Song, by Toad

Posts tagged micah p hinson

avatar

Song, by Toad at SXSW, Please Come to My Party or I’ll Look Like a Right Cunt

Well, it’s a vulgar headline, but you know I will.  No-one wants to be that stupid prick at the world’s busiest music festival with not a fucking soul at his fucking picnic. So honestly, please come!

In all honesty, I think you’ll struggle to find a finer lineup for an afternoon’s entertainment.  Blitzen Trapper are headlining. Mute’s Big Deal are playing too, who I discovered courtesy of the brilliant PAWS covering one of their songs for our June split 12″.  Jonathan Meiburg from Shearwater will be playing a stripped back set with an electric guitar and a backing vocalist, we have the phenomenal Micah P. Hinson, the Twilight Sad and Brown Brogues.

This is all taking place at the Hype Hotel, which I think used to be the Pure Groove House, but I’m not sure. To get in and find out all the details and all that pish, just go here and fill in some forms and so on and they’ll be sure to let you in.

Actually, from my experience of SXSW you’ll get in whatever happens, but it might cost you $15 or so if you don’t register in advance or get a badge thingy. Anyway, see you there if you happen to around.  Otherwise, well, I’ll be sure to swear at you on the internet about something soon enough.  Happy March, hipsters!

avatar

Toadcast #204 – The Phewcast

 PHEW!  Thank fuck that’s (more or less) over.  This year has been a bit full-on, I have to confess, but the bulk of the hard work now seems more or less over.  Our last release (Lil Daggers) came out last week, and our label Christmas Party is now done and dusted which leaves me a relatively comfortable run into the Christmas period from now on, which is some for which I am quite grateful.

Nevertheless, The Leg album, the Jesus H. Foxx album and the second album by Yusuf Azak are all on the menu for early next year, so those need to be nudged into motion, so it’s not exactly like my feet are going up and my hands reaching for the remote control and a bag of popcorn.

Well maybe, but mostly between Christmas and New Year, I can’t really bring myself to work then!

Next week I’ll be going through the Song, by Toad readers’ top five songs and albums of the year vote, so if you want to chip in then just fill in your top albums of the year on this week’s Friday Five.

Direct download: Toadcast #204 – The Phewcast


Subscribe to the Toadcasts on iTunes


Subscribe to the Toadcasts on Mixcloud

01. Coolrunnings – Rusk (00.04)
02. The National – I Need My Girl (09.35)
03. Islet – This Fortune (15.44)
04. Saintseneca – Acid Rain (20.45)
05. Doe Paoro – Can’t Leave You (25.46)
06. Mark Lanegan Band – The Gravedigger’s Song (32.47)
07. Micah P. Hinson – My God, My God (40.30)
08. Liars – Scissor (43.17)
09. Jackson C. Frank (51.43)
10. Monster Rally – Creeping Ghost (58.22)
11. Monster Rally – Sahara (59.57)
12. Monster Rally – Crystal Ball (62.09)

avatar

Records. Red Wine. Nice.

 Man, last night was nice. Really, really nice.  Even though we had to do a big shop at the supermarket so we can feed my bloody mother when she visits this weekend, and even though we spent ages emptying our overflowing recycling bins.  Even though Mrs. Toad spent a long time on the phone counselling one of her best friends.

It was nice, because after all this, we opened a bottle of wine and sat in the living room, played records and just chattered about fuck all for about three hours.

Mrs. Toad is away a lot with work, and I am out a lot of evenings, either at gigs, meeting people about music stuff, or sometimes just on the lash so we actually don’t get as much time together as we should, especially considering we have no kids.  We don’t really watch the telly but we do have a bad habit of lying in bed, both wasting time on our respective laptops, which is a bit stupid really, but so easy to lapse into.

As a consequence, it is such a treat to just put a record on and sit on the couch together and talk.  Even if it’s basically about fuck all, which in all honesty it generally is.  We actually became friends by doing stuff like this, you know.  Back when we were fifteen years old and she was way too wild for me and I too square for her, we still managed to become good friends, and whenever one of us was having a personal drama we’d lie on the couch and listen to Bob Dylan records and talk shite for hours.

Even when we first got together as a couple we’d do the same.  I’d take the train up from London to come and visit her here in Edinburgh, I’d bring a couple of new mix CDs because her previous fella kept all the music in the breakup, and we’d get slowly pickled, sitting on the couch and listening to music.

And funnily enough, you know, the records we listened to last night sort of fit nicely into this ramble, because one of them happened to be Micah P. Hinson & the Gospel of Progress which I just so happened to play all the time when we first got together and Mrs. Toad would come down to London to visit me, when I was living on a boat down there – in fact, if I recall, at the time she said ‘Jesus, you don’t half listen to some depressing shite.’  I don’t know if she made the connection last night, but I did.

We also played some Kurt Vile: God Is Saying This to You, which I bought in End of an Ear Records in Austin, when we were at SXSW this year. That was the shopping trip where we both went wandering around the shop separately, and both came back to the counter with a Pavement record.

I don’t know if vinyl is better than CDs for this sort of thing, but it feels like it to me.  It certainly feels better than a playlist on iTunes.  There’s something about the ritual of vinyl, a bit like the ritual of a bottle of wine, which is much less of a guzzling drink than, say, beer.  It seems to fit with the deliberate, unhurried nature of spending an evening together doing nothing.  It’s sort of like the slow food movement I suppose, purposely slowing down and taking the time to enjoy something.  Playing records, drinking wine, talking pish.

I like Mrs. Toad, you know.  I really do.

Micah P. Hinson & the Gospel of Progress – Stand in My Way

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Kurt Vile – Red Apples

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

avatar

Friday Forgot Something Important

The thing I hate the most about Satnavs is that although they do find wherever it is you’re going, but you tend to have absolutely no idea how you got there.  So you are no less lost, in a sense, you just happen to be in the right place.

Well, I am getting a bit like that with my calendar.  I write so much in my calendar that I tend to assume I put everything in it, which I don’t.  The only problem with this is that I make no effort to memorise appointments or events anymore, assuming them to be in my calendar.

Previously, I used to just remember stuff.  That wasn’t entirely failsafe, but I was generally pretty good at keeping things in my head.  Now, once I write things down (or even when I don’t, but assume I have) they just vanish from my head altogether, leaving me entirely at the mercy of the computer.

And frankly, it’s unsettling.  When I do forget something now I feel a bit like you do in those dreams where you’re entirely naked in a public place, or when you’re suddenly on stage, expected to give a grand performance on a musical instrument you never learned to play.  Other people get those dreams, right?  It’s not just me.

Umm, so it’s time for our traditional Friday de-lurking amnesty, time for you shirkers to step out of the shadows, and talk utter pish on the internet.  Friday, after all, is not really for doing work, is it.

1. Are you early, late or completely punctual for appointments?
2. What is your most embarrassing memory failure?
3. What piece of technology would be like a helpless child without (‘your phone’ will be accepted, but please bear in mind it’s a pretty poor answer – not that this is supposed to be all that challenging of course, but a better answer will win you so much more respect, and let’s face it, that’s what it’s all about, eh)?
4. Which dream is the most disconcerting – the falling one, the public nudity one, the crumbling teeth one, or the on stage with no idea what to do one?  Or even a different one, if you like.
5. What was the last question again?

The Mountain Goats – You, or Your Memory

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

 

Bob Dylan – I Forgot More Than You Will Ever Know

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The Last Battle – Photographic Memory

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Micah P. Hinson – I Still Remember

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The Men They Couldn’t Hang – A Night to Remember

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

avatar

Toadcast #162 – Rob St. John Toad Session

Video: VimeoYouTube.
Photos: Flickr.
Free mp3 downloads: zip file (right click – save as).

We actually recorded this Toad Session in the Queen Charlotte Rooms in Leith before the Song, by Toad Christmas Party back in December.  Partly this was because it seemed like a fun thing to do, and partly because swapping our traditional and rather overpowering turquoise backdrop for their Christmas lights and tinsel.

Also, we had six different bands playing the Queen Charlotte Rooms that night, as sort of a Song, by Toad Records Christmas celebration, and as Rob had only just agreed to release his debut album on Song, by Toad Records (later this year – probably in the Autumn sometime) it seemed fitting that he headline one of the rooms on the night itself.

In terms of manpower we were woefully, woefully understaffed for this session.  The only person who could help at all was Wee Matthew, and even he couldn’t make it for the start, so I pressed my parents into service.  Well come on, they’ve got be more use than just glue, eh?  So my mum took some pictures and did some filming, I set up the recording and the main camera, and then she passed the video camera on to Matthew when he arrived and the stills camera on to me.

And miraculously, it wasn’t a total disaster.  In fact, the actual recordings, whilst more than a little noisy, in part due to the hum of the fridges behind the bar, are some of my favourite-sounding Toad Session recordings.  As usual, we have all the individual song videos embedded below, or on our Vimeo or YouTube pages, and the photos can be found on Flickr. The main interview podcast can be streamed or downloaded immediately below, as can the individual session tracks, with the playlist for the podcast at the bottom of the page. As per usual feel absolutely free to share and pass around any of this stuff – that’s what it’s for.

Direct download: Toadcast #162 – Rob St. John Toad Session
Rob St. John – Whites of Our Eyes (Toad Session)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Rob St. John – Your Phantom Limb (Toad Session)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Rob St. John – An Empty House (Toad Session)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Rob St. John – Muted Flourish (Toad Session)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

01. Rob St. John – Whites of Our Eyes (Toad Session) (07.33)
02. Smog & the Dirty Three – Cold Discovery (Peel Session) (15.20)
03. James Yorkston & the Athletes – Hermitage (21.33)
04. Rob St. John – Your Phantom Limb (Toad Session) (29.35)
05. Grouper – We’ve All Time to Sleep (36.07)
06. Ben Frost – Hibakusja (39.17)
07. Rob St. John – An Empty House (Toad Session) (51.19)
08. Earth – Hung From the Moon (57.29)
09. Micah P. Hinson – Patience (65.13)
10. Rob St. John – Muted Flourish (Toad Session) (72.06)

avatar

Song, by Toad Festive Fifty 2010: 1-10

And now, drum roll please for the final installment of Song, by Toad’s Festive Fifty for 2010.  Woo hoo!  I am sure Liars, The National and Micah P. Hinson will be breaking out the champagne at the excellent news.  Ah well, at least The Japanese War Effort and Li’l Daggers might give a shit.

01. Liars – Scissor When this song breaks it is absolutely fucking fearsome, and it is absolutely all I can do to stop myself leaping around the room and breaking stuff, no matter when or where I am or what time of day it is.  And this is about all I need to say about the matter.

02. Micah P. Hinson – My God, My God Just utterly, utterly beautiful, with a carefree little string coda rendered completely heartbreaking by the content of the song.  Three albums of sheer genius and one that was pretty damn good – why is this man not infinitely more famous?

03. The National – England It’s not as obvious, but the piano opening of this track is every bit as emotionally gripping as Fake Empire, once it properly sinks in.  And the build is so, so slow that by the time the brass kicks in you feel like you’ve been waiting for an age.  It reminds me of Elbow’s glorious Station Approach in that sense: some of the most euphoric depressing music ever made!

04. The Japanese War Effort – Summer Sun Skateboard First the guitar is really good, then the harmony vocals are fucking lovely, then the massively scratchy lead vocal is fucking great, then the glockenspiel is fucking superb, and then half way through it peaks, and takes the rest of the song to slowly drift into a blissed out coma.

05. Micah P. Hinson – Seven Horses Seen It’s easy to explain this one: just listen to the lyrics.  Hinson can be unflinchingly fucking brutal in his writing, and this is just another example of it.  That it goes, again, hand in hand with some truly beautiful music makes it all the more poignant.

06. Jason Lytle – D.U.I. BBQ Checkpoint Officer number two is talking to the driver of the car who just pulled into the D.U.I. barbecue checkpoint. “Good evening sir, have you been drinking tonight?” “Hell yeah officer!  I cracked my first beer this morning at nine and I’m wasted right now.  Any of you fucking pigs wanna fight?’

07. Songdog – 3.30am (Small Talk) I could fill an entire review with Songdog lyrics which make me do a double-take, but let that not detract from the wry, laid back music, performed as if with one eyebrow raised and here rendered even more lovely by the conversational duet.

08. Liars – Scarecrows on a Killer Slant Erm, this is Liars again, and unlike Scissor, which makes you beg for it, this is just loud and feral.  I don’t really need to justify this choice any more than that, do I?

09. The Walkmen – Blue as Your Blood The rhythm which underpins this has you ready for the song to break, ages before they finally let it happen about two thirds of the way through.  Hamilton Leithauser has one of the most yearning voices I’ve heard, and this is my highlight from yet another great album by one of the more under-appreciated bands around.

10. Li’l Daggers – King Korpze I’ve been loving my scuzzy, garagey guitar pop this year and this four song EP is as good as I’ve heard. Picking this ahead of Ya Tu Sabe or Hungry may be a bit arbitrary, but something from here was always going on.

Click here to download all these songs in one zip file.

1-10 | 11-30 | 31-50

avatar

Song, by Toad Favourite Albums of 2010: 1-5

1. Micah P. HinsonMicah P. Hinson & the Pioneer Saboteurs

There’s not much which really distinguishes this records from the two preceding, but when I sat down to give it some consideration, I came up with one simple reason: emotional range.  Micah P. Hinson goes from the sentimental to the heartbreaking to the furious to the playful and back at the drop of a hat, whereas Perfume Genius and The National pretty much find their level and stay there.  Having interviewed the man, he is someone I am not at all surprised to see has the ability to sustain that burning desire to make music which deserts so many musicians as they reach a level of personal comfort after a few well-received albums.

Micah P. Hinson – The Striking Before the Storm

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

2. Perfume GeniusLearning

This album is in some ways a one-trick pony, but I find it completely captivating nevertheless.  The lyrics are personal and poignant, something the drowsy, woozy production only serves to emphasise.  It’s the kind of album I tend to stick on and listen to in its entirety as well – in fact I don’t think I’ve ever done anything else.  I struggle to really articulate what it is I like about this album, for some reason, and I can easily imagine people not liking it, but it’s just one of those which grabbed me from the very start for some reason and in the six or seven months since I first heard it rarely has a week gone by when I haven’t played it at least once.

Perfume Genius – Write to Your Brother

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

3. The NationalHigh Violet

I am, as you probably know by now, something of a contrarian.  The fact that this fucking album is in every bloody end of year list imaginable means it irks the living shit out of me to put it on this one as well.  Honestly, though, there is no escaping the fact that after a very, very slow start indeed I have completely fallen for this album.  What turned the slow build of an album I was initially indifferent to into a complete about-face was probably seeing the band at Glastonbury.  They mixed the new songs in with the old, and despite a fairly low-key performance, it was still obvious that I had come to love pretty much everything on High Violet.   I now have it on two slabs of gorgeous purple vinyl (alright, alright ‘violet’ vinyl) and even my bloody mum loves it.  Alright you National bastards, you win.

The National – Anyone’s Ghost

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

4. Broken RecordsLet Me Come Home

I knew virtually every song on Broken Records’ first album, and that robbed me of a little bit of excitement on hearing it, but this one was (almost) all new, which was brilliant.  In terms of the music itself, this record harnesses Broken Records’ instincts to wind themselves into a frenzy and gives it a real sense of purpose. It’s also very much a whole album, with fantastic dynamics from start to finish.  In fact, there have been a lot of these this year, which somewhat contradicts the popular assertion that digital music has killed the album.  Maybe for people who were never that fussed about albums in the first place it has, but not for most of the rest of us.

Broken Records – Dia dos Namorados!

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

5. Sam AmidonI See the Sign

I still feel this album tails off a little, and I still can’t stand that bloody R Kelly cover, but neither of those gripes stop this being a fucking amazing record.  The lush orchestration is never intrusive, and complements the more traditional elements with rare beauty.  Sam’s voice is truly an amazing thing, which gives him something of a head start, but almost every element of this record is lush and captivating.  Every time I hear Sam Amidon’s music I find it baffling that I actually had to listen to his previous album for about six months before I realised that I loved it. It really, really should have been obvious.

Sam Amidon – How Come That Blood

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

avatar

Toadcast #153 – The Mobcast

I am not personally going to bother doing a ‘Best of 2010′ podcast based around my own choices.  Over the next couple of weeks you’re going to get more than enough of that in text form anyway, so I think we can all live without a podcast as well.

What I thought I might do, though, was just do a quick rundown of the Song, by Toad Readers’ song and album of the year voting because… well, why the fuck not, I suppose.  As much as anything I felt like doing it because there were a couple of surprises in there, a couple of omissions and a couple of disagreements, so I guess  it gives me something to whinge about when introducing the songs, eh.

Direct download: Toadcast #153 – The Mobcast

01.The Japanese War Effort – Summer Sun Skateboard (00.21)
02. The National – England (06.05)
03. Foals – Spanish Sahara (11.17)
04. Broken Records – The Motorcycle Boy (24.31)
05. Kid Canaveral – Her Hair Hangs Down (29.06)
06. Arcade Fire – Sprawl II (Mountains Beyond Mountains) (33.51)
07. Micah P. Hinson – My God, My God (41.13)
08. David Tattersall – The Typewriter Ribbon (43.44)
09. Meursault – What You Don’t Have (52.46)
10. eagleowl – No Conjunction (60.54)

avatar

Music For Cold Weather

I genuinely love the cold.  Maybe my father’s Dutch-Canadian heritage has something to do with it, maybe my Austrian upbringing, maybe because my parents didn’t beat me as hard as they should have as a child, but if there’s a part of me which is perpetually disappointed by living in Britain it’s not the lack of a decent Summer, it’s the lack of a decent Winter.

I want Winter to be well below zero, for there to be snow on the ground for months at a time, for it to sting the tips of my fucking ears when I leave the house, for football to be abandoned for five months, for mulled wine to be served everywhere and roast potatoes and chestnuts to be available.  Given that Scotland is responsible for something as awesome as a hot toddy (see Wikipedia here, although ignore the bit about ‘usually’ including alcohol, they all have alcohol, this is Scotland) you know that it used to be proper cold here at some point.

Nevertheless, despite the generally accepted inadequacy of the British Winter (places in the very North of Scotland excused, I hear it’s fucking freezing there) and despite the fact that last year got kinda chilly, prompting Benni Hemm Hemm to quip in Glasgow that he loved the weather because we seemed to think that a couple of degrees below zero was actually cold, I am always left a little disappointed by the tepid drizzle which passes for Winter in these parts.

Just as hot weather induces a certain mindset in the people who live in it, so cold weather brings on a certain mentality.  Look at Finland, Russia, Norway, Sweden, Britain, Denmark, Germany and Canada and that seems to be alcoholism and a tendency towards either extreme liberalism or extreme violence, but for me it is something slightly different – probably the emotions from which the Christians parasitically appropriated Christmas.

As soon as things get really fucking freezing outside, the home becomes a massively important place.  Sanctuaries of warmth and light take on a very different quality, which people from warm climates cannot possibly understand.  Wherever you’re coming from, by the time you get in the house, your fingers and thumbs aren’t really working properly, you’re wrapped in ludicrously excessive layers of clothing, and it’s painfully obvious that without all this shite – the clothes, the central heating, the blankets, the warmth – you will die, really really quickly.

So being indoors on a dark evening in Winter, when you’re cosy and it’s fucking Baltic outside (one of Scotland’s best ever expressions – fuckin’ Baltic by the way!) becomes an intense treat. And of course people like me, and I assume you, listen to music. And for all it’s fun to dally with Summer fun and so on, there is no greater treat than spending a dark, cold evening inside the house with music.

And it’s a different kind of music too; I think something of the sanctuary of being indoors in the freezing cold permeates into what you choose to play.  As it gets colder and darker outside, I seem to progressively lose interest in new stuff and regress to my favourite music.  This, in turn, reinforces the idea of Winter time as being when you go back to your family, back to what really makes you who you are, and simply wait things out for the more carefree and laissez-faire days of Summer.

In fact, it’s a genuine mark that music will be with you forever, when you want to play it at eight at night on the eighteenth of December.  This year’s graduates, I think, are probably Timber Timbre.  Micah P. Hinson is there, and I think The National’s new album is probably there or thereabouts too.  But in general I prefer to listen to music I’ve been listening to for years, probably much the same as we all like to watch Indiana Jones for the four hundredth time on Boxing Day every year.

So I know Scotland doesn’t really have real Winters – well, most certainly not in Edinburgh, that’s for fucking certain – but there’s a reason I really welcome the first really bitey nip on my ears when I go outside, the first frost, the first frozen puddle to crunch underfoot.  It means it’s time to close up shop and spend time cosy in your home, snuggle up with someone on the couch, read books, play records you know you love, cook rich, thick food, and just enjoy being inside for a change.  Coming inside from the freezing cold outdoors – no feeling like it!

Timber Timbre – No Bold Villain

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Micah P. Hinson & the Gospel of Progress – Beneath the Rose

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Leonard Cohen – Master Song

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Smog – Drinking at the Dam

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

avatar

Toadcast #129 – The Housecast

Housecast?  Well, yes.  One of the things I have been trying to do since I left my grown up job is get our house vaguely under control.  I have mananged to get the boxes of albums out of the hallway and into the office now, but there is still all manner of paperwork and assorted other shit all over the place.

Also, my folks are visiting at the end of next week, and you know what that means: the famous Mother-in-Law Clean.  Mrs. Toad isn’t exactly a domesticated young lady, but she will be setting about the house with a bucket of bleach and a million fistfuls of wire wool over the course of the next few days I would imagine.

I, on the other hand, just have to destroy the ropey old oven in the back garden with a pick axe.  Sometimes it rocks to get the man jobs!

Toadcast #129 – The Housecast

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

01. Perfume Genius – Mr. Petersen (03.44)
02. Bottle of Evil – Same Old Story (10.02)
03. Cate Le Bon – Shoeing the Bones (15.17)
04. Warm Ghost – So Sick of the Sun (18.34)
05. Andrew Cedermark – Masterpieces (23.41)
06. Micah P. Hinson – Seven Horses Seen (29.12)
07. Yusuf Azak – Thin Air (34.23)
08. Kid Canaveral – Cursing Your Apples (38.55)
09. Communist Daughter – The Lady is an Arsonist (41.52)
10. Richard Hawley – The Ellen Vannin Tragedy (feat. the Smoke Fairies) (49.20)

essay writing service