Song, by Toad

Posts tagged eef barzelay

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Toadcast #36 – The Domesticast

Toadcast

Well, no gin, no misbehaviour (except the mandatory foul language), Christ you’d be forgiven for thinking I’d sold out on you and actually grown up at last.  No fear of that actually, just a bit of liver protection.  We’re trying to guzzle just that little bit less midweek, and save the beer tokens for when we really need them, so it’s tea and slippers this time around.  In fact I thought I was being exceptionally tame until such time as I realised that I hadn’t reigned in the swearing one little bit.  Fuck, I thought to myself.

Thematically, erm, you’re on your own I’m afraid.  I’ve no real idea if you can think of anything that holds all these songs together as a coherent whole, but damned if I can.  There’s quite a bit of new stuff and quite a few stray songs that I didn’t know how to cover because I didn’t want to review the whole album, but there was a song or two that I liked.  You know what I mean.  And thirteen songs in just under an hour – fucking hell that’s efficient.

Toadcast #36 – The Domesticast

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01. Christian Williams – 30 Minutes (00.17)
02. Calexico – The News About William (05.03)
03. Crystal Stilts – Crippled Croon (07.42)
04. Glasvegas – Flowers & Fitba Tops (14.39)
05. Fishboy – Half Time at the Proper Name Spelling Bee (20.12)
06. From – One Spring Away (23.21)
07. Eef Barzelay – Make Another Tree (28.19)
08. Michael Zapruder – Ads For Feelings (34.23)
09. Okkervil River – Singer Songwriter (37.37)
10. Marc Farre – La Plaie et le Couteau (42.42)
11. Adam Balbo – Big Kid Now (48.14)
12. Christian Williams – Judas (50.24)
13. Micah P. Hinson – Throw the Stone (57.00)

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Toadcast #35 – Meursault Toad Session

Toad Sessions

It’s been a while since the last Toad Session, but this one is a bit good and thoroughly worth waiting for. Meursault’s debut album is one of my favourite of the year, and their acoustic set is easily as good. This is the first session to be held in our house too, which brought its own challenges and then some. Mrs. Toad’s preposterous cat makes an appearance at one point, and the videos look very, very, erm… green? Blue? Whatever fucking stupid colour it is we’ve painted our living room.

Anyway, the recordings have come out really nicely, and I think the videos are good too. I’ve posted a few here, but the whole lot can be found on the Song, by Toad YouTube page. The photos turned out rather well too, so go to the Flickr page for the ones we liked. And, without further ado, here is the Meursault Toad Session podcast (the track listing is at the bottom of the page):

Toadcast #35 – Meursault Toad Session

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Here are the individual songs:

Meursault – The Furnace (Toad Session)

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Meursault – Pissing on Bonfires/Kissing With Tongues (Toad Session)

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Meursault – The Dirt & the Roots (Toad Session)

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Meursault – Nothing Broke (Toad Session)

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And here are the videos, first the overall video and then the ones for the individual songs:

Meursault Toad Session









Toadcast #35 – Meursault Toad Session Playlist:
01. Meursault – The Furnace (Toad Session) (06.14)
02. Meursault – A Few Kind Words (09.33)
03. Eef Barzelay – Ballad of Bitter Honey (14.54)
04. Withered Hand – Religious Songs (18.22)
05. Meursault – Pissing on Bonfires/Kissing With Tongues (Toad Session) (30.11)
06. The Postal Service – Nothing Better (34.29)
07. Meursault – The Dirt & the Roots (Toad Session) (37.52)
08. Tenniscoats – Baibaba Bimba (40.40)
09. The Cave Singers – Seeds of Night (47.11)
10. Samamidon – Wild Bill Jones (55.41)
11. Casiotone For the Painfully Alone – Young Shields (60.56)
12. Meursault – Nothing Broke (Toad Session) (68.49)

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Eef Barzelay – Lose Big

Eef Barzelay

If there is a better name in rock than Eef Barzelay I have yet to hear it.  And just to be even cooler, I think the lady who sang backup on the first couple of Clem Snide albums was Shivaree’s wonderfully named Ambrosia Parsley.  That is pretty much the pinnacle of the entire history of nomenclature – you can’t top that sort of thing.

Eef’s previous band, the aforementioned Clem Snide, were one of my favourite groups.  Their heartwrenching ability to turn the screw during the saddest of songs was almost unparallelled.  Eef’s first solo album, The Ballad of Bitter Honey, was a continuation of that: almost painfully confessional, and unflinchingly introspective.

That this should be similar is no surprise.  Barzelay’s self-analytical nature almost reminds me of Woody Allen at times, in its relentless nature.  There’s none of the irritating dicking about that Allen seems unable to keep in check, but that same kind of fearsome urge to examine your every failure and failing in minute detail seems to harrass Barzelay at every step.

Some of his best ever songs seem to stem from this urge, not least the brilliant Make Another Tree.  It’s almost like he is accepting and embracing every minute catastrophe he has spent the rest of the album chronicling and surrendered himself up to the inevitability of his plight.

Unfortunately, there aren’t quite as many of these moments of genius as there usually are when Eef turns his mind to music.  For all the brilliance of Numerology, Make Another Tree, Take Me, and the growlier likes of The Girls Don’t Care and Could Be Worse, there are a few stodgy numbers on this album.  Somehow it doesn’t quite flow as perfectly as either Clem Snide records or Bitter Honey, and I’m not sure why.

The genesis of the album as a whole was rather difficult.  It was almost the next Clem Snide album, was announced as such, then vanished, then finally reappeared under Eef’s name and now here it is.  The flow of the record somehow seems to mirror this slightly stumbling path to release, but I don’t know if I could properly explain why.

Eef Barzelay – It Could Be Worse
Eef Barzelay – Make Another Tree

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Toadcast #34 – The Portland Podcast

Toadcast

This is the podcast to accompany all the Portland and Pickathon things I’ve been slowly but surely writing up over the course of the last couple of weeks.  With all the video to edit it may take a while to get it all sorted, but just follow this Pickathon search and you’ll find it all.  My full review of the festival is here.

This is a musical journey through our trip, from the Shaky Hands and The Builders & the Butchers who got us out there, to Eef Barzelay who we saw in Portland, several bands from the Pickathon Festival and even a song from Ray Rude’s Gameboy pop outfit Operation Mission.

It’s rather shorter than usual, but that is part of a new strategy: shorter podcasts more often.  I am going to try and go for once a week, and make them a maximum of an hour long.  I can’t promise anything, but I am going to try, and I think this might be a better approach for all of us, frankly.

Toad’s Pickathon picturesToad Vimeo page | Other Pickathon Features

Toadcast #34 – The Portland Podcast

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01. The Shaky Hands – A New Parade (2.20)
02. The Builders & the Butchers – When It Rains (08.47)
03. Eef Barzelay – Numerology (12.21)
04. Operation Mission – Aqueous (19.30)
05. Lackthereof – Choir Practise (23.22)
06. Langhorne Slim – Restless (31.20)
07. Bombadil – Cavalier’s Har Hum (40.47)
08. Samantha Crain & the Midnight Shivers – Beloved, We Have Expired (43.26)
09. Oz St. Fossils – Jeweller’s Daughter (53.54)
10. Loch Lomond – Tic (59.49)
11. The Cave Singers – Cold Eye (66.34)

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Toadcast #16 – The Birthday Podcast

Toad FM

Morning you ‘orrible lot. My wench is away being important once more. She said to me the other day when she was trying to skive off work due to a hangover: ‘I can’t go into work in a bad state, I handle money.’ Haha, what bollocks. I love it when financial people get all delusional like that, so don’t worry I set her straight. I calmly pointed out to her that if I fucked up my last job someone might have found a small metal implant buried in their spinal column. This means dead or paralysed. She stopped, fortunately.

‘I handle money though.’ Yeah well, I handle my penis and every last little sperm is a potential human life, so don’t gimme that. The frustration’s setting in again, can’t you tell? This podcast has some news and some current things, and then explores the randomiser on my music library, doffing my cap to the recent Contrast Podcast episode which I was too slow to participate in. Gah.

It is also my birthday on Monday, thirty-two since you ask, and we will be down in London to celebrate the occasion with our Southern friends, so there’s a couple of birthday thingies in there too, most screamingly obviously the first track of course. Enjoy Toadlings, enjoy.

Toadcast #16 – The Birthday Podcast

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01. Clem Snide – Happy Birthday (02.18)
02. The Courteeners – Acrylic (08.56)
03. Joe Lean & the Jing Jang Jong – Sleazy Hughes (12.46)
04. Cloud Atlas – Cigarettes & Apricots (15.54)
05. Arab Strap – There is No Ending (24.04)
06. Malcolm Middleton – The Devil & the Angel (29.32)
07. Down the Tiny Steps – Photosynth (37.29)
08. Eef Barzelay – Make Another Tree (42.19)
09. Loch Lomond – Northern, Knees, Trees & Lights (51.35)
10. The Pogues – Bolero Del Perro Listo (59.23)
11. Crash Test Dummies – Sonnet #3 (The Cold is Here) (66.52)
12. Ben Folds – You’ve Got to Learn to Live With What You Are (68.44)
13. Cold War Kids – Hair Down (81.39)
14. The Hold Steady – The Party Pit (90.22)
15. Tom Waits – Diamonds & Gold (94.11)
16. Skuobhie Dubh Orchestra – Monsieur Le Charmant (100.18)

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Let’s All Humilate the Weak Together. What Fun!

Bear Baiting

I enjoyed reading this little bit in the Times about a judge in Manchester getting stuck into some goddamn awful talk show because it provoked one of its guests into nutting someone on air.  The quote from the Times piece is here:

“The circumstances of this case are exceptional and the provocation involved seems to be paramount. I have had the misfortune of viewing The Jeremy Kyle Show and I feel bound to make some observations.

“It seems to me that the whole purpose of the show is to effect a morbid and depressing display of dysfunctional people who are in some kind of turmoil. It is for no more and no less than titillating members of the public who have nothing better to do with their mornings than sit and watch this show, which is a human form of bear-baiting under the guise of entertainment. The people responsible for this, namely the producers, should in my opinion be in the dock with you, Mr Staniforth.”

Good.  Fuck the producers of these things and fuck the audiences too. This must be one of the most utterly unedifying sights in modern culture, how we get together to mock, deride and humiliate the weak and the foolish in our society.  I am not saying they aren’t entertaining because I find them compellingly awful myself – they are the very epitome of car crash TV.  But I do not and will not watch them.  Circus talk shows, the love of reality TV, the mobs who gang up to attack paediatricians, the howls of self-righteous outrage that accompany press witch-hunts – they’re all part of the same ugly instinct and I really wish we knew better than to indulge it.

The people who watch shows like this remind me of the outraged mob who formed when the children who killed James Bulger were released in 2001.  Most of those people were dreadful human beings going about making threats and getting on their high horses about something for no other apparent reason than to simply manage to give their own lives a sheen of validity by forcibly making the point that no matter how worthless they were as individuals, at least they weren’t as bad as  those two Evil Child Murderers.  It had nothing to do with the issues at hand, it was just personal validation through facile, hysterical self-righteousness.

With talk shows the mechanism seems to be similar: part of the enjoyment of watching is intrinsically related with boosting our own self worth by claiming acres of distance between our own normal, banal lives and the freaks that are on the telly.  With Venables and Thompson, at least they actually did something bad.  The reaction to it was disgusting to behold, but they at least were responsible themselves, although given they were ten at the time, the extent is debatable.

In the talk show scenario all the exhibits need to do to deserve our vicious taunting and ridicule is to be dysfunctional.  Or stupid.  Or weak.  We are rounding up the lame and the impotent, putting them on show like animals and then provoking them to do something humiliating so we can all laugh at them.  How is this different from the early years of boxing, where some folks would ’round up a couple a niggers’ and make them batter each other to a bloody, comatose pulp for the entertainment and sport of the white audience?  This is the level at which the producers of these shows find themselves.  Congratulations.  You must be very proud.  How is this any different from dog fighting?  The only difference is that neither being mentally deficient, rather than actually brain damaged, nor emotionally crippled are currently recognised as being part of a neatly defined ‘minority’ deserving of protection or pity.

If you watch this shit you are essentially enjoying the humiliation of the weak to make yourself feel better and you should be abjectly fucking ashamed of yourself.  Is it any wonder bullying is on the rise in schools?  This is why I hate the Pete Doherty Tabloid Circus.  That is why watching these idiotically vain celebrities and pseudo-celebrities make fools of themselves for us all to laugh at on reality TV turns my stomach.  That’s why I felt such a dick for posting that Britney rant the other week.  Yes, they are culpable themselves and yes, it is compelling in a rather gut-wrenching way.  But we should have some fucking dignity and have our fun at the expense of someone capable of defending themselves for a change.

So, erm… Christ.  What songs do I put with that little honey, then?

Radiohead – Karma Police
Daniel Johnston – Like a Monkey in the Zoo
Eef Barzelay – Ballad of Bitter Honey
Bob Dylan – Who Killed Davey Moore?
Pearl Jam – Jeremy

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