Song, by Toad

We have a clear few days to get some work done this week, before the weekend’s flurry of giggery. There are some devious Austrians sneaking about Scotland this week, partly having a holiday, and partly shooting sessions for They Shoot Music.  Apart from Mrs. Toad and I recording our annual anti-Valentine’s day festival of hate, we will record a podcast with them while they’re here, and then leave them to go off and do some stuff with Jesus H. Foxx, Meursault, Withered Hand, a trip up to Fife to see the Fence Records chaps, and then some time in Glasgow where I am not honestly certain who they are recording – hopefully some Yusuf Azak though.

Anyhow, apart from the gigs mentioned below, there’s also the rather intriguing listing at Sneaky Pete’s where a certain band called Toad appear to be playing on Friday with The Ritalin Kids and Be Like Pablo.  I assure you it has nothing to do with me performing music of any sort, so feel free to attend in perfect safety.

Thursday 11th February 2010: eagleowl, Hailey Beavis & The Stormy Seas play Leith Tape Club at the Iso Lounge.

One of Edinburgh’s most enjoyable low-key gig nights, The Leith Tape Club, has a really good lineup this month.  I think eagleowl will be playing as a somewhat reduced lineup: after their recent four-piece gigs, I think they will be back to two for this gig, but for those of you who missed their Vic Galloway session on Radio Scotland last week, here’s their cover of I Am Nothing by Withered Hand from that session.  It’s all about sharing out the PRS money apparently, because Dan covered one of their songs when he played the show a while back.  All about the money, eh?  Typical.  I knew them when they used to have integrity, man.

eagleowl – I Am Nothing (Withered Hand Cover – Live on BBC Radio Scotland)

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Friday 12th February 2010: The Late Call, The Last Battle & Emily Scott at the Wee Red Bar.

The Gentle Invasion have been awfully quiet of late, so without knowing anything at all about The Late Call, I’ve got to be pretty confident that they’re good, to drag them out of semi-retirement.  The Last Battle’s stock is rather high at the moment, and I’ve not seen Emily Scott play since last year’s Homegame, so I think I’ll be along at this one for sure.

The Last Battle – Oh Best Beloved

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Friday 12th February 2010: FOUND, Three Blind Wolves & Over the Wall play Limbo at the Voodoo Rooms.

FOUND are teetering on the verge of a new album (I think) and are somewhat reduced in number these days.  Judging by Versus a couple of weeks ago this isn’t going to hold them back though, and I am really looking forward to hearing their new stuff.

Over the Wall – Floods

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Saturday 13th February 2010: Kid Canaveral, BabyGod & Cancel the Astronauts play Trampoline at the Wee Red Bar.

It’s all about the indie-pop at Trampo this month.  Euan already previewed this gig extremely well in his Sunday Supplement, so no need to go on about it here again.  Kid Canaveral have nearly finished work on their debut album though, which is good news.

Kid Canaveral – Good Morning

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Hmm, the Edinburgh live music beast still has to entirely crawl out of hibernation it seems, with still very little action to be found in and around the city this week.

There are, however, a couple of things going on and the welcome return of Trampoline should rescue us from our post-Christmas ennui.  Their lineup is rather cheerful this month, so cheerful in fact that it might even put a smile on the promoter Euan’s grumpy old puss.

Sadly though, I made something of a half-arsed new year’s resolution to stop ignoring high profile bands and go and see some more famous people play this year.  However, looking at the schedules they are nowhere to be found at all.  The Queen’s Hall has a couple coming up (a sold out Mumford & Sons and Grizzly Bear) and Xiu Xiu are playing Electric Circus in a few weeks, but that’s about it as far as I can see.  I even had a look at the King Tut’s schedule and there doesn’t seem to be much there yet either.

Ah well, a rest never did anyone any harm I guess.  And it’s not like I don’t have enought to do at the moment, what with the house gig videos and eagleowl session still staring expectantly at me from the bowels of the computer.

Saturday 16th January 2010: How to Swim, Over the Wall & Thomas Western play Trampoline at the Wee Red Bar.

How to Swim are exuberant with lots of instruments and Over the Wall are exuberant with lots of electronics, although increasingly more instruments too.  Thomas Western isn’t particularly exuberant, but then again one more helping of exuberance and you might just exuberate yourself all to pieces.

How to Swim – Genesis P and Me

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Saturday 16th January 2010: Come On Gang! & Futuristic Retro Champions at Sneaky Pete’s.

This will be indie-pop a-go-go at Sneaky’s, which is probably when the venue is at its best I would have said – noisy, poppy tunes and plenty of beer.

Come On Gang! – Wheels

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It’s busy week, in the absence of Mrs. Toad, and ends with me actually DJing twice in the space of two nights towards the end of the week as well once at some point on Friday, although I’m not all that sure where – Cabaret Voltaire I think – and then the following day at the Bowery at MarchéMarché , which should be good fun.  I have been promised that on no account am I expected to motivate people to dance, which probably helps matters considerably.

Oh, and I’ve just realised that I am approaching a hundred kilos in weight – 215 pounds, or 15 Stone 5 for those of you still living in the dark ages – so it might be time for just a little less beer, slightly fewer biscuits and for yours truly to get off his fat arse and do some exercise.  Bloody  hell, reality can be a bastard when it prevents you doing exactly what you want when you want, can’t it.

Tuesday 20th October 2009: Findo Gask & Everything Everything at Cabaret Voltaire.

Everything Everything I don’t know so well, but Findo Gask are a band who I really love, despite their distinct lack of material, considering the length of time for which the band has existed.  They have a couple of terrific singles to their name – electronic, danceable and infectious as fuck, with just a little sadness in the mix as well – and the only time I’ve seen them they were excellent, but that was a while ago now.  So I’ll be along on Thursday as much to see what they’ve been doing with their time, as to take the chance to enjoy their live show again.

Findo Gask – Va Va Va

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Tuesday 20th October 2009: Bat For Lashes & Yeasayer at The Picture House.

Personally, I think Bat For Lashes are pretty fucking dismal, honestly.  However I know a lot of my readers will be really up for this, so I thought I’d better mention it, just in case anyone was unaware this was happening.

Wednesday 21st October 2009: Mitchell Museum & The Scottish Enlightenment at Electric Circus.

These White Noise gigs start so bloody late they can fuck those of us with day jobs over for the rest of the week.  Still, I like Mitchell Museum, and the Scottish Enlightenment are returning to the fold after a very quiet couple of years.  They have a new album to show for their silence though, and have sent me a few songs through to sample, which I appreciate.  I’ve listened to them through a couple of times now, but not enough to really have anything clever to say about them yet, so I’ll just include one below and let you decide for yourselves.

The Scottish Enlightenment – Necromancer

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Wednesday 21st October 2009: Clues, Munch Munch & Over the Wall at Electric Circus.

I know nothing about Clues, bar this one promo song, and that the press bumph mentioned some famous bands like Arcade Fire and so when talking about their history.  So not much information, but the song itself sounds very promising.

Clues – Perfect Fit

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Thursday 22nd October 2009: Maps, Epic 26 & The Foundling Wheel at the Ark.

I quite fascinated by Maps, more from the descriptions I’ve heard than anything else.  I don’t actually know their music at all, despite their Mercury nomination a couple of years ago, but a band described as sonter shoegaze indie electronica sounds like a worthwhile punt to me.  Another plus is that these lot should be loud enough to silence the general chattering which the odd shape of the Ark tends to invite.

Friday 23rd October 2009: Meursault, Jesus H. Foxx, Y’All is Fantasy Island & the Occasional Flickers at the Bowery as part of the Oxjam Festival thingy.

The Bowery lineup is obviously the most Toad-friendly, with two of our bands on the bill, but there’s stuff happening all over the city on Friday.  It’s called Oxjam Take Over Edinburgh, I think, and one ticket gets you a wristband which will get you into everything – from the in-store performances at the Oxfam Music shop in the centre of town during the day, to this, to Sneaky Pete’s to Cabaret Voltaire and all sorts.
Full lineup and tickets here.

Meursault – The Furnace

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Saturday 24th October 2009: MarchéMarché at the Bowery.

This is actually a craft fair, not a gig, but yours truly shall be DJing at the event, so that’s all the excuse I need to plug it to within an inch of its life.  Promises promises, as Mrs. Toad is no doubt muttering to herself at the moment.

Saturday 24th October 2009: My Latest Novel at Cabaret Voltaire.

I haven’t had a chance to see these guys at all recently, and I’ve heard hugely variable reports from the gigs they’ve played here recently.  The last album was no better than decent, in my view, but I loved Wolves and I still really want to catch them when I can.

My Latest Novel – All in All in All is All

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My liver is grateful for the small mercy which is the relatively empty Edinburgh gig calendar this week.  Last week was rough.  The Song, by Toad party was a heavy one, and then Broken Records the next day was just total carnage, so an easy week of video editing and IKEA furniture assembly will be most welcome.

Meursault are embarking on a mini tour of the North of England this weekend as well.  I started trying to book them a tour myself, and soon realised that it would need far more time and experience than I myself actually had.  So I stopped, consolidated what we had, and decided that it was far more important to get them a booking agent instead, so the job could be done properly.

Still, if you happen to live in those parts, then you can catch the boys live at the Mad Ferret in Preston on Friday 15th, at the Head of Steam in Newcastle on Sunday 17th and The Library in Leeds on Tuesday 19th May.  There’s a couple of other dates too – The Slaughtered Lamb in London on the 25th May, and Fuel Cafe in Withington, Manchester on 2nd June.   Jolly.  Fucking.  Good.

Monday 11th May, 2009: The Balky Mule, Over the Wall & Art Fag at the Bowery.

I veer somewhat on The Balky Mule – they have undoubtedly got some excellent songs, but occasionally I find my attention wandering a lot.  Perhaps the music can be a tad dry and chalky for me at times, but for the most part their slightly eccentric blend of acoustic and electronic is really quite fascinating.  Over the Wall are just exuberant pop fun, and Art Fag will be beepeing and howling their way through only their second Edinburgh set ever.
The Balky Mule – Wireless

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Monday 11th May, 2009: Devon Sproule at the Voodoo Rooms.

She might be a tad country for you – at times she is a tad country for me – but Devon Sproule’s music can be dusty and gorgeous in its own quiet way, so this could well be worth investigating.
Devon Sproule – Eloise & Alex

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Saturday 16th May, 2009: Randan Discotheque, The Stormy Seas & White Heath play Trampoline at the Wee Red Bar.

I haven’t actually seen a full live set by White Heath yet, but they tend to build from vaguely Balkan folk beginnings to a full-blown indie pomp carnival over the course of a song.  This will also be a first opportunity for me to see the Stormy Seas in full voice, so I’ll be looking forward to what I will pigeonhole as Scottish folk rock until I have seen them and have a better idea what I’m talking about.
White Heath – When the Watchmen Leave Their Stations

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It’s a quiet, but hardly barren week in Edinburgh this week, although I think I may skip a fair bit of it and concentrate on getting the Pictish Trail Session up and posted.

What a shitty fucking weekend it’s been, though.  I got some really bizarre message from an old school friend of mine asking me if I was blanking him on Friday, which I haven’t been.  We haven’t exchanged messages for years, but that’s been true in both directions.  Then on Sunday, before I’d responded, he sent another saying ‘Okay, I’ll delete you from my Facebook wotsit, have a good life buddy.’  For fuck’s fucking sake.  It’s no skin off my nose one way or another, but it was really weird coming right out of the blue like that.

Then I completely forgot a friend’s stag do and failed to attend because I had managed to pile too much other stuff into the weekend.  That, believe me, does not feel like a nice thing to do.  Especially when you get the phonecall and it dawns on you what you’ve just done.  Fucking bollocksing fuck.

I also got in trouble at Proper Job for excessive Toading on Friday, which wasn’t fun.  So there will be something of a kibosh put on work-time activity around here, and fair enough.  They’ve been more than patient with my little obsession, and quite frankly they’d be more than justified in giving me a formal warning, but it’s very nice that they haven’t.  About time I was equally nice back, I think it’s fair to say.

Then there was the Biblical amount of alcohol consumed over Friday and Saturday night, leading to a general feeling of uncleanness ever since, and of course there was the jolly banter about the Shitecast this weekend.  Fucking hell, I am looking forward to football tonight and the chance to just run it all off.

Monday 9th March 2009: Come On Gang play Trade Union at Cabaret Voltaire.

I think Trade Union may be on rather late, so don’t rush down, but if you’re up for night of giddy bouncing to Edinburgh’s finest punk-pop trio then swing by from 11pm and send them on their merry way to SXSW with a cheer.
Come On Gang – Wheels

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Thursday 12th March 2009: Futuristic Retro Champions at the Caves.

This band are one I know very little about, but they’ve been talked about very favourably since I’ve been up here.  This is one of those Mill gigs – beware, nothing but that god-awful piss-water Miller to drink – so you’ll have to click here to get a ticket.  Support band Tamika’s Treehouse are a band I know nothing about whatsoever, not even rumours or whispering, so any enlightenment would be appreciated.  After no more than a single MySpace listen they do sound catchy and enjoyable though, so this should be a good night.
Futuristic Retro Champions – Speak to Me

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Thursday 12th March 2009: Unicorn Kid, Ex Lion Tamer & Sugar Crisis play Limbo at the Voodoo Rooms.

It’s all going to be rather electro-dance-pop at Limbo this week, but there’s easily enough edge to it all to keep me interested, despite being slightly outside my comfort zone with this sort of stuff. Ex Lion Tamer’s new single is out on 17 Seconds Records this week, although only on digital for the time being.  Hang about though, the vinyl will be here any moment now.
Sugar Crisis – Taking Names & Heartbeats

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Friday 13th March 2009: RBRBR & Over the Wall play This is Music at Sneaky Pete’s.

More boisterous pop fun with plenty of synths and bounce.  Sneaky bastarding Pete’s keep on deviously selling out of tickets at the moment too, so you might want to get one in advance for this.  I’m sure they’re doing it just to thwart me.
RBRBR – 27 Russian Friends

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Saturday 14th March 2009: Little Pebble, Woodenbox With a Fistful of Fivers & Sparrow & the Workshop play the Trampoline birthday party at the Wee Red Bar.

This is Trampoline’s second (I hope) birthday party, and what a lineup.  Apart from Little Pebble it’s very Americana influenced in a slightly undefinable way.  I don’t know what exact type of Americana I would describe Sparrow or Woodenbox as being, but they definitely have some sort of influence in there.  They’re both absolutely thumping as well.  Little Pebble doesn’t have a lot in common with them, but having only seen him once, I am really keen to see more because he was absolutely excellent.  This is my definite
Little Pebble – Pirate

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So actually, it’s not a quiet week at all, really, is it.

These guys really were terrific.  Chris Croasdale plays a nylon-stringed guitar at a bloody good pace, the sound of it is fantastic, and the songs seem to build from a stumble to a furious gallop over the course of four or five minutes.  It’s not just the guitar though, this is just a very economically and well-assembled band.  Jonnie Common’s electronic trickery, and the raucous drumming of Roy Shearer all play crucial parts in the music, and all three of them sing.

They don’t seem to play all that often – I’ve only seen them twice in a year and there’s only one other gig listed on their MySpace – and the recording of the album is going rather slowly, but I have to confess that if this is all going to be as good as this then I will be looking forward to it a great deal.

Inspector Tapehead – A Fillet of Bozo

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Inspector Tapehead on MySpace

If there was some sort of prize for enjoying playing live more than any other band then it would be awarded to Over the Wall in a heartbeat, I would imagine.  They seem to be so genuinely delighted with every chance to get up and play that, irrespective of your opinion of their music, it is pretty much impossible not to be caught up in their infectious enthusiasm.

As to the music itself, I have to say I am positively inclined, although some ambivalence remains.  Some of it, like euphoric set-closer Thurso, is just superb.  At times it captures my imagination just a little less, simply drifting into the generic-but-decent pop category.  They’re definitely a band with potential though, and one I will happily see play again.

Over the Wall – A Grand Defeat

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Over the Wall on MySpace

An outstanding Limbo lineup was completed by Edinburgh bleep-hoppers Found (their term, not mine).  A couple of years ago, just after the release of the brilliant This Mess We Keep Reshaping, I saw Found play on a few occasions and absolutely loved them.  I saw them a while ago playing somewhere I don’t entirely remember and they seemed a little bit listless, as if the energy had evaporated somewhat.  This time around that appears to have been fixed, and all the old strut is back in their stride.

Found are another one of these bands who seem to get on really well together as a group and really enjoy playing live.  The mid-song pauses are greeted with extended waits, and general mischievous sniggering all round as they dare one another to be the first to break the silence.  And for all there’s folk in some of it, pop in most of it, and samplelicious bleepery all over the place, the one word that won’t leave my head is ‘funky’.  They are just a damned funky band when they’re on their game, as they were on this particular evening, and an absolute joy to behold.

To help them pay for their trip to SXSW, please don’t forget to buy their promotional album.  And don’t be fucking cheap, either, you’re not all students.  At least two or three pints’ worth.

Found – When You Fall

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Found on MySpace

Here I sit on the train back up to Edinburgh, marvelling at the snow-covered countryside and wondering idly to myself  at quite how effectively a couple of centimetres of snow seems to have brought the entire country to a total standstill.  It is, after all, just snow.  Lots of people have snow and somehow manage to keep their infrasructure from completely grinding to a halt.

Mind you, to complain seems a little churlish, and very very English, when there is snow to be enjoyed.  We are warm and on the train and it is pretty out.  Unfortunately the snow thwarted my plans to meet up with Rough Trade and Pure Groove this morning and see if they were interested in stocking the Meursault album, but now I will have to do all that by email and phone.

You’d think it was Cabaret Voltaire that burned down, not the Liquid Rooms, given how sparse their calendar has been since Christmas and once again there is nothing really going on there.  Elswhere, Limbo are very much back in business after a storming gig last week, and other than that,well, precious little as far as I can tell.  There’s Born to Be Wide on at the Voodoo Rooms before the Limbo gig on Thursday, with getting your music played on the radio being the theme this time around.  Other than that, in a live sense, I can’t find very much.  Enlighten me, please, because there appears to be bugger all going down in the capital this week.

Thursday 5th February 2009: Found, Over the Wall & Inspector Tapehead play Limbo at the Voodoo Rooms.

Both Found and Inspector Tapehead combine the acoustic and the electronic really nicely, although Found are a little more boogielicious, whereas Inspector Tapehead have a little more of a ‘bluegrass gone horribly off the rails’ sort of vibe.  Throw in the infectiously exuberant Over the Wall, and we have a truly excellent lineup.
Inspector Tapehead – Pherenzik Tear

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Friday 6th February 2009: Glissando, The French Quarter & The Japanese War Effort play Trampoline at the Wee Red Bar.

I’m recommending this gig specifically because after his performance at the Song, by Toad Christmas Party I am rather keen to see the Japanese War Effort play a fuller set, with all his electronic gizmos, having been very much impressed with the more streamlined electric guitar performance in December.
Japanese War Effort – Punk is Not Dead

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Hello, and welcome back to the slowly restarting new year of swearing and complaining here on Song, by Toad.  Don’t be too perturbed by the look of the thing.  This is not the final design, but as I am not a web designer it will have to do until I can figure out exactly what I want, lay it out properly, and then ask someone to code it for me.  That won’t be for a month or two though, so settle in for now and just ignore some of the crapper elements of the design – they won’t be permanent.

In other news, we have some splendid plans for 2009, so it should be another exciting (exhausting) year.  We are trying to get Meursault moving and arrange a couple of tours for them, which will be tedious.  We have a whole list of new releases for this year, including two Meursault 7″ singles, a split 12″ with the The Builders & the Butchers and Loch Lomond, the Loch Lomond album Paper the Walls is getting a UK release, Maxwell Panther and The Savings & Loan will be releasing records… and that’s just the ones we already know about.

In news more related to this site, rather than the label, we have Samamidon and The Pictish Trail now firmly booked in to record Toad Sessions before the end of January, there are plans to expand our coverage of Pickathon, Homegame and the End of the Road Festival, and of course increase the number of interviews and get a bit more video onto the site, as discussed in the previous thread.

So, I am not one for new year’s resolutions, but I am also incredibly lazy, so that’s what you’re getting for this Friday’s Favourites, as pinched from GUT.  If you want to suggest a Five at any point, just email me.  The music is taken from five of my favourite EPs from last year, as a sort of apology for not having a list on which they could be included.  I’ll try and put that right in 2009, but… ah, fuck it, that’s ages away.  Enjoy the new year, Toadlings.

1. Give us a new year’s resolution.
2. Recommend one for someone else.
3. Most anticipated 2009 release.
4. First gig of the year.
5. Suggest a quote for Toad t-shirt of the week.  T-shirt of the week you say?  Why yes, that’s just what I said.

Samantha Crain & the Midnight Shivers – The Last Stanchion Goes Belly-Up

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The Avett Brothers – Murder in the City

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Passion Pit – Sleepyhead

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The Young Republic – Shiloh

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Over the Wall – Thurso

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I really have made you wait for this haven’t I. Ah well, no matter. So, another year, another End of the Road Festival. We drove down again, specifically renting a hippy VW camper for the journey, and Christ almighty what a fucking death-trap that thing was. As I wrote in the intro to the podcast about this festival, the thing steered like a bathtub full of water. Honestly, if you ever needed to react to anything unexpected turning the steering wheel was like trying haul a bucket of water out of a well. Throw in the rubbish high beams and the teeny-tiny windscreen wipers and we can count ourselves lucky we got there at all.

But get there we did, to be welcomed by pissing rain. Splendid. I’ve led a charmed life so far, as far as festivals are concerned, having encountered no more that the slightest of sprinkles in the five or six I’ve attended so far. Spoiled, you might say. Well no such luck here. I had the interview lined up with Micah P. Hinson and it was pissing down and they wouldn’t even let us into the photography pit at the front, as had been promised beforehand. I was struggling just a little to stay cheerful. Anyhow, Micah’s set was outstanding – his recorded music may be quite beautiful at times, but when he plays live he puts some real snarl into it.

The lineup is pretty basic – Micah on guitar supported by Nick on drums who plays occasional banjo, and Ashley, his wife, on keyboards – but they manage to dredge some racket out of it when they want to. During the set the sun finally broke through, and the rain stopped falling, and suddenly everything was good. Hinson’s slower songs get a bare and lovely outing with just a guitar, and his sightly abrasive on-stage manner never seems to strike a dubious chord with the audience. The interview went well, and will be posted here shortly, but safe to say that this gig seemed to be the turning point of the End of the Road Festival as far as I am concerned. Read the rest of this entry »

Yes, another podcast dedicated entirely to the End of the Road Festival. I did the very same last year because I do rather love this festival, and the sheer quality of the lineup easily merits a podcast to itself.

Unlike last year, Mrs. Toad actually came with me this time around. We drove this stupid old 1960s VW camper van down there, and Christ knows how we didn’t die in the process. The fucking thing steered like a bathtub full of water, there were no brakes at all and the only crumple zone was us. The other disconcerting thing is the fact that VW campers are something of a community, so everyone who passed us in one would flash their lights and wave with the sort of sincere enthusiasm that made us mortally ashamed to be mere renters – mere passengers in a club full of such obviously devoted members, Christ we felt like charlatans.

Anyway, ignore our guilt and enjoy the podcast. There’s some fucking great music on this one. And why is it called the Deathcast? Because that blasted camper van we drove down in was an absolute death trap. Honestly, want to die in a nasty accident? Try driving a 60s VW camper van around the English countryside in the middle of the night in the pissing rain.

Toadcast #38 – The Deathcast

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01. Micah P. Hinson – Patience (03.17)
02. Nick Cave & the Dirty Three – Time Jesum Transeuntum Et Non Riverentum (09.41)
03. The Young Republic – Shiloh (20.19)
04. Over the Wall – Thurso (23.22)
05. British Sea Power – Carrion (29.40)
06. The Pictish Trail – All I Own (36.50)
07. Shearwater – Levithan, Bound (41.31)
08. Jeffrey Lewis – Do They Owe (45.50)
09. The Wave Pictures – Leave That Scene Behind (50.39)
10. Richard Hawley – Coming Home (53.21)
11. Calexico – Minas de Cobre (For Better Metal) (59.55)