The wait is finally over, ladies and gentlemen, because… *drum roll* …I hereby announce the debut album by Edinburgh’s most elusive pop merchants Jesus H. Foxx.

To celebrate, as is our way because we’re just bloody lovely people, we are giving away a couple of singles to encourage you, largely through the cultivation of guilt, to shell out ten of your finest pounds to purchase the album. Actually, even your tattiest ones will be fine, we’re not fussy. In fact, fuck it, even if you don’t want the album, you could always just send us some money.

Anyhow, we are just looking for a suitable venue for a swanky release party and BOOM, Endless Knocking will officially be loose in the wild.  It’s a gorgeous album too, switching from frenetic to woozy, from rich and melodic to choppy and hyperactive, and it may have been a little bit of a wait, but it was very much worth it.

 Song, by Toad Records hereby release into the world what we reckon is going to become an annual free sampler, mostly as a free download, but with a few CDs given to local record shops and available at gigs as well.

The sampler is a combination of things we’ll be releasing this year, mixed in with a couple of things from 2011 and interspersed with a few brilliant moments from the late Kenneth Williams’ reading of the Wind in the Willows. Snippets from this reading litter my own weekly podcast, and inspired the name of the label in the first place, so it seemed kind of fitting to pop a couple on here.

You can download this little parcel of digital fun from Bandcamp for free, and we are sending out a few to our favourite record shops to give away as well, so if you want a CD either come to a Song, by Toad gig in Edinburgh or go to a record shop.

Tracklisting:

02. So the Wind Won’t… by Jesus H. Foxx
I’ve been waiting for their debut album through two years of ‘nearly theres’, but it is finally finished, it sounds brilliant and will be ready for release on 14th May 2012.

03. Twitching Stick by The Leg
Formerly Khaya, then Desc, The Leg are veterans of several Peel Sessions and several releases already, but have agreed to release their next album An Eagle to Saturn with us. Coming out on 30th April, this is abrasive as fuck, but definitely still surprisingly poppy, considering.

04. The Acid Test by Rob St. John
We released Rob’s debut album Weald on vinyl last year, and the response was so overwhelmingly positive we’ve decided to give it a wider release on CD too. Rob being Rob, of course, he’s already planning to record his second album, probably in our living room again.

05. Sorry by Waiters
06. Teenage Bloom by Dolfinz
08. Gay Marriage by Sex Hands
On the subject of recording in our living room, the Waiters, Dolfinz and Sex Hands tracks are from a split 12” (which will also include hotly-tipped* Glasgow band PAWS) all of which was recorded almost entirely live in the living room of our house by myself and Rory Sutherland from Broken Records. It’s sort of a compilation of some of my favourite underground, garagey (and frighteningly young) bands, and we’ve just had it mastered, so it will hopefully be ready for release in late March or early April.

09. A Mother’s Arms (demo) by Meursault
It feels like we’ve been waiting quite a long time for the third Meursault album too, doesn’t it. Well it’s finally done, and we are looking at a release date in mid-July, with a release night pencilled in for Saturday 7th July in the Queen’s Hall.

10. School (Toad Session) by The Black Tambourines
We recorded a Toad Session with these guys last year and immediately offered to release something. I’m not sure what it’ll be yet – probably an EP in the Autumn I would guess.

11. Lay Me Down by Yusuf Azak
From his unspeakably gorgeous second album, due out in 2012 sometime, depending on when I get a final master.

12. That is a Big Door! by Trips and Falls
From their second album, People Have to Be Told, released in September 2011.

13. Dead Golden Girls by Lil Daggers
From their self-titled debut album, which we released on vinyl at the end of last year.

14. Pinkening by Animal Magic Tricks
This was recorded just after 2009’s stunning Cold Seeds album, which was a collaboration between Frances from Animal Magic Tricks, Pete Harvey and Neil Pennycook from Meursault and Kenny Anderson from King Creosote. There still isn’t what you could describe as a finished version, but I am not giving up hope because it is a gorgeous album, even just as it stands at the moment.

15. Pool Attendant by The Japanese War Effort
This is from 2011’s Summer Sun Skateboard, and we hope to release another mini-album with Jamie in the Autumn of 2012.

16. Blue Overcoat by Lach
From 2011 vinyl album Ramshackle Heart.

18. Movies and Magazines by King Post Kitsch
A free dowload from kingpostkitsch.bandcamp.com After a year in Glasgow, Charlie has moved back down to London, and after his awesome debut The Party’s Over in early 2011 I am eagerly looking forward to new material.

*Yes, I know I said ‘hotly-tipped’, but honestly, they are, I’m not just copy-and-pasting from The Big Book of PR Clichés.

 Actually, I don’t know if I love Audio Antihero or secretly hate them.  I’ve met Jamie only the once, and he seemed like a bloody lovely guy, but then he did come up with the record label motto “Specialists in Commercial Suicide”, of which I will forever be just a little bit jealous. I mean, I love “Gin and Swearing”, and indeed our new t-shirt slogan “Swearing at You on the Internet Since 2004″, but “Specialists in Commercial Suicide”… it still just has the edge somehow.  Bastard!

And to make matters worse, he has just moved to Florida and will therefore get to see Song, by Toad Records band Lil Daggers long before I ever get to.  Which makes me resent him even more.  The bastard.

And apart from all that, he is clearly even nicer than I described because for the second year running Jamie has put together a fantastic compilation of songs, which are now available to purchase with all funds going to benefit the Foundation for the Study of Infant Deaths.

We at Song, by Toad donated a couple of tracks to the compilation as well, which is a nice thing to be asked to do, so if you wish to contribute four quid or more (it should be more, really, shouldn’t it – go on, cough up, you can fucking afford it) you can hear the recording of Jesus H. Foxx’s This is Not a Rental Car from their forthcoming debut album Endless Knocking, and also PAWS’ brilliant Kill a Familiar, which we’ll be releasing on a split 12″ with Waiters, Sex Hands and Dolfinz later in the year.

You can listen to the whole thing on Bandcamp below, but please do buy the thing.  There are thirty-six songs on there, and it is well worth the money.

 

For this podcast I am joined by Ian, who is now a member of the Song, by Toad Records team, to go through a bit of a run-down of what’s going to be happening on the label this year.

We’ve got a couple of our more recent releases, like Rob St. John and Lil Daggers, as well as some of our confirmed and ready new albums for next year, by the likes of The Leg, Jesus H. Foxx and Yusuf Azak.

I’ve also got a couple of tracks from bands we’ll be releasing on a split 12″ in the Spring.  We’ll be recording that stuff in our house next week, so the songs we chose to represent those bands are for obvious reasons not the final ones we’ll be releasing, just tracks by the bands so you can get a bit of a flavour of what we’re up to.

With Ian on board and based on the good press we managed last year I am hoping we can really kick on with the label this year and make a decent impression.  Obviously the third Meursault album will  help, what with them being our most established band, but we have a good spread of stuff, from bands like Dolfinz with only a few demos to their name, to the likes of Yusuf Azak and The Leg who people know already and then the Foxx album, which has been ‘much anticipated’ for a while now.

So all in all it should be an exciting year, I reckon.  Enjoy!

Direct download: Toadcast #208 – Song, by Toad Records 2012

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01. Mongrels – I’m Gonna Murder Justin Bieber (00.21)
02. King Post Kitsch – The Make the Same Faces Whether Fuck or Fight (02.46)
03. Meursault – Flittin’ (locationmusic.tv Piano Version) (08.49)
04. Rob St. John – The Acid Test (17.59)
05. Lil Daggers – Dead Golden Girls (22.05)
06. Paws – Bloodline (Toad Session) (31.52)
07. Jesus H. Foxx – This is Not a Rental Car (40.31)
08. The Leg – Twitching Stick (43.00)
09. Sex Hands – Jinglebitch (51.56)
10. Dolfinz – Blowhole (55.36)
11. Yusuf Azak – Lay Me Down (63.12)

Sparkcast? Spark?  YES, any kind of fucking spark whatsoever will do the trick.

I remember getting in trouble at my former day job a couple of years ago for writing something rather negative about that awful sensation of being back at your desk after the excesses and indolence of Christmas.  I am not feeling negative about it now, which is good given I am self-employed, but I am certainly struggling to spark my brain back into something resembling life at the moment.

So yes, I have two new releases to get moving, by Jesus H. Foxx and The Leg, and I have five Toad Sessions to get edited and published, and a split 12″ to record (starting in about a week), so whether or not it proves to be a challenge, the old grey matter has to be brought back to life somehow, be it kicking and screaming or otherwise.

Direct download: Toadcast #207 – The Sparkcast

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01. Jesus H. Foxx – So the Wind Won’t Blow it All Away (00.13)
02. The Ramones – Blitzkrieg Bop (07.47)
03. Post War Glamour Girls – Suburban Barbarian (14.40)
04. Now Wakes the Sea – Another Pair of Hands (18.32)
05. Orienteers – Do You Hear What I Hear? (23.23)
06. Damon Moon & the Whispering Drifters – Seasonal Suite No. 62 (32.40)
07. Clap Your Hands Say Yeah – Is This Love? (41.27)
08. The Specials – Gangsters (44.30)
09. Simone Felice – New York Times (48.59)
10. Spectral Park – The Thief’s Journal (57.04)

 Morning.  Fucking brilliantly awesome get tae fuck good fucking morning to you all.  Grrrmpf.  You know those days which start out fucking shite from the very get go and before you answer a single email or deal with a single individual you’re already within a whisker of just telling everyone to piss off because you just can’t be fucking arsed with them?  Yep, one of those I’m afraid.  Hopefully El and Brian will cheer me up on Fresh Air this afternoon.

This is the last show on Fresh Air this entire term, I think, so we’ll be playing a combination of Christmas tat and end-of-year favourites, I believe.  And after that I shall be scuttling off for a much-deserved pint.

On air from 3:30pm UK time – listen live here

In the meantime, after the hugely successful song of the year vote, we are at that time of year, where I ask you to tell us all which albums you have loved the most this year.  I’ll add them up as we go along and on Monday I will announce the winner.

This is of course the perfect opportunity to de-lurk and say hello.  It’s always nice to hear from people I had no idea were reading, and of course our readership is orders of magnitude larger than our commentership* so I am forever wondering who these shadowy thousands are who read the site regularly but hang about in the shadows saying nothing.  Make today the day!

So, simply, just list your five favourite albums, in no particular order, preferably in the format band – album so I can tally them easier, and we’ll see who everyone’s been enjoying the most in 2011.  And the tracklisting for the radio show will appear live below as we go along, once the show starts at half three.

1. Ian Humberstone – The House on the Hill
2. Seth Faergolzia – Weird Old Toad
3. The Leg – Witch on the Speakers
4. Jesus H. Foxx – So Much Water
5. Louis Barabbas & the Bedlam Six – Away in a Manger
6. Meursault – Christmas in Kirkcaldy
7. Warpaint – Billie Holiday
8. Tom Lehrer – A Christmas Carol
9. Yusuf Azak – Swim
10. Plastic Animals – Post-Rapture Blues
11. Trapped Mice – Just Like Christmas (Low cover)
12. Waiters – Tomorrowland
13. Battles – Ice Cream
14. Easter – Damp Patch
15. Hookworms – Teen Dreams
16. Dead Rabbits – All You Need
17. Sons of Joy – Go Tell it on the Mountain

*My sincere apologies to the English language.

Johnny Lynch very kindly suggested that I put together the bill for an all day hangover-buster/refueller the day after the Fence Collective’s Hott Loggz! Festival (see, Hott Toadzz – get it? get it?).

So, I have compiled a collection of the very finest Song, by Toad Records bands, as well as a couple of Toad Pals, and Johnny has arranged for us to use the Hew Scott hall from 2pm to 10pm, to allow those who have to be at work on the Monday to get back to their various homes.

There will be a bar in the room, and bangers and mash available upstairs at the AIA Hall, and a better way to spend a Sunday wasting time and talking pish I cannot imagine.

Tickets will be a fiver, and will be available on the door.

 Yoo hoo internets, I’m ba-aack!  With a friend visiting, and in no mood to waste his holiday watching me fanny about on the computer, I ended up taking an unplanned day off yesterday.  We even did one of those tourist things which it is so easy to ignore when you actually live in a city: we climbed Arthur’s Seat.  And it was bloody amazing!

So what, after a weekend of endurance drinking, does this week hold in store? Well, the general idea was ‘as much sleep as I can manage’, but it looks like this might turn out to be something of a challenge, as we have a pretty busy gigging week ahead of us here in Edinburgh, from the looks of it.

Wednesday 17th August 2011: The Pineapple Chunks‘ album launch at the Electric Circus, with Dolfinz, and Mutch & Thomas.

This is the first of our four Toad at the Circus gigs, which we’re putting on in association with the Electric Circus over the next couple of weeks.  It also happens to be the launch of the Pineapple Chunks’ excellent new album A Dog Walked In (which can be previewed and purchased on their Bandcamp page).  Joining them on the bill will be lo-fi slacker indie outfit Dolfinz from Stonehaven, and a new project by Dan Mutch and Alun Thomas from The Leg.  It will be wonky and messy, this, but I think it’ll be fucking brilliant as well.

Dolfinz – Hot Pants

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Wednesday 18th August 2011: The Cave Singers at Cabaret Voltaire.

The second Cave Singers album underwhelmed me slightly, but their first was brilliant and they’re a cracking live band.  Their stomping Gothic Americana comes out really powerfully in a live setting, and I’d be intrigued to hear how well the ballads, which were the strongest songs on their second record in my opinion, come across live.

The Cave Singers – Beach House

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Thursday 18th & Friday 19th August: Kristin Hersh at Cabaret Voltaire.

Do I really need to explain much about the legendary Kristin Hersh?  If the answer is yes, then go and look up the Throwing Muses, and have a look around her own website.  As well as musically, I have a lot of respect for Kristin Hersh for other reasons as well.  When the digital panic reached its most shrill she was one of the first to start genuinely looking for new solutions, instead of simply trying to pretend that technological progress should be forbidden from happening.

Friday 19th August 2011: Randolph’s Leap, Amber Wilson, and Matthew Healy at the Electric Circus.

This is our second Toad at the Circus night, and instead of ramshackle and potentially (hopefully) rather awkward guitars, this lineup  is more of the folk-pop variety comprised of the quirky sentimentality of Randolph’s Leap, Amber Wilson’s first full band show in Edinburgh (I think) and a solo outing by Matthew Healy from Loch Awe.

Randolph’s Leap – Going Home

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Friday 19th August 2011: Chad VanGaalen, Jesus H. Foxx, and Tom Gilbert at Sneaky Pete’s.

More evidence, to follow up the point made by Bart in the comment on last week’s listings, that Sneaky Pete’s have a consistently excellent lineup throughout August.  Nice to see the Foxx back out and about as well.

Chad VanGaalen – City of Electric Light

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Saturday 20th August 2011: Conquering Animal Sound, and Hiva Oa at Sneaky Pete’s.

I’ll be honest, Hiva Oa and Conquering Animal Sound don’t sound like the most obvious combination on which to base a lineup, but CAS’s debut album is one of the most critically successful* to come out of Scotland in a good while, and if you haven’t seen their looping, emotive live set yet, then you should.

*I say ‘critically’ because I have no idea what the actual sales figures are like of course.

Most live scenes tend to peter out a little from late June/early July onwards as the Festival season starts to cannibalise what remains of the audience after the students have gone home, and people tend to take what little chance they get to be outside in the sun, if it ever appears, rather than in a sweaty basement listening to pale young men complaining about their feelings.

The Edinburgh live scene, on the other hand, tends not to be as dependent on students, not to have to fear too much from oft promised but never delivered good weather, but nevertheless to peter out for a different reason: the lumbering behemoth that is the Edinburgh Festival.

Now I don’t hate the Festival as much as a lot of locals, but I am nevertheless a little ambivalent.  Yes it’s awesome, yes it brings all sorts of cool stuff to the city for a month, but there are obviously some drawbacks.

Firstly, the practical.  If you are ever trying to get anything done in August, it’s a fucking nightmare.  People and shit everywhere, and everyone making the smug plea of those with nothing pressing to get done: ‘Just chill out man, it’s the festival dude, we’re on vaykayshun, relaaaax!’  No. It is Tuesday, and I have shit to do.  Get the fuck out of my way before I make you massively grateful for the Communist oppression of a functioning National Health Service.

Secondly, local music really does just have to stop.  There is no point a Scottish label or band releasing anything in August, as the local press simply haven’t a sliver of column space to devote to it.  Also, gigs tend to stop as well, because the Edge Festival won’t let any local bands they book play at all, anywhere else in August, venues are near-impossible to come by, local fans often turn their eyes and wallets to the more exotic imports and advertising against the maelstrom of confetti generated by the Festival is basically impossible.

Did I mention that I’m putting on four gigs at the Electric Circus in August?  What a dick.

Anyhow, Acoustic Edinburgh and The Retreat Festival have been brilliant over the last few years, and Electric Circus are following their lead this year: booking lots of local stuff and offering amazingly good deals on drinks too, so we can all afford to actually go.

This week, however, due to what I assume is pre-Festival wind-down, there is really not that much, except for the ever-reliable awesomeness of The Ides of Toad.  Yes, really, for once I am not joking.

Tuesday 12th July 2011: Out of the Bedroom at the Montague Bar.

Of the (admittedly relatively few) open mics I’ve attended in Edinburgh, Out of the Bedroom has been my favourite, and this week Lach will be playing.  Lach is the man who invented Antifolk and whose Antihoot open stage in New York launched the careers of the like of Beck, Jeffrey Lewis and Kimya Dawson.  He is moving to Edinburgh and releasing an album with us in a week or so (which should absolutely delight some people).

Lach – Stunned

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Thursday 14th July 2011: Papi Falso at Henry’s Cellar Bar.

This isn’t a gig, and I’m not sure I could even call it a club night really, more a late night drinking opportunity where some distinctly odd and distinctly excellent people will play distinctly odd and distinctly excellent music.  I wanted a night like this all through my twenties and have had to wait until I am thirty fucking five to actually find it.

Friday 15th July 2011: The Deadly Winters, Plastic Animals & The Oates Field at The Electric Circus.

Since Tallah and JP took over the booking at the Electric Circus they have really started to book some good stuff, including Live Lounge, which seems to be a lineup of good live music every Friday.  I don’t know the Deadly Winters, I have to confess, but the other two bands are very good indeed.

The Oates Field – Nae Luck (Jonnie Common’s Deskjob version)

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Saturday 16th July 2011: The Ides of Toad present Jesus H. Foxx, The Second Hand Marching Band and Pet at The Wee Red Bar.

Jesus H. Foxx have finished their album!  Yes, finished their fucking album, I kid you not!  This means that they will be out and about playing an awful lot more from now on, and that singles will be starting to appear in the Autumn.  Get in!  It sounds fucking great, too.  Add to this the beast that is The Second Hand Marching Band, and brand new Edinburgh popsters Pet and we have a great wee lineup for you.  Better get down early though, because there’s so many musicians in these bloody bands that they could end up pretty much filling the venue by themselves!

The Second Hand Marching Band – Paper Year (Demo)

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Another week, another bank holiday in which we self-employed folks don’t get to indulge.  Working for yourself is great, but watching everyone else get days off when all you can do is stare at the steady trickle into your inbox and the pile of promotional copies of releases waiting to be posted, can be a little demoralising.  And it’s sunny, too.  Fuckers.

Anyhow, The Brainlove Festival was bloody good fun, only slightly ruined by an awful football match.  My personal highlight was an absolutely awesome set by Mat Riviere.  He was playing with a cellist whose name I unfortunately don’t remember, but the stuff they played was absolutely brilliant – building from beautiful melodies to aggressively experimental cacophonies.

The Brixton Windmill also ended up being good to its description: a highly unpromising building which actually turned out to be a cracking wee venue.  I want one here please.

Tuesday 31st May 2011: The Travelling Band, Jesus H. Foxx and The Last Battle at the Electric Circus.

I harassed the Travelling Band at SXSW this year because one of them happened to be wearing a ‘Homegame 2006*’ t-shirt.  Anyone who’s been asked to play Homegame (and is loved by Cloud Sounds) is good enough for me, plus this gig sees the long-awaited return from mothballs of Jesus H. Foxx, complete with a near-finished new album and a somewhat tweaked lineup.

The Travelling Band – Fairweather Friends

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Wednesday 1st June 2011: eagleowl, The Scottish Enlightenment & Silver Fox play Limbo at the Voodoo Rooms.

I had to add this later, because I am a total idiot and forgot it the first time.  God knows why because this looks like pretty much the highlight of my week as far as music is concerned.

Friday 3rd June 2011: The Dead Man’s Waltz, The Stormy Seas & James Metcalfe at Henry’s Cellar Bar.

This should be a rattling good night.  I don’t know anything about the Dead Man’s Waltz, but a quick listen to their stuff sounds very promising – all jaunty banjo and acoustic, foot-tapping Americana.  James Metcalfe from the Pineapple Chunks will be playing solo as well.

The Dead Man’s Waltz – Cry On Me

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Saturday 4th June 2011: Avital Raz & Alex Cornish Song, by Toad House Gig.

Alex let me know last week that he is bringing a string bloody quartet to this gig, which makes it just about the coolest thing we’ve done in the house for a long time. Tickets are available here, and I would be nice if you could buy them in advance

Saturday 4th June 2011: Detour present FOUND at the Electric Circus.

Detour’s Wee Jaunt stumbles about Edinburgh all day, finishing up at the Electric Circus where FOUND will be closing the night with their usual exuberance.  I assume one of the tracks played will be new single Anti-climb Paint, the subject of an absolutely ludicrously brilliant-sounding edible, playable chocolate 7″ single.  Video below.

Sunday 5th June 2011: Julian Lynch, Ducktails & Big Troubles at Sneaky Pete’s.

This gig is being put on by the reprobates behind Gerry Loves Records, and that is good enough for me. It’s less electronic than a couple of their recent releases, nudging more into Kurt Vile territory, but this is fine territory to be in if you ask me.

Julian Lynch – Stomper

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*2005?  2006?  Something like that.