Song, by Toad

I do try and avoid shilling for the label on this blog, because no-one wants to read a twice-daily sales pitch, but I reckon it’s okay to have a look forward at what we’ve got planned for the year.  That’s what the new year is for, really, isn’t it?

So I’ve got a nice big release schedule drawn up, just like real record labels do, and honestly it scares the shite out of me.  I can pretty much plan out my free time for the whole of the next twelve months just looking at it, but there are some great releases in there.

By the end of 2010 we are going to have a back catalogue to be bloody proud of, honestly, especially when you consider that we had only been a record label for about a month at this time last year.

That picture, incidentally, is a somewhat butchered (sorry Annie) version of one of four gorgeous photos on this blog taken of the two new Meursault 7″s.

Toadcast #102 – Song, by Toad Records

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01. Trips and Falls – We Were Like Strangers Today (05.30)
02. Maxwell Panther – My Ex-Identity (09.02)
03. Cold Seeds – Leave Me to Lie Alone in the Ground (17.19)
04. Jesus H. Foxx – This is Not a Rental Car (26.43)
05. Animal Magic Tricks – Smallish Hooves (29.35)
06. The Savings and Loan – Virgin’s Lullaby (36.36)
07. Inspector Tapehead – Sugar on Your Sheets (40.02)
08. Loch Lomond – Holiday (48.25)
09. Meursault – What You Don’t Have (Live on Fresh Air Radio) (58.34)
10. Nightjar – Sweet Annie Lee (66.56)

Before you break out into a cold sweat about having to sit through another list of the best albums of the decade, don’t worry, this is not one of those.  Although most of these songs would be there or thereabouts if I were actually compiling a favourite songs of the decade list, that’s not why they’re here.

Basically, rather than try and rank anything against anything else, all this is is a meander through the last ten years and me chattering about how my relationship with music has changed and what sort of stuff I was into at what times of my life.

Basically, this is the soundtrack to a perfectly normal, albeit enthusiastic, music fan’s descent into full-on deranged internet mania.

Toadcast #99 – The Decade

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01. Eels – A Daisy Through Concrete (04.09)
02. Goldfrapp – Pilots (10.04)
03. Grandaddy – The Crystal Lake (14.17)
04. Lift to Experience – To Guard and to Guide You (23.13)
05. Interpol – NYC (30.46)
06. Tom Waits – Kommienezuspadt (34.57)
07. The Decemberists – Red Right Ankle (40.41)
08. The Walkmen – The Rat (44.06)
09. The Mountain Goats – Dilaudid (51.20)
10. Broken Records – Lies (Demo Version) (57.07)
11. The Savings and Loan – Christmastime in the Mountains (64.11)

It’s been a while since we had an update on exactly what on Earth is going on at Song, by Toad Records, so I thought I might let you all know what our plans are for the rest of the year.  Partly for shits and giggles, partly because I am really excited, and partly as a desperate marketing ploy to wear you down by constant repetition into accepting that everything we ever release will be the best thing you have ever heard in the world.

It will be, you know.

So, in chronological order, here’s an brief outline of our release schedule for the rest of the year, although some of it is still a little undefined and a couple of things are still being negotiated.  We’ll be popping a label sampler in the Avalanche album club soon, so anyone subscribed to that will get a nice CD taster of what we’re planning to get up to between now and Christmas.  For the rest of you, that taste will come in digital form, below:

Jesus H. Foxx – Matter

We are planning a release party for their Matter EP on the re-opening of the Bowery in mid-September, but I told you all about this quite recently, so that’s all I’ll put in here.
Jesus H. Foxx – Trying to Be Good.mp3

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Loch Lomond & The Builders and the Butchers – Split 12″

This is being released in partnership with Matt from Bladen County Records.  We love both these bands anyway, and they were the most amazingly lovely people to hang out with when we were in Portland last year, and even offered to allow us to release this over here.  The muppets never sent me the artwork though, so I’ve used one of my own drawings, which I also really like.  And it’s our first vinyl release, which is just fucking exciting in itself.  The vinyl itself is just being made now, so it will be out in a month or so.
Loch Lomond – Elephants & Little Girls

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Maxwell Panther – Do You Feel Different Yet?

Maxwell’s recordings are rough as hell, but his songwriting is bloody great.  I genuinely don’t know what people are going to make of this, but I love it, so I decided not to second-guess myself too much.  I like it, so it’s being released.
Maxwell Panther – Tip of the Tongue (The Quiet One)

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Meursault 7″ singles.

We’re releasing two double a-side singles on white vinyl in the Autumn, with William Henry Miller Parts 1 and 2 paired with The Furnace and The Dirt & the Roots respectively.  The band are just putting the finishing touches to the new versions of the Williams Henry Miller, and we’re looking at release dates in October for these.  Meursault vinyl.  Fucking yes!

The Savings and Loan

The Savings and Loan are my friend Martin Donnelly and former De Rosa pianist Andrew Bush, and they self-released an EP of gloomy Scottish Winter music last year.  Currently they’re fleshing it out into a full album, and have specifically decided to release it in mid-November as that’s the season they think it suits the best.  And I think they’re right.
The Savings and Loan – The Virgin’s Lullaby

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Inspector Tapehead – Duress Code

The band are still working on this, but Jonnie has news to deliver when he plays his Trampoline gig on Saturday – which is where I first heard Inspector Tapehead, funnily enough, and Meursault come to think of it.  They don’t exactly work at pace, these lads, but I love the results so I don’t really care how it all comes to pass.  I can’t tell you much about artwork or release dates or anything like that, but I reckon this should be out by the end of the year too, hopefully.
Inspector Tapehead – I am Your Pedigree (There are supposed to be naughty words in this song.  Where have they gone, boys, eh?)

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Trips & Falls – He Was Such a Quiet Boy

This is far from certain just yet, and I don’t want to jinx anything, but I am talking to Jacob and the band about a UK release for what is pretty much my favourite album of 2009 so far, give or take a best guess here and there.  We’ll see what they say, but I would be fucking chuffed if they wanted to release this on Song, by Toad because I think it’s weird and brilliant.
Trips & Falls – How Do You Do

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Enfant Bastard

Cammy is erratic, I suppose, and I don’t love everything he does, but I do love a fuck of a lot of it.  In general though I reckon the moments of clarity far outweigh the times it doesn’t quite come together, and anyone who’s prepared to let the times when they don’t quite get it pass them by and wait a little for it to click is going to be rewarded. As with Trips & Falls, this is hardly a done deal, but I’ve told Cammy I’d love to release the next album he wants to really put out there, so I just have to wait and hope he takes me up on it.
Enfant Bastard – Landscape Painting is Easy

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I am going to be a busy, busy boy, it appears.

Well here we go.  The new year is yet to quite take hold or take off, but I promise you that things will kick back into gear this weekend.  There are some fine love shows appearing on the calendar, slowly but surely, and eventually 2009 will get going.  No rush though.

This Toadcast is a bit of a mix.  I’ve got some of this year’s favourites, I look back at some of last year’s favourites, and I also poke away at a couple of the bands I hope will make their mark in 2009.

In that sense, examining last year’s favourites makes a lot of sense.  I’m always curious about how well our fads and fancies bear up to the passage of time.  I’ve not been too fickle in recent years, which is sort of nice, so I don’t mind looking back like this.  There aren’t too many embarrassments to be had, so it’s kind of nice to take the chance to look backwards, look forwards a little and generally just take the opportunity to pause for breath and enjoy the new year.  As should you, toadlings, as should you.  Happy new year, folks.

Toadcast #52 – Let’s Go

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01. Bombadil – Cavaliers’ Har Hum (02.24)
02. Gerry Mitchell & Little Sparta – The Ragged Garden of Your Eye (08.57)
03. Aidan John Moffat – The Boy That You Love (12.19)
04. Mitchell Museum – Extra Lives (18.11)
05. The Savings & Loan – The Virgin’s Lullaby (24.36)
06. The Builders & the Butchers – When it Rains (28.06)
07. Elvis Perkins – It’s Only Me (34.30)
08. Mother & the Addicts – Are Others (38.21)
09. The Pictish Trail – Winter Home Disco (46.27)
10. The Low Lows – Dear Flys, Love Spider (54.49)

Fear not, this isn’t quite as horribly overbearing as it could have been. The ranting is actually fairly under control, and the self-important pontificating not quite as reckless as it could so easily have been, partly because I wasn’t quite as liberal with the gin as I have been in the past.

The reason it’s called the Popecast is because of this amazing little story about Catholics in the States issuing death threats to a kid who took a communion wafer out of the church with him.  The hilarious PZ Myers then got involved, threatening to show them what real desecration would look like, and the pandemonium reached all new levels of shrillness.

The thing that really got my goat about all this was not so much that Catholics took offence, but more the level of the hysteria and the language of persecution.  It was honestly described as kidnapping and as a hate crime by various loonies, and there was nothing like enough ‘Oh fucking grow up and get the fuck over it’ being said.  People seem to be seeking all sorts of odd legal protections for their crazy superstitions these days, and I am flabberghasted that a particular kind of idea is being so fucking mollycoddled as to be deemed immune from criticism and contempt.  Come on, people, fuck your religious convictions and learn to deal with the fact that most of the planet thinks they’re crazy – and that applies to atheists as well.

Anyhow, I promise this doesn’t take over too much of the podcast, and that the music is given plenty of space to breathe.

Toadcast #33 – The Popecast

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01. Half Man Half Biscuit – Vatican Broadside (00.07)
02. Beck – Profanity Prayers (02.27)
03. Punch & the Apostles – Nouveau Gypsy (10.20)
04. I Said Yes – The Town Crier (15.07)
05. Albert Hammond Jr. – GFC (20.47)
06. Bonnie Prince Billy – So Everyone (23.51)
07. Tom Lehrer – Vatican Rag (33.53)
08. The Savings & Loan – Catholic Boys in the Rain (37.12)
09. Derek Meins – The Gin Song (42.57)
10. Holly Golightly & the Broke-Offs – Devil Do (48.47)
11. Ghostkeeper – Solid Gold (56.02)
12. Forest Fire – Fortune Teller (60.44)
13. Silver Jews – Strange Victory, Strange Defeat (70.22)
14. Sparrow & the Workshop – Magic Tricks (77.55)
15. The Just Joans – Hey Boy, You’re Oh So Sensitive (79.43)
16. Roy Zimmerman – Ted Haggard is Completely Heterosexual (85.41)
17. Willard Grant Conspiracy – Evening Mass (97.16)

And just for the fun, here are the two silly songs for you to download:
Tom Lehrer – Vatican Rag[audio http://www.matthewjamesyoung.com/sbt/TheVaticanRag.mp3]
Roy Zimmerman – Ted Haggard is Completely Heterosexual[audio http://www.matthewjamesyoung.com/sbt/RoyZimmerman-TedHaggardIsCompletelyHeterosexual.mp3]

See what you make of this lot.  In the interests of full disclosure I have to confess that Martin is a mate of mine and a thoroughly nice chap.  That said when this CD arrived at my door it did so anonymously, the sly bastard, so I listened to it innocently the first time through and really liked what I heard.

It’s dark and grumblesome – music very much informed by January’s slate-grey Scottish skies as you look out over the Firth of Forth.  Generally delicate, despite the gruffness of the delivery, it has all the charm of a sensitive soul who never quite finds the words to express himself as he would want.  That’s just the atmosphere of the music though: gently strummed guitars layered occasionally onto thrumming pianos as Martin’s Leonard Cohen-esque vocal rumbles over the top.   The lyrics themselves are actually very evocative indeed.  This shouldn’t really be surprising as he’s apparently a published poet, which was news to me I have to confess, but it all adds up to very superior quality stuff for such a DIY project.

All in all, this music broods along beautifully and has Scotland written all over it for some reason.  Who’d have thought a fuckwit like me would have so many talented mates.

The Savings & Loan -  The Virgin’s Lullaby
The Savings & Loan – Swallows

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