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Matthew Young

We Were Promised Jetlag

Well I am sure that any of you who really give a shit what’s happening at South by Southwest this week will have found out from one of the more dilligent blogs who have been writing daily updates.  Honestly though, I doubt anyone who regularly reads this site would have really expected me to be one of those blogs.

I got to Austin at about ten or eleven at night on Wednesday and stumbled into town to find Peej, who kindly offered to put me up, and Vic Galloway, who along with Peej is one of about four people I know in Austin this week, at the Scottish Showcase.

Due to not having bothered with either a badge or a wristband and the place being absolutely jam-packed, Peej had to sneak me in the back door, getting rid of a bouncer with a vague sort of ‘I’m in the band’ response which rather miraculously seemed to work.  Peej had a badge which he waved and that did the trick.

I saw the tail end of the Jetpacks show, which people went absolutely mental for.  I have never been a big fan of the band, honestly, but Peej loves them and they seem to be going down an absolute storm in the States.  They certainly do put on a good show too, so it’s hard not to warm to them.  After some quality MCing by Mr. Galloway, with an enormous super jumbo extra helping of cheese, Frightened Rabbit took to the stage and they really were good.

I gave their new album a bit of a savaging, and in the comments section there was a bit of discussion about how the songs would come across in a live setting, free of the smothering production.  I also said that a lot of the guitar sound on Winter of Mixed Drinks was really good, or at least what little of it you could hear, and live this really is what dominates the songs.  The new stuff fits in perfectly with the older songs, and when they are just played on guitar I enjoyed them miles more than on the record.

On Wednesday night I slept like a fucking corpse, and wandered into town at about three or four o’clock in the afternoon.  First port of call was the Hype Machine to meet Dev Sherlock, who has had the unenviable task of editing our hour longs chats down in to concise five minute soundbites for Hype Machine Radio.  It turns out that instead of simply being a nice bloke on the internet, he actually has a rather storied history as a music journalist and instead of going to a lot of music stuff we wandered off to the Ironworks to eat burned meat and pickles with a beer on the deck.  It was very, very civillised and finally meeting someone who’s been an internet friend for a couple of years now was a rather strange pleasure.

On the subject of internet friends, I finally met a certain Campfires and Battlefields on Thursday evening at the 4AD/Bella Union showcase.  I went in with the Broken Records lads to see them, Efterklang and Midlake, and ended up also catching an excellent set by John Grant, whose new album is out on Bella Union in a few weeks.  He used to be in a band called Czars, who I also rather liked, and he sounded really good.  When he sat down I expected something a bit like Bon Iver, but in fact it was probably closer to Rufus Wainright than anything else.  Very promising, in any case.

Efterklang weren’t bad, and I am not going to go on about Broken Records (great idea – travel all the way to Texas just to go and see bands from Edinburgh).  The real revelation of the night for me was just how good Midlake were, however.  I saw them at the End of the Road Festival a couple of years ago and they were no better than pretty good, and their new album was pretty much like that as well: really enjoyable, but didn’t exactly blow me away.  In the rather fantastic surroundings of Buffalo Billiards in Austin, however, they were pretty brilliant.  The harmonies were gorgeous, and I have no idea why they needed five bloody guitarists, but the sound they made was so nice that you can’t really question them on that count.

And of course, just before the Midlake set, Jamie Broken Records tapped me on the shoulder and said ‘I think there’s someone here you should meet – a certain Mr. Campfires and Battlefields…’

Matthew Young

Coming Up on Song, by Toad

Hello people.  Sorry for the fact that this whole website has pretty much gone to shit over the last few days.  I was working myself into the ground during the buildup to Homegame, and while I was out there I didn’t really stop, so it’s been a bit mental.  Then we got back late yesterday, I did a Fresh Air Session, and today was the Mumford & Sons Toad Session and in about five hours I’m flying out to South by Southwest, so erm… yes, I’m fucked.  Still I’m not planning on doing anything productive at all in Austin, so I should be able to get my shit vaguely in gear while I’m out there.

However, in order to reassure you that I am not just pissing about like some sort of gadfly and neglecting the site I can give you something of a list of cool stuff to expect over the coming month or so on Song, by Toad:

1. Podcast: Whilst in Texas I will be staying with Peej, who comments on this site occasionally and also writes/curates Dear Scotland.  By coincidence, he also happens to be good mates with Vic Galloway, so this weekend’s podcast will probably involve the three of us drinking and swearing our way through an hour’s worth of music.

2. Homegame interviews: whilst at Homegame we recorded some live footage and interviews of the Silver Columns, Django Django and Findo Gask.  These will all be going up on the site soon.

3. The general Homegame highlights video: I wasn’t so scrupulous about getting general ‘atmosphere’ shots this year, but I still imagine I’ll be able to put something decent together.  Hopefully.

4. Cold Seeds Toad Session: we recorded the one and only Cold Seeds performance, which took place in the Hew Scott Hall in Anstruther on Saturday night.  We spoke to the ‘band’ the next morning and will cobble the whole business together into some sort of ad hoc Toad Session in time for the full release of the record in June.  The 12″ vinyl can be bought now from Song, by Toad Records.

5. Mumford & Sons Toad Session: We recorded this today and it sounded and looked brilliant.  They were a little pressed for time, what with a sold out Queen’s Hall waiting for them, so this was about as professional and efficient as we’ve ever been, but I am certain that the results are going to be fantastic.

6. SXSW coverage: this will be patchy, frankly.  I am taking out a little voice recorder and a camera and will probably write a daily post every morning, but I am promising nothing because the plan is to take it easy and drink Margaritas.

And that’s just about it, I think.  Again, apologies, but it really has been fucking mental around here I’m afraid.  Normal service probably resumed in April!

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Matthew Young

Toad and Ruth’s Toad and Ruth Show with Toad and Ruth!

Hello.  Sorry for the lack of preparation here, but Homegame rather fucked with my ability to get anything done in an orderly and organised fashion this week.

Listen Live Here

Listen to us! We’re super duper and we have the very very lovely Love. Stop.Repeat with us for some post Homegame fun….

1.  Matthew and The Atlas – Deadwood
2.  Trips and Falls – We Were Like Strangers Today
3.  Queen – Don’t Stop Me Now
4.  Love.Stop.Repeat – Song For Mary (live in session)
5.  Mimicking Birds – Cabin Fever
6.  Love.Stop.Repeat – Tail Lights (live in session)
7.  Au Revoir Simone – We Are Here
8.  Love.Stop.Repeat – Storm Song (live in session)
9.  Jonnie Common – hand-to-hand
10.  Fanfarlo – Finish Line
11.  Sparklehorse – Maria’s Little Elbows
12.  Love.Stop.Repeat – Pillow (live in session)
13.  Cold Seeds – Perfume of Mexican Birds

Matthew Young

Toadcast #113 – The Anstercast

We’re in Anstruther this weekend for Homegame, and so we got incredibly pissed late at night and recorded a podcast for you all, just as a special extra Sunday Supplement.

This should give you a taste of our Homegame fun and, sadly, also an idea of just how much of a wreck we all make of ourselves in Fife once a year.
Honestly, this is my favourite festival in the fucking universe, possibly only equalled by Pickathon, which is incredibl e.

Toadcast #113 – The Anstercast

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01.Withered Hand – No Cigarettes (01.34)
02.Silver Columns – Yes and Dance (Silver Columns Remix) (08.31)
03.Findo Gask – Wrapped in Plastic (Live) (14.00)
04.Adem – Everything You Need (20.02)
05.Django Django – Love’s Dart (29.52)
06.FOUND – Freaky Freaky Chancer (33.37)
07.Cold Seeds – The Perfume of Mexican Birds (43.43)
08.Love.Stop.Repeat – The Ghost of What You Used to Be (50.52)
09.FOUND & eagleowl – Some R. Kelly Cover (58.52)

Matthew Young

Toadcast #112 – eagleowl Toad Session

eagleowl Toad Session from Song, by Toad on Vimeo.

Video: VimeoYouTube
Photos: FlickrBlueback Hotrod
Audio: below

A large part of me thinks there should be an Eagleowl Interviewers’ Support Group.  They are some of the loveliest people you will ever meet, but getting them to talk is like trying to learn Kung-Fu in an afternoon.   I’ve been down the pub with these guys, so I know it’s not like they don’t have anything to say for themselves, it’s just that teasing it out of them with cameras and microphones present requires a black belt in interviewing people which I quite simply do not have yet.  Next time I will be prepared.  Possibly no more successful, but prepared nevertheless.

The music has come out beautifully, recorded by Neil Pennycook and Gavin Tarling, and mixed by Neil – eventually.  Dylan took the pictures, and I have a Song, by Toad set on our Flickr page, but Dylan’s full set can be found on his own site at Blueback Hotrod.  I’ve made videos of the songs themselves and there is of course the main video at the top of the page which gives a not-entirely honest and rather heavily edited impression of what the whole day was like.

The playlist for the interview podcast is at the bottom of the page and as per usual all the Toad Session recordings are available for free for you to download and generally do as you please with.  Hope you like it.

Toadcast #112 – eagleowl Toad Session

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eagleowl -Into the Fold (Toad Session)

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eagleowl -Blanket (Toad Session)

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eagleowl – Laughter (Toad Session)

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eagleowl – Sleep the Winter (Toad Session)

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Toadcast Playlist:

01. eagleowl – Into the Fold (Toad Session) (07.03)
02. Rob St. John – December & Whiskey (Live) (16.26)
03. Silver Jews – How to Rent a Room (19.31)
04. eagleowl – Blanket (Toad Session) (30.25)
05. Spokane – Proud Graduates (36.12)
06. eagleowl – Laughter (Toad Session) (49.21)
07. Adrian Crowley – Bless our Tiny Hearts (54.54)
08. Nick Cave & the Bad Seeds – The Willow Garden (57.34)
09. eagleowl – Sleep the Winter (Toad Session) (66.42)

Matthew Young

The Besnard Lakes – The Besnard Lakes are the Roaring Night

I don’t know if it’s supposed to be taken this way, but this record is great fun.  The otherwordly falsetto vocals and slightly over the top guitar melodrama just give it an air of exuberance.

It also seems to have the right balance between self-indulgence and discipline; it may sound a mite proggy in places, but it’s all still pretty tightly put together, and there’s barely any freeform noodling.  A little like early Interpol and Clap Your Hands Say Yeah, the rhythm may not seem complicated, but it thumps away consistently through everything, anchoring the whole album extremely well.

Having listened to it a good dozen or so times through I still feel a little ambivalent about the second half of The Besnard Lakes are the Roaring Night, however.  It seems to lose pace and just a little bit of urgency.  There’s almost a sprightliness to the first half, despite the heaviness of the noise, but later on it seems to become a little leaden, wich is a shame, because every time I listen to it I feel like I am building up to absolutely love the album, only to sort of deflate half way through.

Over the course of an hour this album drifts from boisterous, somewhat epic indie rock to what I suppose I would call a kind of increasingly moody post-rock, if I were forced to try and put it into words.  And consequently it seems to lose its momentum, just at the wrong time.

The Besnard Lakes – Like the Ocean, Like the Innocent Pt.2: The Innocent

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The Besnard Lakes – Glass Printer

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Matthew Young

Liars – Sisterworld

This is another of those reviews of a band with a large back catalogue and a hefty reputation, where I am somewhat out of my depth because I just haven’t really made the time to sit down and listen to their stuff before.

Hardcore fans might disagree with me of course, and I am in no position to argue, but this is a pretty good place to start if you’re going to investigate a band.  It’s bloody good anyway, whether or not it’s all that representative of their older stuff.

Musically, Sisterworld is a right mess; it’s a tight, impeccably controlled mess, but a mess nevertheless.  Awkward noises bristle along, only to be battered aside by an onslaught of dirty guitars and yelped vocals.  That rush of noise is hardly helter-skelter though, instead giving the impression of tethered aggression still barely on the leash.

Rumbling cellos snap in and out of this distorted swagger, giving it another thread of taut discipline, all brimming with threat and unease, and if it kept up like that all record this would be one of the best things I’d heard in fucking ages, but unfortunately it doesn’t.

Those breakouts into cacophony bring the threat of violence to the simmering glare of the earlier songs, as you know that at any point the glower might erupt into a racket of noise, but these moments are less and less vicious and rather less frequent as the album progresses.  This not only allows the momentum to dissipate a little, but rather emasculates the sense of threat in the quieter parts.  I suppose what it does is rob the emotional journey of the sudden twists in direction which had kept me on the edge of my seat for the first two thirds of the album or so.

Consequently, by the end I consistently find myself losing the sense of exhilaration which the first half of the record ignited, but I’d still say that this was bloody good and I am definitely going to get me some more Liars!

Liars – No Barrier Fun

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Liars – Scissor

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Matthew Young

Richmond Fontaine – Live Review & Interview With Willy Vlautin From Cabaret Voltaire, Edinburgh, Saturday 6th March 2010

[Click on the images to enlarge them, and go to Blueback Hotrod to view the full set.  I'd like to say a big thank you to Dylan for filming the interview and for letting me use his photos, both for this post and for the titles for the videos.]

It would be a total cliché to describe Willy Vlautin as a natural storyteller, but then again, sometimes the reason that things are clichés is because they are entirely and obviously true.  From the start of the  interview to the end of the gig it is obvious that Vlautin just rolls thoughts and ideas around in his head, around the conversation, just enjoying the process of building phrases and telling you things.

He is also one of the nicest, most unassuming people I have ever met – just a complete gent from start to finish.  I am far from an experienced interviewer, and his readiness to chip in, to participate, and to make the conversation worth everyone’s while turned what could potentially have been quite an awkward half hour into a genuine pleasure.  Maybe that’s why he’s such an engaging performer – he always puts enough of himself into the show to make the interaction worth his and his audience’s while.

Listening to Vlautin’s songs, they are brought vividly to life by what is an understated, but nevertheless phenomenal talent for finding the important detail which turns his broad-brush vistas into crystal-clear snapshots of people and places you can almost smell, they’re so real.

I wonder if it’s his genuine sympathy and interest which allows him to spot that kind of detail, and to communicate it so cleanly.  It’s hard to describe what’s so special about the way he does it, too.  He’s observant, and can be harsh, but never in a judgmental sense.  If ever what he describes comes across as harsh, he manages to do it in a sense that implies somehow that he still has great love for his characters, and it is simply reality which is mean-spirited.  Even describing a van he bought which clapped out five hours out of the lot he imbues the tale with a kind of pathos: “I don’t know what happened to that poor van. It liked me I think; it just didn’t want to drive any more.”

When he talks to me about how he builds his stories, he tells me that there may be a great deal of reality in there but it’s completely jumbled up, although you’d never guess it.  He doesn’t write to expose or to finger point, more as a way of imagining away the injustices and misfortunes of life either for himself or the people he writes about.

In fact, for someone whose stories can be so stark, and whose characters so intensely observational, he is at considerable pains to avoid either being voyeuristic or taking advantage of someone else’s misfortunes, explaining how he’ll exaggerate situations, extrapolate greatly from small moments to create the chains of events which provide the backbone to his plot, and break up and bury the literal observations under layers of new characters, new places and new consequences.

The catharsis, he tells me, is still the same.  Just because the feeling is caused by different circumstances and happening to a very different person, doesn’t mean that demon isn’t exorcised – as long as the heart of it is there, it’s still the same.

I was a little nervous going into this interview not to cross any lines by talking about Vlautin’s books or his music either too much or too little; preferring to try and let him define how much separation he wanted to keep between the two.  It turns out that boundary barely exists, however.

During the interview he tells me about how his latest book, Lean On Pete, was what happened when he sat down and started writing a story which had begun as a song which didn’t really work.  Songs like The Disappearance of Ray Norton from Thirteen Cities remained as songs, but ended up being spoken word because he just couldn’t get the story he wanted to tell to fit into a traditional song format.

As he chats his way through the gig it becomes increasingly clear that the clichés are perhaps still the best point of reference, at least to begin to understand Willy Vlautin.  He is, simply, a storyteller, and the medium is flexible.  What doesn’t change though, to expand on that cliché a little, is that perhaps as much as a storyteller, he comes across as a listener, and that’s probably why he’s so good.

The band have been together for fifteen years, and the obvious consonance between them as musicians seems to flow from that openness to other people, and the performance itself is full of that spirit.  I love an awful lot of Richmond Fontaine’s music, but there are definitely times when it’s not entirely my cup of tea.  Live, though, the generosity of Vlautin and his friends has so much impact that I found myself drawn in by the warmth they project and even loving the songs I hadn’t enjoyed as much on record.

It was a lovely evening in general, and the interview was so interesting that I am going to publish it in its entirety as a podcast in the next couple of weeks so you can all hear it for yourselves.  I’ll intersperse the conversation with the songs which get mentioned, and I absolutely defy anyone not to be captivated.

Richmond Fontaine – Moving Back Home #2

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Richmond Fontaine – The Boyfriends

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Matthew Young

Toad on Fresh Air – 8th March 2010.

Welcome back to the Song, by Toad Fresh Air show, with the lovely Ruth.  This week we have Russell from Mammoeth live in session, although the poor bugger’s already done a brilliant session for us before Christmas which was unfortunately swallowed by the Fresh Air computers, which are a bit like a suspiciously special needs version of Hal most of the time.

Last week’s Session with The Last Battle can be found at the bottom of the page, in the form of downloadable session tracks, a podcast of the interview and session videos.  The sound is really nice considering there were six of them and we only have two microphones.

Live on Air 8pm-9.30pm – Listen live here.

I’ll fill in the playlist live below from 8pm onwards, so please come and say hello, shout mindless abuse or whatever else it is you internet people spend your time doing.

1. The Besnard Lakes – Chicago Train
2. Liars – Scarecrow On A Killer Slant
3. Danger Mouse & Sparklehorse – Revenge
4. Bjork – Generous Palmstroke (Live)
5. Mammoeth- Scrambled Eggs (Live in Session)
6. Dirty Projectors – Two Doves
7. Mammoeth – Trigonometry (Live in Session)
8. Berzilla Wallin – Conversation with Death (Oh Death)
9. Sparklehorse – Heart of Darkness
10. Mammoeth – I’m Glad That I Died Today (Live in Session)
11. Mammoeth – Lap Dog
12. Fleetwood Mac – Honey Hi
13. Mammoeth – Wendy House (Live in Session)
14. Blur – Out of Time
15. Joanna Newsom – ‘81

Last week’s session can be found after the jump. Read the rest of this entry »

Matthew Young

Live in Edinburgh This Week – 8th March 2010

Basically, in terms of live music, this week revolves around two events: the (now sold out) Grizzly Bear show at the Queen’s Hall, and the Fencelicious Homegame Festival in Anstruther (final-ish running order announced here).

However, for those of you not coming out to Fife and unwilling to stump up twenty quid to see yet another band with Bear in their name, there is at least one gig  very much worth seeing in Edinburgh this week.

Before that, for those of you who missed it (which I presume includes everyone) I was invited to write a comment piece for the Scotsman this weekend, about what it would mean to small bands and labels to lose BBC 6Music.  The content will be pretty familiar to all of you from the post I wrote last week, which is how the article came about in the first place,

It’s on the site filed as a ‘Premium Article”, which makes me chuckle, so for those of you who don’t wish to sign in I have scanned the thing and you can read it here.  I suppose I am slightly not supposed to do that, but I don’t think I am being paid for the article itself, and I don’t think it’s doing much harm to let you see the thing if only so you can exclaim, like Mrs. Toad did on first seeing it: “Where the fuck did they get that awful picture?”  Bitch.

Friday 12th March 2010: The School, Allo Darlin’ & Django Django at the Wee Red Bar.

This is going to be a somewhat twee night of indie pop, with just a little darkness supplied by the Homegame-bound Django Django beforehand.  You owe it to yourself to have enormous amounts of fun at this gig if you aren’t going to Homegame, just to stick it to those of us who are.

Allo Darlin’ – Atlantic City

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