Song, by Toad

Archive for February, 2010

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Trustifarian Fannying About, or Actual Heartache?

I get cynical about a lot of things, not least of which is the large number of new shops which seem to open up on certain streets and then inevitably shut down within about six to eight months.  Particularly in places like St. Stephen’s Street in Edinburgh there seems to be an endless supply of shitty little tat shops, which open with champagne and strawberries, and to whose opening all sorts of ladies wot lunch totter along to sup on the stairs and congratulate Jocasta or Poppy or whoever the fucking hell it is taking their turn pouring money down the fucking drain this particular quarter.

When I get really cynical, I walk past these shops as they open and think things like ‘what, a shop dedicated to nothing but organic babyfood and bits of wooden shit which only adults think pass for acceptable toys – have you considered any sort of market analysis beyond sitting around at a coffee morning with your fucking braying yahoo friends and everyone telling you how mahhhhvellous it’s going to be?  Well?  Have you?’  And then the fucking place inevitably goes broke in a few months and I find myself getting incredibly fucked off because what the fucking hell did you think would happen?

It annoys me, more than anything else, because of the sheer waste of it all; all the resources and money that go into ventures so obviously doomed to failure.  And then it annoys me because of how often these things seem to be started by Yummy Mummies whose minted partners pay for them to open a little boutique in a sort of condescending, ‘nice job for a girl, but not a serious legal/financial/medical job like a chap would do’ sort of manner or, alternatively, some trustifarian fuckwit who has never really needed the money anyway because Mummy and Daddy are rich enough to fix Haiti if they cared to think about it for a second and if and when the thing bloody fails it’s really no skin off anyone’s nose anyway.

And then I take a deeeeeep breath, make just a little effort to get the damn chip off my shoulder, and try to repress my angry inner anti-privilege instincts.

You see, this kind of thing annoys me in the ways described above because of where I live now.  But it used to annoy me for rather different reasons: because of actual, genuine concern.  I first started to notice it when I lived in Manchester, and to a degree it is also in evidence in Leith as well.  When the first shoots of niceness start to sprout in generally tatty areas, you get the same kind of hit and miss results, but this time the impression they give is rather different.

I walk past these optimistic little cafes and shops, and the shitty pubs which people have made a real effort to civillise, and I find myself really, really hoping they’ve judged wisely.  These places flicker in and out of existence, some well though out, others ill-conceived, and I always find myself wondering about the consequences for the failures.

For people walking past it’s just another in a long line of failed small businesses, but I wonder how much people sacrificed to give it a go.  Did they turn their backs on a sensible career to try this?  Were they investing their own money, or someone else’s, who might be more able to afford the loss?  Does the failure represent total bankruptcy?  Are they and their families in real financial trouble now?  Is it just someone dallying or does this have really tough consequences for someone?  Especially when you consider the kind of domestic conflict which financial difficulties tend to generate, every blank, silent shop front could so easily be the only public face of all sorts of heartache going on in someone’s life.

I don’t know if that makes me more or less angry about the wealthy dilettantes we tend to see around our way – more, probably; taking the kind of risks, without consequences, which other people have to sacrifice everything for the chance to try – but I find it all sort of ghoulishly intriguing.  And I can never walk past a recently boarded-up storefront without wondering.

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Basia Bulat – Heart of My Own

Hmm, this is a strange one.  Listening to this, I find myself swinging rather wildly between ‘fuck me, this is dreadful’ and ‘ooh, this is rather nice’, with little rhyme or reason as to which feeling dominates at which points.

If my mum listened to this I think she’d burst out laughing at how similar it is to some of the music she listened to when my brother and I were growing up.  This is old fashioned alternative folk, conjuring fields of wild flowers, flowing Summer dresses and vaseline smeared all over the camera lens.  I think Zooey Deschanel should probably be involved somehow as well; presumably the enigmatic one in the dress though, not the one smeared in Vaseline.

It’s not all quite like this though, in fact it doesn’t even start like that, instead beginning with a touch of rock ‘n’ roll, complete with a slightly military ratatat drum beat.  These songs really don’t appeal to me anything like as much, I have to confess, but that’s no fault of theirs because I have rarely ever liked that particular style of music.  The closer this gets to the hushed, the delicate and the dreamy, the happier I am.

Bulat’s voice has a delicate tremor to it, which gets uncomfortably close to the over-wrought power ballad wobble when the tempo rises and she starts to belt it out.  On the quieter songs, however, it’s bloody gorgeous – sensitive and vulnerable, but never weak.

The rock ‘n’ rollier songs get reasonably close to Samantha Crain in some senses, although without her suggestions of defiance and bravery.  The banjo is nice, but then, it’s one of my favourite instruments at the moment, and when all is said and done I am just not sure that I am ever going to like these songs.  They’re just a bit too 10, 000 Maniacs for me, I think.

So whilst I really like the really quiet ones, my personal enjoyment of this album is always going to be heavily restricted by the prevalence of the fuller, more involved arrangements and the more upbeat, rockier numbers.

Basia Bulat – I’m Forgetting Everyone

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Basia Bulat – Heart of My Own

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What’s On in Edinburgh This Week – 1st February 2010

Bloody hell the year has started slowly in the world of Edinburgh live music.  The weekend just gone was very good, or at least it would have been if I hadn’t missed most of the good music in order to sit in the office here at Proper Job and stare at my computer while it stumbled through renderings for most of the day.

Other than that though there has been very little on since the new year, which is becoming a bit of a worry.  With the Roxy yet to show any real sign that they are going to pick up where the Bowery left off, Henry’s yet to announce their February gigs and the Liquid Rooms burned to the bloody ground, things are looking a little thin at the moment.

Trampoline are still putting on gigs at the Wee Red, but little seems to happen there beyond that monthly night.  Cabaret Voltaire have been told to focus their booking effort on enticing outside promoters to work with them (what outside bloody promoters, I can’t help but wonder).  Sneaky’s are trying their best, but things have still been a little quiet there too, truth be told.  All in all, it adds up to a rather worrying picture, honestly.  There is simply a considerable dearth of promoters in Edinburgh at the moment.  No-one has replaced Spitfires, Tracer Trails are showing signs of returning, but very slowly, Black Tape have packed it in, and I may do a quarterly night for the label, but that’s hardly enough.

In mitigation, there are apparently soon to be developments at the Roxy for the booking of the downstairs gig space, so hopefully we should see a big upswing there shortly, and coming out of recession a lot of bands have been cancelling tours due to money issues, so these problems aren’t ours alone.  I’ve been keeping an eye on the listings at Tut’s and Sleazy’s and the ABC in Glasgow and they too are not showing many signs of life.

So maybe I should just shut up moaning and wait it out like everyone else.  Maybe I should even take advantage of the quiet to get some label work done and finish the eagleowl Toad Session.  Still, I’m not bloody happy.  Not bloody happy at all.

Thursday 4th February 2010: Born to Be Wide‘s German Night at the Voodoo Rooms, with Jeans Team.

This is Born to Be Wide’s sixth birthday celebration, so the usual seminar will be downstairs in the Speakeasy before the gig things kick off upstairs in what I think is called the Ballroom.  I don’t know much about German music, apart from the ludicrous excellence of Die Aertzte, so I had to settle for a couple of songs with the word German in them.  They’re good songs, but I am as aware as you are just how much of a cop-out it is to post them.

Clem Snide – The Sound of German Hip-Hop

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Germans – I am the Teacher

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Sunday 7th February 2010: Still Flyin’ at Sneaky Pete’s.

These chaps are pretty good actually – bouncy indie pop and infectious choruses.  Of all the gigs this week this would probably be my pick.


Still Flyin’ – Good Thing it’s a Ghost Town Around Here

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