Song, by Toad

Posts tagged cocorosie

Matthew Young

The Common Toad.  Common?

Decline of the English Murder

Hannah from Modernaire rather kindly sent through this George Orwell essay which I rather like, especially the bit about the Toad (I assure you there is no such thing as a ‘common’ Toad, whatever George may think).

Maybe we should all step away from these pernicious computer machines, and go and lark about, carefree in the springtime lushness.

The excerpt was from ‘SomeThoughts on the Common Toad’ and whilst I object to his scurrilous accusations of lower class toadery which, as a species, we vigorously refute, it makes a nice read. Orwell may have been a stodgy novellist, by which I mean that his intellectual achievements as a writer outsrip the actual enjoyment of reading his fiction, but he was a truly excellent essayist. Anyone who is yet to read “The Decline of the English Murder” should do so immediately. But this is not really a literary site, so let’s leave it to George, shall we:

“Is it wicked to take a pleasure in Spring and other seasonal changes? To put it more precisely, is it politically reprehensible, while we are all groaning, or at any rate ought to be groaning, under the shackles of the capitalist system, to point out that life is frequently more worth living because of a blackbird’s song, a yellow elm tree in October, or some other natural phenom¬enon which does not cost money and does not have what the editors of Left-wing newspapers call a class angle? There is no doubt that many people think so… People, so the thought runs, ought to be discontented, and it is our job to multiply our wants and not simply to increase our enjoyment of the things we have already. The other idea is that this is the age of machines and that to dislike the machine, or even to want to limit its domination, is backward-looking, reactionary and slightly ridiculous.

I have always suspected that if our economic and political problems are ever really solved, life will become simpler instead of more complex, and that the sort of pleasure one gets from finding the first primrose will loom larger than the sort of pleasure one gets from eating an ice to the tune of a Wurlitzer. I think that by retaining one’s childhood love of such things as trees, fishes, butterflies and – to return to my first instance – toads, one makes a peaceful and decent future a little more probable, and that by preaching the doctrine that nothing is to be admired except steel and concrete, one merely makes it a little surer that human beings will have no outlet for their surplus energy except in hatred and leader-worship.”

There’s not a lot of music related to Orwell that I can think of, although I assume there must be loads out there. Animal Farm and 1984 have entered into the popular imagination such that people use metaphors from these books all the time, even if they have no idea where they came from.

For Animal Farm (tenuous, these two):
Cocorosie – Animals
The Beatles – Piggies
For 1984:
Alanalda – There is Always Someone Watching
Tina Turner – 1984
David Bowie – 1984 (Live)
For Down and Out in Paris and London:
The Divine Comedy – In and Out in Paris and London
There must be some more though, surely? Help me out here people.

Matthew Young

CocoRosie – The Adventures of Ghosthorse and Stillborn

Ghosthorse & Stillborn

I almost feel that, given my general indifference to Feist, I shouldn’t really like this much either, but I do. I couldn’t even tell you why I connect the two in my head, but I do. It’s probably just a trick of the mind because there’s something much more otherwordly about this – something slightly mythical, almost – and it’s something I find quite beguiling.

In musical terms it sounds like something of a cross between the early, thick and slightly mucous Goldfrapp material and a dinner party Bjork on her best behaviour. It’s much more folky than either of those two, and the juxtaposition of thickness and breathiness makes it quite an intense album, heavy on magical atmospheres and strangely evocative ambience. Occasionally they lapse into the fairground macabre, such as the uncharacteristic but nevertheless excellent Japan. This reminds of the first Goldfrapp album as well, with its Oompa Radar circus interlude.

They’re an interesting pair, the Casady sisters, who basically are CocoRosie. Sierra was shunted aroud European boarding schools from her early teens, after failing to settle in a household with her mother and younger sister Bianca, following the breakup of their parents’ marriage. Estranged for nearly ten years, Bianca unexpectedly appeared at her sister’s Paris apartment in about 2003, having grown restless in the States. They hit it off pretty much immediately from the looks of things and have pretty much been going at the music hammer and tongs ever since. Luckily for us.

CocoRosie – Werewolf
CocoRosie – Japan

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