[This is the final post in this splendid series, and a massive thank you to all who have taken part. This all started a couple of months ago when Ian, guitarist with Toad favourite Broken Records, sent me a message about having a soundtrack rant brewing. It went largely along the lines of [...]
[One of the things I have been utterly fucking dreadful at recently is exploring the world of new music blogs. Blogs pop up all the time, some last and some don't. Matthew from Draped in Velvet got in touch to pop over a post about a film and music I don't know from [...]
[This series just gets more and more fun - excellent! I'm delighted that you all seem to be into it. Here's Tim from The Daily Growl. He's from the Diplomatic Service of the The Nation of Scottish Bloggers, being a Glaswegian (you know, slightly malnourished, likes to glass folk, etc...) posted to [...]
[Okay, well I've let everyone else have a go, so it's time I slapped my nuts on the line and had a go myself. I've cheated slightly and altered the theme for my own benefit, but hopefully you'll agree that it fits.]
I know this is cheating, but I thought it might be interesting, not least [...]
[You know when you haven't explained yourself properly then there's a mixup and then you end up thinking, 'ah, fuck it'. That is this post. When I invited the Readers of Toad to contribute posts for this series on soundtracks I meant entire posts - you know a couple of hundred words, [...]
[Welcome back to our soundtracks series. This time it's the turn of my little brother, sound designer for the Boston Ballet, who has previously written this excellent post about recording quality in rock music for the site, which went down very well indeed. Here he tackles the problem of soundtracks and their context [...]
