Song, by Toad

This is all about my beepy-bloopy tendencies and how I got into the stuff in the first place.

I better point out, right at the beginning, that I don’t see there being any difference between indie and electronica exactly.  Or at least, the dividing line is so blurred and there is so much crossover that the distinction is completely pointless, really.

I think the only reason I really make a distinction myself is because I became a music obsessive by listening to the likes of Dylan and Tom Waits and so on, and then moved onto the like of The Pogues and the Waterboys – not a beep in sight, basically.

Consequently, when I heard bands like Saint Etienne for the first time, although I loved lots of it, I didn’t explore much further because I just wasn’t used to electronic noises.  In actual fact, by the end of the podcast I think I come to the conclusion that it was actually an electronic beat which I really wasn’t used to, mostly, but in any case, I found it quite hard to get into anything vaguely electro for ages.  Given that I could barely make a distinction between the two these days, that seems kind of odd, too.

Toadcast #104 – The Bleepcast

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01. The Pet Shop Boys – Rent (03.46)
02. Stereolab – The Light That Will Cease to Fail (12.09)
03. Dubstar – St. Swithin’s Day (15.25)
04. U2 – Lemon (23.05)
05. Jason Lytle – On a Piece of Wood I Go (30.49)
06. The Avalanches – Frontier Psychiatrist (35.57)
07. LCD Soundsystem – North American Scum (40.42)
08. Money Can’t Buy Music – We Are All Asphyxiate (48.59)
09. Magic Arm – Daft Punk is Playing at My House (52.41)
10. Parts & Labour – Fractured Skies (57.49)
11. Jon Hopkins – Circle My Demise (King Creosote) (65.13)

IT disasters in Toad Hall meant that this podcast was delayed so long that I ended up posting pretty much all of it on the blog before I got to record the thing and all the news was so outdated that I had to find some more news. Fortunately we have some pre-release splendidness from Elbow, Goldfrapp and Stephen Malkmus to make up for it.

There’s also some excellent unsigned music to be had as well, from Maxwell Panther and Meursault, as well as some splendid new singles from Elle S’Appelle and Operahouse. So it’s late, but some of this stuff is really quite excellent. And then there’s LCD Soundsystem who have taken me so long to get into that I am only starting to even enjoy the album now, some eight months or so after its release. What a fuckwit.

There’s a fairly detailed explanation of what is going to be happened with Song, by Toad Records in the new year as well, and how I am going to move these podcasts onwards and upwards. Unfortunately it takes the longest bloody link in recorded history to actual explain it all, but explain it I do. There’s always the track timings listed at the side of the songs if you want to skip it altogether though! Have fun, chaps.

Toadcast #20 – The Late, Late News

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1. Stephen Malkmus & the Jicks – Gardenia (01.27)
2. Elle S’Appelle – Little Flame (06.49)
3. Operahouse – Born a Boy (09.40)
4. LCD Soundsystem – All My Friends (14.54)
5. The Hollies – The Air That I Breathe (24.50)
6. Goldfrapp – Little Bird (28.51)
7. Maxwell Panther – Too Many Magazines (35.47)
8. Meursault – The Furnace (39.37)
9. The 4Qs – Pieces of a Puzzle (48.03)
10. Kid Harpoon – Riverside (50.42)
11. Dubious Ranger – Slow Day (56.18)
12. Roger McGuinn & Calexico – One More Cup of Coffee (68.29)
13. The Heavy Circles – Henri (72.45)
14. The Brute Chorus (feat. Tiggs) – The Cuckoo & the Stolen Heart (80.15)
15. Elbow – Grounds For Divorce (88.13)
16. The Cave Singers – Seeds of Night (94.51)