Song, by Toad

Posts tagged jesus h foxx

Matthew Young

Make the Vrrrroosh Noises

I think it’s one of my favourite things about Star Wars – or indeed anything – that Ewan McGregor had to be told to stop making the Vrrroosh noises during filming for The Phantom Menace (see here, towards the end of the first section).

There’s something about that pointless little factoid which makes me giggle, pretty much every time I remember it.  Partly, it makes McGregor himself seem like one of us.  He’s already talked about how starstruck he was to be involved with the Star Wars films in the first place, but it’s one thing to say it, and quite another to have your childish glee hung out there for all to see.  I know nothing about McGregor at all, actually, but I don’t think I want to know anything beyond that one fact, because it makes him something of a hero to me, honestly. I can just imagine the weary voices of the crew every time he did it as well – that dragged out, two-syllable admonishment pronunciation of his name: “Yoo-WUN, fucksake.”

Vrrroosh! You tool!  Brilliant.

In other news, Jesus H. Foxx have a couple of demos up from their recent recording escapades. These can be downloaded from their new blog, and enjoyed with a cup of tea and a nice biscuit.

And in yet more hilarious news, Parliament has finally realised that all this money Prince Charles and his band of deluded halfwits insist we spend on homeopathy is basically a total waste of everyone’s fucking time.  I tend to think of the National Lottery as a tax on the inability to do basic statistics, and homeopathy is very similar, in that it is at root simply a tax on ignorance.

Basically, there are no ingredients in homeopathic remedies, and they have been repeatedly shown to do absolutely nothing at all.  If you buy them, you are being scammed, pure and simple.  Like a great many religous beliefs it is easy to wave your hands and ignore it and pass it off with tolerant statements like ‘oh it does no harm’, but it does.  Homeopathy is harmless enough in most circumstances, I would agree… unless you are actually suffering from something.  If you actually have a disease then this sort of childish nonsense actually does have plenty of potential to cause real harm.  Certainly the placebo effect is powerful, so simply believing that you are being given medicine can have a strong benefit, even if you aren’t, but there are two very serious consequences which result from failing to challenge this sort of mumbo-jumbo.

Firstly, it distances us from the real world, from observable, actual effects, and things which actually happen.  It damages our ability to actually do good and to progress medicine and to heal people, because that only happens when we study and test medicine using controlled, randomised, double-blind trials, and then throw out the shit which doesn’t work.  Giving charlatans who peddle no more than wishful thinking some sort of hocus-pocus shield to hide behind gives large pharmaceutical companies the same get out of jail free card as well.  Most of the people who sell you all this alternative bobbins are actually owned by large pharma companies anyway and, frankly, published, peer-reviewed and controlled trials are the only defence any of us has against their avarice.  It’s also the only defence we have against wishful thinking, and against the flaws of what we humans rather vainly call our common sense.  Or, to put it another way, it’s the only way to tell if something actually fucking works.

Secondly, the more money we waste on shit which simply doesn’t do anything, such as homeopathy, the less we have to spend on employing doctors and nurses, buying actual medicine and other trivial little things like that.  Money is a precious commodity in the NHS, and it’s one thing for some idiotic middle-class fuckwit to waste their own money on nicely shaken bottles of water and sugar pills, but it isn’t just their own money which they are wasting.

I would agree with a lot of the critiques of modern medicine, most obviously its corruption by the large companies who seek to profit from its exploitation, but if you think that in any way invalidates its achievements then you are quite simply an idiot.  Do you really want to go back to a time when life expectancy was about fortyish and when a simple dental problem could kill you?  Do you want Polio back?  How about Smallpox?  Fucking idiots.

So, from Ewan McGregor making the Vrrroosh noise, to new Jesus H. Foxx songs, to homepaths finally being told to fuck off back to playschool, all in a single post.  I have a hangover, and I need a sandwich.

Star Wars Theme

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Matthew Young

Thoughts on the Coming Year

This is just a brief list of some stuff I’m looking forward to in the Edinburgh music scene over the coming year.  I don’t intend to be parochial about this, or too narrow, but I am not as close to the precise ins and outs of what’s happening in the rest of the country so there’s a limit to what I can meaningfully say about what’s going on there.  It’s not meant to be exhaustive either, just some thoughts pottering about at the front of my mind.

New Labels

Last year saw the first steps made by a couple of new labels in Edinburgh, Kilter and Mini50.  With Song, by Toad Records virtually at capacity in terms of labour and money, and 17 Seconds and SL Records also really busy, these two new labels should have a pretty free hand in terms of first dibs on emerging bands this year.

Kilter have already showed the quality of their work with the beatiful eagleowl single in December, so in that sense they’re a slight step ahead.  Mini50 have been negotiating with some of the newer bands to emerge in the last year or so though, and album releases by the likes of Mammoeth should give a really solid foundation to their launch.  Basically, this is great news for the city’s young bands.

Jeffrey Lewis – Don’t Let the Record Label Take you out to Lunch

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The New Generation of Bands

Whilst I’m talking about the newer bands to emerge last year, there is a definite gap forming in the local musical ecosystem.  The fact that Broken Records and now Meursault and Withered Hand have graduated to an audience both nationwide and beyond leaves an opportunity for one of the new generation to make a mark locally.

With a single and an EP already to their name, Jesus H. Foxx are slightly further ahead in their development, but with the very promising emergence of bands like the Pineapple Chunks, Conquering Animal Sound and the Last Battle there is the opportunity for a band from the new generation to progress to the stage where they will obviously and easily be able to fill small venues like Sneaky Pete’s and whatever the Roxy management turn the old Bowery space into.


David Bowie – All the Young Dudes

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The New Roxy

And while we’re on the subject of the Roxy, Rupert Thomson, former Skinny editor, has been appointed to run the entire building in the new year.  I have a lot of time for Rupert, so I am really hopeful that he can carry on the development of what is pretty clearly the best gig space for small bands and promoters in the city.  In the absence of Ruth and Jane the place will inevitably have a very different atmosphere, but it is still easily the best space of its type around, so I really hope the new team can continue to foster the underground scene in the capital with the same kind of devotion and sympathy which Ruth brought to the place.  And very nice that they now have a one o’clock license, which is very fortuitous timing indeed for the new venture.


Tom Waits – New Coat of Paint (Live)

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Descent of the Digital Press Locusts

Last year saw the formation of so many new blogs in Scotland it made my head spin.  In fact it actually made me feel like an established veteran.  With respected indie publications like Bearded and Plan B swinging the axe on their print editions and also retreating to the web, we are getting closer to the American press model every day.

In the States there are basically no music magazines left, so labels and bands take blogs way, way more seriously, because we are pretty much the only people left who are addressing their audience.  In the UK there are still some excellent music magazines – Clash, Word, The Stool Pigeon and so on – but glossies like the NME, Q and Uncut are really becoming embarrassingly bad.  Personally I would be surprised if the year passed without a high profile music press casualty, which means that the playing field is unusually open for blogs and other digital publications.  And with the death of music television beyond the insultingly stupid X-Factor and its diseased ilk, pretty much the only music television which exists in the UK is now online.

This general trend could lead to a fairly considerable shift in how online publications are treated over the next year or so and, instead of being considered amateur or grassroots or DIY, we could end up being as close to mainstream as it actually gets in the indie world.


The Clash – Career Opportunities

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That Extra Step

Glasvegas were probably the last really big band to come out of Scotland, in terms of sheer audience size.  Frightened Rabbit, depending on their next album, could follow in their footsteps over the next twelve months.  Do any of the Edinburgh bands, I find myself wondering, have it in them to follow in their footsteps?  Are we likely to ever see the likes of Withered Hand, Meursault or Broken Records get anywhere near a late evening slot on the main stage at a major festival anytime soon?  It would be nice to think so, wouldn’t it.


Aileen Loy & Blue Valentines – Big in Japan

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Matthew Young

Toadcast #102 – Song, by Toad Records

I do try and avoid shilling for the label on this blog, because no-one wants to read a twice-daily sales pitch, but I reckon it’s okay to have a look forward at what we’ve got planned for the year.  That’s what the new year is for, really, isn’t it?

So I’ve got a nice big release schedule drawn up, just like real record labels do, and honestly it scares the shite out of me.  I can pretty much plan out my free time for the whole of the next twelve months just looking at it, but there are some great releases in there.

By the end of 2010 we are going to have a back catalogue to be bloody proud of, honestly, especially when you consider that we had only been a record label for about a month at this time last year.

That picture, incidentally, is a somewhat butchered (sorry Annie) version of one of four gorgeous photos on this blog taken of the two new Meursault 7″s.

Toadcast #102 – Song, by Toad Records

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01. Trips and Falls – We Were Like Strangers Today (05.30)
02. Maxwell Panther – My Ex-Identity (09.02)
03. Cold Seeds – Leave Me to Lie Alone in the Ground (17.19)
04. Jesus H. Foxx – This is Not a Rental Car (26.43)
05. Animal Magic Tricks – Smallish Hooves (29.35)
06. The Savings and Loan – Virgin’s Lullaby (36.36)
07. Inspector Tapehead – Sugar on Your Sheets (40.02)
08. Loch Lomond – Holiday (48.25)
09. Meursault – What You Don’t Have (Live on Fresh Air Radio) (58.34)
10. Nightjar – Sweet Annie Lee (66.56)

Matthew Young

Song, by Toad Festive Fifty 2009 – 21-35

21.FOUND – Enough About Human Rights
I’m not sure if anyone, not even the band themselves, likes Enough About Human Rights best from their excellent Let Fidelity Break EP, but I do.  There’s just something unexpected about this song, for some reason.  The fact that it is in fact a Moondog cover probably has a lot to do with that, but the hectic, percussive energy FOUND pile into their version just makes me grin every time I hear it.

22.Timber Timbre – Demon Host
The ‘ohs’ in this song take the spectral folk of Timber Timbre and give it a pleading, forlorn quality which imbues it with just a little more pathos than some of the others on the album, and this makes it extra special, in my view.

23.FOUND – You’re No Vincent Gallo – Toad Session

Honestly, I could put pretty much their entire session in the top ten of this list quite easily.  It was one of the best things I have ever seen, I think it’s fair to say.  Without all the stuff added by the full band I found myself so much more impressed with Ziggy’s voice, with the gorgeous tones he got from his banjo… with pretty much all of it, honestly.  Gorgeous.

24.Broken Records – Lessons Never Learnt
This may have been on an earlier release, but it was on this year’s(ish) Out on the Water EP, so I am putting my foot down and saying that it counts.  In any case, a really surprising song to come from a band like this, and I think that little down-up of the cello absolutely makes it.

25.Trips and Falls – Breaking Up With My Mormon Missionaries

These guys were pretty much the revelation of the year for me, in all honesty.  So much so that we’ve offered to release He Was Such a Quiet Boy on Song, by Toad Records, and it should be coming out in early March.  Their music is just fucking creepy, to be honest, and the male/female vocal interplay on this track in particular really is odd.  Add that repetitive descent on the strings and this really is an unsettling song.  And a brilliant one.

26.Jesus H. Foxx – Elegy For the Good Times

It didn’t grab me as my favourite track from Jesus H. Foxx’ debut EP Matter right off the bat, but I think it is.  The cornet, the harmonies, and that simple, repetitive rhythmic underpinning for the whole thing… it all just works incredibly well together, and there’s a sophistication to it which never ceases to surprise me when I think that this is the band’s first release, with their current lineup that is.

27.The Pictish Trail – You Covered the Earth With Your Thumb (Toad Session)

I love the Toad Sessions.  They really can provide some amazing recordings, and with Neil so kindly recording and mixing all of the ones we’ve done so far this year we really have had some incredible stuff.  Johnny Pictish is about the nicest guy ever to set foot in our house, and his session really was good.  The slow build of this, and the prominence of his vocal really are gorgeous.

28.Navigator – Change
An oddly melodic tune from one of the most belligerently low-fi albums I think I have ever heard.  It took a while for the sense of ‘whoooah, what the fuck?’ to subside when I first heard this record, but it is absolutely brilliant.  Fuzz or not, this is just a stone-cold pop gem and one of the most catchy riffs of the year.

29.The Builders and The Butchers – Golden And Green

Mental and ferocious brilliance.  When these guys hit their stride their ramshackle old jalopy threatens to shake loose its wheels altogether and crash into a ditch, and those are almost without fail their greatest songs.  This is just like that.

30.Titus Andronicus – Fear And Loathing In Mahwah, NJ
I don’t know whether I just like how raucous this song gets, or whether I like how quiet it is half the time, compared to how raucous it gets when it cuts loose.  Either way, this is one of the best play it loud soungs of the year.

31.Sparrow & the Workshop – Into the Wild

I heard this EP so close to doing this list that Horse’s Grin could as easily have been here instead, but such is the slightly arbitrary nature of these things that you’re getting this one.  Maybe it’s something about the storming ending which gets me – Nick is getting to really have a right bloody go on his guitars these days, and Jill is proving that her voice is easily powerful enough to step up and match it.  This is full on rock ‘n’ roll, and it’s superb.

32.Wild Beasts – Two Dancers (I)
Yes, more Wild Beasts.  I don’t know how this happened – it wasn’t exactly deliberate, I just kept ordering and re-ordering my list and their songs kept on sticking in there, often at the expense of stuff I thought I liked better.  This one’s more downbeat, but again that guitar sound and gorgeous voice produce something atmospheric and yet still insidiously infectious.

33.Alela Diane & Alina Hardin – I Have Returned

This whole EP is simple and absolutely gorgeous.  Again, I could have picked pretty much any of the songs from it, but there’s something about this one which seems to have captivated me just that little bit more.  The vocal interplay between the two is as lovely as with any song on the EP, but maybe there’s something in the roll of the verses which does it.  Then again, maybe it’s just arbitrary and I might pick a different one this time next week.

34.Meursault – Nothing Broke
A different version of this was on the band’s MySpace page the first time I ever heard them and it made a really strong impression on me.  They recorded it for their Toad Session back in August last year, and now this gorgeous piano and harmonium version for the truly stunning Nothing Broke EP.  If anything, the only reason this song is so low on this list is down to the fact that it’s so familiar by now.

35.Timber Timbre – Lay Down in the Tall Grass
This song shows just how simple most of this album is – the barest hint of percussion doing nothing very complex, a simple organ riff repeating throughout the song, and vocals.  There’s other stuff there too, but really very little of it, and that kind of subtle touch is what makes this such a special album.

To download all these songs in one big zip file, click here.

1-10 / 11-20 / 21-35 / 36-50

Matthew Young

Song, by Toad Festive Fifty 2009 – 36-50

36.Wild Beasts – All The King’s Men
The vocals are weird, but there’s something about a large chunk of this record which I find absolutely compelling.  I love Ben’s voice, for starters, and this song probably highlights it better than any other.

37.Virgin of the Birds – Ilona, You Should Still Be My Vampire Attendant
Quite apart from the weird start, this is just a song based around a single, simple, brilliant hook.  So infectious I simply can’t stop humming it to myself.  And he’s playing a gig at our house on New Year’s Eve, if you fancy seeing him live.

38.Meursault – William Henry Miller Pt.2 (EP Version)
Meursault releasing their singles so late in the year has really fucked with my lists.  I love Nothing Broke, and both of the Williams Henry Miller on it, but the single version just blows this clean out of the water and the poor little acoustic version has ended up exiled to No.38.  It’s non-lyrical vocal bits which make this – the sort of deflated sigh of dismal unhappiness in between verses – just brilliant.

39.Withered Hand – Providence
Erm, nothing to say about this actually.  It’s just ace.  Dan’s slightly peculiar lyrics, the borderline-Hawley guitar strums, the vocal harmonies… who knows what makes this song so good.  Like all his music though, it just makes you like the guy.

40.Timber Timbre – Magic Arrow
Spooky and weird.  That kind of describes the whole album, but the repeating bassline and the insistent rhythm give this one a sort of sinister purpose of its own.  One of the discoveries of the year, as far as my ears are concerned.

41.Jeffrey Lewis & the Junkyard – To be Ojectified
There are a lot of songs about ageing and mortality on Em Are I, but this is one of the saddest and most resigned.  It’s like a cross between a stream of consciousness and the gradual deflation of an airbed, and ends up being both maudlin and comforting.  Which is to say that the lyrics are a bit on the horrible side, but the delivery is sympathetic and warm.

42.Broken Records – Wolves
Broken Records (and many of my other friends, like Sparrow & the Workshop and Withered Hand) suffer a bit in this year’s Festive Fifty because many of my favourite songs on their album, like A Good Reason, were actually featured in demo version on previous year’s lists.  This song, however, did not, and is one of the highlights of their album for me.  By the time everything gets going it’s just a fury of a song, and cannot fail to remind of how brilliant these guys are on stage.

43.Casiotone for the Painfully Alone – Tom Justice, The Choir Boy Robber
It’s an odd subject, and the story is almost as compelling as the music itself.  There was a bit more full band stuff on vs. Children, and I’ve heard older fans complain about this, but the drum beat and the repeated, yet unintrusive chime of the piano in the background of this song are both lovely.

44.Alela Diane – White as Diamonds
This is fucking stunning and would have been in the top five had it not been for those goddamned bastard cymbals, which time has done nothing to soften.  The acoustic Daytrotter version of this song is one of the loveliest things I’ve ever heard.

45.Broken Records – Out On the Water
Hmm.. am I allowed to include this, given it was out last year?  Fuck it, I love it when a band whose live set is mental and reckless suddenly slow it down and play something surprisingly gentle. Here this is performed live at the Bedlam Theatre early last year – bloody great:

46.Wild Beasts – Hooting And Howling
A bit like other songs of theirs on this list, I don’t know whether I love the vocals, the laid back but nevertheless quite danceable beat or that really nice guitar sound they have.  Cracking album.

47.The Leisure Society – The Last of the Melting Snow
The Leisure Society made a bit of a rod for their own backs with this song.  By virtue of its Ivor Novello Award nomination it shot a tiny band on a tiny label right into the limelight, and infortunately the rest of their material just didn’t cut the mustard.  The album was just plain weak, and I found myself forgetting about this song because of it, which is criminal because it is absolutely brilliant.  There is a reason it got them so much attention.

48.Jesus H. Foxx – I’m Half the Man You Were
For a band with two drummers and four guitarists to make such nuanced and subtle music is downright weird.  This is probably ‘the pop song’ from their fantastic Matter EP, and that head-nodding rhythm and the gorgeous vocal lead out make this one of my favourite songs of the year.

49.Shilpa Ray & Her Happy Hookers – Beating St Louis
Shilpa Ray’s voice plus accordian.  Job done.  Honestly, for someone with pipes like these to be accompanied by the macabre accordian moaning which dominates this song is simply a cast-iron recipe for Toad-pleasing.

50.The Smiles and Frowns – Mechanical Songs
Another song which sound like it would be drifting around the abandoned site of a funfair which had gone horribly wrong, this song is from the band’s excellent debut, and also available on eminently desirable white vinyl 7″.  Buy one, and make your friends slightly nervous by playing it all the time.

Download the all these songs as a zip file by clicking here.

1-10 / 11-20 / 21-35 / 36-50

Matthew Young

Random Bits of Shit

news Hmm, some scrappy bits of news to add this week, and no better place to do it, so here it goes.  Firstly, some quick podcasty things, and then some new award stuff.

The Contrast Podcast have begun their Festive Fifty countdown, with this week’s episode announcing 34-50 in the list, and you may notice a couple of familiar names in there – namely, Aidan Moffat and Meursault.  Keep an eye on the forthcoming episodes as they count down to number one.  The Contrast Podcast is so called because it is assembled from intros and songs sent in by bloggers and podcasters from all over the place, so there is no one single presenter, although Tim deserves a massive debt of gratitude for herding this great big flock of digital cats.

I have been asked to introduce a song a little later in the countdown, so I can promise you that there will be plenty of Toad favourites featuring higher up this list.  It’s quite an honour actually, because the Contrast Podcast represents a pretty impressive cross-section of the internet-based music chatterati and given this is voted for (obviously) by contributors and listeners then you must be doing something very right to end up on it.

In other podcasty news, Jesus H. Foxx will be making an appearance on The Waiting Room this weekend.  DC recorded a session with them ages ago (although I still don’t think he beats my record for procrastination) and it will be broadcast on WOXY on Saturday at one in the afternoon UK time, I think, and then re-broadcast on Sunday at nine.

This was recorded during their tour earlier in the year and frankly I have no idea what to expect.  The Foxx were recently included in some torrent playlist thingy of new indie so it’s, er, nice to see them moving up in the world.  Next stop – Limewire!

And finally, the 2009 BAMS have been announced!  Hooray!  What’s that?  No fucking idea what I’m talking about?  Thought not.  Lloyd from Peenko decided to poll Scottish Bloggers and Music Sites (see, B.A.M.S., get it?) to see what our favourite album of the year was.  And the results are now in, and read as follows:

1. The Phantom Band – Checkmate Savage (61)
2. Animal Collective – Merriweather Post Pavillion (54)
3. De Rosa – Prevention (53)
4. King Creosote – Flick the V’s (51)
5. Withered Hand – Good News (45)
6. The Twilight Sad – Forget The Night Ahead (43)
7. We Were Promised Jetpacks – These Four Walls (40)
8. Beerjacket – Animosity (38)
9. Mumford & Sons – Sigh No More (32)
9. Camera Obscura – My Maudlin Career (32)
11. My Latest Novel – Deaths and Entrances (28)
11. Malcolm Middleton – Waxing Gibbous (28)
13. The Pains of Being Pure at Heart – s/t (25)
14. You Already Know – s/t (24)
14. Broken Records – Until the Earth Begins to Part (24)
16. The XX – s/t (23)
17. The Antlers – Hospice (21)
18. Sufjan Stevens – The BQE (19)
18. And So I Watch You From Afar (19)
20. Wilco – The Album (18)

Personally, not all that close to my own list, I must confess, but I really like the idea in general, particularly given the general lack of respect the Scottish music scene appears to be getting from the London glossies at the moment.

The Phantom Band had this to say about their triumph:

“This makes us feel very honoured because the opinion of people out there giving opinions is what matters most, rather than the financially influenced press.

It always amazes me that people would take it upon themselves to go out and champion a band or an album or a band for no material gain, but it gives me faith in human nature. Blogs and reviews have been the only advertising we’ve ever had. Apart from all those people who got online and promoted us, we’d like to thank those little almost-stale doughnuts you get in big tubs from Sainsburys for keeping us fat during the recording.

We obviously also have our Producer Paul Savage and the wonderful people at Chemikal Underground to thank for letting us do what we want. These guys are the quiet heroes of Scottish music for sure.”

And everyone who voted can be found here:

17 Seconds, AyeTunes, Dear Scotland, Earz Mag, Elba Sessions, Glasgow Podcart, Hooligans Lament, Jim Gellatly, JocknRoll, Jockrock, Kowalskiy, Last Years Girl, Love Shack Baby (wait, what?) Manic Pop Thrills, My Portiswasp Says, Off the Beaten Tracks, The Pop Cop, Products of a Gaseous Brain, Song By Toad, The Blues Bunny, The Daily Growl, The Spill, The Steinberg Principle, The Vinyl Villain and Under the Radar.

Matthew Young

Live in Edinburgh This Week – 6th December 2009

edinburgh-christmas Mrs. Toad and I held our annual Christmas party on Saturday and I still feel wrecked.  Fucking hell, that was some bash.  I think the last gin and tonic was poured at something like half eight in the morning; I was like a zombie yesterday.  Funnily enough, the cleaning up wasn’t really too bad, because basically most of it just went in bin-bags and the rest in the dishwasher.  Still, I still have that kind of dazed feeling you get after these things.  Mental.  I think we deserve some sort of prize for truly epic parties after this one.

So, time for a nice gentle week this week I think, so I can recover nicely.  What’s that you say?  No fucking chance?  No, thought not.  This is December after all, and this week might the craziest of the lot.

Oh, and on Saturday we’re recording a Toad Session with eagleowl which is, frankly, brilliant.  Clarissa’s double-bass rumbling through our living room might just scare the shite out of the cafe downstairs though!

Tuesday 8th December 2009: Deerhoof at the Bongo Club.

Deerhoof are a bizarre combination of the tuneful and the fucking insane.  Christ knows how that’ll translate into a live performance I have no idea, but I’m fascinated.

Deerhoof – Chandelier Searchlight

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Wednesday 9th December 2009: Broken Records, Withered Hand & Jesus H. Foxx at Cabaret Voltaire.

After another crazy year, Broken Records return to play their first Edinburgh show since the Festival.  A small venue like Cabaret Voltaire should give this an amazing atmosphere.  When Broken Records go mental they really go mental, so come prepared to go berserk with them.  And with Withered Hand and the Foxx on the bill as well, this has turned into something of a showcase of Edinburgh talent.

Broken Records – Nearly Home

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Wednesday 9th December 2009: Alastair Roberts & Benni Hemm Hemm at St Mark’s Unitarian Church.
Well I don’t know what to tell you about this, but I believe it is going to be a collaborative evening rather than a straight up two-band bill.
Stuffs

Friday 11th December 2009: eagleowl Single Launch at the Bowery, with Dan from Withered Hand & Jill from Sparrow & the Workshop.

Eagleowl* are launching both their new single Sleep the Winter and their new record label Kilter at this show.  The single itself is fucking gorgeous, frankly, and I can’t wait to see both Dan and Jill as well.  Having only seen either of them play with full bands recently it will make for a really lovely evening – the perfect pace for pre-owlage.

eagleowl – Know by Now

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Saturday 12th December 2009: Song, by Toad Christmas Party/Last Night at the Bowery with Jesus H. Foxx, Inspector Tapehead, Rory Sutherland, Thomas Western & Rob St. John.

The Bowery is closing, the bar must be emptied and the tunes are fucking amazing.  Apart Edinburgh newcomer Tom Western, a special set by Rory from Broken Records and an sadly rare (curse you, Oxford!) performance by Rob St. John we will have full sets by Toad Records heroes Inspector Tapehead and Jesus H. Foxx.  I’ll be there for mince pies and some mulled wine earlyish so feel free to come along too.

Inspector Tapehead – A Fillet of Banjo

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Saturday 12th December 2009: Trampoline All-Day Event at the Wee Red Bar.

Euan has put together an amazing lineup of unsigned talent for this all day bash at the Wee Red.  It’s amazingly cheap too, at a mere five pounds for normal people and three for either students or those intending to come on to the Toad Night at the Bowery later on.  Bands playing include Debutant, Jonnie Common, Conquering Animal Sound, Mitchell Museum and the Scottish Enlightenment so for those who don’t fancy our Christmas Party (cunts) this is the perfect alternative.  Or for those who want to start their revelling early, of course.

Mitchell Museum – Take the Tongue Out

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*It’s the start of a sentence, so it gets capitalised – deal with it.

Matthew Young

Song, by Toad Christmas Party

Christmas Party 2009 V2web

This year’s Toad Christmas Party will be a bit sad really, despite still being a big old celebration, as it is the last night at the Bowery, my favourite underground music venue in the city.  They will be closing their doors after giving Toad Records and a great many of my friends a venue to call home for the last year, and this is a very great shame.

Nevertheless, this is not the season for sulking.  The Bowery will go on, just more as an itinerant hobo than a furtive squatter, and this is our chance to give them a hell of a send-off.  We have music in the bandstand from Toad Records band Jesus H. Foxx, hopefully soon-to-be Toad Records band Inspector Tapehead, and some chancer named Rory Sutherland, more commonly known as the scruffy one in Broken Records, who has put together a unique set of violin looping and erm, well I’m not sure what, to be honest.

On top of that there will be acoustic stuff through in the bar, where The Douglas Firs, Tisso Lake, Thomas Western and the returning prodigal son Rob St. John will be performing, as well as some celebrity DJs (more likely to be some of Ruth, Jane or my pals who we manage to blackmail into helping out).

Because it’s the last night, because it’s Christmas and because we have a lot of bands, everything will be starting earlier than usual, with mince pies and mulled wine from about five or so, and the first acoustic stuff should be starting at about six or seven, to make sure we have time to get everyone on stage.

It’s going to be fucking brilliant, and remember, as it’s the last night:

the bar must be drunk absolutely dry!

Inspector Tapehead – Humdinger

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Jesus H. Foxx – Matter

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Matthew Young

Live in Edinburgh This Week – 15th November 2009

winter Having made such an almighty pig’s ear of last week’s listings, I find myself wondering if the gigmosphere really is as thin as it looks this week, or whether I’ve just managed to make another spectacular arse of spotting the good ‘uns again.

There’s something a little different happening, actually, because Joey Comeau and the Loose Teeth Press are going to be at the Bowery as part of their reading tour tonight, which sounds rather interesting.  Also, the Charity Baw at the Roxy on Saturday looks like a bit of a spectacular, so it’s not actually as quiet a week as it looks.

Tuesday 17th November 2009: King Charles play the first Fresh Air Tuesday at the GRV.

Fresh Air student radio are taking over the GRV on Tuesdays this year, putting on something a little different each week, and kicking things off this week with King Charles.  I don’t know them at all, but I have dug up a few songs and they sound really rather good.  Definitely worth checking out.

King Charles – Beating Hearts

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Friday 20th November 2009: Otters Sing Lullabies present Conquering Animal Sound, Molly Wagger and Aurora Stands in Snow at the Bowery.

This will be a quirky night of music, all quite gentle in most senses, but nevertheless a little disturbing in others.  There will be a lot of acoustic loveliness and quite a bit of slightly eccentric electronic  trickery as well.

Saturday 21st November 2009: Charity Baw at the Roxy Art House.

Pretty much every bastard is playing this one.  There are local heroes such as Withered Hand, Aberfeldy, Benni Hemm Hemm and Come On Gang but, somewhat more intriguingly from my perspective, there will also be the amazing (The Real) Tuesday Weld.  That sounds a bit hard on the local contingent, but I don’t mean it that way, simply that I have been a Tuesday Weld fan for bloody ages and never once had the chance to sample their visually sumptuous live show.  Yes, yes I did just use the word sumptuous.  Sorry. What I basically mean is that they use their rather excellent videos as a backdrop to the live performance, which sound brilliant. And at least a little sumptuous.

(The Real) Tuesday Weld – Kix

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Sunday 22nd November 2009: Debutant, Rasied by Wolves, The Last Battle at the Bowery.

This is my gig of the week, I think.  I’ve not properly seen any of these bands live and I have been twitching to see all three for a while.  Debutant’s atmospheric guitar layering will probably be quite distinct from the more traditional songwriting of the other two bands, but it looks like this should be a good ‘un.

Matthew Young

The Douglas Firs

dougfir Today I’m going to introduce you to a couple of under the radar projects which are both related to Song, by Toad Records bands.  In both cases I don’t really know what the future of the respective projects might be, because I don’t know how far either is going to be pushed, but they are both very good and I thought they needed sharing.

Firstly we have The Douglas Firs.  This is a side project of Jesus H, Foxx drummer Neil Insh, and has been bubbling under for years.  He’s been working on this album for ages, but his work hasn’t really seen the light of day outside a small circle of his friends, in part because he really isn’t all that up for performing live.

It sounds, on the face of it, like quite experimental music.  You might call it math-folk if you wanted a bodged mental shortcut for getting a picture of it.  You can hear a lot of the bursting harmonies and repetitive percussion of Jesus H. Foxx’s music, but the sounds are not really all that similar.

This has more of an atmosphere of experimental, almost ambient electronica a lot of the time, but there are surprisingly traditional Scottish folk influences in the fiddle and some of the rhythms which I wouldn’t expect from a leather-jacket-sporting drummer who batters the shite out of his drums in quite the way Neil does.

The nice thing about both the use of vocal harmonies and the more traditonal folk influences is that they are really beautifully used to bring the songs into focus.  The more experimental aspects drift and rumble along, and can become quite meandering until these details emerge, sometimes quite suddenly, to bring everything into relief.

These mp3s are just rough-cut demos, so not yet the finished article, but they give you a flavour of what’s going on here.  It’s no pop album though, and but if you have patience for your music and like to sit down and absorb it then this all looks like it could be very good indeed.  If he ever finishes the bloody thing!

The Douglas Firs – The Quickening

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The Douglas Firs – Grow Old and Go Home

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Oh, and it appears that there are a couple of other Douglas Firses on MySpace, which might complicate matters, should this ever come to fruition.