Song, by Toad

We have a clear few days to get some work done this week, before the weekend’s flurry of giggery. There are some devious Austrians sneaking about Scotland this week, partly having a holiday, and partly shooting sessions for They Shoot Music.  Apart from Mrs. Toad and I recording our annual anti-Valentine’s day festival of hate, we will record a podcast with them while they’re here, and then leave them to go off and do some stuff with Jesus H. Foxx, Meursault, Withered Hand, a trip up to Fife to see the Fence Records chaps, and then some time in Glasgow where I am not honestly certain who they are recording – hopefully some Yusuf Azak though.

Anyhow, apart from the gigs mentioned below, there’s also the rather intriguing listing at Sneaky Pete’s where a certain band called Toad appear to be playing on Friday with The Ritalin Kids and Be Like Pablo.  I assure you it has nothing to do with me performing music of any sort, so feel free to attend in perfect safety.

Thursday 11th February 2010: eagleowl, Hailey Beavis & The Stormy Seas play Leith Tape Club at the Iso Lounge.

One of Edinburgh’s most enjoyable low-key gig nights, The Leith Tape Club, has a really good lineup this month.  I think eagleowl will be playing as a somewhat reduced lineup: after their recent four-piece gigs, I think they will be back to two for this gig, but for those of you who missed their Vic Galloway session on Radio Scotland last week, here’s their cover of I Am Nothing by Withered Hand from that session.  It’s all about sharing out the PRS money apparently, because Dan covered one of their songs when he played the show a while back.  All about the money, eh?  Typical.  I knew them when they used to have integrity, man.

eagleowl – I Am Nothing (Withered Hand Cover – Live on BBC Radio Scotland)

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Friday 12th February 2010: The Late Call, The Last Battle & Emily Scott at the Wee Red Bar.

The Gentle Invasion have been awfully quiet of late, so without knowing anything at all about The Late Call, I’ve got to be pretty confident that they’re good, to drag them out of semi-retirement.  The Last Battle’s stock is rather high at the moment, and I’ve not seen Emily Scott play since last year’s Homegame, so I think I’ll be along at this one for sure.

The Last Battle – Oh Best Beloved

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Friday 12th February 2010: FOUND, Three Blind Wolves & Over the Wall play Limbo at the Voodoo Rooms.

FOUND are teetering on the verge of a new album (I think) and are somewhat reduced in number these days.  Judging by Versus a couple of weeks ago this isn’t going to hold them back though, and I am really looking forward to hearing their new stuff.

Over the Wall – Floods

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Saturday 13th February 2010: Kid Canaveral, BabyGod & Cancel the Astronauts play Trampoline at the Wee Red Bar.

It’s all about the indie-pop at Trampo this month.  Euan already previewed this gig extremely well in his Sunday Supplement, so no need to go on about it here again.  Kid Canaveral have nearly finished work on their debut album though, which is good news.

Kid Canaveral – Good Morning

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[Welcome back to the first Sunday Supplement of 2010, with Euan from the Steinberg Principle, amongst other things, returning to his regular slot.  Next week will see the return of Campfires and Battlefields]

Trampoline this month is going all pop on your asses. The shimmering guitar sounds will be out in full force. Matthew [the Astronaut, not the Toad] has organised this month’s show, so I will use his very words to describe what’s happening. Why write something myself when somebody else has done so for me:

This month’s Trampoline, Saturday 13th February, is a poptastic treat; headliners Kid Canaveral are supported by Babygod and Cancel the Astronauts, and it promises to be a real treat. As usual, doors are at 7 and it’s £5 pounds entry, unless you’re a student in which case it’s £3, and unless you’re a flirt, in which case it’s free.

Here is some blurb:

Fence affiliated Kid Canaveral have long been one of Scotland’s finest indie bands, and their joyously melodic punkpop has won high praise from Scotland’s blogging community and the mainstream press. Four single releases over the past few years (self released on their own label Straight To Video Records) has seen their popularity and profile steadily increase, and the band are currently adding the finishing touches to their hotly tipped debut album, out, well, soon hopefully. The band recently released a free download, Good Morning, as a teaser for the record, as it sounds bloody brilliant. 2010 looks set to be a big year for Kid Canaveral.

Babygod are simply the most exciting and original band in Scotland right now. Led by Gerry Campbell (who played on Belle and Sebastian’s first record) their intelligent, literate and inventive art pop (they list Talking Heads, David Bowie and The Associates as influences), and superb (though sadly only occasional) live performances has led to national recognition from Mojo and The Guardian, as well as radio play on Stuart Maconie’s BBC Radio 6 show. They deserve to be enormous, and I expect they will be. The band have rather enigmatically hinted that they are soon to to release new material. Huzzah!

Edinburgh’s Cancel the Astronauts are the hairiest indie pop band in Scotland. Hairier even than The Stormy Seas. Fact. The do have probably the handsomest frontman in Scotland though. Support slots with Frightened Rabbit, Attic Lights and Marina and The Diamonds, as well as last year’s well received release of their debut EP has seen the band grow in stature and popularity in Edinburgh and beyond. They are working on a new EP which they hope to release in the next few months.

So do go along and support the night. I actually won’t be there myself as I will be in Glasgow seeing Fionn Regan at King Tuts. Don’t worry though, I wasn’t there last month and it was more efficient with more people than any month in the past 3 years, so it should be a cracker.

It’s freezing outside and (just slightly) covered in snow (about half an inch) so naturally the entire nation has ceased to function.  Erm, okay, it really isn’t that cold and the snow really isn’t that big a deal in all honesty but of course given the worst weather conditions we usually have to deal with are constant and life-sapping drizzle it seems that it’s all come as a bit of a shock to the nation as a whole.

We live in a city by the sea of course, which means that we never get the sunshine which is promised and sadly, during the winter, we never get the snow or the cold either.  In the countryside it may occasionally be dangerous, but in the city it’s never much more than a stunningly picturesque inconvenience, and the bastard stuff will all have melted by next week anyway, so we might as well enjoy it while we still can.

This week the podcast is not themed at all, it’s just new and interesting stuff from my inbox.  I tend not to just slap up promo tracks emailed to me by PR chappies on the blog because, frankly, I really have nothing to say about them yet and I don’t really like firing out posts on the site when I don’t really have an opinion, right wrong or otherwise, to accompany it.  Podcasts, on the other hand, are a bit more spontaneous so they seem like a more suitable place to put new and interesting stuff before I have any real chance to figure out whether or not I actually like it properly.

Toadcast #103 – Baby, it’s Cold Outside

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01. Timber Timbre – Magic Arrow (Daytrotter Session) (01.47)
02. Drew Danburry – Many are Cold, but Few are Freezing (11.11)
03. Barton Carroll – The Poor Boy Can’t Dance (14.57)
04. Kid Canaveral – Good Morning (21.50)
05. The Middle East – The Darkest Side (28.19)
06. Eluvium – The Motion Makes Me Last (38.04)
07. Final Fantasy – Lewis Takes Action (43.12)
08. Rachael Dadd – Table (50.13)
09. Woodpigeon – Music Belongs to Those Who Make It (56.15)
10. Samamidon – How Come That Blood (62.32)

Certain bands make very difficult things look very easy.  One of the hardest and most elusive things in music is on the face of it pretty straighforward: write memorable tunes.  It seems simple enough, but I’ve lost count of the number of faceless, unremarkable indie bands I’ve heard in the last few years who all make broadly the right sound for my ears, but whose music leaves my head almost as fast as it enters.

Kid Canaveral, on the other hand, are the opposite.  They write music in a general style which I am not usually all that keen on, but I could pick pretty much every song I’ve ever heard of theirs out of a lineup, so to speak, after little more than one listen.  I don’t know how they do it, but they clearly have that one skill which eludes so many other bands: the knack of writing incredibly infectious and memorable songs.

This EP is no different; one listen and every track was firmly lodged in there.  Their sound is evolving from that heard on their series of singles released over the last couple of years, and I really like that.  Opener Left & Right could be right off any of their previous records, but Stretching the Line has a dreamier sound, a little bit of violin (and recorder?), and is less furiously bouncy.  It’s also a cracking tune.

Third track Long in the Tooth is even less obviously poppy, leading with synth, distorted, fuzzy vocals, almost as if the band are signposting new directions they intend to explore, but only leading us there very gently, one small step at a time.  It’s well done, this EP.  They seem to have been able to explore new directions really effectively, whilst still maintaining that umbilical connection to earlier work for those of us who might need to make the move one step at a time: the perfect example of how to explore new territory without abandoning old strengths.  It also suggests that there’s more to this band than just hummable pop tunes, which is something else I find rather intriguing.

I may have some grumbly things to say about releasing things on cassette, but that aside I would strongly recommend this EP to anyone, and I am gutted I had to miss their launch party because of recording commitments.

Kid Canaveral – Stretching the Line

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MySpace (buy stuff here too) | More mp3s

This week’s job is the finishing of the Honeytrap Toad Session, preparing the second Toad House Gig for Friday – brilliant brilliant brilliant! – sort of getting ready for the Toad Autumn Party at the Bowery on the 10th (Pineapple Chunky madness, woo!) and getting the Meursault singles pressed and the artwork sorted.  If I am dead by the weekend, do not be surprised.

Fortunately, the start of the week is relatively light on gigs.  Lightish anyway.  Tonight is free, so I should get a chunk done then.  I just fear the traditional upload hell which tends to accompany the finishing of these bloody videos.  Vimeo is a great service in many ways, but the uploading is flaky as fuck and incredibly annoying.  Still, that’s presumably a matter for Friday at 4am, if the FOUND session is anything to go by.

Tuesday 29th September 2009: The Blank Tapes & Magic Leaves at the Bowery.

I really like it when people around me get all giddy about the visit of bands I’ve never heard of – it makes going to a gig that much more exciting.  This is one of those gigs

Wednesday 30th September 2009: Wild Beasts & The Kays Lavelle at Cabaret Voltaire.

These guys are just on the edge of stuff I like – some of it I absolutely love and some I find just a little bit too much.  It’s camp and loose, but they write terrific pop songs nevertheless and I am really looking forward to seeing them live to get a bit more of a clue about their personality as a band.

Wild Beasts – Hooting & Howling

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Thursday 1st October 2009: Leith Tape Club at the Iso Lounge, with Animal Magic Tricks and Men Diamler.

The Leith Tape Club is a lovely night, with a small capacity and an initmate atmosphere, and conveniently right around the corner from my work.

Thursday 1st October: Meursault, Three Blind Wolves & Washington Irving at Sneaky Pete’s.

Three Blind Wolves are apparently Ross Clark-related, although I have to confess I know nothing about them.  Washington Irving are another new one on me, but I think we all know quite enough about Meursault by now.

Friday 2nd October 2009: X Lion Tamer & Nite Jewel at Sneaky Pete’s.

I don’t know why I like X Lion Tamer, exactly.  All that synthy 80s pop should be way more than I can handle, but oddly I find myself really enjoying it – basically I suppose because the songs are just incredibly catchy.  Night Jewel, I have to confess, I know almost nothing about.

X Lion Tamer – Neon Hearts

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Friday 2nd October: Animal Magic Tricks & Men Diamler play the second Toad House Gig.

These house gigs look like turning into really nice things.  The last one was bloody lovely, and with the lovely Animal Magic tricks and Men Diamler, whose music can be as mental as it can lovely I think this one will be a fantastic night.

Animal Magic Tricks – Smallish Hooves

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Friday 2nd October: Trespassers William, Glissando & eagleowl at the Wee Red Bar.

Gizeh Records’ allstar tour comes to Edinburgh, supported by local sorts The Kays Lavelle and eagleowl.  I have to confess I rather feared for eagleowl, who were somewhat threatened by a recent combination of relocation and fornication, but seeing them back playing (superbly) at the Withered Hand EP launch last week has cheered me right up.  They have about seven new songs recorded too, you know.  I’ve no idea what they’re going to do with them, but they have them, which is tantalising, but definitely rather excellent news.

Saturday 3rd October: Kid Canaveral EP launch at the Bowery, with Come On Gang and Cancel the Astronauts.

This lineup is ridiculously indie-pop-tastic, with Edinburgh’s three finest lining up in a show of defiance to all that moany indie-folk shit I insist on listening to.  This stuff is all about the infectiousness of the tunes, and Kid Canaveral are perhaps the most hummable band in the city.  Their new EP is out on download or, erm, tape.  Yes, tape.  Good fucking grief, it’ll be wax cylinders or fucking eight track next.

Kid Canaveral – Couldn’t Dance

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This week I am piling on the music snobbery.  Oh, okay, I’m not really – if anything I’m undermining it with some truly guilty pleasures.  There’s not much modern fluffy pop music which I happen to enjoy despite my snobbery because… well, because I just don’t think there’s anything I can think of which fits that bill at the moment.

I know nostalgic guilty pleasures and truly embracing low-brow music purely for the enjoyment of it aren’t quite the same thing but I think I’ve budged about as far as I am going to go on this one.  Girls Aloud are unlikely to ever make an appearance on this podcast, but there’s a spot of memory-tickling being indulged in with picks from Kylie and Guns ‘n’ Roses.  You can tell Mrs. Toad has been involved in choosing a playlist when it contains Guns and fucking Roses, but she was sacked from co-presenting duties due to excessive drunkenness, so her imprint on this particular episode is in selections only, and not in the presence of her dulcet tones on the interwaves.

Toadcast #70 – The Snobcast

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01. Kid Canaveral – Couldn’t Dance (03.52)
02. Popup – Lucy, What Are You Trying to Say (07.04)
03. Art Fag – Nakhla Dog (15.48)
04. Kylie Minogue – Confide In Me (23.27)
05. Motorhead – Ace of Spades (28.50)
06. The Seventeenth Century – Mid October (36.16)
07. Alan Pownall – The Others (43.56)
08. Haggard the Listener Group – Blackette (47.29)
09. Soft Cell – Tainted Love (51.22)
10. Guns ‘n’ Roses – Sweet Child o’ Mine (58.12)

It’s that time of the week once again.  At 6.30pm, British Summer Time, myself and Dylan from Blueback Hotrod will be live on Fresh Air, Edinburgh’s student radio station.  There will be no theme, no coherence and no real attempt to do anything more dynamic than just chatter about music, so please do tune in and listen to us blether.

Rather than emailing or (grrr) tweeting, I thought I might just leave this as an open thread for those who want to contribute, and I’ll add the playlist live as we go along.

Click the big ‘Listen Live’ button on this page to tune in, between 6.30pm and 8pm tonight.

01. The Bluetones – Glad to See You Back Again
02. James – Sound
03. Emily Scott – Pageant Queen
04. Frightened Rabbit – Old Old Fashioned (Live)
05. Kid Canaveral – Teenage Fanclub Song
06. Popup – Lucy, What are You Trying to Say?
07. Blur w. Francoise Hardy – To the End
08. Gene – Dolce & Gabanna or Nowt
09. Meursault – Hard On (Charles Latham Cover)
10. Charles Latham – Nite Man
11. Withered Hand – Religious Songs
12. Boo Radleys – Almost Nearly There
13. White Antelope – Silver Dagger
14. Cancel the Astronauts – I am the President of Your Fanclub and Last Night I Followed You Home

Cheers, see you next week at the same time.

Firstly, well done to Elbow for winning the Mercury Prize. I tend to slag off the Mercury Prize a little bit, largely due to the appearance of tokenism (one for black people, one for intellectuals, one obscure one to make us look clever) but also because I often just don’t like many of the bands very much. The accusation of tokenism is neatly refuted by one of the judges in this nice little article in the Guardian, and an award dominated by my narrow taste would be dull as shit for everyone, so I suppose I should back off a little. At least it’s not the frothing, corporate nonsense of the NME awards or the joyless fogeyism of Q.

Anyway, whilst I acknowledge that it is somewhat hypocritical to crticise an award and then profess yourself pleased for the winners, I feel I really have to congratulate Elbow. If you listen to Guy Garvey on 6Music or go to any of the Elbow shows they really do seem to come across as a really nice bunch of lads, so it’s extremely good news in that respect. From a musical point of view it’s nice too. They were supposed to be the Next Big Thing when they released Asleep in the Back, but that hasn’t quite happened. They slipped a little, in my view, with Cast of Thousands, but between those two, Leaders of the Free World and the album for which they won the award, Seldom Seen Kid, they have put together a pretty consistently impressive collection of records.

A great band, and a bloody good result. Pimm’s all round.

Elbow – The Fix (Nice ironic choice, this one)
Elbow – Mexican Standoff

Secondly, Tennents Mutual have announced an amazing series of gigs throughout Scotland, all coming up over the next few months. They’ve done it by some slightly weird voting system which has had a couple of really notable results. Firstly, the venues are spread far and wide which is – although I am not all that delighted, living in Edinburgh – a great thing for Scotland and Scottish music as a whole. If you live in Dumfries, for example, when do you ever get to see a decent gig? The other thing that is brilliant is the pairing of established acts like King Creosote and Malcolm Middleton with up and comers Withered Hand and Rob St. John.

Here’s a sample lineup: Fort William, BA Club: King Creosote, The Pictish Trail, Chris ‘Beans’ Geddes (Belle & Sebastian).
Or how about this one: Ayr, Town Hall: Glasvegas, Laura Marling, Malcolm Middleton. Ayr fucking Town Hall? Blimey!
And congratulations to some friends of Toad for landing these slots:
Inverness, Ironworks: Teenage Fanclub, King Creosote, Rob St John.
Stirling, Tolbooth: Malcolm Middleton, Withered Hand.
Fat Sams, Dundee: Malcolm Middleton, Los Campesinos, Eagleowl.
Glasgow, CCA: James Murphy, Findo Gask, Kid Canaveral, Chris ‘Beans’ Geddes (Belle & Sebastian), David Barbarossa.

I have to confess I lost interest a little in Tennents Mutual due to the fact that from the outside very little seemed to be happening, and I saw too many uninspiring bands at the very top of the list – Muse, eck! Mob rule doesn’t always produce the best results. The fact that a lot of the very top bands weren’t up for it has resulted in a much better festival though, as far as I am concerned, and I love the lineups and the fact that they are in slightly less-travelled places.

Tennents interest me actually. They have sponsored some amazing things in Scotland – the Versacoustic gigs, the previously excellent T on the Fringe and the much-missed Triptych – but this year’s Edge Festival lineup was woefully thin, despite a few last minute gambits that did up the quality right at the death. I don’t know how much Tennents themselves have to do with the nature of the things they end up being involved with but all of the aforementioned stuff is bloody excellent. Triptych and Versacoustic were particularly interesting because it required genuine musical enthusiasm and knowledge to put together those kind of shows, and it’s rarer than purple fucking snow that corporate sponsorship embraces something so esoteric, eschewing the NME dross in favour of really making the effort to bring new and interesting things to people. Those shows actually took real risks in the name of helping people to broaden their horizons, and it’s a real shame they’re gone. Here’s hoping The Edge Festival can get its act together in future and that the excellent work of Triptych isn’t gone forever.

Malcolm Middleton – Superhero Songwriter
King Creosote – A Month of Firsts
Withered Hand – I Am Nothing

Ah Kid Canveral, one of the very few successful purveyors of spiky indie pop in a city so devoted to its agit-folk that you’d think there was something in the water. Their last single Smash Hits is a slice of bouncy indie pop so perfect it could more or less define the genre.

I fact, that’s kind of what Kid Canaveral do. They are pretty much a perfect incarnation of indie pop – you don’t need to use any more words to describe them. They are supported at what is the launch party for their new single by a local band pretty much everyone I know has seen and they all seem to rate them very highly. This, however, is the first time that I have caught Come On Gang live.

It’s definitely a tentative thumbs up for the punk-poppy three-piece, I’d say. Sarah, the lead singer, suffered a little from having to play the drums at the same time, perhaps not quite having the puff to set about both tasks with the gusto to which her instincts compel her. It’s some set of lungs she has on her though, reminding me a little of Sonya Madan of the late Echobelly in some ways. As a friend of mine said, you can definitely hear the record in there, and their single release party is approaching, so that’ll definitely be one I stretch my pocket money to buy.

The main event didn’t disappoint either. They don’t do anything clever, Kid Canaveral, and there’s not much I need to say bar let you know that what they do, they do very well indeed. There’s nothing particularly ground-breaking about the music, but in every single song they manage to find that hook – the sticky bit that worms its way into your head and makes you hum a song for weeks afterwards. The self-same reason that, even from amongst a music collection thousands of songs deep like my own, every time a Kid Canaveral song come on, you always know it and you always know who sings it. No matter how rarely you’d heard the thing.

It’s brilliant fun watching them play, too – the fun in the music evident in the cheek of the lyrics. It’s so Scottish: they just can’t ever, ever be entirely, one hundred percent serious: an infectious, happy joy in a city full of dour miserablists. The single can be bought from Fence Records here, and so can the previous one, here. Don’t expect to be surprised, but I’d be downright amazed if you were at all disappointed.

Kid Canaveral – Smash Hits

MySpace | Buy from Fence Records

There’s not much of a unifying theme to this podcast, but there are a healthy number of breaking tracks in the playlist, so I guess calling it the Newcast will suffice for want of anything more inspired.

There’s new tracks from the impending singles by Kid Canaveral and The Left Outsides, a good few new bands you’ve never heard of, a couple of JC’s selections for the Toad Records Launch Night and some of the tracks from the sampler that I gave away at the party itself.

There’s also the first Recorded and Produced by Toad song in the world: Fearing Lothian by Uhersky Brod.  The band are friends of mine and we used the Toad Sessions recording equipment to put togethera demo for them.  It’s the first time I’ve ever recorded anything, so I presume there must be all sorts of issues with it but, well, you’ve got to start somewhere.  It’s a cracking song, whatever I’ve ended up doing to it.

So I hope you enjoy this rather disjointed collection of songs, because for all the lack of any real coherence it’s a good collection of songs nonetheless.

Toadcast #31 – The Newcast

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01. Cinerama – Health & Efficiency (03.57)
02. David Cronenburg’s Wife – My Ukrainian Girlfriend (12.39)
03. The Ukrainians – Batya (Bigmouth Strikes Again) (16.14)
04. The Lucksmiths – T-Shirt Weather (21.34)
05. Porlolo – There is No I in Athens (26.22)
06. Uhersky Brod – Fearing Lothian (33.17)
07. Sparrow & the Workshop – Grizzly Bear (38.46)
08. The Futureheads – The Beginning of the Twist (43.24)
09. Kid Canaveral – Teenage Fanclub Song (47.11)
10. The Left Outsides – The Third Light (53.15)
11. King Creosote – Ear Against the Wireless (61.34)
12. Eagleowl – Blanket (64.50)
13. Rob St. John – Domino (72.22)
14. Les Enfant Bastard – Plastic Bag (79.27)
15. Dinosaur Pile-Up – My Rock ‘n’ Roll Demo (85.43)
16. Computer vs. Banjo – Give Up on Ghosts (95.06)