BEAM

Screen Shot 2015-03-17 at 15.05.28 Instead of stalking young musicians on social media, this particular tip came to me the old-fashioned way: mentioned by a friend in the pub. Retro!

Amy MacDougall, who records as BEAM, will be playing what I think is one of her first Edinburgh shows on Friday at Henry’s supporting Viking Moses and Kathryn Joseph (tickets here, seriously, you should come along).

I think Amy might be better know for singing with other people, but that’s a bit of a disservice, because her own music is delicate and lovely. Not in that prissy way that some singer-songwriter stuff can be, just dreamy and gorgeous, with diaphanous* vocal loops providing an elusive sense of atmosphere and mystery. The loops themselves may be dreamy but when the lead vocal comes in it has more presence than you might expect, listening to the tracks build up.

The songs are all about texture and atmosphere, and are a gorgeous blend of organic and digital elements. There is cello (Pete Harvey once more, of The Leg, Cold Seeds, Bastard Mountain and Meursault fame – seriously, that boy gets everywhere), piano, a bit of guitar, Amy’s gorgeous voice, all drifting in and out of focus amongst a gently shifting digital landscape. It’s odd and elusive, but entirely welcoming. I know I’m into my awkward, slightly needly music these days, but this is really warm and generous and I like it for that.

So, Friday then. This is going to be excellent! BEAM will be onstage first – at 8pm – so if you want to catch her performance come down early.

*Seriously, fuck you, I write about music all the time and I never use that word. You’ve got to give it to me this once, surely. No? Seriously? Too far? Alright, maybe you have a point, sorry, what was I thinking. Seriously. ‘Diaphanous’. Who fucking uses words like that?