Song, by Toad

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Song, by Toad – Festive Fifty 2011 31-50

Here’s the first installment of the Song, by Toad Festive Fifty for 2011 – a collection of the fifty songs I have been enjoying the most this year.  The fifty themselves and the precise order can hardly be described as definitive of course, because you know how fluid things like ‘favourite’ songs can be, but roughly speaking this is the stuff I have been enjoying the most in 2011.

Just as a note, in order to make it a broader representation of the bands I’ve liked the most, I have made it harder and harder for bands to have a song featured on the list the more they already had on it.  So a band’s second song got a relatively free pass, but their third would be nudged down a wee bit, to try and encourage variation and stuff like that.

31.Anna-Anna – Mirrors of America I’m aware there are very few women represented on this list, and a lot of those who are seem to share the ghostly, incredibly still delivery, albeit in a more folky setting, with Anna-Anna.

32.Sonny and the Sunsets – Home And Exile I could have half of this album on here, but this one always stood out, as a gem of retro, slightly woozy pop.

33.Quiet Americans – Summer House Straightforward lo-fi garage stuff this, but a hugely, hugely hummable tune.

34.TV Girl – Benny and the Jetts Simple and enjoyable summery pop, but another one so hugely infectious you simply can’t stop humming it.

35.Yoofs – Sidewalk I love the guitar effect, the riff, the energy, everything.  Keep an eye out for this lot on the brilliant Art is Hard Records in the new year.

36.Zed Penguin – This Town A bit of a departure for an Edinburgh band, this. I think my favourite part might be the gorgeously tremulous guitar sound Matthew gets from his hand-built amp.

37.David Thomas Broughton – River Lay On an album as good as Outbreeding it takes an awful lot to stand out, but this does.  For someone who can be a little obtuse, this is such a warm, welcoming record and this track epitomises it as well as most.

38.Evil Hand – Returned In Time These guys don’t exactly push themselves forward, and their releases can be a little erratic, but when they nail it their songs are as good as anyone in Scotland at the moment.

39.Powerdove – Sickly City Ghostly, slightly disorientating, and hypnotic.  This is possibly the finest song on an album which makes a gorgeous job of using minimal instrumentation and glacial pace to turn those three characteristics into a truly beautiful album.

40.Emit Bloch – Dorothy (New Version) Given how much I loved the gorgeous acoustic version of this song which I heard last year, it’s almost inconceivable that I should then also love a big glossy pop version too.  But I do.  Good songwriting, it seems, trumps even my lazy habits.

41.The Honey Pies – Hair of the Dog Boisterous and enormous fun, this album is a gleeful romp through rock ‘n’ roll cliches, but done with such verve that you can’t help but enjoy it.  This is a bit of a Clash throwback, the most raucous song on the album and probably my favourite.

42.The Low Anthem – Ghost Woman Blues After the genius of Boeing 737, The Low Anthem show they can have just as much impact at the opposite end of the spectrum with this gorgeous ballad.

43.Loch Awe – I Will Drift into 10,000 Streams For a band who do things I like and things I don’t, this demo came out of nowhere a few months ago, and I love it.  The slow drum beat, the really sparingly used electric guitar, the way the two voices work together… fine work!

44.The Blue Runes – Stream For me to get into a classic/psych rock EP made by a band from Puerto Rico wouldn’t have been a particularly great bet at the start of the year, but The Blue Runes released a brilliant EP, and this track is probably the biggest track on it.

45.Adam Stafford – Shot-down You Summer Wannabes A cracking song by a guy whose music I only got into embarrassingly late in the day, considering how long ago his debut solo album was released.  Nevertheless, a couple of storming live performances did the trick, and I am now entirely converted.

46.Horsecollar – Christopher A jaunty little piano line stands out immediately, but the rest of this song is bloody great too – a presumably unheard monologue delivered to a friend, and a stand out on a fine album.

47.Timber Timbre – Creep On Creepin’ On A gorgeous song on a gorgeous album.  This record is a little more approachable and a little less creepy than the last, and lush, lovely songs like this one are the reason.

48.Lady Lazarus – Nazarite Oath Ghostly, unsettling and lovely at the same time, this has a lot in common with the excellent Powerdove.

49.Silverbacks – Atta Boyz Simple this one: a cracking pop tune, good riff, and extremely hummable.

50.Pet – What You Building Another song which came as a bit of a surprise, given Edinburgh doesn’t generally do this kind of music all that well, but this is lovely.

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1-10 | 11-30 | 31-50

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Song, by Toad’s Albums of the Year 2011: 11-20

 Right, all the amateurs have had a go, and we’ve seen disturbing amounts of Bon Iver and PJ Harvey on lists from Bradford to Boston this year, but it’s time for those of us who really know what’s good and what isn’t to step up and set the record straight.

This, ladies and gentlemen, is the definitive list of what’s been good this year, so you can all stop pretending to care what Drowned in Sound or Pitchfork think, and find out what you should really be thinking about music.

That’s all bollocks of course, and I am not stupid enough to believe that my list is any better than anyone else’s (apart from not having PJ Harvey, Bon Iver or Fleet Foxes on it of course), this is just a list of what I have been enjoying the most in 2011.  As I’ve been listening to a lot of DIY garagey stuff, I’ve actually listened to an awful lot of EPs and mini-albums and stuff like that, so I’ve been pretty loose with my definition of what an album actually is, so you might well think a couple of these picks are cheating a little bit.

 20: Horsecollar – You’ve a Big Heart, Sweet Tiger For a DIY pop album recorded on what appears to be the tiniest of budgets, this record more than makes up for its technical shortcomings by having charm, wit and pathos all engagingly interwoven to produce an album which is both hummable and incredibly likeable.

Horsecollar – Courtland Street

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  19. John Knox Sex Club – Raise Ravens I actually think this record is slightly uneven, which may enrage a few people I know who think it is entirely brilliant.  When these guys hit the heights, though, they are absolutely spellbinding, both on record and live.

John Knox Sex Club – Katie Cruel

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  18. The Quiet Americans – Medicine Alright, alright I know that I suppose I should strictly call this an EP, but I told you I was going to be a bit loose with that particular definition on this list.  I bought this on tape a month or two ago and it has hardly been out of the van stereo ever since: simply awesome pop tunes, and that’s why it’s on this list.

The Quiet Americans – Be Alone

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  17. Edinburgh School for the Deaf – New Youth Bible These guys have rather inevitably gone a little quiet since they lost a guitarist to the charms of London earlier in the year.  Nevertheless, before he left, they fortunately found time to crank out this ambitious, epic bit of grumbly shoegaze.

Edinburgh School for the Deaf – Love is Terminal

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  16. Dirty Beaches – Badlands This is perhaps the pinnacle of my fad for unlistenably muddy recordings, which has rather dominated my listening this year.  It’s murky as fuck, but there’s something enthrallingly obtuse about it at the same time which, even months later, I still can’t put my finger on exactly.

Dirty Beaches – Sweet 17

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  15. Powerdove – Be Mine This is an incredibly beautiful record of wonderfully constructed music.  A combination of the skeletally minimal arrangements and the whispered, barely audible vocals just draws you in, to the point you’re almost staring at the stereo.  Also, unlike a couple of other albums which employed this approach this year, it is short enough and varied enough to be constantly engaging from start to finish.

Powerdove – Impact

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  14. Former Bullies – Golden Chains Former Bullies have been around for a good few years now, and I am admittedly rather late to the party.  They are part of a Manchester scene which I have really, really enjoyed exploring this year, and this album couldn’t have been better timed.  It’s as lo-fi as a lot of their contemporaries, but less garagey or loud, opting more for a laid back pop vibe instead.

Former Bullies – Golden Chains

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  13. Earth Girl Helen Brown – Story of an Earth Girl The first song I heard from this release dazzled and thrilled me in equal measure.  Following up on how the record came about introduced me to Sonny and the Sunsets, to The Sandwitches, to the 100 Records project, to Endless Nest and Empty Cellar, and was as such probably the single most effective mp3 emailed to me by a PR person since I started the blog.  And as for the album/mini album/EP/whatever itself, well it really is just fucking brilliant.

Earth Girl Helen Brown – Hit After Hit

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  12. FOUND – Factorycraft It’s hard to tell what I actually think of this album.  I’d already danced like a fool to most of these songs so many times by the time the album came out, that it felt entirely familiar pretty much from the word go. But we had friends visit recently, and played them this, and it was the act of playing it to people entirely unfamiliar with the band that I remember exactly how good this record is. It is straightforward indie, by FOUND’s standards, but by anyone else’s it’s a really fascinating pop record, full of surprises and weird bits, but still, crucially, hooks as well.

FOUND – I’ll Wake With a Seismic Head No More

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  11. Sonny & the Sunsets – Hit After Hit This is one of those titles which almost entirely sums up the record itself: one pop gem after another.  I described it in my review, if I remember, as ‘Hill Valley 1955 doesn’t give a fuck’ because it is an odd combination of soda pop funtimes and a weird, slacker undertone which is maddeningly hard to pin down. Neverless, with tunes like this it can be what it bloody well wants, because this album is excellent.

Sonny & the Sunsets – Heart of Sadness

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Friday Will Be Fudging About on Fresh Air Again

 BUT DON’T WORRY!  After last week there will be no surprise eighties bonanza, just good old whinging indie pish, as you’ve probably come to expect these days.

After the radio show there will be a bite to eat, and then a slow slide into oblivion as I go from Collar Up, Sparrow & the Workshop and Meursault at Cabaret Voltaire to the Gerry Loves Records Christmas Party at the Banshee Labyrinth.  It might get messy.

On air from 3:30pm UK time – listen live here.

Also, yesterday I dropped off some Toad merch at a new Christmas popup shop on St Leonard’s Street, in the Studio 203 Gallery.  If you’re heading out of town past the Pleasance, it’s a couple of hundred metres further out, opposite the Lismore Rugby Club, and there’s a map here, if that doesn’t ring any bells.

Normally an arts studio, I believe, the gallery is now full of all sorts of really nice handmade bits and pieces, as well as releases from some of Scotland’s best independent labels, in the music room through the back.  Well worth a visit, I reckon.

Anyhow, in the meantime, delurk, come out of hiding, bother your arses and complete this Friday’s five stupid questions:

1. Have you put any thought into your top albums/songs/etc lists for 2011 yet?
2. At what date is Christmas officially allowed to start being mentioned, in your view?
3. Next film you’re likely to see.
4. Favourite thing to do with snow.
5. Artistic skill you would learn if you had the time/inclination/talent.

And again, as per usual, the playlist for the radio show will appear below once we go live at around half three this afternoon.

1. The Fall – Two Librans
2. Liars – Scissor
3. Deerhunter – Nothing Ever Happened
4. Washed Out – Eyes Be Closed
5. Collar Up – The Boatman
6. Spook School – Are You Who You Think You Are?
7. Jetskis – Moonlight Kawasaki Ride
8. Quiet Americans – Summer House
9. Dead Rabbits – Make Me Believe
10. Robin Grey – The Hackney Gentrification Song
11. Video Thrills – Sports Park USA
12. Trapped in Kansas – Happiness is an Allegory, Sadness a Story

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Toadcast #202 – The Saxcast

 First things first, I must inevitably apologise for the horrendous lateness of this podcast.  Between my mum visiting, the gig on Sunday and the Samantha Crain Toad Session we recorded on Monday there just hasn’t been enough time to catch up.

It’s that end of year time, too, when lists are being made, accounts submitted, the last releases of the year tended to and plans for next year being finalised, so just when I thought that I could coast into Christmas, it turns out I actually have just as much work now as at any other time of the year.  Ah well, whinge whinge, etc.

This podcast is called the Saxcast because I happened to be listening to Timber Timbre the other night, and one of their songs features the saxophone quite heavily.  It occurred to me at the time that not only does almost no-one use that instrument at the moment, but despite the eighties ending over twenty years ago, it still seems almost completely taboo, within the kind of musical circles I move in anyway.  Needless to say, this was all it took for me to devote an entire podcast to the instrument.

Direct download: Toadcast #202 – The Saxcast

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01. Bruce Springsteen & the E-Street Band – It’s Hard to Be a Saint in the City (Live) (00.27)
02. Timber Timbre – Do I Have Power (09.02)
03. Quiet Americans – Summer House (16.54)
04. Samantha Crain – Two Sidedness (20.02)
05. Hazel O’Connor – Will You (25.09)
06. Woodenbox – Twisted Mile (33.42)
07. Monster Rally & RumTum – Raindrops (39.53)
08. My Tiny Robots – Guild of Defiants (42.37)
09. David Tattersall – The Typewriter Ribbon (47.51)
10. Mark Knopfler – Going Home (Theme From Local Hero) (58.30)

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Quiet Americans – Medicine

 Awesome: fun, pacy, hummable and with a good fucking sense of crash and rattle to it. Yes, more lo-fi garage rock, but you know what, as much of a cliche as it has become on these pages I still fucking love this stuff.

The Quiet Americans are not overly rough or too distorted though and, despite the fuzz, there is a real lightness to this music which just made it instantly accessible for me.  I remember my last real fad, similar to my current one for lo-fi stuff, and it was probably that sort of mental gypsy/carnival folk that was quite big a few years ago.

I think what I liked about it was that there was just a sense of exuberance about the music – a real sense of fun. I listen to depressing music most of the time.  In fact, I love wallowing in rich, deep, sad stuff, playing the slow songs nice and loud and really letting it wash over me.  As such, I suppose I need a counterpoint, and for me at the moment, it is lo-fi garage rock.

The songs on this are pretty simple.  There is a riff, a couple of choruses, a really clear, simple, energetic rhythm and the whole lot is played with an infectiously joyful energy. That’s it.  The riffs and choruses are catchy as hell, the fuzzy guitar and tape wobble give it a really carefree, ramshackle feel, and the occasional use of wailing organ gives it a nice dreamy atmosphere here and there too.

Falling is the only song I thing doesn’t quite fit, with the chorus feeling just a little too close to cliche for me, and never quite igniting that singalong instinct, but the rest of this is just plain brilliant fun. You can buy it on tape or download here, and I strongly recommend it.

The Quiet Americans – Summer House

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Toadcast #201 – The Cakecast

 Cakecast? Yes, the Cakecast, because I turn thirty-six today, and in the absence of a real cake and in honour of the fact that I have a gig tonight at the Wee Red and will hence be working, I decided that at least a picture of some cake was in order. I don’t worry about age particularly, but I have to confess that thirty-six sounds suspiciously more like ‘nearly forty’ than it does like ‘thirty-something’.  Curse you time and your unrelentingly linear nature!

Anyhow, as I said, tonight we have Gummy Stumps, Weird Era and Battery Face at the Wee Red Bar for a fiver, so those of you wishing to come along and help me get pished and make a fool of myself will have plenty of opportunity to do so.  A can of Red Stripe will do the trick, there’s none of your fancy micro-brew pish at the Wee Red.

Direct download: Toadcast #201 – The Cakecast

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01. Clem Snide – Happy Birthday (00.16)
02. The Quiet Americans – Be Alone (07.10)
03. Bottle of Evil – The Boatman (11.52)
04. Tropic of Cancer – Distorted Horizon (15.55)
05. Islet – This Fortune (21.20)
06. Samantha Crain – Traipsing Through the Isles (Daytrotter Session) (29.54)
07. Bos Angeles – Beach Slalom (35.16)
08. Ghost Outfit – I Was Good When I Was Young (38.11)
09. The Sleepy Jackson – Tell the Girls That I’m Not Hanging Out (49.29)
10. The Louche FC – Hands (56.42)

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