Song, by Toad

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Song, by Toad – Festive Fifty 2011 31-50

Here’s the first installment of the Song, by Toad Festive Fifty for 2011 – a collection of the fifty songs I have been enjoying the most this year.  The fifty themselves and the precise order can hardly be described as definitive of course, because you know how fluid things like ‘favourite’ songs can be, but roughly speaking this is the stuff I have been enjoying the most in 2011.

Just as a note, in order to make it a broader representation of the bands I’ve liked the most, I have made it harder and harder for bands to have a song featured on the list the more they already had on it.  So a band’s second song got a relatively free pass, but their third would be nudged down a wee bit, to try and encourage variation and stuff like that.

31.Anna-Anna – Mirrors of America I’m aware there are very few women represented on this list, and a lot of those who are seem to share the ghostly, incredibly still delivery, albeit in a more folky setting, with Anna-Anna.

32.Sonny and the Sunsets – Home And Exile I could have half of this album on here, but this one always stood out, as a gem of retro, slightly woozy pop.

33.Quiet Americans – Summer House Straightforward lo-fi garage stuff this, but a hugely, hugely hummable tune.

34.TV Girl – Benny and the Jetts Simple and enjoyable summery pop, but another one so hugely infectious you simply can’t stop humming it.

35.Yoofs – Sidewalk I love the guitar effect, the riff, the energy, everything.  Keep an eye out for this lot on the brilliant Art is Hard Records in the new year.

36.Zed Penguin – This Town A bit of a departure for an Edinburgh band, this. I think my favourite part might be the gorgeously tremulous guitar sound Matthew gets from his hand-built amp.

37.David Thomas Broughton – River Lay On an album as good as Outbreeding it takes an awful lot to stand out, but this does.  For someone who can be a little obtuse, this is such a warm, welcoming record and this track epitomises it as well as most.

38.Evil Hand – Returned In Time These guys don’t exactly push themselves forward, and their releases can be a little erratic, but when they nail it their songs are as good as anyone in Scotland at the moment.

39.Powerdove – Sickly City Ghostly, slightly disorientating, and hypnotic.  This is possibly the finest song on an album which makes a gorgeous job of using minimal instrumentation and glacial pace to turn those three characteristics into a truly beautiful album.

40.Emit Bloch – Dorothy (New Version) Given how much I loved the gorgeous acoustic version of this song which I heard last year, it’s almost inconceivable that I should then also love a big glossy pop version too.  But I do.  Good songwriting, it seems, trumps even my lazy habits.

41.The Honey Pies – Hair of the Dog Boisterous and enormous fun, this album is a gleeful romp through rock ‘n’ roll cliches, but done with such verve that you can’t help but enjoy it.  This is a bit of a Clash throwback, the most raucous song on the album and probably my favourite.

42.The Low Anthem – Ghost Woman Blues After the genius of Boeing 737, The Low Anthem show they can have just as much impact at the opposite end of the spectrum with this gorgeous ballad.

43.Loch Awe – I Will Drift into 10,000 Streams For a band who do things I like and things I don’t, this demo came out of nowhere a few months ago, and I love it.  The slow drum beat, the really sparingly used electric guitar, the way the two voices work together… fine work!

44.The Blue Runes – Stream For me to get into a classic/psych rock EP made by a band from Puerto Rico wouldn’t have been a particularly great bet at the start of the year, but The Blue Runes released a brilliant EP, and this track is probably the biggest track on it.

45.Adam Stafford – Shot-down You Summer Wannabes A cracking song by a guy whose music I only got into embarrassingly late in the day, considering how long ago his debut solo album was released.  Nevertheless, a couple of storming live performances did the trick, and I am now entirely converted.

46.Horsecollar – Christopher A jaunty little piano line stands out immediately, but the rest of this song is bloody great too – a presumably unheard monologue delivered to a friend, and a stand out on a fine album.

47.Timber Timbre – Creep On Creepin’ On A gorgeous song on a gorgeous album.  This record is a little more approachable and a little less creepy than the last, and lush, lovely songs like this one are the reason.

48.Lady Lazarus – Nazarite Oath Ghostly, unsettling and lovely at the same time, this has a lot in common with the excellent Powerdove.

49.Silverbacks – Atta Boyz Simple this one: a cracking pop tune, good riff, and extremely hummable.

50.Pet – What You Building Another song which came as a bit of a surprise, given Edinburgh doesn’t generally do this kind of music all that well, but this is lovely.

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1-10 | 11-30 | 31-50

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Song, by Toad’s Albums of the Year 2011: 11-20

 Right, all the amateurs have had a go, and we’ve seen disturbing amounts of Bon Iver and PJ Harvey on lists from Bradford to Boston this year, but it’s time for those of us who really know what’s good and what isn’t to step up and set the record straight.

This, ladies and gentlemen, is the definitive list of what’s been good this year, so you can all stop pretending to care what Drowned in Sound or Pitchfork think, and find out what you should really be thinking about music.

That’s all bollocks of course, and I am not stupid enough to believe that my list is any better than anyone else’s (apart from not having PJ Harvey, Bon Iver or Fleet Foxes on it of course), this is just a list of what I have been enjoying the most in 2011.  As I’ve been listening to a lot of DIY garagey stuff, I’ve actually listened to an awful lot of EPs and mini-albums and stuff like that, so I’ve been pretty loose with my definition of what an album actually is, so you might well think a couple of these picks are cheating a little bit.

 20: Horsecollar – You’ve a Big Heart, Sweet Tiger For a DIY pop album recorded on what appears to be the tiniest of budgets, this record more than makes up for its technical shortcomings by having charm, wit and pathos all engagingly interwoven to produce an album which is both hummable and incredibly likeable.

Horsecollar – Courtland Street

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  19. John Knox Sex Club – Raise Ravens I actually think this record is slightly uneven, which may enrage a few people I know who think it is entirely brilliant.  When these guys hit the heights, though, they are absolutely spellbinding, both on record and live.

John Knox Sex Club – Katie Cruel

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  18. The Quiet Americans – Medicine Alright, alright I know that I suppose I should strictly call this an EP, but I told you I was going to be a bit loose with that particular definition on this list.  I bought this on tape a month or two ago and it has hardly been out of the van stereo ever since: simply awesome pop tunes, and that’s why it’s on this list.

The Quiet Americans – Be Alone

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  17. Edinburgh School for the Deaf – New Youth Bible These guys have rather inevitably gone a little quiet since they lost a guitarist to the charms of London earlier in the year.  Nevertheless, before he left, they fortunately found time to crank out this ambitious, epic bit of grumbly shoegaze.

Edinburgh School for the Deaf – Love is Terminal

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  16. Dirty Beaches – Badlands This is perhaps the pinnacle of my fad for unlistenably muddy recordings, which has rather dominated my listening this year.  It’s murky as fuck, but there’s something enthrallingly obtuse about it at the same time which, even months later, I still can’t put my finger on exactly.

Dirty Beaches – Sweet 17

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  15. Powerdove – Be Mine This is an incredibly beautiful record of wonderfully constructed music.  A combination of the skeletally minimal arrangements and the whispered, barely audible vocals just draws you in, to the point you’re almost staring at the stereo.  Also, unlike a couple of other albums which employed this approach this year, it is short enough and varied enough to be constantly engaging from start to finish.

Powerdove – Impact

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  14. Former Bullies – Golden Chains Former Bullies have been around for a good few years now, and I am admittedly rather late to the party.  They are part of a Manchester scene which I have really, really enjoyed exploring this year, and this album couldn’t have been better timed.  It’s as lo-fi as a lot of their contemporaries, but less garagey or loud, opting more for a laid back pop vibe instead.

Former Bullies – Golden Chains

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  13. Earth Girl Helen Brown – Story of an Earth Girl The first song I heard from this release dazzled and thrilled me in equal measure.  Following up on how the record came about introduced me to Sonny and the Sunsets, to The Sandwitches, to the 100 Records project, to Endless Nest and Empty Cellar, and was as such probably the single most effective mp3 emailed to me by a PR person since I started the blog.  And as for the album/mini album/EP/whatever itself, well it really is just fucking brilliant.

Earth Girl Helen Brown – Hit After Hit

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  12. FOUND – Factorycraft It’s hard to tell what I actually think of this album.  I’d already danced like a fool to most of these songs so many times by the time the album came out, that it felt entirely familiar pretty much from the word go. But we had friends visit recently, and played them this, and it was the act of playing it to people entirely unfamiliar with the band that I remember exactly how good this record is. It is straightforward indie, by FOUND’s standards, but by anyone else’s it’s a really fascinating pop record, full of surprises and weird bits, but still, crucially, hooks as well.

FOUND – I’ll Wake With a Seismic Head No More

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  11. Sonny & the Sunsets – Hit After Hit This is one of those titles which almost entirely sums up the record itself: one pop gem after another.  I described it in my review, if I remember, as ‘Hill Valley 1955 doesn’t give a fuck’ because it is an odd combination of soda pop funtimes and a weird, slacker undertone which is maddeningly hard to pin down. Neverless, with tunes like this it can be what it bloody well wants, because this album is excellent.

Sonny & the Sunsets – Heart of Sadness

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Powerdove – Be Mine

I have to confess that I kind of thought it might be a while before I wrote a glowing review of this kind of music.  The thing with swings in fashion is that it’s not just the whims of fans and reviewers which shift, but the musicians themselves.

So the next time there isn’t enough loud or electronic or guitary or folky or jazzy or whatever music in the press for you, don’t just blame the writers, often the musicians themselves are equally complicit – the best ones are often off doing something else.

Currently, most of my favourite musicians are off getting loud, so the hush of this record and its immediate and obvious beauty rather surprised me. Quite apart from the slow delivery of Lewandowski’s vocal, it is the pace of plucked strings which define the rhythm of this record.  Originally written for solo guitar and vocals, it is not just the guitar strings, but also the added upright double bass which drip slowly into the recordings and make this so impossibly still.

You know how you are told as a child to walk briskly across narrow ledges or planks or anything so precarious you might struggle to retain your balance?  Well this is like watching someone dawdle across such a highwire with not a care in the world, stopping to adjust their pigtails, wondering if they’ve forgotten something, absent-mindedly watching two birds squabble nearby… in short, it’s so slow that it feels like a constant wonder it doesn’t fall to its death.

Embellishing Lewandowski’s wonderful songs are Jason Hoopes’ graciously sparing upright bass, and the percussion and noise of Alex Vittum.  Vittum’s array of sounds makes him sound more like someone wielding a bank of field recordings than someone playing percussion, and the contribution of the collage of sounds behind the songs is what makes this a really compelling album for me.

Powerdove – Sickly City

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Powerdove – Spinnin’ Daisy

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Toad and Ruth on Fresh Air – 3rd March 2011

Ruth and I are back on Fresh Air Radio once more this evening, live from 8pm for an hour and a half.

Ruth now has her own blog as well, so for those of you who tire of my wittering and crave a little bit more eclecticism in your world, then go and have a gander at Find Me in the Archives.

This week I have some songs from my Manchester post this week, and will be scarpering immediately afterwards to try and catch what I can of the FOUND album launch at the Voodoo Rooms.  Factorycraft is out on Chemikal Underground right about now.

Live on air from 8pm UK time – click here to listen.

As per usual, the playlist will be updated live below as we go along, and the comments will be open for your heckling and chattering and general talking of pish.  So feel free to chip in.

1. Devotchka – All the Sand in All the Sea
2. Golden Ghost – Plain Sight
3. Emit Bloch – Dorothy (a bit of the old version)
4. Emit Bloch – Dorothy (and the whole new versions)
5. Thao & Mirah – Eleven (feat. Tuneyards)
6. Powerdove – Sickly City
7. Moldy Peaches – Anyone Else But You
8. Roger Manning – Pearly Blues
9. Girls – The Oh-so-protective One
10. Brown Brogues – I Just Don’t Know
11. The Louche FC – Back Bedroom Casualty
12. Dum Dum Girls – He Gets Me High
13. Psychedelic Horseshit – Unseen Voids
14. Active Child – When Your Love is Safe
15. The Red River – Apple Valley
16. Husband – Feelings

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Some Video Fun for Lunch

I have an unusually healthy supply of good videos at the moment, so I thought I might pass on three of my favourites, none of which bear much relation to one another, but all of which are cool in different ways.

Above is Kid Canaveral’s brilliant new animated video for You Only Went Out to Get Drunk Last Night, a song from their cracking album Shouting at Wildlife.  Apart from the fact that it’s just plain good to watch, it reminds me of one of the best things about being involved in music these days: you can just have a bloody go.  Time and effort and a really good idea went into that video, but from what I can tell it can’t have cost any money at all.

People do seem to confuse ‘possible’ with ‘easy’ though.  Just because costs and technology are no longer prohibitive, there is still no substitute for actually having a good idea and working really hard.  Stop-motion animation like that – especially the frankly incredible dancing kitchen – is incredibly time-consuming and there are visual ideas flowing thick and fast in this video, even though it starts a little slowly.  So you can do without money, but not without genuine creativity – kudos to David Galletly who made it.

Below is a video by Powerdove.  It sets archive footage of the demolition of the Star Theatre in New York against Annie Lewandowski’s gorgeous, minimal song called Lost City.  In general I would suggest that this kind of bare minimalism has to be a little careful not to drift into dullness, but when I listen to Lewandowski’s stuff the strange noises going on in the background really do lift it well above most things which might superficially be regarded as similar.

And finally, this is just silly, but fun, even though the middle class dilettante hipster is the easiest of easy targets for this kind of lampooning, and it’s unlikely to ever be done as well as Nathan Barley.  Nevertheless, I found this extremely funny.

Have you noticed that recently YouTube comments aren’t as awful as they used to be.  Ever since they implemented the ability to vote things up or down you tend to get some excellent comments at the top of the page.  The winner on this one, as far as I am concerned?

“Vinyl’s too mainstream. Can I get this on wandering minstrel?”

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