Well I am Ruthless and bandless to begin this term’s broadcasts, so you’ll have to wait until next week for the first Toadly Fresh Air Session I’m afraid.

Having said that, however, I have a shiteload of excellent and very shiny new material to play tonight, so people wanting the pop hits are likely to be rather disappointed as there are few old favourites and lots of new demos which I am very much hoping will end up on albums before the end of the year.

Ruth will be back with me as of next week, but she’s currently nursing Michael H. Foxx, who is in hospital with the nasties.  So best wishes to both of them, but we’ll be back in the normal swing of things from next Monday onwards.

Live on Air 8pm-9.30pm – Listen live here.

Incidentally, if you know anyone who you would recommend for a live session, just get in touch in the comments or by email (see the contact page above).

This evening’s tracklisting (updated live):

1. Django Django – Storm
2. Liars – No Barrier Fun
3. Gobble Gobble – Lawn Knives
4. Robin Grey – I Love Leonard Cohen
5. Leonard Cohen – Avalanche
6. REM – First We Take Manhattan (Leonard Cohen Cover)
7. The Burns Unit – Since We’ve Fallen Out
8. The Van Allen Belt – The Way You Look
9. Trips and Falls – That is a Big Door!
10. Sarah Lowes – Night Time
11. Findo Gask – Full Five (Demo)
12. Yusuf Azak – Eastern Sun (Demo)
13. Meursault – All Creatures Will Make Merry

Meursault – Fresh Air Session

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Meursault – Love or Limb (Live on Fresh Air)

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Meursault – Untitled Triptych (Live on Fresh Air)

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Meursault – What You Don’t Have (Live on Fresh Air)

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Meursault – Heaven Waits (Live on FreshAir)

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When do the clocks go forward again? It feels like it should be soon, because the bite’s gone out of the cold, and you can see green shoots here and there on some of the plants, but I guess it’ll be a while yet, unfortunately.  Still, it’s actually light out when I leave work these days, which is a positive sign.

The post-Christmas gig lull seems to be slowly coming to an end as well, which is good news.  It’s actually a rather busy week this week, with the funs spread pretty evenly, instead of all clumping together on a single evening, as they have been wont to do of late.  How considerate of them.

Firstly, Frabbit are playing Cabaret Voltaire on Wednesday with Ross Clark and Dupec, but there’s little point making a fuss about that one seeing as it’s already sold out. I thought I’d mention it though, in case you’re the sort who can wangle guesties to this sort of thing.

Oh, and Song, by Toad is back on Fresh Air this evening, going live at about 8pm I think, but more of that later.  During the meanwhilst…

Monday 15th February 2010: Jesca Hoop, Run/Lucky/Free & the Wintergreens at Sneaky Pete’s.

There’s a touch of the alt-country power pop to this lineup, some of which strays outside my personal taste a little.  I was first introduced to Jesca Hoop by DC on The Waiting Room a year or so ago, and although I have not listened to lots of her stuff, I like the stuff I do know.  It’s a nice mix of influences, from old folk, to a bit of country, to radio pop and it’s all blended together very well. Maybe not for the sulkier indie kids amongst you, but still a good one, this.

Jesca Hoop – Summertime

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Tuesday 16th February 2010: Robin Grey at the Forest Cafe.

Robin Grey’s stuff doesn’t exactly demand attention – it’s not forceful or attention-seeking or anything like that – but it deserves it.  He is largely an acoustic singer-songwriter, although he’ll be playing with a band tonight.  I think the difference with Robin is in his confident, unassuming style.  He’s also a really strong lyricist so I definitely recommend taking the chance to see him play if you can.

Robin Grey – The Finchley Waltz

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Thursday 18th February 2010: Hexicon, The Just Joans & Cancel the Astronauts at the Wee Red Bar.

The third Gentle Invasion gig in about a week brings the easy acoustic pop of Hexicon to the Wee Red Bar, supported by The Just Joans, who must write the most Scottish lyrics of any band in the world, and indie-poppers Cancel the Astronauts.

The Just Joans – What d’we Do Now?

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Thursday 18th February at Cabaret Voltaire: The Mill with Ambulances and Carrie Mac, followed by Hot Club de Paris live at Sick Note.

There’s a lot going on at Cabaret Voltaire on Thursday with the excellent Ambulances bringing their easily-paced, old-fashioned indie to the Mill, alongside Edinburgh’s Carrie Mac.  After there will be Sick Note with Hot Club de Paris, who have kind of slipped off my radar in the last year or so.  They’ve a new album which is there or thereabout though, so this is probably a good time to catch up with them.  The new stuff on their MySpace sounds pretty good, so it’s all quite promising.

Ambulances – Come With Us

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Hot Club de Paris – 3:55am

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Friday19th February 2010: First Aid Kit & The Last Battle at Sneaky Pete’s.

Scandinavian ingenue Americana alt-folksters, with Edinburgh’s most upandcomingest folk-pop band makes for a pretty cast-iron lineup if you ask me.  This has been a long post though, and I am bored of writing about gigs, so to see what I make of First Aid Kit, just read my recent review of their album.

First Aid Kit – Hard Believer

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Robin Grey has been featured a couple of times before on Song, by Toad, largely because there’s just something I like about his voice, both in the sense of his singing voice and also in terms of the way he expresses himself as a writer.

There’s something of the pub open mic night act about him in a sense, and I can easily picture him fetching up at a nice boozer London, with his guitar case and a scarf and that wee hat of his, to play a few songs and have a pint or two.  I may be pulling this image out of thin air of course, but you never know.

I think it comes from the fact that his songs have that same kind of mild personal observational tinge which doesn’t seem to come from a painful place, but simply tells of the pedestrian pleasures and disappointments of an ordinary life.  And maybe that’s the key to it – it’s just an honest, normal, friendly record by a bloke who somehow just manages to seem like a really decent guy, such that you end up sympathising that bit more with his failures and being that bit more happy about his triumphs.

This is all delivered acoustically, with a bit of guitar, some banjo and the odd bit of violin here and there.  There are other instruments, but these are the ones which dominate.  Robin’s voice is easy on the ear to begin with, but is complemented on this record by female backing vocals*, something for which I have always had an tremendous weakness.

There are a couple of songs on this about which I am a little ambivalent.  Montreal and Ninety Days don’t quite do it for me, but tracks like Shakes and Shudders are absolutely gorgeous.  The female vocal isn’t used much on that song, but bloody hell it’s lovely.  I Love Leonard Cohen is also brilliant and is one of the songs on this record most characteristic of the description I gave above.  This is gentle, everyday stuff, and is the kind of album which you end up developing a real affection for, as I have.

Robin Grey – Younger Looking Skin

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Robin Grey – Shakes & Shudders

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Website | More mp3s | Buy from Bandcamp

*Looking at his MySpace page it could be any one of three, so I’m not sure who to credit.

Hello You.

This Wednesday 24th December (Christmas Eve, naturellement), at or around abouts 10pm GMT (USA: 2pm PST + 3pm MST + 4pm CST + 5pm EST; Europe: 11pm CET), splashed all over the interwaves via the usual birdshit splatter pattern, for your listening consideration, will be The Waiting Room Christmas Eve 3hr Best Of 2008 Round-Up Show.

On this very (quite, in this case, literally) Eve we, one half of Drunk Country & The Woman of The House, will be dishing out thoughtfully considered Gold Guitar Pick of Excellence ‘Awards’* to the lucky Nominee(s) what is found to be the Best Of in their particular category.

It’s almost like a real end of year music award’s show but with less drinking & no Gallagher brothers.

Below, then, is the list of Categories & Nominees, 34 Artistes + 34 Songs. We have rather cruelly (although this is clearly a cynical attempt at injecting some tension into the proceedings) refrained from listing the Nominees in the last 2 Categories. Those will be revealed on the night. Mwah, I believe, Ha Ha, indeed, Ha.

So, there you go.  This took us AGES to compile from thousands of songs listened to & playlisted over the whole of this past year. *PHEW* just does not cut it. 2008 was simply awash with brilliance, surprises, genius & plain old breathtaking musicalisation. Oh, & singing.

The list, then:

Best “What The Fuck Was That?!”

1) Celebrity Chimp – Celebrity Chimp

2) The Just Joans – Hey Boy… You’re Oh So Sensitive

3) Aidan John Moffat – Cunts

4) Eagleowl – Motherfucker

5) The Theatre Fire – Coyote

6) Joe Rodger & The Velcro Quartet – Suddenly They Realised…

Best Cover Versions

1) Robin Grey – There’s A Guy Works Down The Chip Shop Swears He’s Elvis (Kirsty MacColl cover)

2) Erlend Ropstad – 7 (Prince cover)

3) The Miserable Rich – Over & Over (Hot Chip cover)

4) Taken By Trees – Sweet Child O’ Mine (Guns ‘n’ Roses cover)

Best Contenders for a Bond Theme

1) Isobel Campbell & Mark Lanegan – Come On Over (Turn Me On)

2) The Last Shadow Puppets – In My Room

3) Get Well Soon – You/Aurora/You/Seaside

4) Hour Of The Shipwreck – Unclouded Eyes

Best Emotional Blackmail

1) Porlolo – Turning On Heels

2) Samantha Crain & The Midnight Shivers – Beloved, We Have Expired

3) The Dø – Stay (Just A Little Bit More)

4) Meaghan Smith – 5 More Minutes

5) Ane Brun – Don’t Leave

6) Plants & Animals – Bye Bye Bye

Best Pound Down The Back of The Sofa

Nominees 1-8 = a big fat question mark

Best Song of 2008

Nominees 1-6 = a bigger, fatter question mark

The podcast will be available, as we say, sometime tomorrow around 10pm (we have very limited access where we are headed for the holidays, so bear with us).

It remains only for us to wish every one of you all the very best this Christmas holiday & to remind you that our 3hr New Year’s Eve 2008 Jukebox show will be on (just like the title reads) Wednesday 31st December, from 10pm-1am GMT. See the New Year in with us, why don’t you?  (Yah, fucking right…).

Thanks for tuning in & listening. It’s been a heck of a year.

MC & a HNY,

½DC + TWoTH

*when we say ‘Awards’, what we really mean is  we will email a picture of a solid Gold Guitar Pick of Excellence – we’re not that unhinged that we’d actually fork out for 6 solid gold plectrums. Jesus, no.

Robin is, I suspect, not the only one. I really liked his recent album Only the Missile, and this appears to a rather lovely little inbetweeny EP. There’s a gorgeous atmosphere to Robin’s stuff that I can’t quite put my finger on. He has a deep, reassuring voice and a calming, unhurried delivery which seems to bring a familiar ease to his sound.

Add a splash of female backing vocals and was simply really nice becomes bloody gorgeous. This is EP is patchy, but the title track is a lovely reminiscence on the transience of music taste, and the pleasant self-indulgence of nostalgia. The cover of the superb Kirsty MacColl song There’s a Guy Works Down the Chip Shop Swears He’s Elvis is as good as the original, in an odd way. And then there’s Shakes & Shudders. Christ this is lovely. If I’ve heard a more intimate, weary song in ages I couldn’t name it: just fucking gorgeous.

I like the fact that he’s made this available under a Creative Commons license as well. It’s sort of brave, and far from clear-cut – I mean, where does this place blogs with ads? Presumably they can’t post it. I doubt Robin himself would have an issue with it of course, but it does highlight one of the inherent contradictions to which we in the blogosphere often turn a blind eye. So go here to download it, and to explore Jamendo, the Creative Commons-based music download site, which is a highly interesting idea in itself.

Robin Grey – Shakes & Shudders
And just because we all sincerely do love Leonard Cohen:
Leonard Cohen – Last Year’s Man

This is going to be a slightly equivocal review, I think. Robin is a new artist, and I always think twice if I’m going to be less than entirely generous about people you may never have heard of before.

What do I mean? Well I’m not entirely convinced by all of this album. There are a couple of tracks, most notably Somewhere, which are pretty unremarkable – I’m thinking Hugh Grant starring in another of those dismal Working Title romcoms of his, basically. Going to his MySpace page, there are a couple more like that, which made me a little nervous, I had to admit.

Associating these lapses with the rest of this album is easy, but really completely wrong. It’s actually a fabulous album for the most part, really it is: warm, melancholy, gentle, witty and just playful enough that the sparse instrumentation and generally slow pace never flirt with tedium. It has real life, this record, albeit a low-key, non-intrusive kind of life.

He plucks and rumbles along, in a most English manner, tells his stories in a plain and unpretentious way that is really personal and really engaging. By the end of the record you realise you’ve listened to the sort of music that feels like a relaxed night in with a good friend at the end of a tiring week. And you’re a bit drunk, but not too sozzled. And you feel a little sleepy, but in a nice, warm way. Things are fine, actually, aren’t they?

Bluesy and folky, with enough embellishment to add texture, but which never detracts from the gentle strum of the guitar and raspy, but not growling quality of his voice. It is minimal, but it’s not sparse, and it may be a bit DIY, but it’s not amateurish, and it may not grab you instantly, but it’s a really bloody good album.

Robin Grey – The Last Time I Saw David
Robin Grey – The Finchley Waltz
And one that’s not from the album:
Robin Grey – Shakes & Shudders

website (buy the album here) | hype | amazon on mp3 (only available in god bless america, I think)