Song, by Toad

Posts tagged delgados

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STV’s Flair for Satire Continues

 STV have come in for some massively unfair stick in the past, but they have come back fighting this week with one of the funniest pieces I’ve seen in ages.  This week they published a list of nominations for the best Scottish songs of the noughties, to be voted for by viewers, with the intention of eventually whittling the numbers down to select ‘Scotland’s Greatest Ever Album’.

And it is hilarious.

The list of nominated songs for the last ten years or so is absolutely brilliant.  I can’t tell if it’s the best satire I’ve seen since I moved back up here, or if it’s a secret plot to destroy Creative Scotland.

They seem to be cataloguing some of the most embarrassing moments in the history of Scottish music and presumably in doing so hoping to imply that if that’s the best Scottish culture can manage then we might as well just fold Creative Scotland right now, on the grounds that they’re fighting a hopeless battle against the unstoppable forces of banal, vacuous garbage, and a population which genuinely laps this rubbish up, despite it clearly constituting cultural nourishment equivalent to no more than chewing on a cardboard box. While someone beats you with a stick. A big stick.  With nails in it.

Despite these potentially sinister possibilities, the list itself is a work of comic genius.  They even cleverly slipped a couple of good songs in there to kid us into thinking it was serious, but one look at the final nominations is enough to prove beyond a shadow of a doubt that they are just having a big old laugh at our expense.

And if you don’t believe me, here’s the clincher: they decided Country Girl by Primal Scream was the best Scottish song released between 2000 and 2009.  I think it’s a shame they did that, actually.  As hoaxes go, it was almost believable, until that point right at the very end where they fell foul of the satirist’s equivalent of the comedian who laughs at their own joke, and in doing so ruins the moment for everyone.

The Red Herrings:
Franz Ferdinand – Take Me Out
The Delgados – All You Need Is Hate
Camera Obscura – Lloyd, I’m Ready To Be Heartbroken

The Ones With Caveats:
Eddie Reader – Ae Fond Kiss – I don’t know this, but Eddi Reader sang a lovely version of this song when she was with Fairground Attraction, so it might well be really rather nice.
Glasvegas – Daddy’s Gone – I know I disagree with almost everyone who reads this site on this one, but I quite liked Glasvegas’ debut album. It wasn’t awe-inspiring, and it may not have stood up all that well in retrospect, but I rather enjoyed it at the time. ‘Rather enjoyed’ does not a Greatest list make, of course.
Snow Patrol – Run – Possibly another controversial one to defend, particular to this readership, but I honestly enjoyed a lot of Final Straw. What the band have turned into since is kind of sad, but they have some decent material in there somewhere.

The Indisputably Comedy Picks:
Biffy Clyro – Mountains – Just because they’ve been around for ages and have now signed for a major label doesn’t mean they are, or ever were, any good. I have been told their very, very early stuff was okay, but I am deeply sceptical.
Paolo Nutini – Candy – Awesome!  Magic!  You can’t take this one with a straight face, really, can you.  I am not sure it is actually possible for music to be more lightweight and trivial without actually causing a quantum singularity and ceasing to exist.
The View – Same Jeans The same jeans for three fucking days?  You fucking pussies, I haven’t changed my underpants in two weeks, where’s my fucking nomination?
Calvin Harris – Acceptable in the 80s – We couldn’t afford LCD Soundsystem, will this do instead?
The Fratellis – Chelsea Dagger The worst song on an album which in all honesty wasn’t all that bad in parts*.  But this track just proves that Scotland can do yob-rock every bit as embarrassingly as London or Manchester.
Primal Scream – Country Girl – Seriously? Who’s getting nominated next year, the fucking Stone Roses?
Amy MacDonald – This Is The Life – Umm, is this a band?  I thought she was the girl who worked in the chip shop near Waverley Station. If you like this song or this music then you are an idiot.  It is really that simple.
KT Tunstall – Suddenly I See This is rotten. She actually came across well in that Channel 4 series about all the bands in Edinburgh being from Glasgow, she is close friends with good friends of mine, although I have never met her, and she is by all accounts a Great Bunch of Lads**.   But with the best of all intentions I have never thought her music was anything other than woeful, sorry.
Mull Historical Society – Xanadu - Looked like it might be interesting at the very beginning.  And then wasn’t.

So you see what I mean.  I know it was dressed up to look serious, but when you actually look at the nominations it quickly becomes clear that this is actually an awesome joke.  Because there is no way anyone serious could possibly have done anything other than burst out laughing at most of that list.

In the comments, feel free to nominate your comedy winner.  Which song on the list is the inclusion which makes you laugh (or cry) the most?

*

*Yes, you heard me, despite them being awful live, and the band themselves coming across badly, there were a couple of perfectly hummable tunes on that album.  Suck it up, indie-snobs.
**A Great Bunch of Lads is what I have a bad habit of saying when I like the band in question but really can’t find anything nice to say about the music.  “Do you like KT Tunstall?” “Oh yeah, I heard she was a really nice girl, and she talked a lot of sense on the TV programme the other day.”  Perfect evasion of the actual question.

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Toadcast #172 – The Oldiecast

This podcast is, as you will already know, very, very late.  Personally I blame a combination of the RNLI, gin, and the fact that Mrs. Toad is away all week, which meant that yesterday wasn’t really available for blog things.

It’s also not very new music-orientated either, so hopefully those of you who come here pretty much just for that won’t be too disappointed.

I think what happened was that I got so into a handful of new releases recently that I neglected all the others, so when I came to sit down and write about tunes last week I suddenly realised I had nothing to write about.  For blogging that makes things a little challenging, but from a podcast point of view I am always happy to just fuck it and play some oldies, which is what I’ll do here.

Direct download: Toadcast #172 – The Oldiecast

01. Mad Melvin (00.17)
02. Chumbawamba – Farewell the Crown (01.43)
03. Billy Bragg – Walk Away Renee (07.37)
04. The Left Banke – Walk Away Renee (09.59)
05. Bruce Springsteen – Growin’ Up (17.07)
06. Psychedelic Horseshit – Rat Poison (24.17)
07. The Chesterfields – Ask Johnny Dee (32.21)
08. The Close Lobsters – Just Too Bloody Stupid (35.23)
09. The Delgados – Everything Goes Around the Water (43.45)
10. The Sleepy Jackson – Acid in My Heart (50.19)
11. Calexico – Si Tu Disais (56.17)

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Fuck – I Forgot the Fucking Fives!

Er sorry everyone, I wrote out my post for Friday, got totally carried away with myself, and forgot to add a Friday Five, so here it is.

The post I wrote was all about Channel 4′s recent Sounds From the Cities: Edinburgh show, so I reckon the five songs should maybe be ones I would personally have chosen to illustrate the musical history of the city (and Scotland in general) had I been the one making the choices (and yes, I promise, no Song, by Toad Records bands).

In terms of the five silly questions, well have a stab at these:

1. Name your number one all time favourite Scottish band.
2. Which is the worst band people seem to strongly associate with wherever it is you come from?
3. Where will Sounds From the Cities never go, which might make for some funny viewing?
4. Which band closely associated with where you’re from do you love the most?
5. Name a massively famous, massively influential band you’ve never really sat down and listened to at all.

Fire Engines – Candyskin

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The Delgados – Everything Goes Around the Water

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King Creosote – Saffy Nool

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Idlewild – When the Ship Comes In (alright, I shouldn’t have chosen this song, but I don’t actually know that much about Idlewild, but still think they and Roddy Woomble in particular deserved some sort of mention.)

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Kid Canaveral – And Another Thing!!

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Friday is a Tad Chilly

I am not cold in the sense that the temperature is all that low, more in the sense that I have been just a little too chilly for a few hours now and it is really starting to get me down.  Moan moan.  Song, by Eeyore etc etc.

Anyhow, Cellar 35 in Aberdeen was excellent last night – what a top wee space.  It is basically just a scruffy basement, but they’ve got a couple of carpets down and sofas and the atmosphere is really, really nice.  It helps a great deal that the staff were brilliant and helpful, but in general I thought it was a great place to put a small gig on.  John from the Kiosque tells me that it doesn’t get used all that much, which is a shame, as anything acoustic would really work well there.

They’re getting a new PA system too, which means they’ll be able to handle bigger bands soon, and apparently the new owners are making a big push to put more gigs on there – honestly, I would wholeheartedly recommend it.  It’s an ideal space and Jamie and Emma were absolutely great – and of course a big thank you to everyone who came along, and to Amber Wilson for playing and The Last Battle for stepping in at the last minute to complete the bill.

It’s basically December after this weekend isn’t it?  The time of the office Christmas Party.  I can picture myself sat here on my own with a Marks & Spencer’s individual Christmas dinner and a sad little party hat on; the only person at my own office party.  I suppose that’s not really fair though is it, because all the bands should really be there, and Dylan and Fee of course, and Wee Matthew and Andy who does the website stuff and Mrs. Toad as the Grand Matriarch.

I may sleep off Yusuf’s three album launch gigs on Sunday, but next weekend we will probably go and get ourselves a Christmas tree and so on and so forth – holly, all the usual shit.  For some reason my usual grinchery has vanished this year and I am really looking forward to Christmas.  I am looking forward to the tree, and I am even looking forward to my parents coming to visit, even if they are rather inevitably going to end up tutting at me on the Weekend of Doom when our label party is followed by eagleowl’s and then Kid Canaveral’s and then the hospital, all in the space of three days.

What’s got into me for Christ’s sake, this is most un-Toadlike, particularly after my birthday humbugging (Humbuggery?  It really has to be humbuggery doesn’t it.).  As long as I avoid the shops and the telly, which has been all too easy since ours was nicked, I think this should be an ace December.

Oh, and while we’re on the subject of seasonal pish, here is the latest in FOUND’s Free Music Friday series: a remix of Au Revoir Simone’s Fallen Snow.

1. How would you rate the ambient temperature in your office/classroom/lab/bedsit?
2. What’s worse, a freezing cold toilet seat making contact with your arse, or car seats that get so hot in the sunshine that your legs stick to them if you are foolish enough to sit down in shorts?
3. Anyone started thinking about their end-of-year best of lists yet?
4. Having a good meal anytime this weekend?
5. Is there a particular ‘making time to sit down and listen to music’ time coming up this weekend?  And what will you listen to?

These songs all come from a compilation made for me by my pal JC from The Vinyl Villain to mark the occasion of the launch of Song, by Toad Records, some six months before we ever actually released anything, back in July 2008.

The Ukrainians – Batya (Bigmouth Strikes Again)

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The Delgados – California Uber Alles

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The Monochrome Set – Jetset Junta (Remix)

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Ballboy – All the Records on the Radio are Shite

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The Lilac Time – The Girl Who Waves at Trains

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Lord Cut Glass – Lord Cut Glass

Lord Cut Glass

It’s funny, you really can hear so much of the Delgados in this.  Given that, after Emma Pollock’s solo album last year, this is the product of the other half of that split, that’s no surprise of course, but as a fan of the Delgados it is quite strange to hear so much of their sound in something that is in many ways rather different.

Looking at the respective solo work and then back at the Delgados themselves it seems mean to say, but the removal of Pollock’s earnest piano balladry has done this music no harm at all.  I quite like her solo stuff, but the playfulness spilling out of this record is an absolute fucking joy.  It’s pop, for sure, for those of you who consider that label a slight insult (I can be the same myself, not that I’m all that proud of it), it has some jaunty circus licks, a touch of broadway in a sense, it sprawls about all over the shop, and is generally really rather splendid.

Lyrically it actually reminds me somewhat of Aidan Moffat’s recent album How to Get to Heaven From Scotland.  It’s not quite so up front about its verbal virtuosity, but the combination of dish towel navel-gazing and sly humour is definitely quite similar.  I can’t imagine Moffatt referencing Enid Blyton’s Faraway Tree though, although in all honesty it’s far from impossible.

The rhythm drifts from the borderline military thrum, as illustrated on the cover, to the more orchestral pace we know from the Delgados, in particular from their later material.  That’s a broad generalisation though, because in general the overall variety of this album is one of its great strengths.  Orchestral waves do wash across it from time to time, but it’s not unusual for the accordion to be left to get on with things alone.  I like albums which can do this, particularly, as this one does so well, when the lyrical material is able to confidently make you laugh without detracting from the sincerity of the next song.  Songs like Picasso, for example, are musically quite basic despite the swelling arrangements towards the end, whereas other songs have absolutely everything thrown at them, including the kitchen sink.

It doesn’t do me much credit to admit that I had no idea this was coming, honestly, despite its appearing on a label only based about an hour away.  I actually had to be introduced to an album made in Glasgow by a publicity company based in the States, of all things, in the form of Team Clermont.  Still, no matter how I finally got here I’m glad I did, because Lord Cut Glass is an inventive joy of an album.  One of the surprise hits of the year so far, as far as I’m concerned.

Lord Cut Glass – Look After Your Wife

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Lord Cut Glass – You Know

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Top Five For Friday

Five!

Okay, I admitting right up front that I am shamelessly ripping this idea off from the Guardian talk boards, or GUT as it is known. There are a couple of reasons for this, firstly because it is fun, today is Friday, and Friday is not made for being serious, for doing work, or for anything other than frittering time away whilst waiting for beer o’clock. And secondly, I would be participating in this on GUT itself, but for the multiple bannings I’ve received under various pseudonyms for sexism, racism, bad language, inappropriate sexual remarks, being derogatory about disabled people, and other generally offensive behaviour. Telling them that I wasn’t being literal was apparently no defence, so here we are.

The idea here is to encourage as many lurkers as possible to come out of the shadows and post a comment, because you can be as involved or as brief as you like, just fill in your answers to the list and say hello.

So, today’s five are:
1. Favourite sandwich.
2. Favourite rock (or indie) beard.
3. Favourite bullshit bingo phrase.
4. Favourite music reviewer’s bingo phrase.
5. Favourite animal that is chiefly a native of Russia (link to a picture appreciated).

And here, to accompany the silliness, are some songs, just for fun:

Squirrel Nut Zippers – Twilight
Paul Weller – Has My Fire Really Gone Out?
Junior Walker & the All-Stars – (I’m a) Roadrunner
Charlie Don’t Shake – Heaps of Dirt
The Delgados – Aye Today

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