Song, by Toad

Posts tagged 17 seconds

Matthew Young

Scottish Internets A-Buzz With Music

Map of the Internet

There seem to be a lot of things happening on the internet in and around the Scottish music scene at the moment.  This is nice, because for a while it seemed like the only real participants in McMusic 2.0 were the old stagers like myself, 17 Seconds, The Vinyl Villain, The Pop Cop, And Before the First Kiss (RIP for now) and Manic Pop Thrills.  We can welcome a couple of new sites to the fold as well, in the form of The Steinberg Principle, Across the Kitchen Table and Scottish Friction.  There are the more venerable organs such as Is This Music? and Jock Rock as well, but it seemed like ages since we’d been fed any fresh meat.  There are a few others run by professional journalists, such as Spins ‘n’ Needles, Broon’s Tunes and Lots of Random Words, but they seem for the most part to be places to store their writings for other people, rather than sites with a focus of their own.

It’s all quite old school though: essentially the text from what would have been a magazine or a fanzine of days gone by has simply been moved to the internet which, although it’s an improvement in many ways, is hardly revolutionary.

There are two reasons I think that a lot of this isn’t quite stretching the internet to its full capability just yet.  Firstly, community.  One of the key things the internet can do which traditonal media could never do is to build a community out of the readership who actually get to participate in the project itself.

Some of the blogs mentioned above, and this one as well, go some way to achieving this sense of community.  The Vinyl Villain is probably the best I can think of, in terms of bringing disparate people together and letting them become friends simply by virtue of reading the same website.  It’s not an easy thing to do, and JC has done it very well indeed, but the undisputed kings are the Fence Collective, whose web presence has really helped cement the community of musicians and fans together.  It probably wasn’t really intended to be when it started, but their Beef Board is a masterpiece of Web 2.0 savvy.  And this from a label that doesn’t even sell mp3s.

The other thing which most of the sites mentioned so far really lack is any kind of multimedia.  I am trying, but a look at the BBC’s Homegame Sessions shows you what I mean.  Since the iPlayer they are pretty much the masters of this universe as far as I can tell, and a splendid example of how to bring together print, video and audio in one fairly seamless package.

Recently there have been some new additions to the tartan interwebs, however, which promise to help push us collectively forward a little.

Off the Beaten Tracks – with whom I have collaborated on a couple of Homegame Sessions – is offering live video sessions and band profiles, exploiting the rather amazing Edinburgh architecture to create some really distinctive videos.  The Malcolm Middleton ones from Homegame can be seen here.

Glasgow Podcart – this is more of an arts and music blog, giving it a broader scope, which I like.  They combine their visual, written and podcast material really well.  This is a bit more Web 2.0, if you ask me, although they shower this train wreck of a site with compliments in this episode, so their judgment does seem to leave just a little to be desired.

Products of a Gaseous Brain – Milo will be shocked rigid and make protestations of amateurish bumbling when he sees me put him forward as an example of what a blog can and should be.  It may be rough, but there’s video, podcasts, writing, reviews, random bollocks and everything.  Apart from one unfortunate error, where he interviews yours truly on his podcast, this is a consistently excellent site.

So there we go, things are starting to move forward in this part of the world.  It’s good too, because these new ventures should spur on those of us who have been around for a few year now to do better and more interesting things.  It’s all about ideas these days, and there are some very good ones knocking around at the moment.

Matthew Young

Live in Edinburgh This Week – 3rd May 2009

Toad Night

Good grief, it’s a busy week in Edinburgh this week.  I am going to have to drive everywhere just to stop myself drinking my liver into oblivion.

Personally, of course, I am advocating the Song, by Toad Spring piss up at the Bowery on Thursday.  Those of you yet to acquire a copy of Meursault’s blinding new EP, I’d very much recommend you take this chance to do so.  We’ve only made 300 copies – all hand-painted – so I don’t think they’ll last all that long.

Tigerfest and the This is Music third birthday celebrations make this a busy week, and with so many celebrating promoters, things look likely to get really quite messy indeed.

Monday 4th May 2009: Au & Jesus H.Foxx at the Bowery.

Would wonky folk pop be an adequate description of Portland’s (I know, I know) Au?  It’s pronounced AY-Yoo apparently, and this is going to be my first real exposure to their music, which I am rather looking forward to.  From the MySpace it sounds both dreamy and theatrical, whilst still being prone to the odd clattering crescendo.  Sounds very promising.
Au – Boute

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Tuesday 5th May 2009: Navvy at Sneaky Pete’s.

It’s all a bit more pop than you might expect from this site, but Navvy’s songs are jumpy, enjoyable and just beholden enough to 80s indie that I think I might like them.  Definitely worth checking out, I’d say.
Navvy – Time

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Thursday 7th May 2009: Tigerfest w. Song, by Toad present: Meursault, Inspector Tapehead & The Japanese War Effort at the Bowery.

This should be a really good night, with a bit of luck. I will be there with bells on, and looking forward to what can only I suppose be described as something of a mix of styles.  There are a lot of electronic gizmos involved, I guess, so maybe that’s the unifying theme.
Inspector Tapehead – I Am Your Pedigree

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Friday 8th May 2009: Tigerfest w. 17 Seconds Records present Aberfeldy & X Lion Tamer at Cabaret Voltaire.

Ed and 17 Seconds are amongst this blog’s oldest friends, he and I having first met at a Camera Obscura gig during the first few months of Toad’s existence.  He too has gone on to expand his blog into an embryonic record label, starting with established Edinburgh favourites Aberfeldy, and since adding The Gillyflowers, X Lion Tamer and, most recently, Escape Act.  This is his label’s showcase, so please go and support someone who has in his turn given what we’re up to over here plenty of encouragement himself.
X Lion Tamer – Life Support Machine

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Friday 8th May 2009: This Is Music 3rd Birthday with: Broken Records, Mike Bones, & Rob St John at the Bowery.

Broken Records crammed into the Bowery should be fucking amazing, quite frankly.  It’s been a while since they played such a small venue (not counting the Bedlam Theatre, which despite being short on seats, is actually quite grand in atmosphere) and I would lay money on them blowing the toupées off anyone who gets too close.  Tickets may still be available from City Cafe, but frankly, I’d be surprised.  Worth checking, though, because this should be great.
Broken Records – And They All Fell Into the Sea (BBC 6Music Session)

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Friday 8th May 2009: Wintersleep at the Wee Red Bar.

I know nothing about them apart from what I can glean from a quick visit to MySpace, and it sounds like promising stuff.  It’s got a lot of Interpol in there, which is no bad thing, although they may be a little less moody than that comparison might lead you to believe.
Wintersleep – Search Party

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Matthew Young

YOU Try Googling a Band Called Sexy Kids

Sexy Kids

Fortunately the results weren’t quite as Special Branch-alerting as they might well have been.  I heard about this band both from Ed over at 17 Seconds, and from Colin who writes And Before the First Kiss, and put them on his 2008 Mixtape which he gave me at Christmas.

Oddly, this is a band which has been blogged to death by everyone from here to fucking Timbuktu, but all they really seem to have is a couple of tracks, a seven inch single and a clearly pretty fearsome black belt online marketing strategy.  This may be related to the fact that, despite being a Glasgow band almost entirely unheard of in this part of the world (correct me if I’m wrong on this, please), the single itself has been released on the really excellent Slumberland Records.

This expertise has resulted in the record being enthusiastically fellated by Pitchfork and many of the more influential US blogs, before the band seem to have built up that much of a reputation over here.  Certainly they have no live dates posted, and people I know who have tried to book them have found the band to be elusive, to say the least.

Still, the facts are fairly independent of all this nonsense.  Sisters Are Forever is a superb pop song, infectiously enjoyable, plundered right from the twee end of the eighties indie revolution and plopped happily into our laps here in 2009.  It’s not musically all that inventive, but it’s incurably catchy and bags of fun, and if this is the kind of trick these guys can pull off then fair play to them – they deserve the success.

Their other songs appear to be a little less overtly poppy, however, and I would actually say that this is a good thing.  There’s a bit more blank, flat tweeness, and a bit less bouncy, grinny poppiness which makes them seem a little more moody.  I’d say that this is actually suggests that there might be more to this band than just an irrepressible tune or two, and I hope this turns out to be the case.

Sexy Kids – Sisters Are Forever

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Sexy Kids – In a Box in a Bag

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MySpace Page | Buy from Slumberland Records

Matthew Young

Ruth Theodore – Worm Food

WormFood

A big thanks to Ed from 17 Seconds for turning me onto this album last year. Why has it taken me so long to review? Well as lovely as it is, there are a couple of flaws that bother me and it has taken a while to reconcile the two.

It seems churlish, given how much there is to genuinely love about Worm Food, to whinge so thoroughly about the very few things that are wrong about it, but that is what I am going to do. Imagine a more pathologically melancholy version of the likes of Kate Nash, but one with genuine ability to write lyrics that are more advanced than an unusually verbose ten-year-old. And one you wouldn’t want to punch.

Partly the accent and partly the slightly flighty delivery mean that Ruth Theodore is liable to get lumped in with that supremely irritating brand of ‘female Mike Skinner with an accent and some pink ribbons’ that are currently infesting our charts, but she genuinely is far, far superior to that lot. There are some gorgeous, gorgeous songs on this album, and some moments of genuinely intelligent, laugh-out-loud wit.

The problem? Well, some of the musical style is that kind of fast-plucked affair that, when overdone as it is on second track Rash, is not just something I find less than enjoyable, I find it really rather annoying. It actively interrupts my enjoyment of the music and makes me look around the room guiltily, hoping no-one actually thinks I like that sort of thing. Ditto one or two of the vocal tics – just too close to Nash-ville. In all honesty, there’s really very, very little of it but its mere presence is enough to make me wince on occasion. So if you’re at all like me in this department, you may wish to approach with caution.

Idiotic personal bug-bears aside, what do we have? An absolutely gorgeous album of superbly written female singer-songwritery. The best bits of this album are truly brilliant. Most of the rest is bloody marvellous. A tiny fraction grates on me. She’s really sharp lyrically, and there are times, particularly when the music is most pregnant with a peculiar sort of tormented, angry sadness, that it really is moving. The other beautifully managed touch is the perfect use of the supporting cast. Accordion, clarinet and strings drift in and out of the songs, but they are kept subtle so as to give them maximum impact, and to keep both the engaging voice and distinctive guitar style of Miss Theodore centre-stage. So as long as you’re prepared to skip a couple of tracks, this should be one of the smartest, sharpest and loveliest albums you’re likely to hear in a long time. It doesn’t sound like I love this album I know, but honestly, large bits of it are absolutely brilliant.

Ruth Theodore – Nothing On
Ruth Theodore – Murray’s Wives

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