Song, by Toad

Well here we go.  The new year is yet to quite take hold or take off, but I promise you that things will kick back into gear this weekend.  There are some fine love shows appearing on the calendar, slowly but surely, and eventually 2009 will get going.  No rush though.

This Toadcast is a bit of a mix.  I’ve got some of this year’s favourites, I look back at some of last year’s favourites, and I also poke away at a couple of the bands I hope will make their mark in 2009.

In that sense, examining last year’s favourites makes a lot of sense.  I’m always curious about how well our fads and fancies bear up to the passage of time.  I’ve not been too fickle in recent years, which is sort of nice, so I don’t mind looking back like this.  There aren’t too many embarrassments to be had, so it’s kind of nice to take the chance to look backwards, look forwards a little and generally just take the opportunity to pause for breath and enjoy the new year.  As should you, toadlings, as should you.  Happy new year, folks.

Toadcast #52 – Let’s Go

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01. Bombadil – Cavaliers’ Har Hum (02.24)
02. Gerry Mitchell & Little Sparta – The Ragged Garden of Your Eye (08.57)
03. Aidan John Moffat – The Boy That You Love (12.19)
04. Mitchell Museum – Extra Lives (18.11)
05. The Savings & Loan – The Virgin’s Lullaby (24.36)
06. The Builders & the Butchers – When it Rains (28.06)
07. Elvis Perkins – It’s Only Me (34.30)
08. Mother & the Addicts – Are Others (38.21)
09. The Pictish Trail – Winter Home Disco (46.27)
10. The Low Lows – Dear Flys, Love Spider (54.49)

Back at long last, would you believe. After the abortive attempt at a Christmas podcast and then the IT disaster in Toad Hall – when my retarded computer ground to a halt and had to have its entire operating system reinstalled – I have finally managed to record the 19th Toadcast. Sorting out the IT department was not at all as easy as it should have been, so it’s taken ages to get to the point where I could record one again.

So, excuses over and done with, what am I going to inflict on you this time? The bloody Scots, that’s who. The Scottish music scene is an amazingly fertile one, so I thought I’d review 2007 and have a bit of a look forward to 2008. So I’ve pulled together some of the big guys like Malcolm Middleton, Emma Pollock and King Creosote and interspersed a few of the lesser known acts from around here to give you a nicely rounded look at what’s going on musically in the land of Buckfast and deep-fried Mars bars.

Toadcast #19 – The Scotchcast[audio http://media.libsyn.com/media/songbytoad/ToadcastNo19.mp3]

01. Sons & Daughters – Gilt Complex (1.01)
02. Glasvegas – Daddy’s Gone (5.55)
03. The Low Miffs – Also Sprach Shareholder (13.58)
04. Malcolm Middleton – We’re All Going to Die (17.24)
05. Aidan John Moffat – The Boy That You Love (23.37)
06. Gerry Mitchell & Little Sparta – The Empress (28.00)
07. The Pendulums – Greenhat (34.38)
08. Broken Records – Kathy (40.49)
09. Rob St. John – Wooden Rose (45.44)
10. Found – Some Fracas of a Sissy (53.28)
11. Kid Canaveral – Smash Hits (58.49)
12. Popup – Lucy, What are You Trying to Say? (61.38)
13. Emma Pollock – A Temporary Fix (68.28)
14. King Creosote – Church as Witness (76.04)
15. Mother & the Addicts – Roll Me on Over (79.37)
16. Frightened Rabbit – Be Less Rude (88.09)
17. The Twilight Sad – Walking For Two Hours (94.37)

1. Grinderman – Grinderman

Oh yes indeed! While other artists fall away in their old age and run out of ideas, Nick Cave just gets worse, which generally means better. This is a snarling, strutting, menacing, virile beast of an album and perhaps the only hotly anticipated major record all year to deliver the goods like a sack of spanners. Guitarist Martyn Casey describes it thus: “It wasn’t consciously two fingers to maturity but I remember thinking, all the way through, “This isn’t bad for a bunch of old farts.”" No, Martin, it isn’t bad at all.

Grinderman – No Pussy Blues

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2. The Builders & the Butchers – The Builders & the Butchers

Ragged, ramshackle, raucous and fucking brilliant. Imagine shaking every last skeleton out of your closet and them all coming to life, burning down your house and dancing round the inferno, guzzling bourbon. I want to move to Portland.

The Builders & the Butchers – Bottom of the Lake

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3. The Twilight Sad – Fourteen Autumns and Fifteen Winters

Imagine every stereotype of indie miserablism you can muster and this album is it: brooding, ambitious and intense. There’s no hedging their bets with face-saving archness either, just a collection of brutally emotional songs delivered with the kind of relentless wall of guitar noise that threatens to shake your house to pieces as you get drunker and drunker and turn it up louder and louder.

The Twilight Sad – Walking For Two Hours

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4. Mother & the Addicts – Science Fiction Illustrated

An amazing, hugely infectious record that manages to stuff funk, disco, new romanticism and a bit of glam into a brilliantly fuzzy indie album. A professional reviewer (I can’t remember who, sorry, or I’d give credit) said that this album could have been released in 1986, 1992 or 2003 and it wouldn’t have sounded out of place. This sums it up far better than I can. A total joy.

Mother & the Addicts – So Tough

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5. Elvis Perkins – Ash Wednesday

For someone who loves downbeat emotional music as much as me I can’t believe this is the highest placed album of acoustic loveliness on the list. Perkins manages to wield wistful, heartbroken melancholy in that wonderfully intimate way that makes even the most depressing of tales sound bravely hopeful. It’s possibly the least depressing album of unhappy music I’ve heard in a long time. Catch him live too, if you can, he’s superb.

Elvis Perkins – It’s Only Me

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This, ladies and gentlemen, is a quite splendid podcast. Not the chat – there’s actually blessed little of that for a change – but the actual music. There may not be the one or two big names I tend to try and slip in to make sure that casual listener more likely to have a listen and thus bring an audience to the smaller bands, but it just didn’t quite happen. I like to do it for myself too, really, but for some reason they just didn’t quite get a look in this week, although I did throw in a rather obscure Pogues track, but it just seemed fine without them.

I really like this one though, and there are some excellent new things to hear, so get stuck in. It’s all quite an acoustic folk-pop sort of atmosphere, so I hope that sort of thing is your bag, but I’ve thrown in a couple of slightly different things, like David Cronenberg’s Wife, Mother & the Addicts and A Hawk & a Hacksaw to make sure it’s not too one-paced. So get stuck in, my little Toadlings, music a-plenty and jolly fine stuff too!

Toadcast #8 – New Things & Englishness[audio http://media.libsyn.com/media/songbytoad/ToadcastNo8.mp3]

1. Donny Hue & the Colours – Humming With the Flowerbirds (01.01)
2. Monkey Swallows the Universe – Jimmy Down the Well (06.19)
3. Emmy the Great – Canopies & Grapes (10.26)
4. Mother & the Addicts – Are Others (14.30)
5. Champion Kickboxer – Perforations (20.42)
6. Jake Flowers & the Carol-Anne Showband – Annabel (26.06)
7. Johnny Flynn & the Sussex Wit – Tickle Me Pink (28.07)
8. Mirah & Spectratone International – Supper (34.09)
9. Patti Page – Old Cape Cod (38.01)
10. A Hawk & a Hacksaw – The Way the Wind Blows (41.52)
11. David Cronenberg’s Wife – My Ukrainian Girlfriend (47.20)
12. The Pogues – First Day of Forever (54.08)
13. Iron & Wine – Kingdom of the Animals (57.22)
14. The Ralfe Band – Albatross Waltz (63.23)
15. A Hawk & a Hacksaw – Portlandtown (68.19)

This album has turned out to be a real surprise bonus coming, from my perspective, slightly out of nowhere. Ultimately, given they’re signed to Chemikal Underground, home to the deceased Aerogramme, the legendary Arab Strab and the high priestess of Scottish indie, Emma Pollock, I suppose I should have paid more attention to Mother & the Addicts from the start.

Similarly, even once I did start listening to this album through it still didn’t quite grab me by the throat, instead worming its way in more subtly via a hook here, a chorus there and the gradual spread of a warm feeling of enjoyment.

Style-wise this is a tremendous mix. They throw in jangly 80s indie at times, splashes of Britpop, shades of angular New Romanticism on occasion and even some fuzzy, distorted, 70s-style funk guitar. I kid you not, it could even be the soundtrack to an indie version of The Rocky Horror Picture Show at times, but maybe that’s just the title playing tricks on me. It’s odd though, and a truly unusual mixture, but it works.

The tunes are pretty good, but I think deep down the guitar playing is what pulls me into this: never obtrusive, but the rhythm and the hooks were enough to pull me in, until I slowly but surely began to love this record.

Mother & the Addicts – All in the Mind
Mother & the Addicts – So Tough

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