As this evening brings us yet another excellent Ides of Toad lineup at Henry’s (it’s starting pretty much now – run, you might make it!) I thought I should probably write out another one of those lists of upcoming stuff, just so it lodges in the back of your mind now, and then you can all flood down in your droves on the night, filling the bands with joy and making me an unspeakably rich man in the process.

Well, it’d be nice if at least a few of you came anyway.  This is where I feel I should insert one of those internet Safety Winks, just so you know I’m joking —>

Anyhow, we now have pretty much a gig every other week booked between now and the blundering behemoth of the Edinburgh Festival, which I fully intend to boycott in its entirety this year.  Honestly, whilst a couple of our gigs last year went pretty well, I’m not sure I can be fucked with the stress this time around.  Still, last year’s posters were pretty cool.

All tickets can be purchased either online here, or from Avalanche Records on the Grassmarket.

Tuesday 22^nd May
Henry’s Cellar Bar
Bronto Skylift, Lady North & Rollor

This will be pretty full-on, I think, with Rollor returning to Edinburgh to take on the combined frantic mentalism of Lady North and the Highlands’ most fearsome band, Bronto Skylift.

Friday 15th June
Venue TBC
PAWS, Dolfinz, Waiters & Sex Hands

For the launch of the split 12″ we are releasing with the above four bands, we are organising a mini tour of the UK (London, Manchester & Aberdeen as well) and getting all four bands to play.  It will be raucous and guitary and fucking ace.  And you can buy gorgeous clear turquoise vinyl at the gigs too.

Saturday 30^th June
Henry’s Cellar Bar
Milk Maid, New Fabian Society & OP

Milk Maid return to Edinburgh, with their second album pretty much finished.  I am very much looking forward to seeing them again. They are joined on the bill by hypnotic, shoegazey newcomers The New Fabian Society, and OP who are a mysterious concoction of members of North American War and The John Knox Sex Club.

Saturday 7^th July
The Queen’s Hall (tickets for this are from their website)
Meursault Something For the Weakened album launch, with Rob St. John & Jill O’Sullivan and Jenny Reeve

Meursault’s third album Something for the Weakened is now finished and ready to be prodded out into the world. Having worked with a stable six-piece for the last two years this is much more of a band record than previous albums. Support will come from label-mate and musical collaborator Rob St. John and long-time pal Jill O’Sullivan from Sparrow and the Workshop, who will be performing with Jenny Reeve.

Wednesday 18^th July
Henry’s Cellar Bar
Dolfinz & Fantasy Rainbow

Dolfinz are on the verge of becoming the Ides of Toad’s house band, and they’re back in July, bringing another two of the UK’s finest garage bands with them.  It will be loud and messy and awesome, as per usual.

Friday 27^th July
Henry’s Cellar Bar
Jo Schornikow (The Shivers) & Scott Rudd

Jo Schornikow from The Shivers, who just released More on Fife’s Fence Records, will be touring her solo material, along with the beautiful acoustic songwriting of New York’s Scott Rudd.

The PR blurb for this states the following: “BioFresh is a European Union project which is putting together the scattered pieces of information about life in our rivers and lakes, to better understand, manage and protect our freshwaters for generations to come.”

In essence, that’s all you need to know, I suppose.  This is a music blog, so I guess some of you will find this a compelling reason to investigate further and some will not. I hope you do though, because it looks like a very interesting project.

Rob St. John and FOUND‘s Tommy Perman were part of the team which put together the video above, however, and it’s so nice that I really did have to post it.  Click through to either the Vimeo page for the video itself or to the homepage of BioFresh if you want to find out a bit more.  And if you don’t then just admire the animation, the wonderful delivery of the poetry and the lovely grumble of the music in the video.

Shhhh! Sat 4 Feb 2012 – Rob St John from The Local on Vimeo.

Rob St. John’s album Weald was the first thing I ever worked on here at Song, by Toad Records and it’s safe to say we were all pretty chuffed with the response it got, and deservedly so. Rob is a real pleasure to work with as he is the kind of artist who just loves to create and keep busy, the fact he is a nice chap is an added bonus. We are releasing Weald on CD in a couple of months, and from someone who generally hates CD, it looks absolutely amazing. Rob has also been busy writing and recording new material. Here is a version of Stainforth Force he recorded for Shhhh! Festival and The Line of Best Fit.

 Song, by Toad Records hereby release into the world what we reckon is going to become an annual free sampler, mostly as a free download, but with a few CDs given to local record shops and available at gigs as well.

The sampler is a combination of things we’ll be releasing this year, mixed in with a couple of things from 2011 and interspersed with a few brilliant moments from the late Kenneth Williams’ reading of the Wind in the Willows. Snippets from this reading litter my own weekly podcast, and inspired the name of the label in the first place, so it seemed kind of fitting to pop a couple on here.

You can download this little parcel of digital fun from Bandcamp for free, and we are sending out a few to our favourite record shops to give away as well, so if you want a CD either come to a Song, by Toad gig in Edinburgh or go to a record shop.

Tracklisting:

02. So the Wind Won’t… by Jesus H. Foxx
I’ve been waiting for their debut album through two years of ‘nearly theres’, but it is finally finished, it sounds brilliant and will be ready for release on 14th May 2012.

03. Twitching Stick by The Leg
Formerly Khaya, then Desc, The Leg are veterans of several Peel Sessions and several releases already, but have agreed to release their next album An Eagle to Saturn with us. Coming out on 30th April, this is abrasive as fuck, but definitely still surprisingly poppy, considering.

04. The Acid Test by Rob St. John
We released Rob’s debut album Weald on vinyl last year, and the response was so overwhelmingly positive we’ve decided to give it a wider release on CD too. Rob being Rob, of course, he’s already planning to record his second album, probably in our living room again.

05. Sorry by Waiters
06. Teenage Bloom by Dolfinz
08. Gay Marriage by Sex Hands
On the subject of recording in our living room, the Waiters, Dolfinz and Sex Hands tracks are from a split 12” (which will also include hotly-tipped* Glasgow band PAWS) all of which was recorded almost entirely live in the living room of our house by myself and Rory Sutherland from Broken Records. It’s sort of a compilation of some of my favourite underground, garagey (and frighteningly young) bands, and we’ve just had it mastered, so it will hopefully be ready for release in late March or early April.

09. A Mother’s Arms (demo) by Meursault
It feels like we’ve been waiting quite a long time for the third Meursault album too, doesn’t it. Well it’s finally done, and we are looking at a release date in mid-July, with a release night pencilled in for Saturday 7th July in the Queen’s Hall.

10. School (Toad Session) by The Black Tambourines
We recorded a Toad Session with these guys last year and immediately offered to release something. I’m not sure what it’ll be yet – probably an EP in the Autumn I would guess.

11. Lay Me Down by Yusuf Azak
From his unspeakably gorgeous second album, due out in 2012 sometime, depending on when I get a final master.

12. That is a Big Door! by Trips and Falls
From their second album, People Have to Be Told, released in September 2011.

13. Dead Golden Girls by Lil Daggers
From their self-titled debut album, which we released on vinyl at the end of last year.

14. Pinkening by Animal Magic Tricks
This was recorded just after 2009’s stunning Cold Seeds album, which was a collaboration between Frances from Animal Magic Tricks, Pete Harvey and Neil Pennycook from Meursault and Kenny Anderson from King Creosote. There still isn’t what you could describe as a finished version, but I am not giving up hope because it is a gorgeous album, even just as it stands at the moment.

15. Pool Attendant by The Japanese War Effort
This is from 2011’s Summer Sun Skateboard, and we hope to release another mini-album with Jamie in the Autumn of 2012.

16. Blue Overcoat by Lach
From 2011 vinyl album Ramshackle Heart.

18. Movies and Magazines by King Post Kitsch
A free dowload from kingpostkitsch.bandcamp.com After a year in Glasgow, Charlie has moved back down to London, and after his awesome debut The Party’s Over in early 2011 I am eagerly looking forward to new material.

*Yes, I know I said ‘hotly-tipped’, but honestly, they are, I’m not just copy-and-pasting from The Big Book of PR Clichés.

Well, what a productive morning I’ve had, being all domesticated.  As Mrs. Toad and I have said before, we really need a wife for all this shit, because we’re both awful at it. Laundry just piles up in the corner of the bedroom until we literally have not one single item of clean clothing left.  Dishes just sit and stare accusingly at us from the sink.  Minor domestic DIY has been ignored for six years now, and counting.  Although I suppose DIY is supposed to be a Man Job, rather than a Wife Job, if we’re respecting our stereotypes here.

Anyhow, Brian, El and myself will be back on Fresh Air Radio this afternoon at 3:30pm with Song, by Toad’s Friday Fives, so please do tune in for some fine tunes, interspersed with tedious bickering. We’ll be adding to the playlist at the bottom of the page live as we go along.

Listen live here: on air from 3:30pm UK time.

And I appreciate the affection, but the cats have been showing an inordinate interest in my working day recently.  I don’t mind when they want to sit in my lap as I’m working through emails, although my legs do go to sleep eventually, but the trampling back and forth across the keyboard does get a little tedious.  I might as them to fill in this week’s Friday Fives themselves. Question 1: orwhgw90382509l;\’a/[g, Question 2: wgm9ic2i2p98p;q/ etc etc etc…

Nah, not really, it’ll be my job as usual.  So de-lurk, fill in your fives and then fritter away the rest of the afternoon talking shite.  Hey, if you’re typing you must be working, right?  They don’t know you’re just talking bollocks on the internet.

1. What is the worst touring band you’ve ever paid to see?
2. Which support band was so bad you couldn’t even enjoy the headliner?
3. How often do you arrive in time and actually pay attention to the support band?
4. Who are the most incongruous/later to become massive support band you’ve seen?
5. Who would you like to see being forced to support whom, as a lesson in humility?

Song, by Toad’s Friday Fives Fresh Air playlist:
1. Rob St. John – Domino (Acoustic Demo)
2. Rob St. John – Domino (Live at Retreat)
3. John Knox Sex Club – In the Ditch
4. SAUNA – Glitter Party
5. Elton Motello – Jet Boy, Jet Girl
6. Beirut – Elephant Gun
7. Beastie Boys – Body Movin’
8. Now Wakes the Sea – Propranolol
9. Adam Stafford – Shot Down You Summer Wannabes
10. Dead Prez – Hip Hop
11. LCD Soundsystem – Someone Great
12. Rob St. John – Domino (Album Version)

PUB!

 Assuming you are all boycotting Valentine’s Day which, let’s face it, you really should, we finally enter a week in Edinburgh where there are plenty of options for Superior Fun, after a longer than usual hangover from the Christmas period this year.

Limbo is back on Friday too, which is good news.  It’s not really my kind of lineup I must confess, but Limbo gigs are always good ones, so check it out here.

It’s also quite a Toady week as well, which is nice.  We have our first house gig of the year on Wednesday, which I am hugely looking forward to.  And then on Saturday the Ides of Toad return to Henry’s Cellar Bar, and Song, by Toad Records hero Rob St. John is also playing at the Banshee Labyrinth.

It’s an unfortunate clash, but both promises were made a long time ago, so there was nothing to be done about it, you’re just going to have to gird your loins and pick a favourite.

Tuesday 14th Feb: Akke Phallus Duo, Cat Hawed & Scrim at the Canon’s Gait.

The consistently excellent Powan Presents have a night of noise, found sounds and collage at the Canon’s Gait on Tuesday (forgive me if I get my genres wrong, I am not exactly an expert on this kind of music) and I guarantee you it will be better than awkwardly sitting in an ironed shirt at some restaurant which you don’t really like but is expensive enough to look like you made an effort while your other half wishes you could skip all the tedious small talk and just get to the shagging already.

Bacchus Frolicking In The Snow excerpt by Akke Phallus Duo

Wednesday 15th Feb: Randolph’s Leap & Molly Nilsson Song, by Toad House Gig.

Doubling as the album launch for Randolph’s Leap’s new release Randolph’s Leap and the Curse of the Haunted Headphones, this gig also sees Swedish Molly Nilsson popping up to play, after I was introduced to her music by some friends in Manchester. Please try and buy tickets in advance if you can (from here) because our house isn’t all that big and a bit of advance planning is a big help.

Randolph’s Leap – I Can’t Dance to This Music Anymore

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Friday 17th Feb: Ian Nagoski and The Family Elan at the The Pleasance Cabaret Bar.

This looks like being a very Eastern European/Levante flavoured psyche-folk event, with strong links archiving and field recording work.  Nagoski will be discussing as well as playing stuff from his new release To What Strange Place.

Saturday 18th Feb: The Ides of Toad present Chris Devotion and the Expectations, My Tiny Robots & Morris Major at Henry’s Cellar Bar.

Chris Devotion and the Expectations are launching their new album at Henry’s at the first Ides of Toad show for 2012.  They will be supported by Edinburgh’s My Tiny Robots and Edinburgh-via-Manchester band Morris Major. It’s all very indie, this lineup, with plenty of catchy guitars and eminently hummable choruses and should be great fun.

Chris Devotion & the Expectations – Tell the Girl

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Saturday 18th Feb: Rob St. John, Hiva Oa & Cheer at the Banshee Labyrinth.

Song, by Toad Records’ own Rob St. John returns to town to play what I believe is going to be a rather heavy, droney set at the excellent Banshee Labyrinth, accompanied by visuals, I think. Support comes from promising local band Hiva Oa, and Cheer, about whom I have to confess to knowing almost nothing.

Rob St. John – Sargasso Sea

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 Don’t ask me why I used a picture of Wayne and Garth on this post I just… well the roadies in their movies were the most memorable, and this post is about touring and stuff, and I couldn’t find a picture of a Wayne’s World roadie quickly so I thought fuck it.

Anyhow, two bits of news:

Meursault are touring the UK and Europe as Clap Your Hands Say Yeah’s main support. 

Rob St. John is playing SHHH Festival.

The latter won’t clog up the page with tour dates, so I’ll do that first. The SHHH Festival is a celebration of quiet music and film, with bands playing, a film about David Thomas Broughton and musicians soundtracking silent movies.  It’s on Saturday 4th February at the Gallery Cafe in London and is less than a tenner too, so get your tickets here.

Now, as to the former little announcement, Meursault have been very kindly invited to support Clap Your Hands Say Yeah on their tour of the UK, Ireland and mainland Europe at the end of the month.  I’m not sure what else there is to say about this apart from the fact that it’s fucking incredible news, and to thank Clap Your Hands for inviting them. All the ticket info and the like can be found on Clap Your Hands Say Yeah’s website, but I’ve included a list of the dates below for ease of browsing. The only gig Meursault will be missing will be the Paris date on the 15th of February (which I haven’t listed below anyway).

25/1/12 – Dublin, Tripod
26/1/12 – Cork, Pavilion
27/1/12 – Galway, Roisin Dubh
28/1/12 – Glasgow, SWG3
30/1/12 – Leeds, The Cockpit
31/1/12 – Norwich, Waterfront
2/2/12 – Manchester, Ritz
3/2/12 – Liverpool, O2 Academy
4/2/12 – Bristol, Thekla
6/2/12 – Birmingham, HMV Library
7/2/12 – Brighton, Coalition
8/2/12 – London, Shepherd’s Bush Empire
10/2/12 – Utrecht, Tivoli
11/2/12 – Brussels, Orangerie
12/2/12 – Copenhagen, Frost Fest, Bremen Theatre
14/2/12 – Berlin, Postbahnhof
16/2/12 – Munich, Theaterfabrik
17/2/12 – Zurich, Plaza Club
18/2/12 – Bologna, Covo Club

For this podcast I am joined by Ian, who is now a member of the Song, by Toad Records team, to go through a bit of a run-down of what’s going to be happening on the label this year.

We’ve got a couple of our more recent releases, like Rob St. John and Lil Daggers, as well as some of our confirmed and ready new albums for next year, by the likes of The Leg, Jesus H. Foxx and Yusuf Azak.

I’ve also got a couple of tracks from bands we’ll be releasing on a split 12″ in the Spring.  We’ll be recording that stuff in our house next week, so the songs we chose to represent those bands are for obvious reasons not the final ones we’ll be releasing, just tracks by the bands so you can get a bit of a flavour of what we’re up to.

With Ian on board and based on the good press we managed last year I am hoping we can really kick on with the label this year and make a decent impression.  Obviously the third Meursault album will  help, what with them being our most established band, but we have a good spread of stuff, from bands like Dolfinz with only a few demos to their name, to the likes of Yusuf Azak and The Leg who people know already and then the Foxx album, which has been ‘much anticipated’ for a while now.

So all in all it should be an exciting year, I reckon.  Enjoy!

Direct download: Toadcast #208 – Song, by Toad Records 2012

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01. Mongrels – I’m Gonna Murder Justin Bieber (00.21)
02. King Post Kitsch – The Make the Same Faces Whether Fuck or Fight (02.46)
03. Meursault – Flittin’ (locationmusic.tv Piano Version) (08.49)
04. Rob St. John – The Acid Test (17.59)
05. Lil Daggers – Dead Golden Girls (22.05)
06. Paws – Bloodline (Toad Session) (31.52)
07. Jesus H. Foxx – This is Not a Rental Car (40.31)
08. The Leg – Twitching Stick (43.00)
09. Sex Hands – Jinglebitch (51.56)
10. Dolfinz – Blowhole (55.36)
11. Yusuf Azak – Lay Me Down (63.12)

 Well, after last year’s neck-and-neck battle between Meursault and The National, this year’s Song, by Toad Readers’ Top Five Albums was something of a stroll by comparison.

Although the field behind this album was congested, King Creosote & Jon Hopkins’ Diamond Mine was a comfortable winner in the end.  Whilst I doubt this quite makes up for missing out on the Mercury Prize to P.J. Harvey, it’s interesting to note that after a very strong initial showing, she didn’t even make the top five of this particular list.  And you can bet your arse she won’t be on mine.

A wee nod must also go to King Post Kitsch.  Home field advantage, whilst I assume it must have some effect, doesn’t seem to behave all that predictably when it comes to these votes, because other than Rob St. John, no-one else from the label has managed to force their way onto the podium. King Post Kitsch did really well on both the song and album of the year votes, however, missing out on a place in the top five by a single vote in each case, which is really impressive for an album released so early in the year by a band who haven’t played a single gig in 2011.

=4. FOUND – Factorycraft A little like King Post Kitsch, I thought this album might suffer a little from being released so early in the year, but it seems long memories and awesome live shows have kept this bloody brilliant record at the forefront of everyone’s minds.  It made a very late run to get into the top five, but I am delighted you lot decided to vote for this one.

FOUND – Machine Age Dancing

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=4. Josh T. Pearson – The Last of the Country Gentlemen This is a long, morose and emotionally rather heavy album, which makes the impression it has clearly had on people a little surprising, as far as I’m concerned.  I mean, I bloody love it, but I didn’t necessarily expect everyone else to.

Josh T. Pearson – Country Dumb (Piano Version)

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=2. Rob St. John – Weald Well well well, once again, I’m not sure if I’m slightly embarrassed or highly gratified to have one of our own albums on here.  This whole thing was pretty much recorded in two days downstairs in our living room, and I knew that they were brewing something quite special.  Apart from the actual bits I heard, Tom, Neil and Rob were so giddy with excitement when they finished on the Friday night that you could tell something was definitely up – and up it most certainly proved to be!

Rob St. John – Sargasso Sea

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=2. Bill Wells & Aidan Moffat – Everything’s Getting Older It’s probably going to come across as a little hypocritical from someone who loved the Josh T. Pearson album, but I actually find a lot of the introspection here a bit suffocating, meaning I never really got into this record to the extent a lot of other people seemed to.  Still, it’s been bloody popular, so fair play to ‘em.

Bill Wells & Aidan Moffat – The Copper Top

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1. King Creosote & Jon Hopkins – Diamond Mine I am not entirely surprised that this won, but I have to say that I considerably prefer That Might Be it, Darling, if we’re discussing King Creosote’s recent output. That album has the tension and awkwardness which I think makes KC’s music so great, contrasting as it does with his incredibly lovely voice.  This record I just find a little smooth, if I’m honest.  KC for Guardian readers, I suppose.  The songs are exceptional, so I still enjoy the album, but I am not sure I’d have picked it myself.

King Creosote & Jon Hopkins – Bubble

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Ha ha no P.J. Harvey.

Well here we are again, with lists this time generated by yourselves rather than me.  With one exception none of these songs would have been anywhere near my personal Festive Fifty, and the one which would have made it is forbidden due to an obvious clash of interests.

It’s weird, but it does at the very least go to show that the idea of the blogosphere being just a great big mutual back-slapping exercise, with everyone telling everyone else just how awesome they are most of the time, isn’t entirely accurate.  Still, just because I am an opinionated fucker doesn’t mean I don’t want to be disagreed with – just the opposite in fact, because it’s generally much more fun.

Honorable mentions must also go to FOUND and Adam Stafford, who managed an awful lot of votes as bands, but not consistently for the same song, resulting in them missing out on the top five, despite having a lot of votes in total.

So, without further ado, I hereby present the Song, by Toad Readers’ Top Five Songs of 2011:

=3: King Creosote & Jon Hopkins – Bats in the Attic Despite being one of my favourite artists, and previous remix work by Jon Hopkins being some of my favourite KC stuff, this album didn’t personally grab me as much as it seems to have everyone else, but this is most certainly my favourite song on it.  I included votes for the ‘Unravelled’ version from their EP as well, partly because it only seemed fair, and partly because I too preferred it.

King Creosote & Jon Hopkins – Bats in the Attic

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=3: P.J. Harvey – The Words That Maketh Murder Alright, I’ll admit, I just don’t get P.J. Harvey.  She won the Mercury Prize though, she’s on every damn end of year list I’ve read, and some of my best friends and favourite musicians think she’s awesome.  So I guess I just have to shrug and let this one pass, and confess that I must just be missing something.

P.J. Harvey – The Words That Maketh Murder

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=3: The Twilight Sad – Sick This is a very good song, but I’ll admit it ain’t in my personal Festive Fifty.  They were fantastic at the Bongo Club a couple of months ago though, and I have really high hopes for the album.

The Twilight Sad – Sick

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2: Bill Wells & Aidan Moffat – The Copper Top The only song which came even close to giving the winner a run for its money. This is from another album which hasn’t really captured my imagination anything like as much as it seems to have with everyone else.  Nevertheless, of all the songs I heard on it I will agree that this was my favourite as well.

Bill Wells & Aidan Moffat – The Copper Top

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1: Rob St. John – Sargasso Sea Part of me thinks that this poll would look more genuine if one of our own acts hadn’t finished at the top, and part of me knows full well that if no-one had voted for any of our bands then I would have had a gigantic sulk to myself, so I guess there’s no winning, really.  And oddly enough, I might have picked Domino, Stainforth Force or maybe Vanishing Points ahead of this, if I were picking favourite songs from Weald. Nevertheless, this is a stunning record, and I am glad you voted for it, because I obviously can’t do so myself and it clearly deserves some sort of bloody recognition!

Rob St. John – Sargasso Sea

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