So I don’t like pop music eh, well what about this, you fuckers, what about this? Well I suppose it’s a counter-argument but only kind of. A lot of this is pretty damn morose, and needless to say those are my favourite bits. It does get pretty pop at times, such as Holy, and inevitably that is my least favourite song on the album, but most of this is really good.
Off the top of my head there are a few loose comparisons to give you a rough idea of the kind of territory we’re in here – some of that wounded glamour of Lana Del Rey, a horribly depressed cousin of Nicole Atkins, or perhaps a less affected Angel Olsen. None of these comparisons are that great, but they put you in roughly the right ballpark.
Although I don’t love any of those artists, there is definitely a bit of something in all of them that I like to varying extents, and I think Joyner comes closest to nailing it. This is old-fashioned, but still modern. The synths are moody without being prominent, and the drumming sounds like a drum machine (although looking at the photos it would appear the band do have a drummer).
I suppose, put simply, I prefer this because it is quite lo-fi and stripped back. I remember early Nicole Atkins, and how there was a sort of gloriously amateurish glamour to it. Lana Del Rey’s album may have been a lifeless, embarrassing mess, but there was something incredible about the direct, unsettling feel of Video Games. So of course Holy isn’t really my cup of tea, but I think Young Fools is fucking great: bitter and wounded, but fantastically light and elusive.
I’m sure it would be crap for her career to embrace the miserable, weird and the uncomfortable side of her music and move in the direction of the fantastic Powerdove or Lady Lazarus, but I reckon I would love the results. This EP teeters on the brink of either approach – pop or anti-pop – and Joyner could do either. There’s a lot of good stuff here, and this may just be a digital release, but I am most curious too see what the future holds.