Song, by Toad

Archive for June, 2010

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Toadcast #128 – The Glastocast

So, erm, yes, this podcast should really have happened on Sunday, but it was so unspeakably bakingly hot (alright, in all honesty it was only about 28 degrees, but it felt much fucking hotter, okay) that there was basically no fucking chance it was going to happen.

I’ve also been adjusting to not having a day job, which in its own way made this easier.  I’d write posts when I could during the day, but at the moment my only job is Song, by Toad so I have focussed entirely on the important jobs, not on the day to day business of posting on the site.

Also, this is late and it may be (early) Thursday, but there will still be a podcast on the weekend, but I thought this was an opportunity which should not be passed up.  It’s Glastonbury for fuck’s sake, and it really did need its own podcast pretty sharpish, even if just to wonder why on Earth Glastonbury needs its own podcast when there are so many better festivals out there!

Toadcast #128 – The Glastocast

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01. Radiohead – Idioteque (06.55)
02. Flaming Lips – God Walks Among Us Now (19.26)
03. Eels – Looking Up (24.06)
04. The Avett Brothers – Murder in the City (39.57)
05. The National – England (42.57)
06. The Books – A Cold Freezin’ Night (57.02)
07. Devendra Banhart – The Charles C Leary (70.57)
08. Broken Social Scene – 7/4 (shoreline) (73.34)
09. Wild Nothing – Your Rabbit Feet (81.06)
10. LCD Soundsystem – All Your Friends (96.59)

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Live in Edinburgh This Week – 28th June 2010

Ah the cooling touch of sweet, clean porcelain.  And it may well be hot in our house, but dammit I have never experienced such an unpleasant sleeping experience as being baked alive inside a tent when the sun comes up as fiercely as it did this weekend at Glastonbury. Dear God almighty that was a nasty way to wake up, especially with a vindictive little bastard of a hangover kicking away at the inside of your head.

We didn’t do too badly for facilities actually – it’s the single greatest advantage of going to festivals with a band – but I am reminded of a daft little toilet story from my old job (no, STOP IT, it’s nothing like that, honestly) which I have intended to mention for a while and always forgotten.

Scotland is a very long way north, a very, very long way north in fact, and this means that during the Winter you arrive and leave work in the dark.  It can be lighter in the mornings, but by the time four in the afternoon rolls around, it is generally pitch fucking black outside.  Add to that the fact that we used to do most of our work on computers, even when the sun was shining the blinds were generally pulled right down so that people could see their monitors.

So yes, it was quite a dark place to work, with one glorious exception: you guessed it, the men’s toilet.  I’m not kidding.  That side of the building was south-facing so, you could be sitting in a dingy office with the blinds drawn all day, arrive and depart in the dark, but every once in a while, on one of those beautifully clear sunny days that Scotland has, you would walk into the loo and be confronted by this blaze of sunshine.  It was great.  It just lifted your spirits.

Now I’ve managed to tell you that little story in total sincerity and with a (largely) straight face, do you think I can trust you to be grown ups about it in the comments?  No, probably not.   Honestly, you people…

Thursday 1st July 2010: The Last Battle single launch at the Wee Red Bar, with Meursault and Jonnie Common.

The Last Battle’s new album is due out on 17 Seconds Records, and this is the first single from that record.  They play quite traditional folk, with cello and lovely male/female vocals but this song is a bit rockier in that ‘Christ alive, is that an electric guitar?’ sense, and a good, beefy introduction to the band.  I have a feeling the Meursault might be solo acoustic, but I am not entirely sure.

The Last Battle – Ward 119

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Thursday 1st July 2010: Born to Be Wide Booking Agent Special at the Electric Circus.

To be brutally frank, my little experience in the music industry has taught me that the following is as close to a cast iron rule as there exists: labels and PR, cannot make you famous, only you can make you famous.  You can only do that if you play as often and as well as possible, and in doing so build up enough momentum and buzz around your band that everyone else, be it press, radio, fans, whatever, absolutely has to take notice, or they simply wouldn’t be doing their jobs.  There are exceptions of course, there always are, but that is pretty close to a hard and fast rule.  Booking tours and getting gigs is far from easy however, I’ve done it myself and it was shit and I was shit at it, so I strongly recommend you come along to this and pick the brains of some professional booking agents.

Thursday 1st July 2010: Stringjammer at the Roxy Room.

This may be a little more related to the likes of blues and traditional folk than most of you are used to, but I think there’s a lot of good stuff going on in Stringjammer’s music.  Long Road Home, on their MySpace page, is a case in point, and there is more there like that.  There’s a lot of experimental and strange stuff in there, but they obviously started from quite traditional base material before they went and made it all weird, so I think this one should appeal to readers of Toad.

Saturday 3rd July 2010: Kid Canaveral album launch at the Roxy Room, with Come on Gang! and the Scottish Enlightenment.

Tickets for this can be bought from the band here, and I recommend you do so. Kid Canaveral are not exactly a fashionable band – they’re not even close to being arch enough for that – but they have an amazingly consistent talent for writing infectious indie-pop melodies.   Also, The Scottish Enlightenment – I might finally get a chance to see the bastards play!

Kid Canaveral – Stretching the Line

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Friday is Not in a Field in Fucking Somerset

So those fuckers have all buggered off to Glastonbury and left the rest of us sitting here staring at the blazingly gorgeous weather outside from the confines of our battery-hen office cubicles, have they?

Nice.

And to put the tin hat on it, Matthew has had the gall to ask me to do the Friday Fives, just in case he doesn’t get the chance to pop over to the journo tent to sponge off their Wi-Fi and drink free beer!

Anyway, no songs again this week because me and Matthew keep forgetting to sort me out with access to the official Toad file server, but you can still have your five questions, and instead maybe listen to BBC 6music through your headphones at your desk.

Don’t forget to de-lurk, answer your five and then spend the rest of the afternoon talking arse. Hey, beats working!

1. What are you doing right now instead of having fun in the sunshine outside? (Unless of course you are having fun in the sunshine outside, in which case, fuck off.)

2. Where are you going for a pint after? (Can I come?)

3. What was your best festival experience?

4. And the worst?

5. Who would you recommend off this year’s Glasto line-up? There’s some interesting stuff on the smaller stages.

PS
Good luck to the  Meursault lads who are going to be rocking the BBC stage later this evening, giving Glasto a bit of the old “Hah! Hah! Woo! *ckc*-*ckc*!” etc.

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Mammoeth Fresh Air Session

This is the last of the sessions Ruth and I did on our Fresh Air show this year, and it can finally, finally be posted here for your listening and viewing pleasure.  Apologies to Russell from Mammoeth for the wait, but given he has a an album launch coming in a few weeks I don’t think the timing is too bad, actually.

Nascent is being released on Mini50 Records, the label which Russell himself helps to run, and there are launch gigs coming up on July 24th at the Wee Red in Edinburgh and 25th at the Classic Grand in Glasgow.

I’m actually talking to Fresh Air about potentially getting some stuff done during the Festival actually.  There are a few bands I am going to try and interview and potentially get in for sessions, so keep an eye on things over August.

Mammoeth Fresh Air Session

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Mammoeth – Scramble Eggs (Live on FreshAir.org.uk)

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Mammoeth – Trigonometry (Live on FreshAir.org.uk)

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Mammoeth – I’m Glad That I Died Today (Live on FreshAir.org.uk)

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Mammoeth – Wendy House (Live on FreshAir.org.uk)

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So, Umm… What Now?

So, yes, in about five hours I will be officially unemployed – dosser or entrepreneur, whichever you prefer.  This is the last time I can skive off and write a post when I should actually be doing something else, because in future the writing of posts will actually be legitimate business.

I take the piss out of Proper Job, but contrary to what you might expect from someone changing careers entirely, I have always really enjoyed what I do.  I have always needed variety in my life, and as a kid I was never able to entirely abandon either my technical or my artistic interests, so product design engineering was a pretty perfect mix.  I’ve been doing this for ten years now, and it’s always been varied, engaging and enjoyable.  Those who know me a little better will know that I quite simply could not have forced myself to do anything for this long if I didn’t enjoy it.

The actual company I’m at now has been amazing, too.  I may not actually be Scottish, but there is a no-bullshit attitude here that I’ve found really refreshing.  No internal politics, no fannying about, no nonsense.  And for some inexplicable reason, considering how much work I’ve had to put into Toad things over the last few years, I’ve made it this far without actually being fired. So thanks guys, it genuinely has been fun.

So, yes, here we are and, quite legitimately, the question of ‘what next’ rears its head.  Well as I have had to point out to Mrs. Toad, who occasionally talks like she’s expecting to gain a housewife, I already have a full-time job to do, it’s just that now I get to do it during office hours instead of at four in the morning all the fucking time. So actually you might not notice much change from the outside.

The label, for example, is already at capacity.  The bands we are already working with are releasing enough material that we can’t really take anything else on.  Never mind my personal workload, we don’t have the budget for it, and I am a little worried that our press friends might start to tune out if we send them too much more stuff than we are at the moment.  There are a couple of things I want to do better, and I am going to have to learn to book tours, so that a couple of our new bands can start to play a little bit more far and wide, but in general not much is going to change.

Song, by Toad, on the other hand, needs work.  The podcasts and video have been doing incredibly well recently, but if I am being honest I would have to admit that the actual blog itself has been treading water for the last year, and that is a bad thing.  I never thought the label or the blog were anything like as interesting in isolation as they are together, but recently the label has very much dominated, and I would like to redress that balance if I can.

I want more interviews, more sessions, more video and more proper posts.  And by proper, I just mean things that take a little time and thought.  These things may not be the glamorous, hit-garnering work, but I think they are crucial if I want to be more than just a guy sitting in his pants firing any old nonsense out into the internets.  And let’s face it, I do.  I am not aiming to be big or famous, because this is always going to be niche, but I think there are opportunities out there at the moment and it would be nice to give things a bit of a push while they seem to be on the up.

The other thing which gets forgotten in all of this of course, is Mrs. Toad.  She has put up with this increasingly demanding project for several years now, and has not complained when I use all my holiday going to festivals, when I spend all my money on gettings CDs made, when I sit up every night until the small hours sending off promos, or when I invite people into her house constantly, either to plot or just to get plastered.  So we are hopefully going to get our evenings back, which I am really looking forward to.  As she said to me recently: ‘What was it like when you had free time – what did we actually do?’ And the truth is, I don’t remember.

So it’s not just that she is shouldering the financial risk for this, for reasons best known only to herself, but also that she has for the last few years tolerated a level of deranged commitment and intrusion that no-one else I can imagine would ever have put up with.  Simply, without her, there would be no Song, by Toad.

So in terms of what you guys see, though, things won’t change fast.  It’s going to take me at least a month just to get on top of the admin, frankly, and even then I am not looking to make any radical changes.  I just want to do more things better, more rigorously, and at a normal time of day.  But for now I am off to Glastonbury to get absolutely fucking wasted!

The Members – Goodbye to the Job

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Dead Kennedys – Take This Job and Shove It

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Perfume Genius – Learning

This arrived on lovely 12″ vinyl this morning, and I have to confess to being Very Excited Indeed.  I was tipped off about this fellow by Ian from Have Fun at Dinner, and very grateful I am too; it’s bloody gorgeous.

This strongly reminds me of Sufjan Stevens’ Swans album, I have to confess, but I was never a committed fan of that record and in my opinion this eclipses it with ease.

Everything I read about this album talks about the rather brutal themes in Mike Hadreas’ own life which this deals with, and he himself has described the writing process thus: ‘I felt like my heart actually broke but in this sort of hopeful, genuine way. Like I could finally rebuild it.’ But the lyrics are delivered in a dreamy, muffled manner and instead of the verbal themes I find my emotional relationship with this album dominated by the musical ones.

There is undoubtedly a dreamy, wistful sadness to the music, which largely comes from its glacial pace and consistent use of rising and falling washes of sound, with Hadreas’ vocals themselves often used this way too. These gently rolling landscapes are generally only punctuated by piano, although chimes and things do show up from time to time as well.

So although the overall character of the album is defined by a generally uniform ambiance, it is distinguished by that piano.  When there is little variation of tone and pace across a record, something needs to vary the mood somehow to avoid it becoming too predictable.  Here I think the piano does that, varying from just a little whimsical on the opening song, to despairing on the following track. Despite the two riffs being remarkably similar, they feel really different, and the ability to be this subtle and yet to pull it off is what makes this album a really absorbing, affecting, and also an extremely well-executed piece of music.

This is why I buy vinyl.

Perfume Genius – Learning

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Perfume Genius – Write to Your Brother

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MySpace | More mp3s | Buy from Rough Trade

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Magic Arm – Make Lists Do Something

I know I moan about them constantly but this is probably proof that bands need PR people – or at least someone in the band who is willing to take on that job, tedious, depressing and repetitive as it may be.  I really like Magic Arm, having first seen Marc Rigelsworth play at the first Fence Club at the Caves a few years ago.

I saw him at Homegame the following year, and I even bought the Widths & Heights 7″, but somehow this 2009 album release managed to completely pass me buy, in the absence of the spoon-feeding from PR types, on which I seem to be rather pathetically dependent these days.  Goal #1 for going full time with all this: get back to finding music on my own.

Anyway, the reason I am so frustrated is that 2009 was a pretty weak year for albums and this would almost certainly have been in my top five, because it’s brilliant.  I’ll still put it in this year’s list of course, because I only have myself to answer to in that sense, but deep down I will know that it is cheating.  Anyhow, I happened upon this CD upon the shelves of the brilliant One Up in Aberdeen the other week, and I am delighted I did.

Songs from across the last three years make appearances on this, from the lovely Outdoor Games (the star of its own brilliant 10″ release) to the more recent Bootsy Bootsy and (for once a cover I really fucking like) the superb Daft Punk is Playing at My House.

I think the genius of this record is the effortless interplay between glitchy experimentalism and pure pop.  There are times, like Getting the Way, where I think I have finally learned to appreciate pop music, and then others when I think I could almost be listening to the Beta Band’s* first Gameboy pop song, such as the brilliant Move Out.

The mood of the this album drifts pretty casually from the blissed out to the exuberant, but whilst it is always pop music, there is such a lot of fantastic aural texture to everything that my ears dance their way through the entire first two thirds of the album pretty much without pause.  Six Cold Feet in the Ground and Rested Bones may not quite be my cup of tea for some reason – it just feels like the generally playful spirit of the album fails to quite ignite on these two – but generally I think this is an absolutely brilliant record.

Magic Arm – Outdoor Games

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Magic Arm – Move Out

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Website | More mp3s | Buy direct from the band

* Mr. Rigelsworth is going to be utterly sick to death of this comparison, and I don’t know the Beta Band well enough to insist that it really is apt, but from everything of theirs I’ve heard it’s not exactly an unfair one.  At least he doesn’t sound much like the Arcade Fire.

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Live in Edinburgh This Week – 21st June 2010

Umm.. nada, absolutely nada this week.  Not one single gig I would be likely to go to myself, which is a bit unusual.  Still, I am going to Glastonbury for the first time, so this not entirely a bad thing from my perspective.  As a good friend of mine pointed out: ‘Giving up your job and then off to Glastonbury – it’s like the end of your adulthood’.  And he’s not far wrong.

Oh yes, giving up my job, did I mention that?  Well yes, as of Wednesday I will be a full-time Toad.  Or ToadPRO as someone called it, not that it will entail being much more professional I wouldn’t have thought.  Still, I am hugely fucking excited, not to be giving up my job actually, which I have always enjoyed, but the idea of being able to tackle all this Toad bollocks head on and really do it properly is a really exciting prospect as far as I am concerned.  More on this later, though.

Last week I strayed wildly outside the list format for my Monday listings, which caused howls of upset from the cheap seats, and this week will be no different.  There are a couple of interesting things happening, notably a Great Junction Street Music Studios showcase at Henry’s Cellar Bar on Saturday 26th.  I know nothing at all about the bands involved, but I really think this kind of event is a good idea.  If you are looking to get your band off the ground and start finding an audience, club together with your mates, put on a gig, invite all your friends and give it a go.

Alternatively, there’s the Penguins Kill Polar Bears EP launch tour passing through Scotland this week.  I may not like the music myself, but these guys are doing a really good job of  getting themselves noticed on an entirely DIY basis, and the more of that that happens around here the better.  I always admire people who just get on with it, rather than whining about what other people should be doing for them, and this band certainly deserve your support.

Can you call a list comprising one single item a list at all?  And it’s not really a gig either.  Ah well, to soothe the agitation of those I upset last week, here is my list for this week:

Thursday 24th June 2010: Nick Cave speaks at Canongate Books‘ Irregular night at the Roxy Art House.

To say that Nick Cave is one of my heroes would be something of an understatement, and I am grinding my teeth down to fucking stumps with frustration at the fact that I will be in out of town on Thursday night when he comes to do a reading down at the Roxy.  Arse monkeys.

And to make up for the lack of giggage, I have a special present for you all, courtesy of Jon from Virgin of the Birds.  He played the Toad New Year’s House Gig this year, and seems to have developed a bit of a taste for Meursault, to the extent that he is one of the first people in weeks to actually bother to spell the band’s name correctly.  Anyhow, Jon sent through this rather lovely cover of Crank Resolutions last night, and it’s great, so I thought I would share it.

Virgin of the Birds – Crank Resolutions (Meursault Cover)

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Toadcast #127 – The Eggcast

I remember when I first started writing Song, by Toad, people when they first latched onto the site would occasionally refer to the not all that infrequents bursts of rage and frustration with the music industry as ‘a breath of fresh air’ and stuff like that, for the simple reason that if I thought something was fucking shit, then I would say so.

I had noticed that sort of post becoming less frequent myself over the last couple of years, and even Mrs. Toad remarked the other day that random outbursts of rage were becoming really quite rare.

I thought about this, and I think that the reason no-one in the music industry has any balls when it comes to the simple task of telling it like it is – on the face of it, quite a simple thing to do – is the same as the reason that I tend to be quite tame these days myself: you get to know everyone, you become friends with them, and it becomes almost impossible.

If I turn around and say ‘all the venues in Edinburgh are shit’, what does that say to my friend Nick, who works his arse off to make Sneaky Pete’s one of the best.  And what if I say ‘the NME is fucking rubbish’ and someone thinks, ‘oh, I might review this nice album by Inspector Tapehead, but I wonder what this Song, by Toad thing is…’ You get my point.

Toadcast #127 – The Eggcast

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01. Arcade Fire – Month of May (01.37)
02. Takeda – A Million Years (10.58)
03. Adelaide’s Cape – Anchored Down (15.55)
04. Yo La Tengo – Outsmartener (26.44)
05. Skuobhie Dubh Orchestra – Eggshell Miles (33.49)
06. The Last Battle – Ruins (36.44)
07. The Mountains and the Trees – More and More and More (47.11)
08. Liars – The Overachievers (50.45)
09. The Recovery Club – Rest and Be Thankful (53.54)
10. Meursault – Hey Joe (Daniel Johnston Cover) (62.49)

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Friday is Making Itself Useful for a Change

Instead of prattling on about whether or not early Bonnie Raitt was heavily influenced by the Arcade Fire, this week we shall be doing something extremely constructive with our time.  Thomas Western, shortly to be unveiled as half of Edinburgh’s answer to the Silver Columns (I’ve not heard it yet, but all I have to say is woo hoo!), is actually a highly studious gentleman (see pic) in his spare time and has asked if I wouldn’t mind posting five questions to help him with his research.  Quite what he thinks the nonsensical bollocks we talk here on a Friday is going to do for his academic ambitions I don’t know, but I thought we might as well humour him.

He’s actually studying something to with the sociological aspects of live music, which anyone who has ever seen the queue outside a Hadouken gig (yes okay, it was some time ago, but it was still hilarious) will know is a rather interesting topic. I’ve always been kind of fascinated by the social dynamics of gig-going, from the tribal self-identification to the impact of the crowd mood on the show itself, so I’m looking forward to finding out a bit more about this.

Until then, however, here are five questions for you from Thomas.  And once you’ve de-lurked to help push forward the boundaries of academia, feel free to talk utter shite with the rest of us all afternoon.

1. What is the best thing you’ve ever seen live? Including where and when this took place.
2. Why was it so good? Try and keep this answer as open as possible – it can cover factors such as the music being played, the performance, some kind of cultural significance, or just people having an ace time together.
3. Is familiarity with material a prerequisite for a great gig? Or has anyone been to a gig to see the headline act, only to be blown away by an unknown support band?
4. How important is a venue when we go to gigs? Do they have their own aura that can contribute to our enjoyment of a performance?
5. And do people go to gigs because folks like me tell them to? This is about the idea of blogs and online critics as cultural tastemakers – Pitchfork being the most obvious example. In other words, when you read a positive preview of something in my Monday listings, are you more likely to attend, and perhaps more likely to enjoy the gig as a conequence?

Now, some great live recordings, including a song from Nick Cave’s Live Seeds, possibly the greatest live album of all time.

Nick Cave & the Bad Seeds – John Finn’s Wife (Live)

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Eels – I Put a Spell On You (Live)

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Radiohead – No Surprises (Live Acoustic)

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Frightened Rabbit – Poke (Live)

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Bruce Springsteen & the E-Street Band – Thunder Road (Live)

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