Song, by Toad

Archive for May, 2011

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I am Sick of Green-Field, Refugee Camp Festivals

I am sick of them, and I am not going anymore. You know the ones, hundreds of tents as far as the eye can see, grass which gets ground to dust or churned into mud within a day, fields strewn with polystyrene boxes, paper plates and plastic pint pots, toilets as fearsome as the fucking Sarlaac pit.  I could (yes, yes, and do) go on, but you know what I mean when I refer to a green-field refugee camp festival.

I am not just being prissy about hygiene and personal comfort or anything like that – well, the toilets are pretty horrific – I just don’t like large groups of people.  In fact, off the top of my head, the only time I actively enjoy crowds is at a football match.

As well as attending quite a few for the sheer enjoyment, I ended up going to an awful lot of festivals last year as Meursault’s driver, and most of them really, really were fucking awful.  The funny thing is, though, from the band’s perspective the best shows didn’t always come at what were, from a punter’s point of view, the best festivals.  They had a riot playing T in the Park, for example, whereas from a fan’s perspective that’s a festival I wouldn’t touch with a bargepole.

Still, driving them around did give me a pretty thorough overview of the UK festival circuit, and whilst it was fun to try lots of the big ones, including my first trip to Glastonbury, I think I have come up with some general guidelines for myself when it comes to festivals.

For example, five thousand people is already way too big.  The lineup at End of the Road saves it, but in every other sense it is just the same as all the other festivals – the same food stalls, the same venues, albeit in a different field – all these are just businesses which tour the festival circuit all year, meaning one festival looks pretty much exactly like the next.

I did think Truck stood out though.  For all the lineup wasn’t as strong as the likes of Green Man or EotR, all the stalls at the festival itself were provided by local businesses.  This meant not one single one of those depressing places which tour each and every UK festival was there, and this gave the place a real character of its own.  We were lucky with weather too, which helped, but this was one of my favourites.

Of the smaller festivals, well you all know how much I love Pickathon and Homegame, and the Fence Away Game last year was just mind-blowing.  At these smaller festivals the landscape tends to more in evidence, as it isn’t overwhelmed by the miniature city which lands on top of it for a week.  And I may be a city boy at heart, but a weekend in a tentopolis in a field doesn’t seem like a holiday, but a weekend in the Scottish mountains really does.

Equally, when the people are fewer it just feels more like an expedition and less like a stampede.  It feels like we’re visiting the countryside rather than barging across it, and I do think that breeds a slightly different mentality in the fans as well, and that they are more likely to be respectful of their surroundings under these circumstances.

I have also learned that I don’t actually care as much about lineups as I would have thought.  I could go to the End of the Road Festival twice and still not see everything I wanted to see, but on a couple of occasions that has led to me worrying about what I might be missing, rather than simply relaxing and having fun .

What I find is that, for all I obviously want at least some bands I really like to be there, when the lineup is a little patchier there is more time to just relax and enjoy being away from it all.  It’s nice to have little pockets of time where you aren’t thinking about what is happening on whatever stage.  I like there to be a few things I am really keen to see, a few things I am interested in taking a chance on and quite a lot of time I am not fussed about anything.  At those times I tend to just sit back and relax or go and see a band I have never heard of, which is really nice way to spend a weekend.

Without the experience, the infrastructure or the financial backing, these festivals can be a little hit and miss I guess.  Close to Edinburgh there are a couple – Kelburn Garden Party and Doune the Rabbit Hole – which look really interesting and which have been described to me as both brilliant and awful depending on who I’ve spoken to.  I’d still rather go there than Rockness though.

There are also a couple of interesting ones a little further afield.  One, The Insider, I know nothing about but is located up near Inshriach House in the Highlands near Aviemore and should be spectacular.  The Imploding Inevitable Festival seems to be quite similar in spirit, is taking place in Fellfoot Woods in Cumbria.  Both the lineups have that excellent combination of complete obscurity and a handful of bands I really want to hear, and both locations look really interesting.

The thing with these really small festivals, though, is that their PR reach can be a little limited, so there are no doubt dozens of others going on around the UK I’ve never heard of, but whatever they are they look a damn site more like fun than any of the big boys which, honestly, just bore me to tears these days.

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Born to be Wide, BRNLV Festival, Scottish Music Awards and Wikio

I have a lot of scrappy little bits of news to bring you today, so I figured one post with lots of those new-fangled bullet-point things the corporations seem so excited about would be the best way to do it.  Where is my Powerpoint?  My clipart?  My laser pointer?

1. Born to Be Wide

This month’s Born to be Wide takes place on Thursday 5th May at the Electric Circus myself, Lloyd from Peenko, Jason from The Popcop and Scott from Frightened Rabbit will be discussing music blogs for your, er, education and entertainment. *cough* Stuffs. Tickets can be had here.  I am putting together a very quick presentation on how easy music blogs are to set up, the various platforms you can use, and one or two pointers on what to consider before starting.

2. BRNLV Festival

Brainlove Records are one of my favourite indie labels from down South, and they have very kindly invited a collection of Toad-related nonsense down to the BRNLV Festival on Saturday the 28th of May.  Meursault are going down to play, as is Rob St. John, and I will be DJing at the event as well.   If anyone wants to come up and say hello, I will presumably be the one with the beard who plays about half a dozen songs before politely being invited to return to the bar and resume drinking.

3. Scottish Music Industry Awards

Voting for the Scottish Music Industry Awards is open now.  Song, by Toad has been nominated for best blog, and Song, by Toad Records for best label, but there are loads of other Toad favourites there to be voted for, although they sadly rejected my nomination of this as best music video of the year.

4. Wikio UK Blog Rankings

My immediate reaction to praise tends to be mistrust.  I think this is mostly a reaction to the small part of me which immediately punches the air and goes ‘yessss, I am that awesome!’, and the need to keep that kind of vainglorious self-congratulation as under control as possible.  So I was reading about the Wikio blog rankings which placed this blog as the twelfth most read music blog in the UK across all genres and I have to confess my immediate reactions were all along the lines of who they’d missed out, how reliable their rankings were and anything else I could think to avoid taking the results at face value.  So the below results are nice, but ummm, I still kind of assume they can’t be right.

1 Musicrooms.net
2 SoulCulture.co.uk
3 St. Peter’s View
4 Lil Wayne HQ
5 Alter The Press!
6 Matrixsynth
7 No Rock And Roll Fun
8 LondonJazz
9 Word Magazine blogs
10 Sweeping The Nation
11 Live4ever – The Brit Rock Daily
12 Song, by Toad
13 uncarved.org blog
14 We Plug G.O.O.D Music
15 Intermezzo
16 Southern Hospitality
17 Tom Service on classical music
18 Stereoboard.com Music & Tour News
19 We Are Pop Slags
20 Popjustice
Ranking made by Wikio

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Powerdove – Be Mine

I have to confess that I kind of thought it might be a while before I wrote a glowing review of this kind of music.  The thing with swings in fashion is that it’s not just the whims of fans and reviewers which shift, but the musicians themselves.

So the next time there isn’t enough loud or electronic or guitary or folky or jazzy or whatever music in the press for you, don’t just blame the writers, often the musicians themselves are equally complicit – the best ones are often off doing something else.

Currently, most of my favourite musicians are off getting loud, so the hush of this record and its immediate and obvious beauty rather surprised me. Quite apart from the slow delivery of Lewandowski’s vocal, it is the pace of plucked strings which define the rhythm of this record.  Originally written for solo guitar and vocals, it is not just the guitar strings, but also the added upright double bass which drip slowly into the recordings and make this so impossibly still.

You know how you are told as a child to walk briskly across narrow ledges or planks or anything so precarious you might struggle to retain your balance?  Well this is like watching someone dawdle across such a highwire with not a care in the world, stopping to adjust their pigtails, wondering if they’ve forgotten something, absent-mindedly watching two birds squabble nearby… in short, it’s so slow that it feels like a constant wonder it doesn’t fall to its death.

Embellishing Lewandowski’s wonderful songs are Jason Hoopes’ graciously sparing upright bass, and the percussion and noise of Alex Vittum.  Vittum’s array of sounds makes him sound more like someone wielding a bank of field recordings than someone playing percussion, and the contribution of the collage of sounds behind the songs is what makes this a really compelling album for me.

Powerdove – Sickly City

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Powerdove – Spinnin’ Daisy

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Live in Edinburgh This Week – 2nd May 2011

This week’s live events will all have to get along happily without the encouragement of my excellent self, as my only live music experiences this week will be taking place in Anstruther, Fife, at the Fence Collective’s fucking marvelous Homegame Festival.

It actually looks a bit thin in my absence, I have to confess, but there are a couple of early gigs next week worth bearing in mind, because I might not get the chance to write this post in anything like a timely fashion on Monday, depending on how we do getting back from Homegame.

Next Monday 9th May, Josh T. Pearson will be playing with Drive by Truckers at the Queen’s Hall.  I know nothing whatsoever about Drive by Truckers, but Josh T. Pearson is incredible, and absolutely mesmerising live, so if you can go to that, then go.  Then the following day, on the 10th May, Domino Records’ latest signings Francois and the Atlas Mountains, This is the Kit and Babe will be playing at the Bristo Hall, upstairs at the Forest Cafe, from about half seven onwards.  This will be a BYOB event in support of the Forest Cafe, with corkage charged on the door.

This week, however, we have the following happening:

Friday 6th May 2011: Woodenbox with a Fistful of Fivers, Matt Norris and the Moon & Trapped Mice at Cabaret Voltaire.

Woodenbox are an excellent live band, full of all sorts of stompy, raucous fun, a swinging brass section (‘swinging’, am I allowed to call it that without coming across as a bit of a dick) and a sense of enjoyment and energy matched by few bands on the Scottish scene at the moment.

Woodenbox with a Fistful of Fivers – Twisted Mile

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Saturday 7th May 2011: The Wave Pictures and My Tiny Robots at Cabaret Voltaire.

The Wave Pictures are a cracking band, and brilliant live as well.  Their music is so bloody simple as well and the lyrics, great as they are, sound like they could be part of any normal conversation. Highly recommended.

The Wave Pictures – Leave the Scene Behind

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Toadcast #172 – The Oldiecast

This podcast is, as you will already know, very, very late.  Personally I blame a combination of the RNLI, gin, and the fact that Mrs. Toad is away all week, which meant that yesterday wasn’t really available for blog things.

It’s also not very new music-orientated either, so hopefully those of you who come here pretty much just for that won’t be too disappointed.

I think what happened was that I got so into a handful of new releases recently that I neglected all the others, so when I came to sit down and write about tunes last week I suddenly realised I had nothing to write about.  For blogging that makes things a little challenging, but from a podcast point of view I am always happy to just fuck it and play some oldies, which is what I’ll do here.

Direct download: Toadcast #172 – The Oldiecast

01. Mad Melvin (00.17)
02. Chumbawamba – Farewell the Crown (01.43)
03. Billy Bragg – Walk Away Renee (07.37)
04. The Left Banke – Walk Away Renee (09.59)
05. Bruce Springsteen – Growin’ Up (17.07)
06. Psychedelic Horseshit – Rat Poison (24.17)
07. The Chesterfields – Ask Johnny Dee (32.21)
08. The Close Lobsters – Just Too Bloody Stupid (35.23)
09. The Delgados – Everything Goes Around the Water (43.45)
10. The Sleepy Jackson – Acid in My Heart (50.19)
11. Calexico – Si Tu Disais (56.17)

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