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Song, by Toad – Festive Fifty 2011 1-10

01.Easter – Somethin’ American This might be the first time such an unknown song by such an unknown band has ever been given top spot on any of my end of year lists, but they were absolutely brilliant live when they played up here in September, and this song is just fantastic, as are the other two songs on their Soundcloud page.  It’s less lo-fi than a lot of the DIY stuff I’ve listened to this year, and the squalling solos which tease Easter’s songs to an end evoke loads of old school US indie music.  This gives quite tight pop songs a loose, expressive, emotive finale and when they get going live these bits really are amazing.

02.Crystal Swells – Patent Trolls This is another absolute peach of a song which went straight from a PR email to the very front of my brain for the entire year.  I had this on tape in the van for months, and I go back to it again and again.  This one is probably more menacing, compared to the reckless pace of the rest of the album, but that opening riff and the crescendo to which the song builds are just absolutely fucking blinding.

03.Ringo Deathstarr – Do It Every Time Alright, this is the highest-placed pure pop song on this list.  A simple guitar rhythm and a simple tune, delivered with plenty of pace and energy.  This is one to leap around to, pure and simple, and just about the best one of its kind this year.

04.The Low Anthem – Boeing 737 I played this on the podcast last week and struggled to introduce it then, as I probably will now. Firstly, I have hardly heard anyone sing anything about the twin towers attacks without sounding just a little bit forced and uncomfortable when doing so, but this manages it with some aplomb.  And then to have that kind of subject matter twinned with such and incredibly rousing song is an odd and absolutely brilliant juxtaposition.

05.Earth Girl Helen Brown – Hit After Hit This was one of those ‘what the fuck am I even listening to?’ moments, the first time I heard it. It’s old fashioned music, what I can only really describe in my cultural ignorance as soda-stream pop, and it’s not that unusual exactly, there’s just something weird about it.  It’s a bit unsettling, a bit out of focus somehow, and at the same time absolutely brilliant.

06.Josh T Pearson – Thou Art Loosed The solo album may not hark back to Lift to Experience all that much, but this song, the first on the album, seems to have just enough of that shimmering texture to link the two eras of Josh T. Pearson’s music together.  And that repeated “I’m off to save the world” seems to rather sadly presage the tales of personal failure which make this album so uncomfortably compelling.

08.Weird Era – Garage Honeymoon A muffled, growly mess, but it’s got such momentum and drive that I can’t stop listening to it.  It’s rough, muffled, growly shoegazey guitar stuff with a great riff.

07.Jonnie Common – Photosynth Alright, it’s possible I might have included this when it was a Down the Tiny Steps song, so including it again seems like a bit of a cheat.  Doesn’t matter though, this is pop brilliance.  And the video was shot in our back garden too!

09.Timber Timbre – Woman Is that seriously a sax on there?  Why yes, yes indeed it is, and it’s brilliant.  This is one of the biggest songs on the album and one of the most surprising too, given the relatively extravagant instrumentation.

10.Milk Maid – Back Of Your Knees I am absolutely delighted with the band’s Toad Session recordings, not least because I was so apprehensive about the actual recording process.  This might be my album highlight, as much for its more raucous live incarnation as this excellent version.

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1-10 | 11-30 | 31-50

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Song, by Toad – Festive Fifty 2011 31-50

Here’s the first installment of the Song, by Toad Festive Fifty for 2011 – a collection of the fifty songs I have been enjoying the most this year.  The fifty themselves and the precise order can hardly be described as definitive of course, because you know how fluid things like ‘favourite’ songs can be, but roughly speaking this is the stuff I have been enjoying the most in 2011.

Just as a note, in order to make it a broader representation of the bands I’ve liked the most, I have made it harder and harder for bands to have a song featured on the list the more they already had on it.  So a band’s second song got a relatively free pass, but their third would be nudged down a wee bit, to try and encourage variation and stuff like that.

31.Anna-Anna – Mirrors of America I’m aware there are very few women represented on this list, and a lot of those who are seem to share the ghostly, incredibly still delivery, albeit in a more folky setting, with Anna-Anna.

32.Sonny and the Sunsets – Home And Exile I could have half of this album on here, but this one always stood out, as a gem of retro, slightly woozy pop.

33.Quiet Americans – Summer House Straightforward lo-fi garage stuff this, but a hugely, hugely hummable tune.

34.TV Girl – Benny and the Jetts Simple and enjoyable summery pop, but another one so hugely infectious you simply can’t stop humming it.

35.Yoofs – Sidewalk I love the guitar effect, the riff, the energy, everything.  Keep an eye out for this lot on the brilliant Art is Hard Records in the new year.

36.Zed Penguin – This Town A bit of a departure for an Edinburgh band, this. I think my favourite part might be the gorgeously tremulous guitar sound Matthew gets from his hand-built amp.

37.David Thomas Broughton – River Lay On an album as good as Outbreeding it takes an awful lot to stand out, but this does.  For someone who can be a little obtuse, this is such a warm, welcoming record and this track epitomises it as well as most.

38.Evil Hand – Returned In Time These guys don’t exactly push themselves forward, and their releases can be a little erratic, but when they nail it their songs are as good as anyone in Scotland at the moment.

39.Powerdove – Sickly City Ghostly, slightly disorientating, and hypnotic.  This is possibly the finest song on an album which makes a gorgeous job of using minimal instrumentation and glacial pace to turn those three characteristics into a truly beautiful album.

40.Emit Bloch – Dorothy (New Version) Given how much I loved the gorgeous acoustic version of this song which I heard last year, it’s almost inconceivable that I should then also love a big glossy pop version too.  But I do.  Good songwriting, it seems, trumps even my lazy habits.

41.The Honey Pies – Hair of the Dog Boisterous and enormous fun, this album is a gleeful romp through rock ‘n’ roll cliches, but done with such verve that you can’t help but enjoy it.  This is a bit of a Clash throwback, the most raucous song on the album and probably my favourite.

42.The Low Anthem – Ghost Woman Blues After the genius of Boeing 737, The Low Anthem show they can have just as much impact at the opposite end of the spectrum with this gorgeous ballad.

43.Loch Awe – I Will Drift into 10,000 Streams For a band who do things I like and things I don’t, this demo came out of nowhere a few months ago, and I love it.  The slow drum beat, the really sparingly used electric guitar, the way the two voices work together… fine work!

44.The Blue Runes – Stream For me to get into a classic/psych rock EP made by a band from Puerto Rico wouldn’t have been a particularly great bet at the start of the year, but The Blue Runes released a brilliant EP, and this track is probably the biggest track on it.

45.Adam Stafford – Shot-down You Summer Wannabes A cracking song by a guy whose music I only got into embarrassingly late in the day, considering how long ago his debut solo album was released.  Nevertheless, a couple of storming live performances did the trick, and I am now entirely converted.

46.Horsecollar – Christopher A jaunty little piano line stands out immediately, but the rest of this song is bloody great too – a presumably unheard monologue delivered to a friend, and a stand out on a fine album.

47.Timber Timbre – Creep On Creepin’ On A gorgeous song on a gorgeous album.  This record is a little more approachable and a little less creepy than the last, and lush, lovely songs like this one are the reason.

48.Lady Lazarus – Nazarite Oath Ghostly, unsettling and lovely at the same time, this has a lot in common with the excellent Powerdove.

49.Silverbacks – Atta Boyz Simple this one: a cracking pop tune, good riff, and extremely hummable.

50.Pet – What You Building Another song which came as a bit of a surprise, given Edinburgh doesn’t generally do this kind of music all that well, but this is lovely.

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1-10 | 11-30 | 31-50

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Toadcast #206 – The Scroogecast

 Here we are at the penultimate podcast of the year, and the one immediately preceding Christmas.  I really don’t like 99% of Christmas music so there’s pretty close to none of it at all on here, although I have made a couple of exceptions as a lazy sort of nod to the season.  Let’s face it, if the druids can be arsed dancing about like idiots around Stonehenge and people can fall out over half-defrosted turkeys then I can probably make the effort to shove a couple of token musical nods onto a single podcast, can’t I.

I actually take a lot of this podcast from my recently-published albums of the year list, and from my as-yet-unpublished Festive Fifty, so it’s a bit of a yearly roundup as well.

And in fact, seeing as Christmas is a Sunday, I won’t actually be posting until Boxing Day now, so this will be the last post before Christmas so umm, in the off-chance I don’t bump into you on Facebook, Twitter or down the pub, I better wish you Happy Christmas now, hadn’t I.

Direct download: Toadcast #206 – The Scroogecast

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01. Tom Lehrer – A Christmas Carol (00.23)
02. The Black Tambourines – Bad Days (05.09)
03. The Low Anthem – Boeing 737 (10.42)
04. Timber Timbre – Woman (13.31)
05. Sons of Joy – Pig (20.25)
06. The Japanese War Effort – Our Land Could be Your Life (24.51)
07. Jonnie Common – Hand-Hand (31.37)
08. Earth Girl Helen Brown – Girls of My Dreams (35.39)
09. Weird Era – Garage Honeymoon (41.37)
10. The War on Drugs – Your Love is Calling My Name (47.46)
11. Sons of Joy – In the Bleak Midwinter (58.07)
12. Sons of Joy – Coventry Carol (60.00)

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The Low Anthem – Smart Flesh

I so nearly loved this without reservation I actually find it quite frustrating. The Low Anthem’s previous album had some truly outstanding highlights, but there was a lot of uninspiringly conventional alt-country on there which ultimately left me feeling less than entirely engaged.

This album starts with a burst of such gorgeous music that I was ready to eat the largest slice of humble pie I could find and tar and feather myself in the middle of whatever the internet’s equivalent of a town square might be.

By the end of the whole album, though, I found my attention rather frustratingly drifting.  This can happen if you listen to music whilst doing other things, which most of us do, but I went back and tried again and again, and no matter how attentive I was, by the time the spectral instrumental Wire was finished, my love for the album seemed to slip through my fingers like so many grains of sand.

The annoying thing is that songs like Hey, All You Hippies! are really lyrically engaging, it’s just that musically Smart Flesh just can’t seem to spark back into life after the lovely quiet of Wire. And so ultimately my feeling towards this album is one of unfulfilled promise, a little like a teenage prodigy who for reasons unclear never quite cuts it in the big leagues.

It would be completely wrong, however, for me to let this detract from the brilliance of the first half of the record.  Ghost Woman Blues is a spellbinding and bravely sad way to start an album, Boeing 737 is an absolutely blinding, anthemic song, and Matter of Time is haunting and beautiful.  Inbetween them, the other tunes which comprise the first half are no less lovely.

There are times when I think The Low Anthem are closer to being the band Fleet Foxes wanted to be than the Foxes themselves, but there’s a lot more to them than that, in my opinion. They have more ideas, more emotional range and I think they are far superior lyrically.  Nevertheless, as much as I admire the band and as much as there are times when I think they are utterly brilliant, there are still too many occasions when I find myself drifting into indifference to entirely embrace them.  But it was so close!

The Low Anthem – Boeing 737

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The Low Anthem – Matter of Time

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Live in Edinburgh This Week – 30th August 2010

Christ, my liver is suffering quite badly from Festival Burn as it is, and I have barely attended this year’s festival at all.  I am hoping for a few nights spent drinking tea when we go to China, because God knows I can’t handle much more bloody drinking.  Still, this week looks like a relatively kindly one in terms of personal chemical punishment, so the people of Edinburgh have the best part of a week to prepare themselves for the fireworks which mark the end of the Festival.

Christ I need a glass of orange juice.

Monday 30th September 2010: The Low Anthem & Avi Buffalo at the Queen’s Hall.

This appears to be the last of the big shiny Edge Festival gigs for the year, and it’s a good one to go out on.  The Low Anthem, for those who are yet to hear them, can be rousing blues rock or delicate and beautiful alt-country, depending on which side of the bed they get out of that particular morning.

The Low Anthem – Charlie Darwin

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Monday 30th September 2010: Burnt Island, Adrian Crowley, Ryan van Winkle at the Spiegeltent.

This event is actually part of the Edinburgh Book Festival, and explores the links between, in their words, “ideas written, spoken and sung out loud”. Even as an unapologetic philistine this sounds really very interesting indeed to me, and the bands booked to play are all very good indeed, so I would very much recommend popping along if you’re in town.

Burnt Island – Me and All of My Friends are Alright

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Live in Edinburgh This Week – 14th June 2010

Well, I am now eight working days away from shiftless unemployment becoming a wildly successful entrepreneur, and as mental a move as this might be I am very, very excited to get going.  I am an obssessive type, as you probably know by now, and I need projects to get just a little bit too focussed on, so this should be perfect.

Anyhow, the inital lineup for the Edge Festival has been announced.  So far so moderately interesting, with bands like Eels, The Low Anthem, Broken Records and Beirut on the bill.  These things tend to get better as they get closer, so I reckon that’s a pretty bloody solid start – now we just need to talk Eels into a Toad Session!

Eels – Not Ready Yet

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In other news, The Pop Cop (see image, but with added sexy) is back online.  After Google decided that simply being accused of something was at least as good as actually doing it and deleted the Pop Cop’s entire original site there was an extensive campaign on Jason’s behalf, but Google did precisely nothing.  I know the appalling DMCA obliges them to remove material accused of copyright violation (not actually in violation of copyright, you understand, merely accused of being so) but it does not dictate their customer service policy, and I have to say their ‘fuck off customers’ approach is an interesting one.  Not entirely novel of course, the music industry have been at it for years, but interesting nevertheless.

Oh, and in terms of festivals, the Leith Festival is now underway, with eagleowl and Blueflint at the Village tonight.  That’s a really nice venue actually, and I really do recommend getting along if you can.  The rest of the musical events can be found here, so have a dig through them – Leith is by some distance my favourite place for a pint in and around Edinburgh, and the Leith Festival will hopefully be less overrun by Southern students and their zany antics than the Edinburgh Festival.  Zany fucking antics.  Yeuch.

Oh, and at the Roxy on Wednesday 16th we have Pekko Kappi and Alasdair Roberts in another Braw Trails gig -  a collaboration between Tracer Trails and Braw Gigs, as well as Lissie, Alan Pownall and The Boy Who Trapped the Sun at the Electric Circus.

Alan Pownall – The Others

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And then on Thursday we have El Mató A Un Policía Motorizado, Debutant and Plastic Animals at the Voodoo Rooms, which also looks rather interesting. And that, Toaderinos, is that.

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5 4 3 2 1…. GO!

trophy Well I hope you’ve all had your thinking caps on for the last few days, because today is the first of two list days here on Song, by Toad.  This week the Friday Five is going to be your chance to list your five favourite songs of the year.  On the off-chance that enough people do actually vote for the same songs I will then add them up at the end and award some sort of Toadly Prize of Music Achievement to the winners.

And if you all vote for completely different things then I just won’t bother.

The five I’ve listed below are actually five songs which are not in my Festive Fifty, and looking at them I find myself with the inescapable feeling that this might be because in some important way my Festive Fifty is wrong, somehow, because they are all brilliant songs.

Anyhow, as times to de-lurk go, this should be ideal.  No wit or humour required, just chip in with the five songs released this year which have moved you the most.  And encourage your friends to vote as well – the more people chip in the more meaningful the results become.

Next week we’ll be doing the same with albums, so get head-scratching for that one as well, and then I’ll stop being so demanding and go back to my usual job of trying my very best to keep you entertained of an afternoon with minimal participation required.  I hope you actually find these things some fun, and don’t think it’s a bit like that terrible moment when a comedian looks around the auditorium and asks for a volunteer.

And so, without further ado, your five favourite songs of 2009 are…

The Builders & the Butchers – Barcelona

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Samantha Crain – Long Division

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Bombadil – Sad Birthday

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Jason Lytle – Flying Thru Canyons

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The Low Anthem – Charlie Darwin

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The Low Anthem – Oh My God, Charlie Darwin

The Low Anthem

This album came to my attention via a couple of routes: firstly, their release of the Charlie Darwin single on End of the Road Records earlier in the year; and secondly, the near-rabid frothing of one of my regular readers.  He’s a reader I take the piss out of quite a bit, but he’s definitely right about this record.

The End of the Road site describes them as being a combination of balladry and rock, which is accurate enough, but I find myself almost entirely preferring the more downbeat numbers.  That’s no surprise, given my general taste, but oddly enough even though I am less keen on the more up-tempo songs I am still glad that they are there because they break the album up really nicely.

There’s something of a bar band Tom Waits air to their rockier numbers, although I may simply be projecting that from their cover of a song the man himself does so well: Home I’ll Never Be.  It’s a good version, to be sure, but the real attraction of this album for me remains the warm sadness of their quiet songs. They aren’t quite as archetypal as the rock numbers, leaving a little more room for Jocie Adams’ arrangements to come to the fore and lift the album into a more unique place than it might otherwise find itself.

The title track, To the Ghosts Who Write History Books, Ticket Taker, To Ohio – there are some cracking songs on this record.  To think that this is a self-release as well.  Honestly, for fuck’s sake record labels.  What are you thinking?

The Low Anthem – Charlie Darwin

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The Low Anthem – Home I’ll Never Be

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Toadcast #60 – The Blandcast

Toadcast

This week I welcome you to the absolutely 100% guaranteed non-controversial podcast.  Nothing to see here. Move along.  Although, it might be slightly controversial, just possibly, around two thirds of the way through if you are excessively religious or perhaps if you have some objection to pointing and laughing as Jade Goody dies of cancer or Pete Doherty and Amy Winehouse slowly expire in the full and relentless gaze of the public eye.

Has anyone seen the film Deathwatch?  It’s set in Glasgow in the 1980s and almost entirely obscure, despite an amazing cast: Romy Schneider, Harvey Keitel and Max von Sydow.  What it amounts to is that a woman discovers that she is going to die, and then a TV company ask to buy the rights to film her last weeks.  It’s a bit over the top at times, but a pretty visionary movie nevertheless.  It’s always disconcerting where something like that makes a prediction which proves to be so uncannily true.  I think the scariest thing about 1984 is how utterly determined the species seems to be to make sure that it comes true.

If you can find a copy, I’d recommend that you watch it.  It’s pretty hard to track down though – we had to get ours from Amazon France for some bizarre reason, so good luck to you.

Toadcast #60 – The Blandcast

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1. Belle & Sebastian – Women’s Realm (04.41)
2. Clem Snide – Don’t Let the Sun Go Down on Your Grievience (09.00)
3. Pree – Light Falls (17.05)
4. Frivolous Laura – A Lullaby (20.22)
5. Clap Your Hands Say Yeah – Statues (27.27)
6. The Low Anthem – Oh My God Charlie Darwin (37.18)
7. Kill It Kid – Burst its Banks (41.31)
8. Pete Doherty – The Last of the English Roses (49.03)
9. R.E.M. – Perfect Circle (59.41)

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