Song, by Toad

Posts tagged dusty springfield

Matthew Young

Toad on Fresh Air – 22nd February 2010

Once more we get to Fresh Air time, and this week I have a splendidly hot off the press mp3 from the new New Pornogrgaphers album.  It arrived in my inbox just as I was getting ready to leave work, so you can’t get much more news-whorish than that!

For the rest of the show, however, I am going to take a slightly different tack to the usual indie-folk, or whatever you want to call it.  I have some Dusty Springfield, some Nicole Atkins, some Bettye Swan and even some Dionne Warwick just because erm… well no reason really, it just struck my fancy when I was picking songs for the playlist in all honesty.

Live on Air 8pm-9.30pm – Listen live here.

I’ll fill in the playlist live below from 8pm onwards, so feel free to leave feedback, constructive criticism, mindless abuse, etc in the comments during the show.

01. Dionne Warwick- I Just Don’t Know What to Do With Myself
02. Joanna Newsom- On a Good Day
03. Grand National- Boner
04. Hot Lava- The Auctioneer
05. Laura Gibson & Ethan Rose- 3 Knife
06. Dusty Springfield- Don’t Forget About Me
07. The Come Ons- Strangelove
08. The Morning Benders- Excuses
09. Mountain Man- Honeybee
10. Nicole Atkins- Brooklyn’s On Fire
11. Scott Walker- The Girls And The Dogs
12. Kate & Anna McGarrigle- Love Over and Over
13. New Pornographers- Your Hands Together
14. Lissie- Everywhere I Go
15. Morrissey- You’re Gonna Need Someone On Your Side
16. The Tallest Man On Earth- King of Spain
17. Vampire Weekend- White Sky

Matthew Young

Toadcast #85 – The Ruthcast

rt
Hello, welcome to the Ruthcast.  Why the Ruthcast?  Because my friend Ruth who runs the Bowery with Jane came round to the house last week to thoroughly upstage me on my own podcast.

Last year Ruth was a guest on my Fresh Air radio show and completely and utterly upstaged me, and in this podcast we agreed that she would come on every week this year.  And that, frankly, sounds like a bloody good idea to me.

I mentioned on the Friday Five a couple of weeks ago that Ellie Greenwich had died, and as this is something which upset Ruth rather a lot, so the podcast is absolutely chock-full of Ellie Greenwich songs

Toadcast #85 – The Ruthcast

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01. The Ronettes – Baby I Love You (05.51)
02. Golden Ghost – If You Are in Love Then Why Are You Asleep? (13.36)
03. The Crystals – Then He Kissed Me (16.07)
04. Parenthetical Girls – A Song for Ellie Greenwich (23.25)
05. The Shangri-Las – Leader of the Pack (34.25)
06. Jeremy Jay – Beautiful Rebel (37.10)
07. The Blank Tapes – Listen to the One (41.41)
08. Dusty Springfield – What Good is I Love You (43.59)
09. Julie Doiron – Last Night (56.52)
10. Mount Eerie – Between Two Mysteries (69.06)

Matthew Young

Jacques Brel – Why Always in English?

Jacques Brel

I assume you all know Jacques Brel, one of very, very few songwriters to write in a language other than English to actually be able to penetrate Western cultural awareness. In fact, I read here that Mojo magazine conducted a poll of British and American songwriters in 2000 and apparently Brel’s Ne Me Quitte Pas was the only non-English song to make the resulting list of the Greatest Songs of All Time.

Jacques Brel – Ne Me Quitte Pas

Given the fact that his songs have made such an impact on their own merit, and given that apart from writing some songs in Flemish, he never strayed from French, it seems a little odd to me that absolutely everyone who covers Jacques Brel seems to do so in English. Only such luminaries as Nina Simone and, erm, Sting have actually sung his songs in French, which seems amazing.

Nina Simone – Ne Me Quitte Pas

Artists are snobbish bastards so I am a little surprised that so few people have managed to eschew the grand pretension of covering someone so enormously credible in his native tongue – and not just any native tongue, the eminent cultural bastion that is French, no less. Is that too cynical? I really doubt it.

Secondly, respect for the integrity of art is quite important to people, in particular other artists, so I am a little surprised that people have been so quick to accept such a cavalier attitude. Mind you, most Brel translations are actually contemporary with his own work, and people seemed to be a little less precious about that sort of thing back then (in the music industry at least – don’t say that to a modern film-maker). Perhaps their age gives them a peculiar sheen of credibility, something I imagine they’d lack if done today.

The most popular translations are the Blau-Shuman ones, but Scott Walker seems to use those of Rod McKuen in his own many Brel covers – brought together brilliantly in Scott Walker Sings Jacques Brel. A superficial glance at the actual work makes them look a little flimsy though.

Scott Walker – Mathilde

Wikipedia cites this McKuen example, which is pretty awful:

“Moi, je t’offrirai / Des perles de pluie / Venues de pays / Où il ne pleut pas” [As for me, I'll offer you pearls of rain that come from a country where rain never falls].
Translates as:
“But if you stay / I’ll make you a day / Like no day has been / or will be again.”

Woeful.

Brel is famous for his lyrics, too. Evocative and sharp, bitter and cynical at times, and an absolutely integral part of his work. I keep thinking of the Asterix books and how the translation managed to remain so inspirationally true to the original humour. Never mind the books themselves, the actual translations were a serious master work in their own right. It’s sad, as much as anything, that despite large numbers of covers of his songs, almost no-one seems to have taken the time to actually put the work into the lyrics as well as the music. And as I said, this is not an industry that lacks for monumental acts of self-aggrandising pretension artistic ambition.

I can understand, grudgingly, why people insist on singing translations – there’s no point singing songs by someone famed for his acerbic wit if your audience can’t understand a word – but why people are paying so little attention to which translation they use and why is a little disappointing.

Professor Arnold Jonhston is the only man who has translated his stuff to a standard acceptable to Brel’s widow, and has recorded an album of these translations. I can’t find it anywhere, but I have to say I am as dubious about a musical work by an academic as I am about a literary translation by a musician, although if anyone wants to mention Toms Stoppard and Lehrer here they should feel free. I’d like to hear that album though, if anyone has any suggestions.

Other than that, I’m not really sure where I’m going with this. It was all started by Richard Godwin sending his music through to me for a listen. He has a lovely style that is somewhat similar to Jacques Brel, and he covers Brel himself. It’s not the same translation as Scott Walker used though, and I don’t think I recognise it at all. Anyhow, I started listening to some other Brel songs and it all snowballed from there really.

Right. I’m off to the pub. Have a good weekend, Toadlings.

Richard Godwin – Next! (Brel cover)
Jacques Brel – Au Suivant
Dusty Springfield – If You Go Away
Jacques Brel – Les Bourgeois
David Bowie – Amsterdam

Jacques Brel on Amazon

Matthew Young

The Waiting Room & Toadcast #23½ – The Freshcast

The Waiting Room

You all know I’ve been doing a regular slot on DC’s radio show, The Waiting Room, of late, don’t you? Well this week’s slot saw me picking a track by Sky Larkin, as well as three wonderful songs from the splendid Happy Realease Records from darn sarf*. I may have been a little rude about their sound actually, but it was inadvertent. I was trying to head off the criticism from indie snobs – What? Who? None of those round here, surely? – about the fact that they are just plain enjoyable indie-pop for the most part, and ended up implying that I thought they were lightweight. The Genius of Tact strikes again. I should teach courses in this shit.

Anyway, swing by The Waiting Room to download this and past episodes, and Error FM to see what sort of crazy fools agree to put this sort of rubbish on the airwaves. The, er, internet airwaves. Interwav… oh never mind, you know what I mean.

The Waiting Room, Wednesday 12th March 2008

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* Darn sarf, for my non-British readers, is the phonetic spelling for how a cockney might pronounce the words ‘down South’. Which is where they are from. Yes, I know, hilarious wasn’t it.

Toadcast Tag

And here’s a sneaky little bonus podcast from myself:
Toadcast #23½ – The Freshcast

A week or so ago, I recorded a demo show for Fresh Air FM, the local student radio station, with a view to applying for a slot during next term, only the computer ate the bastard thing. Fucking technology. Anyhow, Sunday was Mrs. Toad’s birthday, and for some reason she was keen to get plastered and do a podcast with me, so we re-did it together. It wasn’t played quite as straight as I’d hoped, and by the time I’d had time to reflect on submitting it I was pretty certain Fresh Air would chase me out of the building with sticks. Fortunately for me, however, they didn’t hate it, didn’t seem to think I was a smart-arsed twat and didn’t dispatch me from the building with a boot print in my arse.

As this show is just a pre-record and will be going out randomly over the night when they stop broadcasting, I thought I’d pop it up here for you to have a listen. I won’t be doing this with any more Fresh Air things because, well, you need to go over there and listen for yourselves really, don’t you. But for this once I thought you might like it seeing as you shower of treacherous fuckers all seem to love Mrs. Toad so very bloody much. Be warned though, because it was made for a different audience, so there may be a bit of duplication from previous podcasts, and it’s rather long, as apparently there is a lot of time to fill overnight when there are no presenters in the building.

The Fresh Air plugs themselves were enough to see us kicked out.

Toadcast #23½ – The Freshcast

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01. Shout Out Louds – Tonight I Have to Leave It (03.09)
02. The Shaky Hands – Whales Sing (06.41)
03. The Cave Singers – Thinking of Heaven (13.05)
04. Preston School of Industry – Straits of Magellan (17.23)
05. Adam Balbo – Talkin’ Bush (27.11)
06. Donnan Linkz feat. Baje One of Junk Science – The N Word (29.18)
07. Riff-Raff – Romford Girls (36.44)
08. The Pogues – Dirty Old Town (38.58)
09. Nicole Atkins – Neptune City (46.44)
10. Edith Piaf – Elle Frequentait la Rue Pigalle (50.11)
11. Dusty Springfield – You Don’t Own Me (53.34)
12. AA Bondy – Vice Rag (59.12)
13. Relatively Clean Rivers – Hello Sunshine (68.09)
14. The Eighteenth Day of May – Lady Margaret (71.05)
15. Celebrity Chimp – Pornstar (81.27)
16. Nightjar – Poor Man’s Son (84.01)
17. Ravens & Chimes – General Lafayette, You Are Not Alone! (93.03)
18. Eels – Love of the Loveless (95.59)
19. Glasvegas – It’s My Own Cheating Heart That Makes Me Cry (106.49)
20. Flashguns – St. George (111.01)
21. Elle S’Appelle – Little Flame (123.09)
22. Elk City – Cherries in the Snow (125.58)
23. The Low Miffs – Also Sprach Shareholder (130.41)

Matthew Young

Toadcast #18 – The Homecast

Toad FM

Well you know how I said I wasn’t so convinced by Toadcast #17?  Well it proved somewhat prophetic, although that prophesy may have been somewhat self-fulfilling of course.  It’s one of my least downloaded podcasts for ages, but this one should sort that out.  There’s some genuinely excellent music on here, although most of it is pretty obscure.  There’s no Arcade Fire or anything to pull in the punters, bar a bit of The Magnetic Fields, but a really good selection of new and emerging music nevertheless.

And why the Homecast?  Well that’s obvious of course: we’re back in our house at long last and I recorded this from my massive old lab bench that doubles as a desk and music centre all at once.  It’s fucking brilliant – I really should take a picture and post it for you so you can see.  The bench is 2.75m long, so I have computer and stuff at one end, stereo equipment at the other and a couple of good sized speakers either side. A music anorak’s paradise!

Toadcast #18 – The Homecast

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01. Aidan John Moffat – Eureka Springs (Edit) (00.00)
02. 4 or 5 Magicians – Forever on the Edge (02.30)
03. Flashguns – St. George (07.53)
04. George Pringle – Carte Postale (13.52)
05. Dusty Springfield – You Don’t Own Me (16.59)
06. Destroyer – Foam Hands (21.55)
07. Howlies – Aluminum Baseball Bat (28.44)
08. The Scotland Yard Gospel Choir – Aspidestra (38.36)
09. Johnny Flynn & the Sussex Wit – Leftovers (40.48)
10. Ruth Theodore – Overexpanding (49.22)
11. Akron/Family – Ed is a Portal (55.28)
12. Victor Borge – Phonetic Puncutation (63.22)
13. Josiah Wordsworth – Drive-by Media (70.23)
14. King of Prussia – Spain in the Summertime (74.44)
15. The Magnetic Fields – Threeway (83.07)
16. The Forms – Knowledge in Hand (87.44)
17. Howlies – Smoke (90.14)
18. The Beat – Mirror in the Bathroom (95.38)
19. Found – When You Fall (102.09)

Matthew Young

I Got Nuthin’

Empty

Sorry chaps, I’ve got fuck all in me today. A post just won’t pop into my head, and I haven’t listened to any of my new music enough yet to feel I have enough understanding of it to pass on.

The other thing is that I have my latest podcast swimming around in my head and it is making it very difficult to think about other things. It appears I have the classic male mind: complete inability to multi-task, apart from the obligatory reflections upon sex every six seconds.

The new podcast is about gayness in indie music and life in general, which is something I feel really very strongly about. I’m not sure why because I am not gay myself and I don’t have many gay friends. The ones I do have a very good ones though, so maybe that’s it. Maybe it’s also the fact that homophobes are such unspeakable cunts that I would feel obliged to oppose them even if they were recommending a recipe for salad dressing.

Either way, for ‘research purposes’ I was printing off a splendid study about how homophobic men show unusual levels of arousal when exposed to gay porn, only my boss got to the printer before me. Honestly, he didn’t say anything, apart from ‘there’s something very strange printing off’ when I asked him if the printer was working properly, which isn’t always a given around here. So now I’ve been caught printing off articles about gay porn at work, which is nice. It annoys me a little that I find this at all embarrassing (Fuck you, it’s lunchtime, I’ll print what I want) and it also annoys me that it is very likely he did find it highly suspicious.

I am so tired and fed up with all this shit. Homosexuality. Not fucking leprosy, you retards.

So, until I get this podcast out of my system and get down and listen to some new music properly I am going to have to throw out a smattering of new and interesting things that are floating around my inbox as a sort of interlude. Sorry y’all, normal service will continue shortly.

More from (The Real) Tuesday Weld’s new album, The London Book of the Dead. It’s out, and I will buy it but I haven’t got round to it yet. This is just brilliant though. (The Real) Tuesday Weld – Kix

I know nothing about this, but Campfires & Battlefields sent it through on the weekend and it’s ace. Enjoy, and buy here. A.A. Bondy – Vice Rag

This one nearly made it onto my Pink Podcast, but just missed. It’s from the Dusty in Memphis album. Dusty Springfield – Windmills of Your Mind

A splendid cover of the Peter, Bjorn & John track Young Folks. Dawn Landes – Young Folks

One from my inbox: Sleeping States – Rivers