Song, by Toad

Posts tagged slow club

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Live in Edinburgh This Week – 12th December 2011

Well if there’s any shit going down in Edinburgh this week I am not going to be there to enjoy it.  Not out of shame at having just used the term ‘shit going down’ as if I was a teenager in the nineties, but because my gigfuns will be happening in London and Glasgow this week.

Tomorrow I am in London to see Rob St. John and Neil from Meursault play at the Vortex, and then on Thursday I’ll be in Glasgow for the Fence Records Christmas party.  And funnily enough, with Detour, Frightened Rabbit and Jill O’Sullivan coming through to Edinburgh on the same night as the latter, it seems the two cities will be swapping musical populations for a week.

Then on Sunday we have a gig by three of the most promising lo-fi garage rock bands I’ve come across this year – Dolfinz, Joanna Gruesome and The Black Tambourines.  This will be a bit messy, but also really fucking loud and (mostly) tuneful!

Anyhow, I have a pile of things to tell you about this week, including something rather good on tonight, assuming you can get down to Leith in time…

[Edit:  balls, just going through my emails and realised I missed this: Plastic Animals, Trapped Mice and Supermarionation at the Wee Red Bar on Thursday 15th Dec. - sorry!]

Monday 12th Dec: Taperecorder, Hailey Beavis & Dusty Cut at the Shebeen Bar.

The Shebeen is in what used to be the Old Dock bar down near Commercial Quay in Leith, and this is the first of a series of nights of free music, which promises good things.  Leith has needed something like this since the Leith Tape Club went quiet at the start of the year.  Taperecorder also sound really interesting too, like either an indie, an experimental or a techno band, depending on what moment of what song you happen to catch.

Taperecorder – Gravel Mountain

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Friday 16th Dec: Papi Falso at Henry’s Cellar Bar.

Papi Falso is the perfect club for people who aren’t that into clubs.  The music is fucking awesome, and you can either go nuts on the dancefloor or lean at the bar and have a pint.  Guess which one I tend to favour?

Saturday 17th Dec: Kid Canaveral‘s Christmas Baubles at Summerhall.

This is another all-day Christmas shindig, with performances from the Canaverals themselves, eagleowl, Slow Club, Josie Long, Sweet Baboo and a pile of others, and is being held in pretty much Edinburgh’s most charismatic new venue: Summerhall. I’ll be there. You’ll spot me easily because I’ll be the really drunk one.

Kid Canaveral – And Another Thing!!

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Saturday 17th Dec: Fuzzy Star, The Oates Field & The Occasional Flickers at Sneaky Pete’s.

With Kid Canaveral already sold out, this is a fine alternative for those too slow to get tickets.  Fuzzy Star were excellent at the Ides of Toad earlier in the year, although I suspect this is likely to be a full band set, fleshing out the awkward acoustic introspection with a somewhat fuller sound.  The Oates Field make a cracking racket, and the Occasional Flickers do swoonsome indie-pop as well as anyone in Edinburgh.

The Oates Field – Nae Luck

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Sunday 18th Dec: Doflinz, Joanna Gruesome & The Black Tambourines play The Ides of Toad at Henry’s Cellar Bar.

I am really looking forward to this one.  All three bands play rough and ready, lo-fi garage stuff, but still keep enough tunes in there that you aren’t just battered with a racket.  This should be messy and loud though, and might well be my final gig of the year.

Dolfinz – Coral Reefer

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Joanna Gruesome – Madison

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The Black Tambourines – Bad Days

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Live in Edinburgh This Week – 19th September 2011

 Apart from the gig stuff happening this week, I will be on this panel in Glasgow tomorrow. It is about the use of social media in music, and although I am not entirely certain quite how qualified I am to give actual advice, I do notice for example that our social media-based stuff for the record label tend to yield a lot more interest than our mailing list, so I guess there are a few things to talk about.

And then on Saturday we’ll be recording a Toad Session with the truly awesome PAWS.  Quite how we’re going to get away with the enormous racket they make I have no real idea, but umm… well, we’ll see, won’t we.  Fortunately Philip sings quite loud, so hopefully we won’t just end up with drums in everything.

However, for those of you who care not for Toad Sessions, nor indeed for social media seminars, here are some more traditional musical diversions for you over the next seven days.

Monday 19th September 2011: Slow Club & The Last Battle at Cabaret Voltaire.

If you can’t enjoy yourself at a Slow Club gig it must simply be because you are incapable of fun and therefore not a very worthwhile person. Their tunes are infallibly catchy, the band themselves seem to have a brilliant time playing and they are also obviously incredibly nice people, and that makes their gigs even better! And for a band who perform with simply dual vocals, guitar and a very, very stripped back drum kit they don’t half make a racket when they want to.

Slow Club – Let’s Fall Back in Love

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Wednesday 21st September 2011: North Atlantic Oscillation, Miaoux Miaoux & Discopolis play Limbo at the Voodoo Rooms.

Another solid Scottish lineup from Limbo, who are approaching their fourth birthday as promoters, somewhat incredibly.

Saturday 24th September 2011: The Tidal Wave of Indifference presents Star Wheel Press, French Wives, The Douglas Firs and Lost Telegrams at the Wee Red Bar.

Stu from Tidal Wave of Indifference has slipped his head into the gig promotion noose, and I intend to be along to kick away the stool this Saturday. It’s an ambitious, four-band lineup with strong acoustic pop sensibilities running through it, but quite big sounds nevertheless.  Should be good, and I will be there!  Somewhat pished after recording the PAWS session, I would imagine, but there nevertheless.

The Douglas Firs – The Quickening

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South by So What?

So, erm, I’m back from Austin and trying desperately to grind out a day at Proper Job, after flying into Edinburgh at seven this morning and coming straight to work without even time for a shower.  My colleagues, particularly the ones who sit close to me, will no doubt be thrilled I made the effort.

So, how did Friday, Saturday and Sunday at SXSW go?  Well only Friday was much of a music day, to be honest, with not all that much on on Saturday in the first place and the revenge of the ten-day cumulative hangover destroying all energy for anything other than drinking Margueritas in the sun on Sunday.

Friday was a very good day of tunes though.  I got up at about two in the afternoon (I did this all the way through the festival, and highly recommend it as an excellent tactic for avoiding hangovers) and sauntered into town to catch the tail end of the Scottish Showcase at Latitude 30, and then scarfing some dinner with Peej, C&B and a stray New Zealand lady called Michelle and heading up to Antone’s for the evening showcase.

It seems to me that this is the best way to do SXSW, I reckon.  Instead of spending a pile of cash on a badge or a wristband, just catch a lot of the free day parties, and then pick one really good evening showcase and pay your way into to it for about fifteen dollars.  As long as you don’t particularly want to gig hop in the evening and don’t mind missing the odd thing here and there, this seems like the cheapest and most sensible tactic to me.  And when I say missing out on some stuff all I really mean is that you might have to compromise and see something merely excellent instead of truly amaaazing, so it’s hardly a tragedy.

At Antone’s we caught five bands: Plants & Animals, Basia Bulat, Quasi, Shearwater and Liars.  I’d heard talk of Plants & Animals before but never listened to their stuff, which is something I will be putting right asap, as they were really excellent – top guitar-bothering and loads of energy.  Basia Bulat was just boring, basically, and genuinely disappointing as I was hoping her live performance might help me see what other people see in her recorded material, but if anything it was even more dull live.

Shearwater – Landscape at Speed

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Quasi are a band I know nothing much about, but they were spiky and noisy and most enjoyable, and I know I was pretty wasted by this point but the two main attractions – Shearwater and Liars – were both brilliant.  Shearwater’s Jonathan Meiburg has always been one of the more impassioned performers you’re likely to see, and I really like their material as it is, so seeing the two combined has been an absolute treat both times I’ve seen them live.

Liars were equally furious, but present a somewhat surreal image, as a band.  Basically, they are fronted by a deranged Australian who, were he in a less well-establised band, would instantly be accused of being a cut-price Nick Cave.  The rest of the band basically just look like a rather young bunch of polite Manhattan design students – preppy and polite and like their conversation might be just slightly too pretentiously intellectual to be all that bearable.  The look of them is at such odds with the raucous, dirty noise they make that I spent the whole gig wondering just a little if someone was maybe playing a joke on me.

Liars – I Still Can See an Outside World

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Waking up (late, again) on Saturday I was rather shocked to find that Austin was fucking freezing, all of a sudden.  After two days of splendid sunshine this was something of a rude suprise, and after three nights of brutal drinking it seemed to knock the stuffing out of pretty much the whole festival.  C&B was up early enough to catch an excellent Wave Pictures and a rather jaded-sounding Slow Club at a day party, but we basically spent the day supping beers and shooting the breeze with Peej, Mrs. Peej and Mrs. Peej’s sister.

The bars were really nice, and confirmed my growing jealousy at the sheer number of excellent music venues Austin has at its disposal, most with big, wide, accessible stages and  really meaty sound systems.  Lucky fuckers.

Sunday was a lot warmer, but with little to no music on and even less will to seek it out, we basically spent the day wandering around on South Congress, eating breakfast tacos, contemplating the purchase of ludicrous cowboy boots and finally settling down to drink Margueritas in the sun.  I didn’t really suffer from hangovers because I generally slept them off, but by Sunday I’d lost any real drive to traipse around seeing bands, and a day spent chilling in the sun listening to Vic Galloway telling massively inappropriate jokes and erm… drinking even more Margueritas was a perfect way to bring the expedition to an end.

Trying to get yourself heard, as a band, above all the extraneous noise and attention-whoring must be a nightmare but for a music fan, provided you relax and don’t take the whole thing too seriously, SXSW is a pretty fucking brilliant festival.

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Toad on Fresh Air – 1st March 2010

So, finally some more sessions happening – this week we have Edinburgh’s most tippediest new band The Last Battle popping in.  There are something like seven of them, I think, so I hope they’ve either limited their numbers for this evening or I suddenly develop into a technical genius, because recording seven musicians with two microphones might prove to be somewhat tricky.

Ruth and I are still trying to think up a suitably hybrid name for the show.  Song, by Toad is basically my thing, and calling the show that rather underplays her role in it, so we thought we’d try and find another name if we could.

Last week’s suggestions included the Princess and the Toad and the current favourite: Toad on a Hot Tin Ruth.  Any further suggestions will be most welcome – please just pop ‘em in the comments below.

Live on Air 8pm-9.30pm – Listen live here.

I’ll fill in the playlist live below from 8pm onwards, so please come and say hello, shout mindless abuse or whatever else it is you internet people spend your time doing.

1. Clem Snide – Moment In The Sun
2. Amanaz – Sunday Morning
3. The Last Battle – Nature’s Glorious Rage (Live in Session)
4. Joni Mitchell – Carey
5. Slow Club – Lets Fall Back In Love
6. The Last Battle- Black Waterfall (Live in Session)
7. Dr. Dog – Shadow People
8. The Last Battle – Cutlass (Live in Session)
9. Hailey Beavis – In Any Case
10. Yo La Tengo – Yellow Sarong
11. The Beatles – Sexy Sadie
12. The Last Battle – Oh Best Beloved (Live in Session)
13. The Akron Family – River
14. The Last Battle – Soul of The Sea (Live in Session)
15. Lambchop – Every Time I Bring it Up it Seems to Bring You Down

Thanks people, see you next week for the Mammoeth session.

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Slow Club – Yeah So

Slow Club

I like Slow Club.  I love them live, I love their previous single and EP releases, and they are truly lovely people, but unfortunately I just don’t like this album very much.  It’s just sort of… sluggish, I think.

It’s taken me ages to review it because I just don’t know entirely what to say.  Large portions of the album have the full rock ‘n’ roll treatment and in doing this they seem to have lost a lot of the quirks which made them such a charismatic and idiosyncratic band in the first place.  Their sound does tempt this sort of approach.  Charles’ guitar has always seemed like it was stuck in the 50s (in a good way) and the whip-crack beat of the drumming and the use of boy-girl vocal harmonies makes the kind of music which can be added to pretty much ad infinitum.

This doesn’t really seem to benefit most bands, though, especially not when faced with their first full album and often their first proper, full-on studio project as well.  This is where a sympathetic producer who understands the music and who understands and gets on well with the band becomes crucial, particularly on a debut album where the band are often still inexperienced and in need of a little guidance.

Basically, I think this album should have been de-tuned slightly.  Having spoken to the band at Homegame, I get the impression they have perhaps thrown a bit too much at the recording, simply because toys were there to use rather than because they were compellingly necessary, and I also think the producer – or maybe not the producer, but someone at least – should have reigned them in a little.

The main issue though – and this might be the harshest criticism of all and I do not like making it – is that I am not all that convinced by the songwriting.  The highlights of this album for me are still the older songs like When I Go and the brilliant Because We’re Dead.  It Doesn’t Have to Be Beautiful is a cracker as well, and a couple of the slow songs are lovely.  But this just feels like an album which never quite gets going, one which lacks a real catalyst somehow, and never really catches fire.  I am really sorry to say it, but I think Yeah So is very disappointing.

Slow Club – When I Go

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Slow Club – It Doesn’t Have to Be Beautiful

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Slow Club Homegame Cock-Up

Slow Club‘s performance at the Fence Collective’s Homegame Festival last month really shouldn’t have surprised me, but for some reason it did.  I’ve seen them before, at another Fence event in Edinburgh’s Caves a couple of years ago, and I really like their Moshi Moshi singles, but for some reason I’d allowed them to drift somewhat from my consciousness; I really don’t know why.

When they played at the Anstruther Town Hall, however, I was reminded pretty sharpish.  They were sharp, energetic and bags of fun to watch.  It all just seemed incredibly natural, watching them perform, as if playing their songs was simply something they found as normal and everyday as brushing their teeth.  Where other bands had laboured, for instance, under the appaling sound conditions, running the full gamut from quietly disconcerted to openly irritated, Charles and Rebecca just laughed it off, played through it and generally made it seem like it was the most insignificant thing in the world.

This attitude breezes through their music as well.  Even their less lyrically perky songs are infected with a relaxed, bouncy enjoyment and they rattled through their set at a fair clip.

The band are from Sheffield, but where up until only very recently there was a fairly thriving alternative music scene, loosely based around entities like the Sheffield Phonographic Corporation label, now there is apparently something of a wasteland.  Consequently, Slow Club seem to have been adopted by a number of other groups, whilst not necessarily being an obvious part of any of them.  Their label, Moshi Moshi, brings something of a scene with them, and they also seem to have been somewhat co-opted by the posh-folk crowd which includes the likes of Johnny Flynn, Noah & the Whale and Laura Marling.  Then there’s their relationship with Fence, which now stands at two Homegame Festivals and a Fence Club.

Their music also doesn’t seem to quite belong in any such easy niche, though.  It thumps along, with plenty of rockabilly and old fashioned rock ‘n’ roll, but they seem to get lumped in with alt-folkies which, apart perhaps from some of the company they keep, makes no sense at all.

Their album, Yeah So, is basically finished though, and will be out in July so maybe then they will get the chance to make an impact on the UK music scene more in keeping with who they themselves are, rather than being pigeonholed by either the city of their provenance or the other bands who like them.  After their superb performance at Homegame, I am really looking forward to this record, and so should you be.

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The videos here are snippets from their Homegame set.  I actually recorded a whole interview with them while they were in Anstruther and, in the mother of all IT disasters, lost the fucking lot.  So my sincerest apologies to Charles and Rebecca, and to Debbie who set it up, but if you want to hear a proper interview with them then download DC’s podcast of his Waiting Room show for woxy.com, or alternatively go and check out Andy’s live Off the Beaten Tracks Session videos from the same day, as well as Dylan’s photos on Blueback Hotrod.  This must be a significant annoyance for professional music people actually, having to deal with an increasingly amateur music press, so I really am sorry.

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Fence Collective Homegame Festival, April 17th-19th 2009

I love Homegame.  Have I mentioned that before?

For the uninitiated, the Fence Collective‘s Homegame Festival is held once a year in the small fishing village of Anstruther in Fife (well, it used to be a fishing village but it seems to be largely touristy now – neighbour Pittenweem seems to be more of a working harbour).  A huge pile of Fence Records acts, bolstered by friends and neighbours, get together and play lots of gigs in the town halls, school halls and beer halls of the town, and about six hundred or so lucky punters get to go along.

There are a few things I love about this festival, so here are a couple, put as briefly as possible:
- Anstruther is small, so the festival itself has to be small, or the town wouldn’t be able to cope.
- Fence Collective music is fucking brilliant.  There will be no sets by the View, not even acoustic ones.
- It’s actually in a town, so if it pisses down you can just stay in the pub and not get wet.
- The bands themselves are all relaxed, friendly and as interested in seeing good music and getting plastered as the rest of us, which makes for a really nice, communal atmosphere.
- It’s in a seaside town so if you ever get all musicked out, you can pick up a paper, sit on the promenade and read for a bit.
- Did I mention the relaxed atmosphere?  It’s the nicest festival in the world to be at.

This year Mrs. Toad and I rented a couple of cottages in Pittenweem – we were too slow to get Anstruther – which ended up being absolutely full of bodies at the end of every gin-sodden night of debauchery.  And when I say full I mean full; every inch of floor and ever sofa or cushion covered with some passed out drunkard or other.  Fuck me it was fun. Read the rest of this entry »

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Fudge Yourself Five Ways From Friday

Tantrum!

In order to get into a good mood for this weekend, how about some reasonably good news from the European Parliament? This recent vote slaps down the recent threats by ISPs to simply disonnect people accused of naughty file-sharing. The joy of this is not that I am necessarily in favour of completely unrestricted file-sharing of any and everything, but that if you are going to threaten something as drastic, in the 21st Century, as cutting off someone’s internet access then you had better have some independent oversight of this kind of decision. Law enforcement, basically, should be performed by law enforcement agencies, not by ISPs at the behest of the companies who give them most of their high value content.

It’s weird, here in Europe we seem to be stuck in between the Mercans and the Middle East at the moment, with moves like the one above which come dangerously close to mimicking the dangerous American taste for completely unaccountable law enforcement, which basically means no law at all. The on the other side, we’ve got the crazies in the Middle East trying to get the Declaration of Human Rights to include fucking idiotic clauses that state that it is a violation of someone’s human rights to have their religious sensibilities. Without wishing to offend anyone’s religious sensibilities, fuck you, fuck your infantile fairytales, and fuck right off and snivel yourself to sleep in the dark of your bedroom, coddled in your childish fantasies that we have some sort of privileged places in the universe, that anyone gives a fuck about your fucking feelings and that you won’t die and rot like every other living thing on Earth. You fucking baby.

I give the Americans a hard time over their dismantling of the rule of law in their own country, something we dismayingly seem to be trying to mimic on our side of the pond, but honestly, their freedom of speech laws, and specifically the First Amendment, would be very, very welcome in amongst all this craziness. I am reminded of the quote from legal scholar Ronald Dworkin: “the only right you don’t have in a democracy is the right not to be offended”. Quite. Fucking. So.

Anyway, it’s Friday, and we are having a half day here at Proper Job in order to go out for a meal this afternoon and then get biblically rat-arsed in the evening. So Izzy, if you’re reading this, beware of dribbling design engineers stumbling about your pub at about eight o’clock. Feel free to sling us all out – we’ll probably deserve it.

So without further ado, here’s your Five for Friday.  Please take the opportunity, and try and treat the subject matter with some creativity – calling Christians a bunch of cunts isn’t very imaginative:

1. Cause some religious offence.
2. Cause some political offence.
3. Cause some musical offence.
4. Cause some national offence.
5. Cause some cultural offence.

That should do it – jihad by Saturday.

Tom Lehrer – National Brotherhood Week
Yukon – Sweden
Slow Club – Apples & Pairs
Yo La Tengo – Little Eyes
The Fiery Furnaces – Inca Rag/Name Game

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Everyone Loves Moshi Moshi at the Moment

Welcome to Our TV Show

Moshi Moshi Records do indeed seem to be Record Label du Jour in the UK at the moment, which is no bad thing.  This month’s Welcome to Our TV Show is a Moshi Moshi special, with Slow Club, Hot Club de Paris and the superlative Wave Pictures turning up to play some stuff and do some interviews and such like.

I love the Our TV Show project – the production values are easily good enough, the music is phenomenally good and the atmosphere of the whole thing is excellent.  It just feels like the right way to go about music.  You can watch the whole lot on their YouTube page here, if you like, and here are a couple of mp3s as well:

The Wave Pictures – Now You Are Pregnant (Live on WtOTVS)
Hot Club de Paris – This Thing Forever (Live on WtOTVS)
Slow Club – When I Go (Live on WtOTVS)

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Live in Edinburgh This Week – 4th May 2008

Edinburgh

Oh the busyness just doesn’t subside, does it. And there’s nothing quite so life-affirming as being in the office on a Bank Holiday Monday. The way things work around here they just lump Bank Holidays into your overall holiday allowance, so you can take the days when you want. This makes a lot of sense for plenty of reasons, but it falls short in one crucial way: every once in a while it is nice to be forced to take some time off and just waste a day with your other half.

Mrs. Toad is at home by herself, no doubt drinking a cuppa in our south-facing, sun-drenched garden. Or proto-garden more like, as it was all planted from scratch last year and is only slowly growing into itself.
As much as I like where I work, I would dearly love to be at home with my silly missus and her preposterous cat, drinking tea in the sunshine and cursing my silliness at failing to dead-head the fennel before the bastard went to seed and caused an explosion of miniature fennel plants in the little bed in front of the shed. Or something like that. Rats.

So, coming down from Nick Cave in Glasgow last night with JC and Mrs. Villain, what can we find to try and fail to live up to that experience this week? And what the fuck is going on on Thursday for crying out loud?

Tuesday 6th May: Frightened Rabbit at The Hive.
I don’t know what the venue is like, but The Hive’s website is so monumentally shit and clunky to navigate that I sightly resent plugging their gigs. And actually, Frightened Rabbit’s new album isn’t exactly blowing my socks off either. Mind you, I’ll be busy doing radio things, so what do I care. Ross Clark is supporting, and he’s pretty handy.
Frightened Rabbit – The Modern Leper

Thursday 8th May: King Creosote & Slow Club at Fence Club, the Caves.
Another excellent Fence Club lineup, with good ol’ KC and the excellent Slow Club – another Moshi Moshi band, I have serious Label Envy! There’s also an exclusive vinyl treat (that sounds kinky) if you come along, so what more incentive could you want? These parties are brilliant fun.
Slow Club – Me & You

Thursday 8th May: Attic Lights at Cabaret Voltaire.
I keep hearing these lads mentioned as the Next Big Thing, and highly complimented by plenty of very reliable people. Honestly though, I have never heard anything that gets me all that excited. Still, I have yet to give the time necessary to qualify that kind of negativity, so I will make more effort before I shrug my shoulders once and for all.
Attic Lights – Never Get Sick of the Sea

Thursday 8th May: The Kays Lavelle & The Mannequins at Limbo, the Voodoo Rooms.
The Kays Lavelle will presumably be shit, once again*.
Anyway, once the humour subsides, expect some rather dark, generally piano-led indie-rock. The Mannequins are new to me, but a cursory listen to their MySpace sounds pretty promising. Sort of punk-croon, if you can imagine that.
The Mannequins – Little Black Book

Thursday 8th May: Dave Graney, The Low Miffs & the Bum-Clocks in the Speakeasy at the Voodoo Rooms.
This is a superb lineup. I don’t know much about the headliner, but the Low Miffs are fantastic, and as for the Bum-Clocks… well, can you imagine Robert Burns’ poetry performed against a backdrop of Malcolm Ross’ indie guitar riffs? This is really, really worth going to.
The Bum-Clocks – A Tale o’ Twa Dugs

Friday 9th May: MGMT at the Liquid Room.
I’ll admit I’m being a bit of a pop slut by going to this, but Time to Pretend is just brilliant and although the rest of it slides a little closer to the Scissor Sister than I might personally choose, I expect this to be a load of fun. Someone told me they were shit live, but I’ll withhold judgment on that until after Friday. I’m bloody well committed now anyway.
MGMT – The Youth

Friday 9th May: Rachel Unthank & the Winterset at the Voodoo Rooms.
If I’m being honest I would say that this is a little bit too folky for me, really. There’s a lot to like in the music though, and some of my readers may well love this, so it’s definitely worth considering. And her rendition of Blue Bleezin’ Blind Drunk is just brilliant.
Rachel Unthank & the Winterset – Blue Bleezin’ Blind Drunk

[Edit: an irate Bart, who couldn't even be arsed to list this gig himself, insists I mention the following gig. They're so good they don't feature on his own listings page, but hey, they're presumably good enough for me, eh? Fucksake.]

Saturday 10th May: The Second Hand Marching Band, Skeleton Bob & Woodenbox at the Wee Red Bar.
Apparently this lot are all very good. For more complete descriptions, complete with a girly ginger hissy-fit, see the comments below. Good grief.
The Second Hand Marching Band – Dance to Half Death

*Sorry, that’s an in-joke. Lead singer Euan is a regular reader of this site and so my first review of the band was a one-liner: The Kays Lavelle were shit. Side-splitting, eh? Yes, I know, sometimes I wonder how I do it.