Wednesday 9th December 2009: Broken Records, Withered Hand & Jesus H. Foxx at Cabaret Voltaire.

After another crazy year, Broken Records return to play their first Edinburgh show since the Festival.  A small venue like Cabaret Voltaire should give this an amazing atmosphere.  When Broken Records go mental they really go mental, so come prepared to go berserk with them.  And with Withered Hand and the Foxx on the bill as well, this has turned into something of a showcase of Edinburgh talent.

Broken Records – Nearly Home

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Wednesday 9th December 2009: Alastair Roberts & Benni Hemm Hemm at St Mark’s Unitarian Church.
Well I don’t know what to tell you about this, but I believe it is going to be a collaborative evening rather than a straight up two-band bill.
Stuffs

Friday 11th December 2009: eagleowl Single Launch at the Bowery, with Dan from Withered Hand & Jill from Sparrow & the Workshop.

Eagleowl* are launching both their new single Sleep the Winter and their new record label Kilter at this show.  The single itself is fucking gorgeous, frankly, and I can’t wait to see both Dan and Jill as well.  Having only seen either of them play with full bands recently it will make for a really lovely evening – the perfect pace for pre-owlage.

eagleowl – Know by Now

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Saturday 12th December 2009: Song, by Toad Christmas Party/Last Night at the Bowery with Jesus H. Foxx, Inspector Tapehead, Rory Sutherland, Thomas Western & Rob St. John.

The Bowery is closing, the bar must be emptied and the tunes are fucking amazing.  Apart Edinburgh newcomer Tom Western, a special set by Rory from Broken Records and an sadly rare (curse you, Oxford!) performance by Rob St. John we will have full sets by Toad Records heroes Inspector Tapehead and Jesus H. Foxx.  I’ll be there for mince pies and some mulled wine earlyish so feel free to come along too.

Inspector Tapehead – A Fillet of Banjo

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Saturday 12th December 2009: Trampoline All-Day Event at the Wee Red Bar.

Euan has put together an amazing lineup of unsigned talent for this all day bash at the Wee Red.  It’s amazingly cheap too, at a mere five pounds for normal people and three for either students or those intending to come on to the Toad Night at the Bowery later on.  Bands playing include Debutant, Jonnie Common, Conquering Animal Sound, Mitchell Museum and the Scottish Enlightenment so for those who don’t fancy our Christmas Party (cunts) this is the perfect alternative.  Or for those who want to start their revelling early, of course.

Mitchell Museum – Take the Tongue Out

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*It’s the start of a sentence, so it gets capitalised – deal with it.

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2010 in the world of me.

future [Welcome back to Euan's monthly column on Song, by Toad.  This is all running a bit late due to a somewhat apocalyptic levels of drinking at our Christmas Party last night, so apologies.]

Whilst I have your attention, I might as well do some self promoting. So I’ll take this opportunity to tell you all about what’s happening in the world of me in 2010.

Firstly, and as most of you may already know, The Kays Lavelle’s debut album, entitled ‘Be Still This Gentle Morning’, is due for released on Wiseblood Industries in the first quarter of next year. It’s an album that, for the most part, has been recorded by Neil Pennycook of Meursault. I am very excited about it but, if I’m honest, relieved that the process is nearing an end. Due to the pressure of being in Meursault Neil’s time has become far too scarce and precious to finish the record and we have been working with Alex Fenton (Fentek Audio) to get everything completed. I am pleased to say we’re almost there. It’s been a long and lonely process at times but I cannot thank Neil enough for his advice, enthusiasm and commitment to the project from the beginning and Alex for making sure we see it through to a conclusion soon. Both of them are stars. There is no official release date as yet, but it will likely be April, if things go according to plan.

On top of the Kays record, I have a number of tunes lying about, which I plan to release under my own name as a solo EP. This EP is tentatively titled ‘Memorials’……cheery, I know……and recording should take place soon enough. Again, no idea when this will be coming out, but it will be 2010 sometime, that’s for sure. Recording this with Fraser from Small Town Boredom.

Then there is the project I am working on with Heidi Kuisma of We Sink Ships, which is very exciting. Heidi took 4 sets of pictures, 6 pictures in each set, which I am now in the process of putting music too. I am going to be working with Jamie from the Japanese War Effort on these pieces and maybe Bart Owl too if time permits. All the pieces are going to be “produced” by Paul Elam, better known as Fieldhead and then we’re going to put all the music together, package it up with the 24 pictures and release it. Not sure whether it will be on Wiseblood or mini50 as yet, still to be discussed. But the project is an exciting new way to work for me and one I’m really enjoying. The chance to work with Jamie and Paul is also very exciting given how much I respect them as artists.

Moving on to mini50. We are going to be releasing a number of records in 2010. First up is likely to be the debut album from Russell Kostulin, better known as the artist formerly known as Team Turnip. Now known as Mammoeth’s his debut album will probably be coming out around about the same time as the Kays record, though dates still need to be finalised.

Also the “Best of Trampoline, Volume 1” will be coming out on mini50 in 2010. Featuring artists such as The Japanese War Effort, eagleowl, Little Pebble, Rob St John, White Heath, Woodenbox and many more, this cd will feature 20 artists in total. Each track will either be a unique track written specially for the project or a live track that is unlikely to be used for any other purpose. It’s going to be cool. And hopefully, in terms of best of releases, a little different because the artists took the time to do something different on purpose. Also coming out on mini50 will be the live cd we recorded of performances during the festival in 2009. This will feature tracks from The Kays Lavelle, Adam Stafford, Woodenbox with a Fistful of Fivers, Lovers Turn To Monsters, Shenandoah Davis, Jonnie Common, Conquering Animal Sound and The Japanese War Effort. It should be ready to run soon. Keep an eye out at http://mini50records.wordpress.com for more info.

We’re also in the process of talking to a couple of Edinburgh artists about releasing their work in 2010, one of which is my absolute favourite band of the moment Conquering Animal Sound. Discussions have started about mini50 and CAS releasing something in 2010. So again, keep your eye out for that on the blog, as well as news on other artists and projects as well. Small tentative steps, but I’m very excited about the artists we could be working with in the near future.

And finally, there’s Trampoline. Well you all know about the December 12th show, or you should do. I have no doubt that Matthew will promote it like crazy next week despite it clashing with his own Toad xmas party. January will see How To Swim, Over the Wall and Thomas Western grace the Trampoline stage and I am confident that the mix that having Michael, Dav and Matty on board will bring is going to make 2010 the best year for Trampoline yet.

Thanks to everyone for all their support in all my projects. It means a lot. You all know who you are.

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Euan’s Top 10 of 2009

GoldMedal[Welcome back to Euan's monthly column on Song, by Toad.  After (sort of, not really) telling me off for weaseling out of doing a Favourite Albums of the Decade list, here he presents his own.]

You know, I was planning to reveal my top 10 albums of 2009 on my own site, then I decided, where better a place to post my top 10 than on Matthew’s page. Given the indifference that my top 50 of the decade seemed to spark amongst his readers, I thought it would be worth doing my top 10 on Matthew’s page for one simple reason. I don’t think they will be 10 records that either Matthew or you as readers would choose. Maybe I’ll introduce you to something new. Maybe not. But I really do see a point to these lists. Just like I see a point to music journalism in general. As I said, to dismiss an exercise like this with comments like “I just don’t care” would seem foolish given the blog you are using in the first place. I care about Matthew’s top 10/20. And that applies to most lists. I even read, in its entirety, the NME top 50 of the decade.

Top 10 lists for a particular year perhaps have less significance? I don’t know. I was just thinking the other day that what’s so appealing about a top 50 or 100 of the past decade are the personal reasons for the choices. Why was Yankee Hotel Foxtrot my number 1? Why will it not be Matthew’s? It’s fascinating. And something I really do enjoy at this time of year.

Anyways, you can check out my top 50 of the past decade over at www.thesteinbergprinciple.wordpress.com if you can be bothered. In the meantime, my top 10 records of 2009 would be, in no particular order:

Withered Hand – Good News
J Tillman – A Year In The Kingdom
Fieldhead – They Shook Hands For Hours
The Antlers – Hospice
My Latest Novel – Deaths and Entrances
Miles Benjamin Anthony Robinson – Miles Benjamin Anthony Robinson
The Builders and The Butchers – Salvation Is A Deep Dark Well
Sufjan Stevens – The BQE
Wilco – The Album
Peter Broderick – Music For Falling From Trees

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Toadcast #98 – Randomness

Random PostI get an awful lot of stuff in my inbox.  When I get jaded and fed up it seems like a bit of a burden, in all honesty, like I owe it to every band and every publicity monkey who ever gets in touch with me to give them complete attention and the time to let the music sink in and all these things which just aren’t possible.

Sometimes, though, I get in the right mood and having an inbox full of bits and bobs is an indulgent treat.  This week is one of those weeks, where I am enjoying pottering through my inbox and having a listen to this and that and basically, it’s just a bit of a treat.

So, after weeks of structured and themed stuff, this week I am basically playing whatever the fuck it is I fancy.  No theme, no plan no goal and no coherence in particular

Toadcast #98 – Randomness

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01. Stanley Brinks – The End of the World (01.42)
02. Tune Yards – Hap-B (08.09)
03. eagleowl – Laughter (17.00)
04. Stringjammer – Long Road Home (19.45)
05. Eels – Little Bird (26.09)
06. Fang Island – Daisy (31.32)
07. Candy Claws – Island Grows (41.30)
08. Animal Collective – Bleeding (43.41)
09. Dylan in the Movies – Josephine (52.53)
10. Clues – Perfect Fit (61.20)

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