Okay, angry mob of the Toad readership, do your very worst.  Today, as promised, is the day we vote on our five favourite songs of the year so there will be no foolish questions as per usual, but what there will be is the chance for you to write down your favourite songs, in no particular order, and I will count them up and find out which songs the readers of Toad have enjoyed the most this year.

There aren’t any real rules, although the song should have been released in 2011.  And also, just to help me count, I’d appreciate it if you could write in in the form Artist – Song Title please.  Other than that, umm… well, do your worst, I suppose.

And, as per usual, El, Brian and myself will be live on Fresh Air Radio from about half three in the afternoon.  We have special guests this week, but they were invited by El and I have no idea who they are, what they do or why they are there.  I guess I will find out when I get there.

Live on Fresh Air Radio from 3:30pm UK time – listen here.

Now, to get you in the mood for voting for your top five songs, here’s a quick recap of last year’s winners, as well as a link to the thread itself where the voting took place.

1. The National – Bloodbuzz Ohio

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2. eagleowl – No Conjunction

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=3. Meursault – What You Don’t Have

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=3. Broken Records – You Know You’re Not Dead

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=3. Foals – Spanish Sahara

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And the playlist for this week’s show shall appear live below, as we play the songs:

1. Whirling Pig Dervish – Bawjaws
2. The Cure – The Love Cats
3. King Creosote & Jon Hopkins – John Taylor’s Month Away
4. Ringo Deathstarr – Do It Every Time
5. Twin Shadow – Slow
6. Hooray for Earth – True Loves
7. DZ Deathrays – Teeth
8. Joanna Gruesome – Lemonade Grrl
9. Class Actress – Weekend
10. Shirley Ellis – The Clapping Song
11. Blondie – Hanging on the Telephone
12. Rob St. John – Sargasso Sea
13. Foals – Spanish Sahara
14. The National – Bloodbuzz Ohio
15. Diana Ross – Ain’t No Mountain High Enough

I am a mere 32 years old. Some of you may be gasping at such superannuation, others chuckling indulgently at callow youth. In the world of music there seem to be a large clump of enthusiastic kids, a big chunk of people like me – getting a little too old to be indie kids but still are – and then another big clump of folk in their forties who decided a few years back that they were never going to be too old for all this and fuck anyone who suggests they are.

I seem to find myself easily identified as the middle category: not enough knowledge of Joy Division to be the latter, nor enough enthusiasm for Blood Red Shoes to be the former, and this is pretty much accurate. The problem is that almost everyone in this country of my age grew up listening to the sort of music that is being reprised right at this very moment, and I missed it. Spending your teenage years in Vienna and Singapore you just didn’t hear current music, ever. Beyond pantomime metal and shitty disco pop it just didn’t make the leap.

This means that when I hear groups like Cats on Fire, Decoration, The Siddeleys, My Teenage Stride, Shout Out Louds and countless others who are either reinterpreting – or just plain ripping off, depending on your view – this sort of sound I actually don’t hear a rip off.  I am hearing a good chunk of this music for the first time, despite it conjuring up a slightly disembodied sense of nostaligia, which is slightly odd because just about everyone my age over here is pretty familiar with this sound from the first time round.  There are patches of knowledge because we did have MTV and my cousin Steve used to send me mix tapes on my birthday, but for the most part my musical knowledge starts almost entirely from scratch in 1993, when I first moved to the UK to go to university.  I was seventeen.

Ned’s Atomic Dustbin, The Soupdragons, The Wonderstuff and The Levellers were just fading from public approval and Britpop was about to take off.  My first year in Manchester was the year Definitely Maybe, His ‘n’ Hers and Parklife were released.  So I missed C86, despite the fact that I should just have been starting to develop an interest in music at the time.  I was the only person I knew who had heard of The Stone Roses.

This is why you will often hear me get all excited about groups almost anyone else my age would probably dismiss as a bland knock-off of stuff they heard years ago.  For me the first time that is likely to happen is when the 90s Revival kicks in and grunge comes back.

The Cure – Killing an Arab
The Smiths -  Shakespeare’s Sister
The Siddeleys – Sunshine Thuggery
My Teenage Stride – Terror Bends
The Wonderstuff – Welcome to the Cheap Seats
Levellers – Liberty Song
Pulp – Pink Glove
Blur – Tracy Jacks

My dearest Toadlings it is with enormous pleasure and brimming pride that I present the light of my silly life, the bright and shining star at the centre of my universe and the bad tempered little Scottish strumpet to whom my every waking hour is devoted.  That sounds sarcastic, but it isn’t.

She treats the music I play with a sort of contemptuous indifference and has some truly shocking stuff in her rather limited collection.  But she has a punk side, she loves Bob Dylan and has taken to some unexpected groups recently, like The Sequins, The Builders & the Butchers and Grandaddy.  It slowly started to dawn on me that actually, Dolly Parton aside for the moment, she could probably put together a better playlist than I could, and I was absolutely mortified to be proved absolutely right.

So I thought I’d get her along to co-present too, which seemed like it might be fun.  It was a bit odd at first, but we warm up a bit by the end and it turns slowly into what I think it a pretty decent podcast, all told.  I’m not sure I’ll be able to talk her into doing this too often, but if it proves a success I promise to do my best.

Toadcast #13 – The Mrs. Toadcast

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01. Lambchop – Dallas Theme Song (00.00)
02. Sham 69 – Borstal Breakout (03.10)
03. The Clash – I Fought the Law (06.49)
04. Stiff Little Fingers – Alternative Ulster (10.53)
05. Depeche Mode – Just Can’t Enough (16.18)
06. The Cure – Just Like Heaven (19.50)
07. Ennio Morricone – The Good, the Bad & the Ugly (26.14)
08. Nirvana – Sliver (33.02)
09. Guns ‘n’ Roses – Get in the Ring (38.32)
10. Bob Dylan – Tangled Up in Blue (48.21)
11. Eels – Fresh Feeling (53.58)
12. The Von Bondies – No Regrets (61.31)
13. The 63 Crayons – Spoils For Survivors (66.16)
14. Honeytrap – Andy the Freefaller (71.15)
15. The Builders & the Butchers – Black Dresses (76.11)
16. Night Jar – Poor Man’s Son (81.46)
17. The Indelicates – Waiting For Pete Doherty to Die (89.54)