Song, by Toad’s Albums of the Year 2014 1-5

n9068 Okay okay, before we get down to the serious business of 2015 (and there’s really rather a lot of that piling up already), I suppose I should clear the decks of one last thing before I can declare 2014 done and dusted and that is my favourite albums of the year list. I can only imagine how devastated the internet would be if I didn’t get this one finished.

As I explained in the post accompanying numbers 11 through 20, the list this year has fallen particular victim to the vagaries of real life, so it’s not really ‘The Very Best’ albums of the year, even just in my opinion, because I have found myself without the time to sit and really listen properly to vinyl for about  a third of the year.

Due to moving house, touring in the States, having our living room rebuilt and all sorts of other things some albums have been disproportionately favoured over others. This happens all the time anyway – sometimes things just don’t get a fair crack of the whip – but this year has been particularly bad.

Song, by Toad’s Best of 2014
1-5 | 6-10 | 11-20

So if you’re reading this and thinking ‘holy fuck, no Twilight Sad, no John Knox Sex Club, no Old Earth’ then it really is just because I haven’t found the time to listen to those albums (and plenty more) just yet. I am pretty certain that by the middle of 2015 I will have a fairly different perspective on the year just gone, but for now the usual disclaimer feels even more necessary than ever: don’t worry, I am not saying these are definitively the best albums of 2014, but given my rather unpredictable listening circumstances, these have ended up being my favourite.

Not that much in the top five will surprise you of course – I may have had a weird year, but I am still as predictable as ever!

1. Timber Timbre – Hot Dreams

This is a lush, weird, sleazy and gorgeous. Timber Timbre evolve fairly slowly, but go back four albums and the band sound nothing whatsoever like this. One of those rare moments where immaculate production and more involved arrangements seem like the absolute right thing for an album.

2. Powerdove – Arrest

One of those albums which very, very nearly squeaked under my radar this year, which I suppose is just one of the drawbacks of being on a small label – we just don’t have the personnel for exhaustive PR campaigns. Fortunately I happened across it a month or two ago, and balls on a stick is it gorgeous. So many abrasive noises and so much lovely stuff, all intermingled into one perfectly executed whole.

3. Micah P. Hinson – Micah P. Hinson and the Nothing

Given how barely Micah P. Hinson’s music changes from one record to the next I don’t really know why I never get bored of it. I don’t, though. In fact given his near omnipresence in my top five every time he releases an album, it would seem Hinson’s wild swings between intensely sad and intensely angry, with just a little bit of contemplation and playfulness mixed in here and there strikes a chord in me as reliably as a metronome.

4. David Thomas Broughton – UnAbleTo

David himself may be on our label, but given we didn’t release this ourselves I am giving myself an exemption from my usual rule of excluding anything we are directly involved in from these lists. Fuck it, this is amazing, and given David released the Juice Vocal Ensemble collaboration this year, as well as appearing on our latest Split 12″, and also has a triple – yes, triple – vinyl album ready to go for 2015 as well I marvel at the man’s productivity. Even more freeform than Powerdove, this is another one of those albums which veers from the absolutely gorgeous to the aggressively discordant, but that’s what makes it great.

5. Now Wakes the Sea – Bildungsroman

Another under-appreciated gem from pretty much my favourite non-Toad Scottish band at the moment. This isn’t all quite as slow or minimal as its predecessor, in fact there are some breezy, clattery, lo-fi pop songs in here, but that awkward screech is never too far away – it’s an album which teeters on the edge, but a band which is comfortable enough with this that they handle it with increasing confidence. Proof, if ever any more was needed, that Scotland is WRONG about music.

So there you go. I suppose, all my disclaimers at the top of the page notwithstanding, that this top five is just about the most inevitable of any list out there on the internet. You all know by now, if you read this site with any regularity, that I love all five of these bands and have done for ages. Still, not many of these, with the possible exception of Timber Timbre, seem to have made it onto a lot of other people’s lists so I hope that this wee nudge might encourage you to check them out.

And now… ON WITH 2015!

More: , , , ,