808s and Greatest Hits – Featuring A. Fantastic Reprise

808s The internet pisses me off sometimes. Well not the internet, I suppose, but the constant reminder that the world is WRONG about more or less everything. It was wrong about nationhood on Thursday, and today is WRONG about music. Again.

How the fuck else would this awesome album simply be sitting up on the internet for free, whilst the idiots of the world go mental for the new Alt-J crap, or fucking Royal Blood, or pretty much anything labelled ‘psychedelic’ by PR folk desperate to cash in on the latest internet musical buzz word. But then, I suppose this fundamental disagreement with everyone is why I started the blog in the first place.

I am not going to mention psychedelic here because FUCKMEOMGLIKESOPSYCHEDUDE!!!1!  I suppose I might call it epic, lo-fi experimental pop, if I were looking for a nice easy tag to hang round its neck in the shop window.

It’s not hesitant, like most lo-fi experimental pop I tend to happen across. It’s dreamy, I suppose, but more of a bad dream than anything else – or at least a really rather uneasy one. The vocals are muffled and reverby, and the guitars buried below washes of drone, punctuated by the odd plonk from the piano.

808s and Greatest Hits is in fact just the work of one person who goes by the somewhat enigmatic name of Vielle Flame, and the album was recorded in his bedroom in Melbourne over the course of the last four years. Admittedly, it isn’t packed full of massively immediate pop tunes, but it certainly has something of that slop rock wooziness that fans of a deconstructed Mac DeMarco might be into.

I know I’m not supposed to call it that, but whatever the general term is that everyone else uses for slop rock, it’s a style I’ve heard a lot of over the last few years and I am very much liking it. Listen to the whole album on Bandcamp where you can download it for whatever you want to pay.

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