Frankie Cosmos – Zentropy
I can’t remember who introduced me to Frankie Cosmos first, but I think it might have been Phil from PAWS. As I have said a million times before, keep an eye on your favourite bands’ social media feeds as their recommendations will often be far better than we self-appointed guardians of good taste.
I am a long way from an expert on her output, but I think this is Frankie Cosmos’ first recording with a band, and whilst that might be a slight culture shock for long-term fans of her work, but for us neophytes it sounds absolutely great.
You get a lot of awkward, lo-fi introspection which seems prevalent in her other material (which I confess I have only skimmed so far), but then she seems to channel early Wave Pictures at other times, with a sort of ramshackle rock ‘n’ roll sound which, for all it feels about to fall to pieces at any point, has real force and strength.
Owen, below, is absolute stormer. The kind of impact you can suddenly make with an increase in instrumentation and numbers, but nevertheless still minimal and not in any way overdone or detrimental to the core charm of Frankie’s delivery.
Buses Splash With Rain comes next, and embraces a sort of rough, nineties-inspired guitar pop sound. It’s loose and charming, and perhaps shows how this album, for all its inward-facing interior monologue, retains a sense of lightness and affability. It’s not all entirely my cuppa, I guess, and perhaps Leonie isn’t really for me, but in general it is a (very) short, sharp splash of personal, personable lo-fi pop music.
You can find the CD and LP links and listen to the whole thing on her Bandcamp page. Zentropy is so short it’s in the same territory as The Leg and their 22-minute albums, but it’s ten songs long, so it counts. Besides, it’s well worth it, short or not.More: frankie cosmos