Linfinity: Really Rather Good

Mrs. Toad likes these guys, so they must be good. I am joking, but only partially; for my midget companion to lift her head and break a lifelong habit of treating my musical adventures with total and utter disdain happens very rarely, and when it does she tends to be onto something so I take notice. She’s sort of a populism radar, I suppose.
Linfinity have finished recording a full length album, apparently, but shuffling through their various web stuffs there’s little sign of when or where we can expect it. If the four songs which are available for our perusal at the moment are anything to go by then we are in for something of an eclectic surprise. Holy Rain is reminiscent of a couple of things I’ve heard recently: Glasgow’s excellent The Seventeenth Century, and a more Eastern European relation of Kill It Kid.
Splendid, it is tempting to think, another lovely indie folk ensemble inspired by music from a little farther afield than their own country. They may be good at it, but that would hardly be a new approach, would it. Further listening, however, muddies the waters somewhat. Molly Mar of Rome is a far smoother affair, more of a piano ballad, occasionally railroaded by the other instincts within the band, but building to a big, bombastic Radio2 crescendo. Choo Choo Train to Venice brings a start which could easily come from The Clash covering an Elvis Presely tune, and then settles into a riff which reminds me somewhat oddly of Morrissey’s brilliant song You’re Gonna Need Someone on Your Side.
So what kind of a band are these guys and what can we expect from the album? Fuck knows, frankly, but large chunks of this sound incredibly interesting and I am really looking forward to hearing it.
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Linfinity – Choo Choo Train to Venice
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