Having spent three years in France while she was (kind of) growing up, Mrs. Toad will tell you that French radio can be a little odd. There are laudable rules in place which mandate a significant percentage of the music to be Francophone, as a means to combat the overwhelming plague of English language culture currently smothering the world.
I respect this stance, but it did seem rather oddly to result in a near-monopoly on French radio of Johnny Halliday and the fucking Eagles. I am not sure how the rule led to the result, but for some reason they seem inextricably linked in my mind.
My relationship with French music has also always been somewhat unfairly tainted by the ubiquity of Johnny Halliday on the airwaves, and I never really got into genres that they are really good at like hip hop, although some of their twee pop is pretty awesome.
This is nothing like that stuff, however, but I do like it and it is French and I always appreciate music that pulls me away from lazy habits, even if you don’t take your own lazy thinking that seriously.
Black Polygons’ Bandcamp tags sum the music up pretty neatly, so I suppose there’s no massive need for me to elaborate: ambient, experimental, lo-fi minimalist noise. And that’s pretty much what it is. Some pretty twinkles appear to lighten the mood, but there is really satisfying enjoyment of tone and buzz on this album. A lot of the guitar playing just teases a growl of distortion along for minutes on end, letting it rise and fall in a way which just about lets it meld with the more melodic elements, but in general just enjoying the rumble for its own sake.
There are quite lovely, sweeping cinematic elements here, particularly in some of the keyboard parts, although I’d love to see the movie that dared to use anything as dirty as this stuff for its soundtrack. It would probably be set in the pale winter sunlight in Iceland somewhere, with a handsome bearded man looking moody in a thick knitted jumper.
Anyway, it’s always a shame when albums as enjoyable as this don’t have a physical release anywhere to be found, but you can download this from their Bandcamp for a few bucks and it is more than worth that. The internet free-for-all can mean music like this gets lost a little, I fear, and this really doesn’t deserve it at all.