Song, by Toad

Posts tagged leonard cohen

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Toad and Ruth on Fresh Air – 24th February 2011

Ruth and I are back on Fresh Air in a couple of hours, so it is naturally time for much rejoicing on the airwaves of the interwebs. In fact, I am sure the internet could barely be more excited about the prospect than it clearly is already.  Can’t you see it trembling with anticipation?

While we’re indulging in hyperbole, incidentally, last week the unbelievable happened: Ruth was genuinely impressed with one of my music choices.  I think it was Do It Every Time by Ringo Deathstarr, but the shock when she raised her eyebrows and said ‘this is really good’ rather than just rolling her eyes and letting out a weary sigh almost knocked me clean out of my chair.

On air from 8pm UK time – click here to listen live.

As per usual, if you have any trouble with the audio stuttering (a problem which seems to be solved now) just pause and un-pause the player, or find us in the ‘College Radio’ section on iTunes.

The playlist will appear below, as we play it, so feel free to stop by and heckle.

1. TuneYards – Bizness
2. Joni Mitchell – Little Green
3. The Honey Pies – Get it Right
4. Dr. Dog – Breeze
5. The Leg – Twitching Stick
6. Zed Penguin – This Town
7. Dusty Springfield – I Thing it’s Gonna Rain
8. Leonard Cohen – Hey, That’s No way to Say Goodbye
9. Seefeel – Dead Guitars
10. David Byrne & Dirty Projectors – Knotty Pine
11. Wolf Eyes – Track 1
12. Active Child – Body Heat (So Far Away)
13. Virgin of the Birds – Love Among the Cannibals

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Toad and Ruth Back on Fresh Air Tonight

So, after several weeks of half of us being there, or me being in bloody Aberdeen doing launch nights and so on, Ruth and I are finally reunited on the internetwaves of Edinburgh’s student radio station at long last.  Just in time, I believe, for the last show of the term.

I assume there will be plenty of catching up to do, and I have plenty of new music for Ruth to scoff at, so it should all be good, festive fun.  I may even bring in a couple of Christmas son… no, fuck that, that would be awful.  Just one, maybe.

Click here to listen – live from 8pm UK time.

If you have any trouble with the player on the Fresh Air site, just pause and un-pause it and that should do the trick.  Alternatively, you can stream it through iTunes, where it is listed in the college radio category.  We’ll be updating the tracklisting live as we go along, so feel free to jump into the comments and make smart-arsed remarks – like you ever need any encouragement anyway.

1. Au Revoir Simone – Fallen Snow (FOUND’s Broken Lock Refit)
2. Anthony & The Johnstons with Bjork – Fletta
3. Phosphorescent – A Picture of Our Torn Up Praise
4. The Maladies of Bella Fontaine – Longsocks
5. Dr.Dog – Shadow
6. John Lennon – Watching the Wheels
7. Jason Lytle – Liquid Hyper Tweeker Energy Drink
8. Leonard Cohen – Suzanne
9. Viking Moses – Folly of Man
10. Coco Rosie – Grey Oceans
11. Jason Lytle – Indie Rock Freestyle
12. Julie Doiron – Too Much

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Music For Cold Weather

I genuinely love the cold.  Maybe my father’s Dutch-Canadian heritage has something to do with it, maybe my Austrian upbringing, maybe because my parents didn’t beat me as hard as they should have as a child, but if there’s a part of me which is perpetually disappointed by living in Britain it’s not the lack of a decent Summer, it’s the lack of a decent Winter.

I want Winter to be well below zero, for there to be snow on the ground for months at a time, for it to sting the tips of my fucking ears when I leave the house, for football to be abandoned for five months, for mulled wine to be served everywhere and roast potatoes and chestnuts to be available.  Given that Scotland is responsible for something as awesome as a hot toddy (see Wikipedia here, although ignore the bit about ‘usually’ including alcohol, they all have alcohol, this is Scotland) you know that it used to be proper cold here at some point.

Nevertheless, despite the generally accepted inadequacy of the British Winter (places in the very North of Scotland excused, I hear it’s fucking freezing there) and despite the fact that last year got kinda chilly, prompting Benni Hemm Hemm to quip in Glasgow that he loved the weather because we seemed to think that a couple of degrees below zero was actually cold, I am always left a little disappointed by the tepid drizzle which passes for Winter in these parts.

Just as hot weather induces a certain mindset in the people who live in it, so cold weather brings on a certain mentality.  Look at Finland, Russia, Norway, Sweden, Britain, Denmark, Germany and Canada and that seems to be alcoholism and a tendency towards either extreme liberalism or extreme violence, but for me it is something slightly different – probably the emotions from which the Christians parasitically appropriated Christmas.

As soon as things get really fucking freezing outside, the home becomes a massively important place.  Sanctuaries of warmth and light take on a very different quality, which people from warm climates cannot possibly understand.  Wherever you’re coming from, by the time you get in the house, your fingers and thumbs aren’t really working properly, you’re wrapped in ludicrously excessive layers of clothing, and it’s painfully obvious that without all this shite – the clothes, the central heating, the blankets, the warmth – you will die, really really quickly.

So being indoors on a dark evening in Winter, when you’re cosy and it’s fucking Baltic outside (one of Scotland’s best ever expressions – fuckin’ Baltic by the way!) becomes an intense treat. And of course people like me, and I assume you, listen to music. And for all it’s fun to dally with Summer fun and so on, there is no greater treat than spending a dark, cold evening inside the house with music.

And it’s a different kind of music too; I think something of the sanctuary of being indoors in the freezing cold permeates into what you choose to play.  As it gets colder and darker outside, I seem to progressively lose interest in new stuff and regress to my favourite music.  This, in turn, reinforces the idea of Winter time as being when you go back to your family, back to what really makes you who you are, and simply wait things out for the more carefree and laissez-faire days of Summer.

In fact, it’s a genuine mark that music will be with you forever, when you want to play it at eight at night on the eighteenth of December.  This year’s graduates, I think, are probably Timber Timbre.  Micah P. Hinson is there, and I think The National’s new album is probably there or thereabouts too.  But in general I prefer to listen to music I’ve been listening to for years, probably much the same as we all like to watch Indiana Jones for the four hundredth time on Boxing Day every year.

So I know Scotland doesn’t really have real Winters – well, most certainly not in Edinburgh, that’s for fucking certain – but there’s a reason I really welcome the first really bitey nip on my ears when I go outside, the first frost, the first frozen puddle to crunch underfoot.  It means it’s time to close up shop and spend time cosy in your home, snuggle up with someone on the couch, read books, play records you know you love, cook rich, thick food, and just enjoy being inside for a change.  Coming inside from the freezing cold outdoors – no feeling like it!

Timber Timbre – No Bold Villain

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Micah P. Hinson & the Gospel of Progress – Beneath the Rose

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Leonard Cohen – Master Song

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Smog – Drinking at the Dam

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Song, by Toad on Fresh Air – 15th February 2010

Well I am Ruthless and bandless to begin this term’s broadcasts, so you’ll have to wait until next week for the first Toadly Fresh Air Session I’m afraid.

Having said that, however, I have a shiteload of excellent and very shiny new material to play tonight, so people wanting the pop hits are likely to be rather disappointed as there are few old favourites and lots of new demos which I am very much hoping will end up on albums before the end of the year.

Ruth will be back with me as of next week, but she’s currently nursing Michael H. Foxx, who is in hospital with the nasties.  So best wishes to both of them, but we’ll be back in the normal swing of things from next Monday onwards.

Live on Air 8pm-9.30pm – Listen live here.

Incidentally, if you know anyone who you would recommend for a live session, just get in touch in the comments or by email (see the contact page above).

This evening’s tracklisting (updated live):

1. Django Django – Storm
2. Liars – No Barrier Fun
3. Gobble Gobble – Lawn Knives
4. Robin Grey – I Love Leonard Cohen
5. Leonard Cohen – Avalanche
6. REM – First We Take Manhattan (Leonard Cohen Cover)
7. The Burns Unit – Since We’ve Fallen Out
8. The Van Allen Belt – The Way You Look
9. Trips and Falls – That is a Big Door!
10. Sarah Lowes – Night Time
11. Findo Gask – Full Five (Demo)
12. Yusuf Azak – Eastern Sun (Demo)
13. Meursault – All Creatures Will Make Merry

Meursault – Fresh Air Session

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Meursault – Love or Limb (Live on Fresh Air)

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Meursault – Untitled Triptych (Live on Fresh Air)

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Meursault – What You Don’t Have (Live on Fresh Air)

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Meursault – Heaven Waits (Live on FreshAir)

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Toad on Fresh Air Radio – 11th November 2009

radio Hello again, Ruth and I are back on air tonight on Fresh Air, Edinburgh’s student radio station.  As per usual we’ll be having some live session stuff, this time from The Japanese War Effort.  Jamie is a bit of a band-whore actually, and plays in the Occasional Flickers and Conquering Animal Sound as well as ploughing his own solo furrow.  It’s this stuff, however, which is my favourite.  I haven’t much idea what it will sound like, stripped back to the extent that it will need to be in order to be played in the Fresh Air studio, but I am certain that it will be good.

The tracklisting will be filled out below live as we go along, and it would be nice if you would use the comment thread to chip and have your say during the show.  Believe me, it’s a hell of a lot easier than me trying to man Facebook, Twitter and bloody emails all at the same time as working the desk in the studio and the camera to record the session.  Still, Ruth’s back this week and so I should be a little calmer this time than last!

On air 7pm-8.30pm GMT – Listen live here.

Tonight’s playlist:
1. Tom Waits – The Part You Throw Away (Live in Edinburgh, July 2008)
2. The Cave Singers – Belmar
3. The Japanese War Effort- Winning Eleven (Live in Session)
4. Dan Mangan – Robots
5. The Silver Columns – Brow Beaten
6. The Japanese War Effort – Lanark (Live in Session)
7. Yusuf Azak – The Key Underground
8. Rob St John – December & Whisky (Live at the Retreat Festival)
9. Doveman – Angel’s Share
10. Hudson Mohawke – Fuse
11.. Helen Love – Debbie Loves Joey
12. Tune Yards – Hap-B
13. The Japanese War Effort – Face Like A Lemon – Ivor Cutler Cover (Live in Session)
14. Bruce Springsteen – Born in the U.S.A (Nebraska Sessions Version)
15. Japanese War Effort – Punk’s Not Dead (Live in Session)
16. Leonard Cohen – Lover Lover Lover

Here is the podcast of last week’s session with the excellent Candythief, along with the session tracks and video of the performances, after the break. Read the rest of this entry »

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Matty Groves, Covers and Copyright

copier I admitted in a comment yesterday that I don’t really understand my general dislike of cover versions.  I don’t object to them at all, just the opposite in fact: generally I am really interested to hear them, and I like the fact that songs exist in that sort of malleable state, unfixed by any one ‘correct’ interpretation.  The problem is not in principle, just practise; I simply tend not to like them very much, and I don’t know why.

To make matters even less logical, I love people playing folk songs, and of course the whole folk tradition is one of repeating and reinterpreting songs and phrases, tunes and riffs which have gone before.  It’s one of the fundamental assumptions of the whole medium in fact: that each generation add their own layer to the existing ones, and in turn make their contribution to the richness of the art form.

In fact, if anything makes a mockery of the current abuse of copyright law by media corporations it is folk music.  The idea that you need to incentivise people to create is just laughable.  In fact the converse is true, as the art from every repressive regime in the world shows, no matter how much you discourage people from being creative you just can’t bloody stop them.  I’m not arguing against people making money from their art, but the copyright law at the moment is increasingly becoming a straitjacket to creativity, the need for which is proven a lie by folk, which is essentially a big long chain of mashups, samples, rehashing and reworking. Read the rest of this entry »

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Robin Grey – I Love Leonard Cohen

Robin Grey

Robin is, I suspect, not the only one. I really liked his recent album Only the Missile, and this appears to a rather lovely little inbetweeny EP. There’s a gorgeous atmosphere to Robin’s stuff that I can’t quite put my finger on. He has a deep, reassuring voice and a calming, unhurried delivery which seems to bring a familiar ease to his sound.

Add a splash of female backing vocals and was simply really nice becomes bloody gorgeous. This is EP is patchy, but the title track is a lovely reminiscence on the transience of music taste, and the pleasant self-indulgence of nostalgia. The cover of the superb Kirsty MacColl song There’s a Guy Works Down the Chip Shop Swears He’s Elvis is as good as the original, in an odd way. And then there’s Shakes & Shudders. Christ this is lovely. If I’ve heard a more intimate, weary song in ages I couldn’t name it: just fucking gorgeous.

I like the fact that he’s made this available under a Creative Commons license as well. It’s sort of brave, and far from clear-cut – I mean, where does this place blogs with ads? Presumably they can’t post it. I doubt Robin himself would have an issue with it of course, but it does highlight one of the inherent contradictions to which we in the blogosphere often turn a blind eye. So go here to download it, and to explore Jamendo, the Creative Commons-based music download site, which is a highly interesting idea in itself.

Robin Grey – Shakes & Shudders
And just because we all sincerely do love Leonard Cohen:
Leonard Cohen – Last Year’s Man

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Suzanne & Hope

Leonard Cohen

Remember the giddy days when this blog used to be about music, rather than futile attempts to influence political machinations incomprehensibly bigger than ourselves? It was only a week ago, but it feels like fucking ages.

I don’t have a lot of new music to post at the moment, so I thought I’d mention this interesting little snippet. Last night on my Fresh Air show I played a couple of (relatively) obscure songs, along with the popular songs which they had inspired. Which, In fact, they Inspired so very much that writing credits were given to the writers of the first song, so heavily was it borrowed from.

The first one was pretty obvious: Creep by Radiohead borrows so heavily from The Air That I Breathe by The Hollies that they were credited on the album cover to Pablo Honey, and apparently everyone but me knew this until quite recently.

The second one, however, was a little more obscure. I bought R.E.M.’s Up back when it was released, in about 1998. I loved it then, and I still do; in fact I think it might be just about their most under-rated album. They had lost drummer Bill Berry and instead of trying to paper over the cracks, they seem to have decided to turn a potential failing into a virtue. The album is shot through with synths and drum machines, successfullly embracing the fact that it is largely drumless instead of just fudging through and hoping no-one would notice Bill was gone.

About halfway through this record is a song called Hope, which I think is brilliant, but when the sharp-eared (not in a Star Trek sense) young lady I was seeing at the time made some throwaway comment about it being pretty much a Leonard Cohen cover, I was completely baffled. I just couldn’t hear any Leonard Cohen in there, so we went back through his album and eventually tracked down Suzanne. It’s such a classic I am more than a little surprised I couldn’t hear the similarities to begin with, but you know what, I still can’t. If I hear them one after another then it’s pretty obvious, but if I try and just listen to hope in isolation I genuinely can’t make the leap in my head, even though I know it’s there.

R.E.M. actually credited Cohen for his influence on the song in their inlay card. I love both, frankly, and the French version of Suzanne by Francoise Hardy is also gorgeous. Enjoy.

Leonard Cohen – Suzanne
R.E.M. – Hope
Francoise Hardy – Suzanne

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Soundtracks #6 – Natural Born Killers in Three Sentences

Natural Born Killers

[You know when you haven't explained yourself properly then there's a mixup and then you end up thinking, 'ah, fuck it'. That is this post. When I invited the Readers of Toad to contribute posts for this series on soundtracks I meant entire posts - you know a couple of hundred words, a little story or a bit of a rant. When John sent me his email on why he loved the soundtrack for Natural Born Killers I thought 'Oh for fuck's sake, I've ballsed this up. I really haven't been very clear have I.'

Then I looked at the post he'd sent through and, although it crossed my mind that I should email him back and explain that I kind of had a little more writing in mind, that really wasn't necessary. I mean, what he says is coherent, makes sense and is a single, complete thought neatly expressed and in need of no further elaboration.

The other reason I wanted to post it is because John is entirely new to me. He's never left a comment and this is the first time I knew he read my blog. I get this sometimes with people who say hello on Last.fm or Facebook. This blog gets over a thousand hits a day and maybe thirty people leave comments on a regular basis. Now I am not complaining about this at all, but it means I write this stuff, throw it out there and have little idea who is out there either enjoying it, hating it or just downloading the mp3s and fucking off, never to be seen again.

So it seemed sort of fitting that the first time John took the time to say hello I should just take him at face value, post what he wrote, include the rather excellent song choices and let you all meet him too. So, without any further ado, Natural Born Killers...]

My first soundtrack love was the Natural Born Killers disc produced by Trent Reznor. Like the movie, some people say it’s too jumbled and too ecclectic, but I say it works. Even the softer tracks like Patsy Cline’s ‘Back In Baby’s Arms’ take on a sinister edge.

Leonard Cohen – Waiting for the Miracle
Patsy Cline – Back in Baby’s Arms
Patti Smith – Rock & Roll Nigger

Posts in this series:
- Crash Calloway from Pretending Life is Like a Song writes about The Commitments.
- Nate, who plays viola in The Young Republic explains why some terrible films have excellent scores.

- My dearest darling Mrs. Toad sings the praises of the High School Movie.
- DC, presenter of The Waiting Room, goes on a truly interminable ramble about the great Tom Waits and One From the Heart.
- Brother of Toad talks about how the context of music can interfere with its use in a movie.
- John sums up Natural Born Killers in three sentences.
- I have a go myself by writing about the art of referencing films in your song lyrics and what it lets you do.
- Tim from The Daily Growl digs away at the sensual texture of In the Mood For Love.
- Matt from Draped in Velvet might never forgive the false start of the world of rap-rock.
- Ian from Broken Records delivers the rant that started this all off: why soundtracks just don’t work!

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Publicity Comedy

Cheese

You have to love this one.  I get contacted from time to time by publicity companies wanting to send me bits and pieces.  I often think it’s a bit of a waste actually, because it’s so hit and miss and seems a waste of a precious freebie.  Ah well, their decision I guess, it’s not like it’s in any way difficult to find out what kind of music I like.  I mean, there are times I think that blogs are really just a mass of free market research.

Anyhow, I was contacted yesterday by an nice lass called Natasha from Joanna Burns PR asking the standard questions about an address to send things through to.  Interest piqued,  I clicked on the link to the homepage and nearly spat coffee halfway across the office – just look at their clients!  Celine Dion, Lemar, Delta Goodrem, Santana..?  What in god’s name are they thinking?  Look at that Sergey chap, really honestly do, it’s just hilarious.  Did they know what prompting me to write about Celine Dion, or indeed any of these poor bastards was liable to result in?

I was nice about it, I really was, politely suggesting that perhaps their efforts might be better spent pursuing other avenues.  It’s just possible that there might not be the natural synergy between our respective goals that they might think.  Anyhow, Natasha was genuinely nice about it and said that, although it wasn’t an obvious fit, they had some new projects in the new year approaching that might be of interest and not to worry, I wouldn’t be flooded with an avalanche of cheese.

So I now wait with bated breath.  I’ll honestly give something a fair listen if they send it, and fair play if they want to branch into the indie sphere, but looking at that front page really really did make me laugh, and I felt I just had to share the joy.

Some hits from Joanna Burns PR – see, I really am making an effort:

Jeff Finlin – Sugar Blue Too
Leonard Cohen – Sisters of Mercy
Leonard Cohen – Last Year’s Man
Cyndi Lauper – Time After Time
Jackson Five – Lookin’ Through the Windows

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