Becky Becky – Good Morning, Midnight
It’s rare that I write about synthy discopop really, but I suppose that’s because most of it leaves me pretty cold. Silver Columns stick in my head as the last time I properly got enthusiastic about this kind of stuff I suppose, and that was fucking ages ago.
It’s an interesting connection though, because Pete (one half of Becky Becky) released some bits and pieces on Fence Records years ago under the name of Art Pedro. It was ramshackle as fuck, but I loved it, and he actually emailed me about this project years ago but I have to confess I never quite got into it.
The other half of the band is Gemma from the now-retired Woodpecker Wooliams project, and perhaps it was her odd but hugely compelling voice which gave me something familiar to latch onto with the Becky Becky stuff. Well that and having it on casual rotation for a long while. Slowly this stuff creeps up on you, you know.
I am not sure why this stands out above all the other similar stuff I don’t like. Perhaps tunes like I Remember, I Remember… don’t try too hard to grab your attention, but succeed despite this. Maybe its the slight theatricality – tunes like The House of the Black Madonna for example. It’s dark without being dense or try-hard, and I suppose just moody and dismissive enough to not just fall into that ‘oh fuck, not another synth-pop album’ trap which so much of this stuff ends up in for me.
Gemma’s voice has a weird knack of being elusive, vulnerable and confrontational at the same time, and this meshes well with the music itself here, which can embrace full-on disco-pop cliché for a while and then subtly drift into something more muffled and odd. It’s like an image which drifts slightly out of focus during the very times you most want it to be clear.
You can get a copy on CD or mp3 from their Bandcamp page, here. It really does leave me wondering why I didn’t properly pay attention the first time.More: art pedro, becky becky, woodpecker wooliams