Song, by Toad

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Toadcast #47 – The Oldcast

Toadcast

I know it’s a bit obvious to do a podcast like this so shortly after my birthday, but it gives me the opportunity to ramble a bit and play some classics I might not otherwise have played.

There are so many wonderful songs about growing old, and I actually think I may have missed most of them.  I have no fear of being old, but for some reason it feels a little more immediate this year but I don’t know why.

So goodnight people, it’s been a pleasure.  Sleep well and don’t be too rough on yourselves.  Take Kirsty’s advice and “don’t be too rough on my cold, cold heart; it’s all I’ve got left to me now.”

That may be the smart-arsed line, but the most important line in this song is the bit where she says that “there’s a light in your eyes tells me somebody’s in and you won’t come the cowboy with me”.  It’s such a crucial judgment, isn’t it.  You take a bet on someone, you throw in your chips and you hope for the best.  So if you’re feeling brave, good luck to you.  Look after her, I’ll be there anytime soon.

Toadcast #47 – The Oldcast

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01. The Rolling Stones – Mother’s Little Helper (00.01)
02. The Band – Rockin’ Chair (07.46)
03. Michelle Shocked – Memories of East Texas (11.21)
04. Hafdis Huld – Tomoko (20.57)
05. Baby Walrus – Some Dawns No Bird Will Sing (28.44)
07. Donny Hue & the Colors – The World Came Running (30.25)
08. Mumford & Sons – Little Lion Man (34.21)
08. Soko – The Dandy Cowboys (43.31)
09. Kirsty MacColl – Don’t Come the Cowboy With Me, Sonny Jim (47.04)
10. Neil Young – Old Man (55.09)
11. Jeffrey Lewis – Back When I Was Four (58.12)

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Toadcast #17 – The Cellarcast

Toad FM

The wench is away and I am here by myself, managing the last few days of our house project. You can imagine what fun that must be, I’m sure.  Still, we move back in this weekend, so it may be a crap couple of days but it’ll all be over soon and then you’ll be relieved of me constantly whinging about it, which will be nice for you.

Given we’re living in a basement flat on a short term let for a month I got quite into the basementy idea with this playlist. I digressed into The Basement Tapes by Bob Dylan and the Band, but mostly it’s music from ’95/6 when I was living in a damp, grotty basement flat in Glasgow with a mate and the girl I was seeing at the time.

I bought stacks of CD singles back then and lost them all when someone broke into the flat.  Thanks to the joys of the internet I’ve been able to track most of them down recently, so you get a few of those, as well as some of the stuff I was listening to at the time.

It’s interesting as a historical document, to me anyway, but I am not sure how well the playlist itself works.  There’s something about this podcast that I’m not sure I like as much as the others, even though I like all the songs on it.  I don’t know, let me know what you think.  Perhaps Tears of Rage, Oasis and the Cranberries aren’t good enough songs to have all on the same podcast.

Toadcast #17 – The Cellarcast

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01. Blur w. Francoise Hardy – To the End (03.33)
02. Oasis – Rocking Chair (10.54)
03. Bob Dylan & the Band – Tears of Rage (17.59)
04. Bob Dylan – Baby, Let Me Follow You Down (Live) (25.54)
05. The Band – Rockin’ Chair (29.17)
06. Lloyd Cole – Unhappy Song (37.59)
07. Hootie & the Blowfish – Sad Caper (48.40)
08. Elvis Costello & the Attractions – Shallow Grave (54.03)
09. Tom Waits – November (55.55)
10. Barenaked Ladies – The Old Apartment (63.26)
11. Ray’s Vast Basement – Black Cotton (68.33)
12. The Bluetones – Colorado Beetle (71.08)
13. The Boo Radleys – Almost Nearly There (79.35)
14. The Cranberries – Joe (87.07)
15. Nick Cave & the Bad Seeds – The Ballad of Robert Moore & Betty Coltrane (96.13)

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Toadcast #3 – With Added Americana

Toad FM

It’s all gone a bit American this week, Toadlings. I have no intention of putting out a series of strictly themed podcasts, but it’s still early days and there are so many massive chunks of my music collection I want to poke about in that this may happen a couple of times before things settle down. So I started with a couple of vaguely American-sounding tracks this week and before you know it I ended up with a podcast with a definite Americana theme.

I’m quite happy with how it’s all turned out though, I must confess – a nice combination of classics and small, small bands, so the playlist is working quite well by itself. And actually handling the microphone is getting easier as well. I am quite liking this podcasting business, I’d say!

Toadcast #3 – With added Americana

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1. The Band – The Weight (02.16)
2. Hem – Half Acre (09.18)
3. Elvis Perkins – While You Were Sleeping (12.38)
4. Cherry Ghost – Mathematics (20.27)
5. The Holy Modal Rounders – Hey Hey Baby (25.30)
6. Night Jar – Sweet Annie Lee (28.30)
7. Caramel Jack – Lincoln Jackson Incident (33.45)
8. The Builders & the Butchers – Spanish Death Song (39.27)
9. Willard Grant Conspiracy – Ballad of a Thin Man (49.51)
10. Rick Redbeard – Blood (54.06)
11. Billie Holiday – Georgia on My Mind (59.26)
12. Night Jar – Big Black Horse (64.05)
13. Broken Records – Lies (71.45)
14. DeVotchka – The Enemy Guns (77.57)

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Limping About Like a Cripple

Walking Stick

Yes, I’m afraid so my Toadlings. I seem to have pulled a muscle in my back so at the moment I am shuffling about like I’ve just shat an angry porcupine.

It is, believe me, excruciating. I can’t even find a comfortable position to lie and watch telly, so god knows how the bloody hell I’m going to sleep tonight. Mind you, there I was feeling sorry for myself when it occurred to me that The Band had a splendid song called Up On Cripple Creek which, assuming a certain enjoyment of tasteless and slightly black humour (and let’s face it, you wouldn’t still be here otherwise), seemed rather appropriate.

The Band – Up On Cripple Creek
The Raveonettes – My Boyfriend’s Back Not the greatest song, but that ambiguous apostrophe was just too good to be missed.
Tom Waits – Walking Spanish If that’s what you want to call it.
Jackson Browne – Walking Slow
The Lemonheads – No Backbone

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Growl for Daddy!

Babies!

Tim over at The Daily Growl has had a baby. Or rather, I presume the actual baby part was largely left to Mrs. Growl, but nevertheless, he’s a dad! So in a rare instance of me not being sarcastic, snide, deliberately obtuse or excessively cynical, Song, by Toad offers its most heartfelt congratulations. Fucking brilliant.

Pulp – Babies Yes, I know this isn’t appropriate, but it’s so splendidly inappropriate that I rather like it.[audio http://www.matthewjamesyoung.com/sbt/Pulp-Babies.mp3]

Back immediately to matters musical, poor old Tim, as he says in his own post on the subject, went out recently with the lovely intention of buying little Isobel Growl the single that was top of the charts when she was born as a sort of keepsake for her. Except it turned out to be shit. So he tried the top of the indie charts… which turned out to be shit as well. What’s a well meaning new dad to do? Downloading her something from the top of the eMusic charts and storing it on a USB drive for ten years just doesn’t have the same ring to it somehow. Maybe a compilation, I suggested – some decent popular stuff to mark time and place, some appropriate stuff for sentimental reasons and some of your own current favourites, for personalisation.

Whilst this isn’t a bad idea of course it is rather predicated on the assumption that wee Isobel won’t grow up to be an emo kid. Or into supermarket pop. Basically, this wonderful gesture of love and sharing might have her wrinkle her nose and say ‘Dad, that’s shit.’ Not that she’d say that I hasten to add, because she’ll be a well raised little girl of course.

How do you stop your kids going off the deep end – turning to the dark side, as it were – as far as music is concerned? I mean, drink, drugs, stealing, cheating, lying, teenage pregnancy and a taste for tinned custard are one thing, but any honest, decent upstanding citizen must surely draw the line at Fallout Boy. Or Busted. Or Westlife.

Half Man Half Biscuit – Vatican Broadside Who indeed?

Well to prevent such unmitigated disasters in the life of a youngster you need one thing first and foremost, and this Tim has: decent taste in music. This is an important starting point. You can’t keep kids away from Limp Biscuit (yeah, yeah, whatever) by trying to lure them away with the spineless dadrock of Coldplay. (Tim, I’m afraid this includes Athlete – keep them well away from the poor girl, you might lose her for good) No Aerosmith, no Kasabian, no Jamiroquai (unless you’re keen to find out what it’s like to be stabbed in the foot by a desperate six-month-old armed with a pencil), and definitely no prog. None. The Lead Zeppelin are not a band. Nor are The Pink Floyd. Nor, come to think or it, The Deaf Leopard.

Now that this is established we begin the long, meticulous process of indoctrination. My own parents had an excellent good cop-bad cop thing going. My Dad had all the more heavyweight stuff – Dylan, The Band, Tom Waits, Neil Young, Jackson Browne – where my Mum had more pop taste – Duran Duran, Bowie, The Stones, early Elton John, ABC, Tina Turner, even some Depeche Mode and Erasure. This way, if I felt I had to rebel then I had somewhere to go that was different, but never outside the confines of what is just and right. Very, very cunning. A bit like the way Tony Blair conned a nation into rebelling and voting Labour, only to realise when it was already far, far too late that they were just a bunch of Tories in sharper suits.

So, comprehensively outplayed, where do I find myself now? Exactly where my parents’ music collection put me, that’s where. So never fear, Tim, play your cards right and she’ll be putty in your hands!

The Band – Rocking Chair for the Old Git.
David Bowie – China Girl for Mother Toad.

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Spiderman – Soundtrack Honey Trap

Spiderman

Christ marketing people depress me. Their unbridled cynicism and the tawdry, dollar-tinted spectacles through which they view the world just sucks all the will to live right out of me.

The whores responsible for peddling the new Spiderman flick have decided to jam the soundtrack full of cool indie bands (or reasonably cool ones at least – my Mum might well have been able to name them, which rather dampens my enthusiasm) in order to give the movie that edgy cachet the predictable storylines and silly costumes inherent in superhero movies have slowly drained away over the last couple of movies. Step right up The Killers, The Flaming Lips (meh), Jet, Snow (guffaw) Patrol and a couple of more interesting selections, namely Wolfmother, Sounds Under Radio and The Walkmen.

Now, we all know that this is just not a soundtrack. What are the odds of more than one of these songs featuring prominently in the film, other than the closing credits? Absolutely zip, that’s what. This is a half decent compilation album being used as a marketing tool. And why does this bother me so? Well because good soundtracks can be iconic, that’s why.

Remember The Big Chill? What a film, and what a soundtrack. Although interestingly, the marketing people slightly fucked that one as well. Instead of making it a perfect movie soundtrack they tried to pitch a Motown nostalgia mix, leaving off the superlative tracks by The Stones and The Band that would have contrasted so perfectly with the more upbeat Motown feel of the rest of the songs. But the music played a pivotal role in that movie and deserved to become a famous soundtrack. A Life Less Ordinary? Good film, lots of songs, good soundtrack, and deservedly so. The Piano? Not my taste, but famous for the music in the movie. Even the rather pointless High Fidelity had a right to make a decent soundtrack album as the music was an important part of the film, but generally no more than one or two judiciously placed and well used tunes are needed to have a real impact in a movie.

Now, I bear Spiderman no ill will, for sure. I thought the first couple of movies were pretty superior efforts, as preposterous superhero nonsense goes, and enjoyed them immensely. And this compilation isn’t a bad album as it goes, so I don’t mind rewarding them for their annoying cynicism by talking about it. I’m not linking to it though, it’s not that good.

What continues to demoralise me is the depressingly hollow money-grubbing of these commercial types. You get the impression they would think nothing of selling the advertising space on their own daughters’ foreheads, should there be an extra fifty pence in it for them somewhere. Just dismal, depressing, awful awful people.

The Spiderman Theme Yes, the real one!

And the two missing songs from The Big Chill soundtrack. The two best ones, too:

The Band – The Weight
The Rolling Stones – You Can’t Always Get What You Want

This is what these people do to Spiderman. Doesn’t the poor little blighter look sad? Shame on them:

Spider, erm, ‘man’

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