Don’t ask me why I used a picture of Wayne and Garth on this post I just… well the roadies in their movies were the most memorable, and this post is about touring and stuff, and I couldn’t find a picture of a Wayne’s World roadie quickly so I thought fuck it.

Anyhow, two bits of news:

Meursault are touring the UK and Europe as Clap Your Hands Say Yeah’s main support. 

Rob St. John is playing SHHH Festival.

The latter won’t clog up the page with tour dates, so I’ll do that first. The SHHH Festival is a celebration of quiet music and film, with bands playing, a film about David Thomas Broughton and musicians soundtracking silent movies.  It’s on Saturday 4th February at the Gallery Cafe in London and is less than a tenner too, so get your tickets here.

Now, as to the former little announcement, Meursault have been very kindly invited to support Clap Your Hands Say Yeah on their tour of the UK, Ireland and mainland Europe at the end of the month.  I’m not sure what else there is to say about this apart from the fact that it’s fucking incredible news, and to thank Clap Your Hands for inviting them. All the ticket info and the like can be found on Clap Your Hands Say Yeah’s website, but I’ve included a list of the dates below for ease of browsing. The only gig Meursault will be missing will be the Paris date on the 15th of February (which I haven’t listed below anyway).

25/1/12 – Dublin, Tripod
26/1/12 – Cork, Pavilion
27/1/12 – Galway, Roisin Dubh
28/1/12 – Glasgow, SWG3
30/1/12 – Leeds, The Cockpit
31/1/12 – Norwich, Waterfront
2/2/12 – Manchester, Ritz
3/2/12 – Liverpool, O2 Academy
4/2/12 – Bristol, Thekla
6/2/12 – Birmingham, HMV Library
7/2/12 – Brighton, Coalition
8/2/12 – London, Shepherd’s Bush Empire
10/2/12 – Utrecht, Tivoli
11/2/12 – Brussels, Orangerie
12/2/12 – Copenhagen, Frost Fest, Bremen Theatre
14/2/12 – Berlin, Postbahnhof
16/2/12 – Munich, Theaterfabrik
17/2/12 – Zurich, Plaza Club
18/2/12 – Bologna, Covo Club

For this podcast I am joined by Ian, who is now a member of the Song, by Toad Records team, to go through a bit of a run-down of what’s going to be happening on the label this year.

We’ve got a couple of our more recent releases, like Rob St. John and Lil Daggers, as well as some of our confirmed and ready new albums for next year, by the likes of The Leg, Jesus H. Foxx and Yusuf Azak.

I’ve also got a couple of tracks from bands we’ll be releasing on a split 12″ in the Spring.  We’ll be recording that stuff in our house next week, so the songs we chose to represent those bands are for obvious reasons not the final ones we’ll be releasing, just tracks by the bands so you can get a bit of a flavour of what we’re up to.

With Ian on board and based on the good press we managed last year I am hoping we can really kick on with the label this year and make a decent impression.  Obviously the third Meursault album will  help, what with them being our most established band, but we have a good spread of stuff, from bands like Dolfinz with only a few demos to their name, to the likes of Yusuf Azak and The Leg who people know already and then the Foxx album, which has been ‘much anticipated’ for a while now.

So all in all it should be an exciting year, I reckon.  Enjoy!

Direct download: Toadcast #208 – Song, by Toad Records 2012

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01. Mongrels – I’m Gonna Murder Justin Bieber (00.21)
02. King Post Kitsch – The Make the Same Faces Whether Fuck or Fight (02.46)
03. Meursault – Flittin’ (locationmusic.tv Piano Version) (08.49)
04. Rob St. John – The Acid Test (17.59)
05. Lil Daggers – Dead Golden Girls (22.05)
06. Paws – Bloodline (Toad Session) (31.52)
07. Jesus H. Foxx – This is Not a Rental Car (40.31)
08. The Leg – Twitching Stick (43.00)
09. Sex Hands – Jinglebitch (51.56)
10. Dolfinz – Blowhole (55.36)
11. Yusuf Azak – Lay Me Down (63.12)

As per last year we shall once again be streaming the Song, by Toad New Year’s House Gig live for those of you who are either at home sick or in a different time zone and hence grateful of the entertainment.

Again, as the player slows the whole page down I’ll put it below the break, so just click through and you’ll be able to see Kev from River of Slime play a short set around 10pm, Neil from Meursault play solo acoustic from about 10:45pm and then another half hour set (or so) from Kev at about half past midnight. Do say hello in the chat thingy too, so I know you’re there. I may have to type very quietly, but I will respond! Live stream player below the jump… Read the rest of this entry »

 Morning.  Fucking brilliantly awesome get tae fuck good fucking morning to you all.  Grrrmpf.  You know those days which start out fucking shite from the very get go and before you answer a single email or deal with a single individual you’re already within a whisker of just telling everyone to piss off because you just can’t be fucking arsed with them?  Yep, one of those I’m afraid.  Hopefully El and Brian will cheer me up on Fresh Air this afternoon.

This is the last show on Fresh Air this entire term, I think, so we’ll be playing a combination of Christmas tat and end-of-year favourites, I believe.  And after that I shall be scuttling off for a much-deserved pint.

On air from 3:30pm UK time – listen live here

In the meantime, after the hugely successful song of the year vote, we are at that time of year, where I ask you to tell us all which albums you have loved the most this year.  I’ll add them up as we go along and on Monday I will announce the winner.

This is of course the perfect opportunity to de-lurk and say hello.  It’s always nice to hear from people I had no idea were reading, and of course our readership is orders of magnitude larger than our commentership* so I am forever wondering who these shadowy thousands are who read the site regularly but hang about in the shadows saying nothing.  Make today the day!

So, simply, just list your five favourite albums, in no particular order, preferably in the format band – album so I can tally them easier, and we’ll see who everyone’s been enjoying the most in 2011.  And the tracklisting for the radio show will appear live below as we go along, once the show starts at half three.

1. Ian Humberstone – The House on the Hill
2. Seth Faergolzia – Weird Old Toad
3. The Leg – Witch on the Speakers
4. Jesus H. Foxx – So Much Water
5. Louis Barabbas & the Bedlam Six – Away in a Manger
6. Meursault – Christmas in Kirkcaldy
7. Warpaint – Billie Holiday
8. Tom Lehrer – A Christmas Carol
9. Yusuf Azak – Swim
10. Plastic Animals – Post-Rapture Blues
11. Trapped Mice – Just Like Christmas (Low cover)
12. Waiters – Tomorrowland
13. Battles – Ice Cream
14. Easter – Damp Patch
15. Hookworms – Teen Dreams
16. Dead Rabbits – All You Need
17. Sons of Joy – Go Tell it on the Mountain

*My sincere apologies to the English language.

The guys from La Blogotheque have been incredibly supportive of both Song, by Toad and, in particular, Meursault over the last few years, but due to their living in Paris and I in Scotland I’ve never actually met them in person.

Nevertheless, on their last European tour Meursault managed to finally take advantage of their long-standing invitation to record a session, although it was something of a stretch to actually manage it.  Having played their last show in Berlin the night before, and with a ferry booking later in the afternoon, Sam drove for eleven hours to get the band to Paris, dozed in the van while they recorded the session, and then carried on to the ferry and then Oxford without stopping.

Just in case you thought we didn’t work the little fuckers hard enough…

La Blogotheque have just published the session, and it looks fantastic. They’ve been doing this for a long time now so the sessions are bloody great, and their archive is truly amazing.  I’d like to thank them for their patience in waiting for this to finally happen, and also for the amazing support they’ve given us over the last few years.  Enjoy!

 Okay, angry mob of the Toad readership, do your very worst.  Today, as promised, is the day we vote on our five favourite songs of the year so there will be no foolish questions as per usual, but what there will be is the chance for you to write down your favourite songs, in no particular order, and I will count them up and find out which songs the readers of Toad have enjoyed the most this year.

There aren’t any real rules, although the song should have been released in 2011.  And also, just to help me count, I’d appreciate it if you could write in in the form Artist – Song Title please.  Other than that, umm… well, do your worst, I suppose.

And, as per usual, El, Brian and myself will be live on Fresh Air Radio from about half three in the afternoon.  We have special guests this week, but they were invited by El and I have no idea who they are, what they do or why they are there.  I guess I will find out when I get there.

Live on Fresh Air Radio from 3:30pm UK time – listen here.

Now, to get you in the mood for voting for your top five songs, here’s a quick recap of last year’s winners, as well as a link to the thread itself where the voting took place.

1. The National – Bloodbuzz Ohio

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2. eagleowl – No Conjunction

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=3. Meursault – What You Don’t Have

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=3. Broken Records – You Know You’re Not Dead

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=3. Foals – Spanish Sahara

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And the playlist for this week’s show shall appear live below, as we play the songs:

1. Whirling Pig Dervish – Bawjaws
2. The Cure – The Love Cats
3. King Creosote & Jon Hopkins – John Taylor’s Month Away
4. Ringo Deathstarr – Do It Every Time
5. Twin Shadow – Slow
6. Hooray for Earth – True Loves
7. DZ Deathrays – Teeth
8. Joanna Gruesome – Lemonade Grrl
9. Class Actress – Weekend
10. Shirley Ellis – The Clapping Song
11. Blondie – Hanging on the Telephone
12. Rob St. John – Sargasso Sea
13. Foals – Spanish Sahara
14. The National – Bloodbuzz Ohio
15. Diana Ross – Ain’t No Mountain High Enough

Well the BBC have their list, the BAMS sort of have theirs and now we have ours: hot tips for bands to make it big in 2012, in this case as chosen by a selection of music bloggers designed to give a decent cross-section of opinions and some sort of reasonable alternative to the pap peddled on the Beeb.

Now, to be entirely fair, although it is easy to make fun of the BBC’s Sound of 2012 list (here it is, so you can compare, contrast and make snide remarks on Twitter), it’s not something I really tend to do because… well who cares, really.  That list is for the commercial, pop side of the industry and for fans who give a fuck about that kind of thing.  I don’t particularly think I or anyone reading this website is likely to fall into those categories, so why on Earth would any of us care that it’s full of bands we’ve either never heard or think are shite.  Of course that’s what we think, it’s not a list written for people like us.

The scary part about that list, and something which does bother me about it, is the effect making it or, more importantly, not making it can have on the levels of attention and effort given to artists by their record labels.  This is hardly the fault of the listmakers of course, and it is very much the nature of the nettle you grasp when you choose to play around at that end of the music industry, but it is nevertheless pretty fucking sickening.   Mind you these labels are very clearly not artistic enterprises, so a commercial entity acting in a commercially ruthless way shouldn’t stir even the tiniest eddy of surprise in anyone.

So I feel I should point out that this list is not intended in any way to be a dig at the BBC list, nor a vehicle for criticising it, Andy from Von Pip simply thought it would be an interesting thing to try, just to see what we came up with, and if our list perhaps brought some interesting, slightly different bands to the fore.  And with the shortlist to be announced in a little while, without any further ado, here is the long list: Read the rest of this entry »

 Firstly, a big, big thank you to everyone who came out to see Withered Hand, Samantha Crain and Mike MacFarlane (who now goes by the name of Flash Jr.) last night.  It was bloody amazing.  I want to start a campaign to get more big bands to Henry’s to play a wee sweatbox gig with the crowd standing mere inches away from them.

Anyway, due to Thanksgiving dinner and parental visitation reasons, I didn’t get the chance to record the podcast this weekend, so I shall do it this afternoon, once I have posted this.

And God help our livers, there is a fuck of a lot going on this week in Edinburgh.  Mind you, it’s the same next week too, so I guess we’re going to have to just batten down the hatches and wait for January!  And I haven’t even done my end of year lists yet either.

Monday 28th November: Dems & Luxury Car at Sneaky Pete’s.

A Fresh Air-hosted return to Edinburgh for a Fresh Air alumnus, in the form of Dems’ Dan Moss.

Tuesday 29th November: Blank Canvas, the Dill Dolls, Kith & Kin and Anthony Stickings at Sneaky Pete’s.

I have to confess to knowing nothing about any of the bands on this bill bar Blank Canvas, who finished on the shortlist for this year’s Radar Prize. They play a very promising interpretation of the eighties indie sound, more as channeled via Bloc Party, and are well worth checking out.
By the Fire by Blank Canvas

Thursday 1st December: Loch Awe, Adam Stafford & Reverieme at Sneaky Pete’s.

You should all know how impressed I am with Adam Stafford’s solo stuff by now, but Loch Awe are sounding very promising at the moment too.  A new song of theirs sort of mooched its way onto the internet recently, and it’s absolutely fucking lovely.  And done with the kind of restraint and subtlety I tend (perhaps a little unfairly) not to associate with relatively young bands.

Loch Awe – I Will Drift into 10,000 Streams

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Thursday 1st December: Born to Be Wide Recording Studio Seminar at the Electric Circus.

After another excellent series of seminars, this is I believe the last one of the year for the Born to Be Wide team.  This time around they’ll be concentrating on making the best use of studio time, from preparation before you go in there, to how to best make use of your time once you’re up and running.

Friday 2nd December: Gerry Loves Records Christmas Party at the Banshee Labyrinth.

As far as I am aware, tickets for this are verrrrry nearly sold out, so go here now if you still haven’t got one.  The lineup is a great big multi-headed fun beast, with Lady North, Paws, Trapped in Kansas, Field Mouse, The Japanese War Effort & that old stand-by ‘special guests’ on the bill.  The gig also serves as a launch night for a Japanese War Effort/Field Mouse split tape, which I can tell you has me all sorts of excited.  The Japanese War Effort actually forced me to buy my first tape player in years by putting Snowbird on cassette.  I had a whole stereo system, and then this one big shiny silver machine just to play that one album.  And it was worth it!

The Japanese War Effort – Sophie Says

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Friday 2nd December: Meursault, Sparrow & the Workshop & Collar Up at Cabaret Voltaire.

This will be a fine, loud end of year blowout, as well as the chance to see new band Collar Up play, which will be rather intriguing.  Meursault are, I believe, going into hibernation in the new year, as we get ready for the release of their third album which will be out in (roughly) May 2012.

Sparrow & the Workshop – Snakes in the Grass

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Saturday 3rd December: Beard of Truth Christmas Party with The Spook School & Calypso Brown at the Wee Red Bar.

Pop fun to end the week, with excellent Edinburgh newcomers The Spook School joined on the bill by Calypso Brown, who is another artist I saw for the first time at this year’s Antihoot.  Pet have had to pull out, so the Beardmeister will be working frantically this week to find someone to step in and fill their shoes.

The Spook School – Hallam

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 Yep, it’s time to lie back on the shrink’s couch and ‘tell me about your childhood’.  Well.  Sort of.  Actually, my mum just happens to be in town, so I reckon that on Fresh Air Radio this week I might just play all sorts of mum songs, just for shits and giggles.

This came about because of the following comment by my brother on the thread about music formats this week:

“I need to at some point clarify Mum’s music taste for your readers because the poor woman just constantly gets dismissed as a ‘pop fan’.  

The poor woman has a massive collection of jazz, blues; a truly encyclopaedic Opera and symphonic collection and yet, one Lighthouse Family album and the poor woman’s whole musical taste just goes whooosh out the window while Dad is sanctified while you merrily ignore his David Grey albums.  Albums with an emphasis on the plural!”

Now, as you might well know by now, I am a philistine, so mum’s classical music and whatnot means absolutely bollocks-all to me.  However, I think it needs to be pointed out that I most certainly do not ‘dismiss’ my mum as a pop fan.  I fucking love the pop stuff she used to play around the house when we were growing up, and if anything it was my mum’s stuff which first properly got me into music in the first place.

On air from 3:30pm UK time – listen live here.

So for all I do indeed call her a pop fan, which she most certainly is, I do not at all mean that to be a dismissal.  As you will find out on Fresh Air today, when I will be playing all sorts of shite from my mum’s record collection.  And of course, seeing as I left home in 1993, it will be enormously 80s-tastic!

And now, while we’re at it, for the Friday Fives. Honestly, I doubt I can do much better with these questions than I’ll do with the music I’m going to play this afternoon, but Mrs. Toad and I were talking about doing a Saxcast this weekend, so I thought I might ask for some help.

1. Which instrument would you like to see get the saxophone Total Taboo treatment?
2. Best super cheesy 80s sax tune.
3. Acceptable use of sax.
4. Awesome Great Big Eighties Pop Song!
5. Most eighties of all eighties movies.

Song, by Toad’s Friday Fives radio tracklisting for today:
1. David Bowie – China Girl
2. Meat Loaf – Dead Ringer for Love
3. Bow Wow Wow – Aphrodisiac
4. Sparrow & the Workshop – Devil Song (Live)
5. Erasure – Sometimes
6. Bruce Springsteen – Dancing in the Dark
7. Withered Hand – Cornflake (Fresh Air Session)
8. Mike MacFarlane – Waltz (Fresh Air Session)
9. Simple Minds – Don’t You Forget About Me
10. Kate Bush – Running Up That Hill
11. The Magnets – Ever Fallen in Love (Buzzcocks cover)
12. ABC – Poison Arrow
13. Meursault – Lament for a Teenage Millionaire (Fresh Air Session)

 So, the 200th podcast.  I remember a couple of years ago when the 100th ticked past, it happened to be a Toad Session, and as those are pre-recorded with little idea when they’ll fit into the sequence of Toadcasts I never really marked the milestone in any sort of a way.

This time around I was very much conscious of it, but still couldn’t really think of a way to make it interesting and, on Thursday night, with no real plan, I just sat down to have a go at editing a compilation consisting of at least one swear word from each podcast.  It took fucking hours, and in fact had to be finished over a combination of Saturday and Sunday evening, which is the reason the podcast is so late this week.

For some reason though, it seems kind of fitting, because in amongst the swearing there are some bits and pieces which remind me of events now quite a surprisingly long way in the past.  We have the first Toad Session, the first time Mrs. Toad joined me on a podcast, various long-forgotten birthdays, the passing of the legendary Floyd and all sorts of other things.  The kind of things, in short, which make this whole load of bollocks a lot more personal than just a music blog and a record label.

Direct download: Toadcast #200 – The Cusscast

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01. Song, by Toad Swearing Omnibus #1 (00.20)
02. The Shaky Hands – Whales Sing (11.27)
03. Stiff Little Fingers – Alternative Ulster (18.11)
04. Song, by Toad Swearing Omnibus #2 (20.54)
05. The 63 Crayons – Spoils for Survivors (25.09)
06. Broken Records – Out On the Water (Toad Session) (35.18)
07. Meursault – The Dirt & the Roots (42.47)
08. Song, by Toad Swearing Omnibus #3 (46.20)
09. Dusty Springfield – What Good is I Love You? (51.53)
10. Thelonius Monster & Tom Waits – Adios Lounge (60.12)
11. Mike MacFarlane – Done For (70.01)
12. Song, by Toad Swearing Omnibus #4 (72.43)