Song, by Toad

Posts tagged animal collective

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Song, by Toad Festive Fifty 2009 – 11-20

11.Meursault – Love or Limb
This is almost a bloody country song, and fucking hell it’s miserable.  Like the rest of Nothing Broke, the songs really don’t seem to belong together, but they really do fit amazingly well. And one of the nicest things about this song, for someone actually involved with the release, is that it came as a total surprise – I knew nothing about it until suddenly there it was on something we were releasing.

12.Yusuf Azak – The Key Underground
Yusuf is threatening to retire from music before finishing his album.  Based on the evidence of his two EPs (free to download from his MySpace page) and this out of the blue pop gem that would be a tragedy.  It’s such a strange song, and yet so incredibly catchy.

13.Micah P Hinson – In The Pines (By Leadbelly)
Yes, I know, I don’t like this album much, and covering In the Pines by Leadbelly is an enormous cliche, but the sheer venom with which Hinson sets about this song is a bloody joy.  He just beasts the living shit out of it, start to finish.  Truly exceptional.

14.Meursault – William Henry Miller Pt1
Hmm, this song got a little lost in the debate between single versions and EP versions and all that pish, but forgetting everything else and just popping it on the stereo, it’s just a genius pop song pure and simple.  The oohs, the claps, the banjo… the fucking weird subject matter.  I defy anyone not to love this – in fact, if you are that person then all I can say is ‘Ha hahahaha – you’re an idiot.  Bad luck.’

15.Samamidon-1842-ToadSession
More banjo, and one of the most gorgeous voices I’ve heard in ages.  Sam played in Edinburgh a lot this year, and I don’t know if his second Bowery gig or his Toad Session the next day will end up being the most memorable from my perspective.  How someone can bring old folk music so powerfully to life by doing so little to it is beyond me.  The lad’s a fucking genius.

16.Withered Hand – For the Maudlin
One of the most understatedly brilliant albums I’ve heard for ages.  Almost every one of the songs on Good News should be on this list.  The only real relief for me is the fact that due to appearing on the Religious Songs EP a handful of them have disqualified themselves, otherwise Dan might fear he had a stalker.

17.Langhorne Slim – I Love You But Goodbye
I’m still getting into the album itself, but the teaser track from Be Set Free is more elaborate and involved than earlier work, but the twinkling piano and lazy strings just give this song an incredible air of indulgent, nostalgic melancholy.  If you like to wallow in your sadness yet not allow it to become too bleak, then this is the song for you.

18.eagleowl – Sleep the Winter

If you want to know what I think of this single, read this.  Otherwise just listen to the roll of the guitar refrain, the gorgeous sound of the violin and the wonderful interplay between Bart’s growl and Clarissa’s whisper – it’s just beautiful.  They make making music like this sound so incredibly easy.

19.Sparrow & the Workshop – You’ve Got it All
If I were Jill O’Sullivan’s gentleman friend I would be somewhat worried by the number of venomous, barbed songs she writes.  If I didn’t know what a sweetie she was, and just knew her by her lyrics, she’d scare the shit out of me.  This whole EP is fierce and vulnerable, but mostly fierce, and this is probably my favourite song on it.  Although… well, for now it is anyway; it’s just a great EP full stop.

20.Animal Collective – Summertime Clothes
I blow hot and cold with this album, but this track is simply a brilliant pop song.  Even I feel like a hip kid listening to this (although it’s probably eight months too late to be saying that).  But honestly, anything that makes me feel even vaguely like dancing deserves a fucking medal, and that’s what this does.

To download all ten songs as a single zip file, click here.

1-10 / 11-20 / 21-35 / 36-50

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Animal Collective – Fall Be Kind

fallbekind ‘Haha, fuck you, we’re not your pop bitches’ seems to be the attitude to this brilliant and brilliantly odd EP by Animal Collective.  After the runaway and surprisingly broad sucess of Merriweather Post Pavillion they seem to have decided to make it damn clear that weird, insanely catchy songs for mandexed* hipsters to dance to is not a pigeonhole they are willing to be stuffed into just yet.

Maybe it’s one of the benefits of hitting the mainstream as a relatively mature band.  Grizzly Bear are the same: overnight successes maybe, but they are certainly not wide-eyed ingenues, and they certainly didn’t come out of nowhere.  Consequently, the idea of being massive, global hit parade bands for a while probably seems slightly surreal and, a little like the Flaming Lips with Embryonic, they seem to be nursing the desire to reclaim their music from the charts by releasing something really fucking weird, to remind the world at large, and maybe themselves a little, what kind of a band they really are.

What Would I Want? Sky is probably the closest they get to Merriweather, with the rest of the EP more submerged in electronic washes punctuated by the odd, surreal burst of sound which seems to emerge almost from the Middle Ages.  The main difference is the lack of that percussive rhythm (I say percussive because a lot of it was electronic, rather than actual percussion, but you get my point).  There are times when this actually reminds me of that sort of chillout indie music which was sort of popular around the time the Beta Band emerged in the mid-nineties.  Bands like Delakota suddenly pop into my head, although I don’t think I’d want to compare them too directly.

This is actually more consistent than Merriweather Post Pavillion, which I thought tailed off quite badly towards the end, but in solving the lows it seems to have not quite located the highs either.  There’s none of the euphoria which they managed to generate with their last record, but then again this isn’t exactly supposeed to be pop music so in a sense I guess that’s kinda the point.

Animal Collective – Bleeding

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*Man spandex – thanks Dylan, that one’s going in the dictionary.

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Toadcast #98 – Randomness

Random PostI get an awful lot of stuff in my inbox.  When I get jaded and fed up it seems like a bit of a burden, in all honesty, like I owe it to every band and every publicity monkey who ever gets in touch with me to give them complete attention and the time to let the music sink in and all these things which just aren’t possible.

Sometimes, though, I get in the right mood and having an inbox full of bits and bobs is an indulgent treat.  This week is one of those weeks, where I am enjoying pottering through my inbox and having a listen to this and that and basically, it’s just a bit of a treat.

So, after weeks of structured and themed stuff, this week I am basically playing whatever the fuck it is I fancy.  No theme, no plan no goal and no coherence in particular

Toadcast #98 – Randomness

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01. Stanley Brinks – The End of the World (01.42)
02. Tune Yards – Hap-B (08.09)
03. eagleowl – Laughter (17.00)
04. Stringjammer – Long Road Home (19.45)
05. Eels – Little Bird (26.09)
06. Fang Island – Daisy (31.32)
07. Candy Claws – Island Grows (41.30)
08. Animal Collective – Bleeding (43.41)
09. Dylan in the Movies – Josephine (52.53)
10. Clues – Perfect Fit (61.20)

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Toadcast #82 – FOUND Toad Session

FOUND Toad Session

The most enormous difficulty with recording this podcast was that it was monumentally, wonderfully, amazingly sunny and hot outside.  So there we were, stuck in our house, trying to play songs and conduct an interview while we were all secretly (and not so secretly) longing to just be out in the back garden.  Mrs. Toad was making burgers, you know.  Gaaaaah!

I remember when FOUND recorded a show with Marc Riley recently and I got plenty of emails saying that they really weren’t very talkative.  Which is odd really, because I didn’t entirely get that kind of impression as we recorded this session or about them in general, but then I listen back to it again and the first few interviewy segments really do take a while to get going.  I guess it took a while for Ziggy (who I’d never met before) and myself to figure out exactly how to talk to one another and whether or not we really got on.  So that whole dynamic makes for a really good podcast, which gets more and more interesting, from my point of view anyway, as the thing progresses.

They even hint at the mighty Cybraphon, their recent creation, but like a fool I don’t really press them on it too much, having no idea what a splendid great behemoth it was going to turn into.

As usual, all the videos are embedded below and can be seen at the Song, by Toad Vimeo on YouTube pages, along with a portfolio of photos by Dylan from Blueback Hotrod, and Fee on Flickr here.  The session tracks can all be downloaded below, and the main interview podcast itself is immediately below.  Have fun Toadlings.  I am going to sleep like a freshly-slaughtered corpse.

Toadcast #82 – FOUND Toad Session

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FOUND – Mullokian (Toad Session)

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FOUND – You’re No Vincent Gallo (Toad Session)

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FOUND – Medley (Toad Session)

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FOUND – Anti-Climb Paint (Toad Session)

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FOUND – Gifted (Toad Session)

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Now we’ve got the main session video below, followed by the videos we made for the individual songs (Vimeo are being fucking useless at the moment, but eventually that main video and Gifted won’t be on YouTube).

01. FOUND – Mullokian (Toad Session) (05.11)
02. Grizzly Bear – Two Weeks (09.27)
03. The Avett Brothers – The Greatest Sum (Acoustic) (13.26)
04. FOUND – You’re No Vincent Gallo (Toad Session) (20.39)
05. Animal Collective – Brother Sport (20.32)
06. FOUND – Medley (Toad Session) (36.00)
07. Phil Collins – In the Air Tonight (44.20)
08. Lambchop – Your Fucking Sunny Day (49.11)
09. FOUND – Anti-Climb Paint (Toad Session) (64.29.)
10. FOUND – Gifted (Toad Session) (72.25)

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Animal Collective – Merriweather Post Pavillion

Animal Collective

Quite why I have been so slow to review, or indeed to appreciate, this album may be the fault of that staple of 21st Century music listening: the random function.  It’s not entirely my fault but the first half dozen or so times I listened to this album I didn’t do so either in its entirety or in the correct order, and consequently I really didn’t think it was very good.

Maybe it’s different for others, but I only really started to get this album once I had listened to it from start to finish in the order in which it was intended to be heard.  I can enjoy the songs in isolation much more now that I feel I understand them a little better, but until I’d listened to it properly I couldn’t really appreciate them properly.

I’d still say, despite its indie blog darling status, that this album is no better than good.  It starts out with a flurry of pop songs, purposeful electronic beats, some dreamy, distorted vocals and consistently appealing melodies which leak from the songs from time to time, just to remind you that this is still music for humming along to.  This really only lasts for the first half, however, and as the album progresses I still find myself losing a little interest.  The pace of the electronics slows somewhat, losing that abducted trance music feel and slipping into slightly directionless musical collage.

Maybe this is just a band for real fans.  I like what I think are the most accessible pop songs – the easy ones, if you will.  There are plenty of groups who I got into that way, whose more obtuse work didn’t really reveal its qualities until I had progressed through the requisite stages of the easier stuff, and come to understand the dynamics of the music a little better.  This may well prove to be the case with Animal Collective, but for now my reaction is patchy.

Animal Collective – In the Flowers

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Animal Collective – Summertime Clothes

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