Los Angeles Police Department Album Approaching

lapd I  am forever sneering at people hopping up and down claiming to have ‘discovered’ bands*, or claiming far too much credit for talented people achieving things in their lives. I don’t know how bad bloggers are for it these days, but back when I started there was a fair bit of that kind of territory-marking and it was pretty depressing.

Having said that, however, it is pretty nice when you hear someone’s scrappy first demos and follow them through to a full album release, and then the album is awesome. Even if you don’t really contribute anything at all, you still feel kinda proud of them. It’s not supposed to be condescending, more that the music industry drives so many people away that you catch yourself accidentally investing emotionally in folk, and it can be very nice to see them succeed.

Not that this album announcement represents a sudden explosion of success, just yet, but when the first Los Angeles Police Department demos started floating around the internet  I don’t remember many people taking much notice other myself and Tom from Gold Flake Paint. I seriously doubt you end up with ten thousand Soundcloud plays from just the support of those two websites of course, but it was still a nice moment – a sort of ‘see, I knew there was something good happening here’.

Tom liked the band so much he is now handling their new album release on Gold Flake Tapes. It’s available on vinyl and cassette, and for all I haven’t heard the album yet there has been a new teaser track released and it shows an interesting progression, most obvious in the vocal treatment. Have a listen:

From their earlier demos, the vocal seems a lot less murky, as well as being higher in the mix. I suppose this raises the age-old question about whether or not lo-fi production values are deliberate aesthetic choice, and how an artist actually hears themselves in their own heads. LAPD actually remind me of Smog a fair bit at times, as they seem to operate in that vague area between lo-fi guitar tunes and slow, warm downbeat pop with a sense of solidity and reassurance about it. Primarily because of the vocals, I guess, the two bands don’t sound all that similar, but they can generate the same emotional impressions at times.

There’s a bit more twee-pop in this, I guess. The new track above certainly has a bit of that, but there’s enough growl and haze in here in general that I don’t mind that aspect, and actually I think it gives it really nice texture. So I’m looking forward to this, and nice to see Gold Flake Tapes building up a head of steam too.

*Alright, alright, let’s be honest, I am forever sneering at people, period. I am just not a very nice person, sorry. Also, I am lying about being sorry.

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