Hot Lunch – Drew Bought a Computer

hotlunch Yet more garage rock for me (irrespective of the actual presence or otherwise of a real life garage in the making of this music), and I suppose me liking this album is going to surprise absolutely no-one, but ummm… well it’s really good, so you should have a listen.

The band apparently broke up several years ago, but these recordings are only now making their way onto Bandcamp so for me they’re basically new releases.

The internet may often be criticised for providing us with a near-infinite ‘long tail’ of shit which no-one will ever listen to or ever even notice is there. Technically I suppose this would be covered by that, as would a fair bit of the stuff we release ourselves, but one man’s irrelevance is another man’s undiscovered gem, and this is why I love the internet sometimes.

I’d hesitate to call this experimental, although it meanders all over the place and seems to care pretty much nil for traditional song structures or even emotional arcs. It’s more… carefree. It just heads off in whatever direction it pleases and stops when it’s done.

You might not even call this an album really, in the sense that it doesn’t feel like it has much of a purpose beyond to indulge the whims of its creators. That might be a weakness, but it feels like it is also one of its best features to me. That playfulness rather obviates the need for any more structure – it’s the raison d’être of the album all by itself, and if you want to follow where it is going, then you simply have to embrace it.

There will be times when you wonder what the fuck they’re getting at I suppose, such as the stumbling, distracted intro to (Here Comes) the Rounded One, although the song does get itself together by the end. Sort of.

Instrumental opener The Secret of the Ooze is a bit more focussed, and it may be a bit off, but the guitar licks in that song are fantastic.

I suppose this is distracted, kind of psychedelic garage rock, and it’s the distractions which will either make it special to you or turn you off the album completely. Personally, I think it’s fucking ace.

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