Pennycress

pennycress More gems from my various social media feeds here, with a new Glasgow band I first found out about today: Pennycress.

Listening to the first couple of tracks it’s easy to think ‘ah right, they’re basically a punk band’, and quite an old school one at that. A lot of the songs on See Us Swell are like that – some just a bit more rapid and frantic than I would generally listen to I have to confess, but there’s a lot more going on here than that.

Fourth track Stopped & Stared borders on whimsical indie-pop, although a band with this kind of overall aesthetic might kill me for saying so (although the preceding tune All Might even has either sleigh bells or tambourine on it for fuck’s sake!), and closer Heavy Heart is really rather lovely… for a while at least. There’s other stuff in there too, like Waltz, which may still be intense and screamy but not quite at such a break-neck pace. This all may seem trivial, but it’s important, because it breaks up the sense of being vociferously berated about something you didn’t know you’d done.

The band tag themselves on Bandcamp as queer and I rather like that. I don’t know if this applies more broadly, but most of the music I’ve heard which uses that term has a belligerently unapologetic attitude to sexuality, and this is good. Fuck you to being expected to pussyfoot around this kind of thing – people need to get used to the idea that their opinions on other people’s sexuality are just fucking irrelevant and not being asked for (says he, veering dangerously close to expressing an opinion on other people’s sexuality) and I get the impression that people who use the term queer are generally a bit more forceful about that kind of thing.

Not least that more confrontational attitude seems to be bringing a lot of good punk back into the socio-political sphere, which is also something I like. F Fit, for example, sounds a bit like it’s basically saying ‘fuck you, yes I’m a feminist, and what?’ although I have to confess that it’s pretty hard to make out most of the lyrics on this.

Anyhow, musically this is intense. As I said, the few wee breaks you get are kind of needed, because the second you draw breath they are off again, battering and reeling off one two-minute gem (if that) after another. Eight songs, a little over a quarter of an hour, and that’s it. It’s not all squarely my cup of tea I guess – some of the most full-pelt punk songs have never been entirely my kind of thing – but in general this is really really good. And so full of piss and vinegar it’s impossible not to warm to.

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