Song, by Toad

Posts tagged raveonettes

Matthew Young

The Raveonettes

Raveonettes

I’m not sure how popular these guys are at the moment, but The Raveonettes slowly seem to be turning into one of those consistently good career bands. They’ve never really repeated themselves, they’ve shown endurance when so many of their contemporaries have vanished, and although they rarely hit the giddiest of heights, they seldom disappoint.

At the moment, instead of an album, they’re in the process of releasing a series of EPs, including a dreaded remix EP. This approach is something I really like because I’m a big fan of the EP; between four and eight tracks is about what I’m into at the moment.

They’ve moved on from their distorted rock ‘n’ roll, and now seem to be applying the Raveonettes treatment to eighties synth-based indie. It’s all been butchered, ground up and fed back, so it’s far from a pastiche but they definitely do seem to enjoy embracing a style wholesale, and then completely perverting it.

I won’t come out and say that the Raveonettes are my favourite band in the whole world, nor that this is the most staggering piece of work anyone is going to produce this year, but it’s another good, solid effort by a band I have never really stopped liking. Perhaps their early stuff was the most feral and the most gripping, but since then they have consistently challenged themselves and consistently evolved, all the while generating good records which seems to be far harder than you would think, when you look at how few groups seem to be able to manage it.

The Raveonettes – Way Out There (from Beauty Dies)
The Raveonettes – The Thief (from Sometimes They Drop By)

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Matthew Young

Toadcast #27 – Europop

Toadcast Tag

Well, perhaps Europop isn’t quite the right term. Eurindie perhaps. This podcast is stuffed full of splendid tracks from the rest of the European continent which we, as marvellously parochial and narrow-minded Brits, seem to forget exists half the time.

I have no real idea how much this music actually intersects with any of the local scenes to which it might belong, but it is certainly nicely in tune with the British scene as I know it at the moment. Scandinavia is inevitably rather over-represented, but I have managed to track down a Belgian, a little Dutch and something (tangentially) Italian to throw into the mix as well. And a special secret bonus surprise for right at the end, but wait for it patiently and don’t ruin it for yourselves by peeking.

The big thing I can’t get over is just how much I had to leave out of this podcast actually. I’d lazily assumed that it might be a little tricky to fill an entire playlist, but I could just as easily have filled two. So don’t whinge about what’s not on there, because I know, I know!

Toadcast #27 – Europop

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01. The Divine Comedy – Europop (00.06)
02. Mikrofisch – The Kids Are All Shite (05.52)
03. A Classic Education – Stay, Son (10.40)
04. Wolfkin – These Are Illusions (14.14)
05. Tafra – Cheesy Epic View (19.47)
06. Kottarashky – Chetiri (21.32)
07. Teitur – Catherine the Waitress (29.40)
08. Jens Lekman – No Time For Breaking Up (35.44)
09. Shout Out Louds – Parents’ Living Room (40.01)
10. The Tellers – Hugo (45.34)
11. Cats on Fire – Born Again Christian (49.47)
12. Yann Tiersen – Ginette (57.21)
13. Air – Alpha Beta Gaga (61.44)
14. The Raveonettes – That Great Love Sound (70.33)
15. Die Ärzte – Quark (73.41)
16. Bettie Serveert – I’ll Keep it With Mine (77.19)
17. Snake & Jet’s Amazing Bullit Band – Doom City (82.46)
18. Röyksopp – Remind Me (87.36)
19. Sigur Rós – Untitled (Álafoss) (90.50)
20. Snapline – S2 (102.59)

And here are a couple of songs which didn’t quite make the cut:
Teitur – We Still Drink the Same Water
The Teenagers – French Kiss
The Raveonettes – Here Comes Mary
Blood Music – Eagles in the Water
Hello Saferide – If I Don’t Write This Song Someone I Love Will Die
Tafra – I’m Sorry Brakne-Hoby

Matthew Young

Toadcast #21 – The Lurvecast

Toad Valentine

Greetings and Happy Valentine’s day my little Toadlings. Wait, what’s that? You hate Valentine’s Day? Loathe it in fact? Would dearly love to nuke fucking Hallmark and every last shitty little shop peddling their tawdry baubles and meaningless rubbish that serve no purpose other than to defile the pure concept of true love and disrespect the dignity of the un-mated?

Good. Me too. In fact, us too, for the wildly popular (grumble, sulk) Mrs. Toad is back to do the great Valentine’s anti-podcast with me. To bitch and moan, to get side-tracked, to ramble and to poke pointed sticks in the side of the great marketing behemoth that the most shallow and meaningless of public celebrations has become. If you do not like Valentine’s Day very much, then this is the place to be.

Toadcast #21 – The Lurvecast

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01. Nirvana – Where Did You Sleep Last Night? (00.23)
02. The Velvet Underground – Femme Fatale (08.06)
03. The Raveonettes – Little Animal (10.57)
04. R.E.M. – The One I Love (13.57)
05. Half-Man Half-Biscuit – Paintball’s Coming Home (20.54)
06. The Pierces – Boring (25.43)
07. (The Real) Tuesday Weld – Terminally Ambivalent Over You (31.03)
08. Shane MacGowan & the Popes – Her Father Didn’t Like Me Anyway (34.41)
09. The Wave Pictures – When I Leave You For Somebody Else (38.30)
10. Pulp – Pink Glove (45.33)
11. The Raincoats – Don’t Be Mean (50.15)
12. Rufus Wainright – One Man Guy (59.34)
13. William Shatner – Ideal Woman (66.34)
14. The Sequins – Nobody Dreams About Me (71.45)
15. The Smiths – Please, Please, Please Let Me Get What I Want (77.31)
16. The Walkmen – Don’t Forget Me (82.58)
Feeding BritCaster.com

Matthew Young

The Raveonettes – Lust Lust Lust

Lust Lust Lust

Either this is the easiest or the trickiest review I’ve ever had to write, which may be why it has taken so long.  Basically, The Raveonettes have produced another album that sounds a lot like The Raveonettes, one that splits the difference between the slightly too soft Pretty in Black and the occasionally too distorted Chain Gang of Love.  It is not in any way earth-shattering but all in all I think it’s probably a good thing.  I quite like The Raveonettes.

As to exceptional, well Chain Gang of Love was absolutely blinding in parts, although a little uneven.  Pretty in Black, which I was hugely excited about, was something of a disappointment as the 50s rock ‘n’ roll became, at times, a little too dominant in comparison to the scuzzy, growling garage guitars.  My Boyfriend’s Back and Love in a Trashcan are really pretty rotten songs, but as much as I don’t love it, I found myself slowly coming round to that album.  Now I would happily volunteer that there are some really, really good songs on it.

So while Lust Lust Lust is a welcome return to the more frenzied sexual repression of their early work, at the slight expense of the doo-wop (the whole album sounds like some outrageous pervert has slipped his hands up the skirt of the Grease soundtrack and had a good rummage) it still isn’t knocking me out.  After my experience with Pretty in Black, where the songs dropped into my consciousness one by one over the course of several years, I am loath to write this off however.  I love the sound of Sune Rose Wagner’s guitar – it sounds like he’s just deflowered your fifteen-year-old niece and is holding up her plain, wholesome panties as a trophy – and they manage to create a slightly malevolent, scummy and yet disarming atmosphere in their music.

It’s an unsettling mixture of the faux-naif old fashioned rock ‘n’ roll sound and the brilliantly snarling and distorted Jesus & Mary Chain guitars, and although I am not in love with this album, I am quite prepared to give it time to settle in.

The Raveonettes – Aly, Walk With Me
The Raveonettes – Dead Sound

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Matthew Young

Toadcast #15 – The Homeless Podcast

Toad FM

We are bloody well homeless, which is making it very tricky to record podcasts at the moment, so I apologise for the enormous wait since the last one.  I promise I’m not losing interest, it’s just been a logistical nightmare to find the time and space to actually sit down and record of late.  It takes a few hours, not least because my computer is depressingly slow, so please bear with me.

I’ve got a couple of new singles by The Indelicates and The National, as well as a couple of groups I’ve seen live recently, and then some more esoteric stuff towards the end including the highly uncharacteristic Nicole Atkins and a potentially naughty sneak preview of the new Raveonettes album.  Enjoy, Toadlings, enjoy yourselves all to pieces.

Toadcast #15 – The Homeless Podcast

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01. Dragons – Here Are the Roses (01.50)
02. Killing Joke – Eighties (08.28)
03. The Indelicates – Sixteen (13.42)
04. The National – Apartment Story (18.30)
05. Arcade Fire – Neighbourhood #1 (Tunnels) (21.51)
06. The Parish Music Box – Heavy Drinkers (30.40)
07. Rick Redbeard – Dreams of the Trees (35.45)
08. Loch Lomond – Tic (41.49)
09. Over the Rhine – Don’t Wait For Tom (48.10)
10. Ravens & Chimes – The House Where You Were Born (52.10)
11. Siberian – Islands Forever (59.27)
12. Ice Cream Socialists – Mr Crazy (65.42)
13. 586 – Rags & Tags (71.47)
14. Nicole Atkins – Brooklyn’s On Fire (75.03)
15. The Raveonettes – Aly Walk With Me (82.22)
16. The Sugars – Monsters (88.27)

Matthew Young

Limping About Like a Cripple

Walking Stick

Yes, I’m afraid so my Toadlings. I seem to have pulled a muscle in my back so at the moment I am shuffling about like I’ve just shat an angry porcupine.

It is, believe me, excruciating. I can’t even find a comfortable position to lie and watch telly, so god knows how the bloody hell I’m going to sleep tonight. Mind you, there I was feeling sorry for myself when it occurred to me that The Band had a splendid song called Up On Cripple Creek which, assuming a certain enjoyment of tasteless and slightly black humour (and let’s face it, you wouldn’t still be here otherwise), seemed rather appropriate.

The Band – Up On Cripple Creek
The Raveonettes – My Boyfriend’s Back Not the greatest song, but that ambiguous apostrophe was just too good to be missed.
Tom Waits – Walking Spanish If that’s what you want to call it.
Jackson Browne – Walking Slow
The Lemonheads – No Backbone

Matthew Young

Marks and Sparks are Paedos

Naughty Naughty

Firstly, for my non-British readers, who are Marks & Sparks? Well it’s short for Marks & Spencer who are a sort of lower middle-class British institution – the kind of department store that has been around forever and occupies a specially cosy place in our sentimental British hearts. It’s where more or less the entire country buys their socks and underwear, which should tell you all you need to know. They also have something of a reputation for their food, although I can’t honestly tell you why. I think that way back in the early days of pre-prepared foods theirs was a cut above the other crap out there, but I doubt that holds true anymore.

Anyhow, they’ve been struggling recently through being neither cheap enough to be bargain basement nor cool enough to be hip, and having a reputation as somewhere grannies shop. Jean-Yves somebody or other had a stab, before buggering off to turn the Millennium Dome into the sort of spectacular fiasco at which Britain truly excels. Now it’s the turn of a chap called, I believe, Stuart Rose to have a stab. This man is so unpleasantly wealthy that simply by paying proper taxes he could probably bankroll all the benefit fraud in the UK – but of course his accountants couldn’t have that – and he has set about making M&S cool again.

Part of this strategy has seen the arrival of pornographically breathy voice-overs in their adverts – some sultry tart pouting ‘Not just knickers, these are Emm and Ess knickers’. Honestly, she’s experiencing so much sexual pleasure as she says the words you assume the dirty bitch must be fiddling with herself even as she’s recording the advert. They’ve also applied this approach to food, embracing the recent ‘Mmm, even as I stir this souffle, you’re imagining me on all fours, giving you almost exactly the same look I’m giving you right now‘ style of gastro-porn brought to its trouser-tented pinnacle by the brilliantly filthy Nigella Lawson.

So, this weekend, Mrs Toad and I were watching an almost comically bad adaptation of Persuasion by Jane Austen and M&S obviously decided that the Jane Austen watching crowd was just their demographic so what should come on during the adverts but one of these dusky voice-overed (yes, I know that’s not really a word) Marks & Sparks ads. It was hilarious: ‘Mmh, succulent firm young stems… oooh, are you hard? lovely sprouting stems of.. oh this is getting me quite wet… oh firm young fleshy rods…’ All they were talking about was broccoli, as it happens, but I nonetheless was forced to excuse myself for five minutes for a quick one off the wrist in the downstairs bathroom it was all just so sexy. More to the point though, there was something disturbingly wrong in the juxtaposition of all this breathless moaning and the words being used – ‘firm, young, oooh..’ – to describe the produce in question. I’d imagine the adverts for imported twelve-year-old sex slaves from Thailand would sound much the same. ‘Oooh, tender young limbs. Firm, smooth flesh. Ahh, mmh… succulent meaty chunks..’ Oh no, that’s cat food

‘Not just anal fisting, this is M&S anal fisting.’

The Raveonettes – Little Animal This has the best opening line to a song. Ever.
The Raveonettes – Dirty Eyes (Sex Don’t Sell)
The Clash – Lost in the Supermarket