Allison Crutchfield – Lean In To It

lean You’ve heard me talk an awful lot about Kingfisher Bluez in the past- they released Adam Stafford’s album in North America, and released a Rick Redbeard single quite recently as well.

In fact I reckon if I were living in Vancouver (which a large part of me would love to) then Tim and I might well find ourselves squabbling over the same bands a lot of the time. They have a mind-bogglingly prolific release rate as well, and every time I go to their Bandcamp page it seems there are a small handful of new releases I’ve never heard of before.

One of the latest to go up there is this – a pre-order for an absolutely fantastic-sounding 12″ by Allison Crutchfield which will be available sometime just before Christmas. In other words, soon.

It’s lo-fi pop music, basically, with keyboards and drum machines fleshing out the sound, but most songs relying on relatively simple melodies not unlike the style of Casiotone For the Painfully Alone.

There’s plenty of gravel and distortion in the backing, but for all Allison’s voice is relatively low in the mix, it’s still clear and strong, which means this doesn’t just sound like yet another deliberately self-sabotaging lo-fi pop artist hiding behind their own effects – there is plenty of fuzz, but it is used with care and to really, really good effect.

I love a duet, and standout tunes for me would be the duet with Sam Cook-Parrott on Lupe, a tune he co-wrote, as well as You and Supermoon – all lovely singing, with a really nice sense of strength, brought by the insistent pace of the artificial percussion. It just rattles along, even through the songs which themselves seem to waver a little more.

It may have a slight air of vulnerability to it, but that’s really just her voice, and even so it’s pretty minimal, but these are (generally short) sharp, self-contained pop songs and this is an excellent record.

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