Song, by Toad

Posts tagged jonnie common

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Jonnie Common – Trapped in Amber Album Launch Shows

Jonnie Common Album Launch Digiflyer

Jonnie Common‘s glorious new album – yes, seriously, glorious – is being released into the world on Halloween of this year (pre-order your copy here) and to celebrate, we are arranging some launch shows. And they will be fantastic. Therefore you should come.

Aberdeen is (tragically) going to be the last Citizen Mule gig, so please give the silly oaf (Stevie, not Jonnie) a good send-off. The Edinburgh show is in the rather gorgeous Pilrig St. Paul’s, halfway down Leith Walk, and on the Saturday night in Glasgow the Save-As Collective have a special night planned, with a Miaoux Miaoux DJ set and everything.

The album is great, the shows are going to be great, I am just chuffed to bits all round with this whole business. And not a cynical comment in sight. What’s happened to me? It’s like I don’t even know myself anymore.

Thursday 13th November – Aberdeen
At Downstairs, with Christ and Colin Austin – tickets £5 on the door

Friday 14th November – Edinburgh
At Pilrig St. Paul’s with Wolf – tickets here.

Saturday 15th November – Glasgow
At the Glad Cafe with Wolf & Ross Sutherland – tickets here.

And just for fun, here is Jonnie’s new single.

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Toadcast #306 – The Crumbscast

tag This is called the Crumbscast for no better reasons than that I like the name and that it starts with a song called Crumbs, the new single by Jonnie Common. Given I’ve had to try and think up unique names for all of these bastard things anything which sounds good and has at least a tenuous link to the topic at hand will do.

I’ve not done a podcast for ages actually, but the last one was the one just before the independence referendum, and I still feel so utterly let down and disappointed with how that went that I’ve been unable to really talk about it since. On you go, Westminster, you’re doing a decent enough job really – at least a better one than we could ever hope to do on our own. Is that really the message we just delivered to the world? Yes, yes I think it is, at least to some degree. How sad.

So you see, probably a good thing that I waited at least a couple of weeks for the worst of the depressed bitterness to wear off. I almost get dragged into it at the start of the podcast, but like a champ I manage to break free and deliver an hour (and a little bit) of the usual awesome music that no-one’s really heard of because the world is WRONG about music. Sorry.

Toadcast #306 – The Crumbscast by Song, By Toad on Mixcloud

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01. Jonnie Common – Crumbs (00.22)
02. Tired Tape Machine – Your Ghost (07.30)
03. Passion Pusher – BLT (17.18)
04. Allison Crutchfield – Supermoon (22.22)
05. Sun Kil Moon – War On Drugs (31.01)
06. Velvet Morning – Green Whale (40.31)
07. 808s and Greatest Hits – Great Western featuring A. Fantastic Reprise (48.44)
08. Memory in Plant – Rainy Veins (54.09)
09. H. Hawkline – Black Domino Box (58.01)
10. Wallflower – Ambien (1.03.02)

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Crumbs: New Jonnie Common Single

Crumbs - RGB 2000px

It is indeed New Jonnie Common Single Day here at Song, by Toad Records, with the second song from his belting new album Trapped in Amber now being officially set loose upon the internet. The album is being released on Halloween this year, and we’ll be doing a small run of launch shows in Aberdeen, Edinburgh and Glasgow on the 13th-15th November and are looking at a label Christmas Party down in London in early December as well.

You can pre-order the album on vinyl or CD here. The CD version comes with an entire alternate version of the album, and if you pre-order the vinyl you’ll get a download card for this version as well.

This tune is a classic example of Jonnie’s way with a lyric: even though not all of it makes immediate sense, there’s a sort of playful warmth there. The Books were actually cited as a possible comparison on CMU the other day, and I have to confess that although I had never really thought of it, the similarity is definitely there. Which is ace, because I fucking love The Books.

Anyhow, I think think we’ve now served up the most obviously cheerful pop moments on the album, so be aware that the rest of it is both melancholy and downright weird at times, but if this and Shark can’t tempt you to buy this record, frankly nothing will. Great songs, the pair of ‘em.

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Jonnie Common – Shark

This is the first single from the new Jonnie Common album, and it’s fucking ace. The album, Trapped in Amber, is out on Halloween of this year, on vinyl or CD, and you can pre-order a copy here.

Shark is a tune which also appears on our last Split 12″, but this version is a totally different beast. It’s been described as chilled-out Kraftwerk or Glasgae Beck, and erm, well I am not going to critique those two descriptions, but they did make me laugh.

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New Jonnie Common Album Coming Soon

Yes, that’s right, after years of relentless badgering Jonnie Common has agreed to release an album with Song, by Toad Records. Actually, to be fair, he had every intention of sticking with the excellent Red Deer Club, who did a fine job with his last album, but for logistical reasons it wasn’t possible so, y’know, he had to make do with us in the end.

It may not always be all that obvious, but it’s actually a tremendously meaningful thing when an artist you really admire actually entrusts you with the job of doing the best thing with their work, so I was pretty touched when Jonnie asked us to do this. I’ve been a fan of his since his Down the Tiny Steps years, so I am absolutely delighted to be able to do a formal release with him at last.

I’ll not say too much now, as we have a new single to release next week, but for now know that you can pre-order the album on CD or vinyl from here, and that the CD version comes with two versions of the album so you can pick which one you prefer. Or just alternate between the two, your call.

The album is called Trapped in Amber and will be released on Halloween 2014, and we are currently working on some excellent launch nights for you, so keep an eye out for further announcements.

For now, until we release the new single next week (although the excellent Steve Lamacq played it on 6Music just under 45 minutes into his show the other day), just enjoy this gorgeous video of a rather brilliant song which might or might not be on the album. I say ‘might’ because, y’know, IT’S A SECRET!

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Toadcast #304 – The Nearlycast

Tour de France  2012 stage - 12 So, here we are on August 28th and I have neeeeearly made it through another Pale Imitation Festival. Nearly. We still have tonight’s awesome show with eagleowl, Ian Humberstone and Smackvan, and then the closing party on Saturday with PAWS, Halfrican and Et Tu Brute! and then I will sleep for a week, and lock the doors and the shutters to the house so I don’t have to speak to people until I am good and ready.

That sounds like a moan, and it is I suppose, but it doesn’t mean that I don’t love the festival we’ve put on. I’ve loved every gig so far, and I’m incredibly proud of how well it has all gone and how well it has all been received, it’s just that it’s kind of exhausting and rather gets in the way of all the other things I have to be doing at the moment. Anyone who does this kind of shit knows, I guess, it’s amazing but exhausting, and at the moment I am knackered.

Anyhow, I recently received a most excellent package from Norman Records of about five or so new albums, and a lot of them get a spin here. Oddly enough I had to go an buy the Wytches song on iTunes again because for all Heavenly sent me a download card with the album, there was no sign anywhere of where to actually redeem it, and I couldn’t find one on their site anywhere either. Weird. And of course the PR folk never sent me the album for review either so I’ve ended up buying an album I was asked to review, and then having to buy a song again just to play it on the damn podcast.

Still, they’re ten times more established and successful than we are, so I suppose in a way it’s sort of reassuring to see that they can still be just as hapless. Music would be pretty shit if it was all ruthlessly efficient people in charge.

Toadcast #304 – The Nearlycast by Song, By Toad on Mixcloud

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01. Temple Songs – Sunspot Dandyline (00.20)
02. Michael Cera – Gershy’s Kiss (07.56)
03. Chad VanGaalen – Frozen Paradise (10.44)
04. Jonnie Common – Shark (18.31)
05. Eaten By Television – To Emma (25.40)
06. The Wytches – Wire Frame Mattress (31.29)
07. Los Angeles Police Department – Enough is Enough (36.54)
08. Old Earth – Some Gates’ll Swing Wide, For Us (38.47)
09. Beck – Morning (47.39)
10. The Eskimo Chain – Riding (57.37)

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Howlin’ Fling

Click to go see all my (pretty mediocre) pics from the weekend.

I am not writing a review of this fine festival. It is good. The music is ace. You should go if you can.

It’s in Scotland, just off the West Coast. So it will probably rain. In the words of Billy Connolly. “Of course it rained. It’s Scotland. Where did you think you were, fucking Benidorm?” When the sun comes out, though, and even when it doesn’t, it’s fucking beautiful. Really, seriously fucking beautiful.

I have sunburn on my back. Not bad sunburn, but you know, Scotland, rain etc..

The drive through Glencoe and down the coast to Arisaig makes you feel like you are heading to another world. The Sheerwater is class. Remember to take some beers for the trip. Driving a band full of people who’ve never seen it before was fun too. Watching people see that stuff for the first time is a nice little reminder of how special it really is.

Sam Amidon playing reels out the back of the café as we got there was awesome. So was Sam playing music on stage. So was Sam playing music with Beth Orton. So was Beth Orton playing music on her own. In fact those two were just bloody brilliant in general.

Samuel. Stream. Rocks. KABOOM!

Lisa, Tamsin, Caroline and Susie brought stinky, stinky cheese and gin and tonic, complete with genius tactics to make sure IT WAS ALWAYS COLD! Words cannot express my admiration.

Johnny Lynch playing the hits to his fans after the year (or so) that’s he’s had, while everyone went mental. That was brilliant. Well done old chap.

No matter what anyone tells you, swimming in the sea off Eigg is fucking cold. Really bollock-shrivellingly fucking cold. And no, you do not get used to it.

I still don’t understand how pretty much all the water in the world can fall from the sky on Saturday night and yet still there was none of it left for showers the following day. But Jens Lekman breaking out the tropical pop (and looking like he was having all the fun in the entire world all at once) during a tropical downpour was pretty brilliant. As was Jonnie Common’s eight-legged groove machine. POP!

Double breakfast every day. One bacon-and-egg roll (all runny and hot – mmmm!) and a coffee. Then forty-five minutes later, same again. No hangover in the world can compete with that kind of tactic.

I like how festivals like this have stalwarts, who are at every damn one, and then people like Boxed In who were fantastic, and who I’ve never heard of before and might not have heard of otherwise.

I did dancing. Presumably extremely bad dancing, but it was dancing nevertheless. And the thing: I only had to be ever so gently coerced. The last time I went mental and danced like a pillock was at the front of British Sea Power at the first Away Game. And the time before that was at FOUND in Legends at Homegame. I am starting to spot a theme developing here. I am told there are videos, but I really don’t want to see them. Let’s just leave it as a happy, slightly murky memory shall we. Oh no wait, this is the fucking internet isn’t it. Balls.

There was a moment when Meursault played the first chords of Ellis Be Damned and I was absolutely alone in my whooping. And then it dawned on me that I was the only person in the whole tent who knew how fucking awesome the next four minutes were going to be. That was nice. Especially as people kept turning to me during the song with an ‘oh that’s why you were whooping’ look on their faces.

I think it’s something to do with the lack of superstars, but perhaps mostly the proportion of musicians to punters, but having the two sets of people entirely mixed together instead of being in their own little enclaves makes everything better.

Only two stages running at staggered time means you see everything. No sneaking off into your own little bubble of pre-approved music.

Whisky.

Oh, and fuck, I still have a record label to run don’t I. Don’t you fucking dare judge. YOU try kick-starting your brain after a weekend like that.

Samamidon – Fiddle Mayhem (Toad Session) from Song, by Toad on Vimeo.

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Toadcast #301 – The Bettecast

tag As you should well know by now, this is not the Bett-cast, it is the Bettycast, as our ridiculous car is named after Bette Davis, who spelled it Bett but pronounced it Betty. So there.

Once again this is a bit of a Rust2Rome retrospective, with ruminations on brake fade in the Alps, grown men sporting mohicans, driving far too fast and complaining about things not being entirely predictable when on holiday in a car which cost lest than £500. There may also be a little teeny-tiny bit of ranting about stupid people, but y’know, there usually is on these things isn’t there.

Also, I think some of my Rust2Rome pals might end up listening to this, which is going to be weird, because they’ll get to realise what depressing taste in music I have. Generally when you tell someone you work in music they think ‘oh, that’s interesting’ and you can pretend to be cool for a bit. Then they hear the kind of music you’re into and the illusion is shattered. Ah well, they had to find out sooner or later.

Toadcast #301 – The Bettecast by Song, By Toad on Mixcloud

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01. The Wedding Present – Drive (00.24)
02. The Electric Prunes – I Had Too Much to Dream (Last Night) (06.24)
03. Parts & Labor – Fractured Skies (16.16)
04. My Teenage Stride – The Genie of New Jersey (20.20)
05. R.E.M. – Be Mine (26.43)
06. Jonnie Common – Summer is For Going Places (35.52)
07. David Thomas Broughton – Ain’t Got No Sole (40.47)
08. Steven Malkmus & the Jicks – Baby C’mon (50.23)
09. Eels – Woman Driving, Man Sleeping (54.49)
10. Band of Horses – The Funeral (1.03.25)

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Pale Imitation Festival 2014

Pale Imitation 2014 digiflyer

Well brace yourselves, here we go: the full lineup for the Pale Imitation Festival 2014 has been finalised and can now be announced, tickets can be bought, and giddy excitement can commence. It’s a cheap and cheerful festival of Scottish music, held at Henry’s Cellar Bar over the course of August.

Conceived initially as a way to keep the fun, family-friendly DIY spirit of the awesome Retreat Festival alive, I think for me it’s sort of evolved into something different. I like the Edinburgh Festival, I really do. Or at least I try. There’s lots of awesome stuff happening, but there is also a massive, stifling avalanche of over-priced, imported rubbish which smothers everything in the city and dominates the press and makes it almost impossible to do anything at all in music except sit back for six weeks and wait for it to be over. And being a bloody-minded little shit, I don’t accept that.

Music used to be really well served during the Edinburgh Festival, but now it seems that small local enterprises doggedly trying to support Scottish music are pretty much the only ones giving it any kind of foothold at all. The Queen’s Hall and The Electric Circus have some great stuff on in August, and then there is us: a reasonably-priced, month-long celebration of local music, held in one of Edinburgh’s stalwart underground venues. A fiver per gig, and a season ticket available for only £25, as well as a separate, showcase gig at the Queen’s Hall which will be the last ever Meursault show.

The full lineup is below, and tickets can be bought here, except for the Meursault/Plastic Animals Queen’s Hall show which can be bought directly from the Queen’s Hall. Season tickets are here, and they entitle you to attend all the Henry’s gigs (the QH one is separate) – meaning you could get nine gigs for the price of five, which is pretty amazing. Do try and get there by 8pm though, so we know whether to hold you a place or not at the busy shows.

Sat 2nd Aug - Adam Stafford, Le Thug & Duchess
SAY Award-shortlisted Adam Stafford is currently working on a new album, and his experimental, looped guitar pop songs will be complemented by the hazey washes of Le Thug and newcomers Duchess.

Thu 7th Aug - The Leg, Now Wakes the Sea +1 TBC
Screaming pop mentalists The Leg headline the second night, with support from the phenomenal, if a little wonky, Now Wakes the Sea, plus another band to be confirmed.

Sat 9th Aug - The Yawns, Sharptooth & alansmithee
The Yawns play a lazy brand of sloppy guitar pop, and made one of the sleeper albums of the year a wee while back. They are joined by the slightly more aggressive Sharptooth and Livingstone newcomers alansmithee.

Wed 13th Aug - Meursault & Plastic Animals – Queen’s Hall
The centre-piece of the Pale Imitation Festival this year is the last ever Meursault show, at the Queen’s Hall. That’s right, your last ever chance to see the current band play live, and they will be joined by pals and label-mates Plastic Animals.

Thu 14th Aug - Deathcats, Garden of Elks & Passion Pusher
Surfy, guitar loons Deathcats released their debut album this year, and it is every bit as hugely enjoyable and sloppily noisy as you would have expected. Abrasive shouters Garden of Elks and Edinburgh’s most hapless guitar pop star in the making comprise the rest of the bill.

Sat 16th Aug - Jonnie Common, Jesus H. Foxx & Andrew R. Burns
Jonnie Common is a maverick genius, who makes experimental music sound like the most accessible of pop songs, and he’ll be joined by the recently resuscitated Phoenix H. Foxx, and Chillwave revivalist Andrew R. Burns. Jonnie really needs to start using his middle initial, to fit on this bill properly.

Thu 21th Aug - Rick Redbeard, Siobhan Wilson (Ella the Bird) & Kitchen Cynics
If Rick Redbeard would stop buggering about being famous with the Phantom Band, I think he could be one of Scotland’s most loved singer-songwriters. He’d be one of mine, certainly, and after only recently discovering his stuff, I wouldn’t be surprised to hear myself saying the same of The Kitchen Cynics. Siobhan Wilson has just started to perform under the name Ella the Bird, but her gorgeous voice and songwriting remain very much the same.

Sat 23rd Aug - LAW, Numbers are Futile & Wozniak
LAW has been one of the breakthrough sensations of recent years. Based in Edinburgh, and collaborating with members of Young Fathers, her music is dark but danceable, and actually reminds me of an Edinburgh pop singer of a few years back – anyone remember Helicopter Girl? No? Just me, then. On the bill with LAW are the hypnotic, rhythm popsters Numbers are Futile and messy shoegazers Wozniak.

There will be a big old after-party after this show, with Lost Map DJs and, erm, well hopefully I won’t be allowed anywhere near the decks at all.

Thu 28th Aug - eagleowl, Ian Humberstone & Smackvan
Eagleowl are Edinburgh’s most glacial post-anti-drumcore, kraut-folk band, and will be joined by the gorgeously intimate croon of Ian Humberstone and warm miserablism of Smackvan.

Sat 30th Aug - PAWS, Halfrican & Et tu Brute!!!
Our favourite pop-punk band PAWS proved they had rather more strings to their bow than just awesomely hummable guitar tunes with their fantastic second album, released at the beginning of the year.  They are pals of ours, they almost signed to our label, and they’re the most prolific accumulators of parking tickets on the Toad Van, so they seemed like a perfect choice for the closing party of this year’s Pale Imitation Festival. Joined by short-shorts-wearing Halfrican and the intense battering of Et tu Brute!!!, it’s going to a lively last show. And then I will get some fucking sleep.

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Our Third Split 12″ Vinyl Is Here!

2014-07-15 16.24.27

Yep, that fine, yellow beauty up there is the third in our series of Split 12″s on Song, by Toad Records. You can buy one here, and I recommend you do, because it’s fucking awesome.

Of course, I would say that, wouldn’t I. But it’s not just me, we’ve had radio play for this from Tom Ravenscroft, Gideon Coe, Lauren Laverne, Steve Lamacq and Tom Robinson, as well as a ton of support on Amazing Radio as well. It’s been brilliant, particularly given our traditionally patchy results with self-promoting to national radio. Anyhow, the launch nights are fast approaching, so I thought I should give you another wee nudge. Firstly we have Glasgow at Nice ‘n’ Sleazy’s on the 24th July (tickets here), followed by our first Song, by Toad House Gig in the new place down in Leith on the 25th (tickets here). We’ll be getting the barbie on for this one before the gig (if it’s not raining) so bring something to throw on there if it’s nice.

And also, out of sheer, naive generosity, here is some more streaming fun for you – a cover of James Yorkston’s Chalkhill Blue by Sparrow and the Workshop. Side 2, track 1!