Song, by Toad Readers’ Top Five Albums of the Year
 Well, after last year’s neck-and-neck battle between Meursault and The National, this year’s Song, by Toad Readers’ Top Five Albums was something of a stroll by comparison.
Although the field behind this album was congested, King Creosote & Jon Hopkins’ Diamond Mine was a comfortable winner in the end. Whilst I doubt this quite makes up for missing out on the Mercury Prize to P.J. Harvey, it’s interesting to note that after a very strong initial showing, she didn’t even make the top five of this particular list. And you can bet your arse she won’t be on mine.
A wee nod must also go to King Post Kitsch. Home field advantage, whilst I assume it must have some effect, doesn’t seem to behave all that predictably when it comes to these votes, because other than Rob St. John, no-one else from the label has managed to force their way onto the podium. King Post Kitsch did really well on both the song and album of the year votes, however, missing out on a place in the top five by a single vote in each case, which is really impressive for an album released so early in the year by a band who haven’t played a single gig in 2011.
=4. FOUND – Factorycraft A little like King Post Kitsch, I thought this album might suffer a little from being released so early in the year, but it seems long memories and awesome live shows have kept this bloody brilliant record at the forefront of everyone’s minds. It made a very late run to get into the top five, but I am delighted you lot decided to vote for this one.
FOUND – Machine Age Dancing
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=4. Josh T. Pearson – The Last of the Country Gentlemen This is a long, morose and emotionally rather heavy album, which makes the impression it has clearly had on people a little surprising, as far as I’m concerned. I mean, I bloody love it, but I didn’t necessarily expect everyone else to.
Josh T. Pearson – Country Dumb (Piano Version)
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=2. Rob St. John – Weald Well well well, once again, I’m not sure if I’m slightly embarrassed or highly gratified to have one of our own albums on here. This whole thing was pretty much recorded in two days downstairs in our living room, and I knew that they were brewing something quite special. Apart from the actual bits I heard, Tom, Neil and Rob were so giddy with excitement when they finished on the Friday night that you could tell something was definitely up – and up it most certainly proved to be!
Rob St. John – Sargasso Sea
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=2. Bill Wells & Aidan Moffat – Everything’s Getting Older It’s probably going to come across as a little hypocritical from someone who loved the Josh T. Pearson album, but I actually find a lot of the introspection here a bit suffocating, meaning I never really got into this record to the extent a lot of other people seemed to. Still, it’s been bloody popular, so fair play to ‘em.
Bill Wells & Aidan Moffat – The Copper Top
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1. King Creosote & Jon Hopkins – Diamond Mine I am not entirely surprised that this won, but I have to say that I considerably prefer That Might Be it, Darling, if we’re discussing King Creosote’s recent output. That album has the tension and awkwardness which I think makes KC’s music so great, contrasting as it does with his incredibly lovely voice. This record I just find a little smooth, if I’m honest. KC for Guardian readers, I suppose. The songs are exceptional, so I still enjoy the album, but I am not sure I’d have picked it myself.
King Creosote & Jon Hopkins – Bubble
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Ha ha no P.J. Harvey.




