For those of you who missed this week’s podcast (and if you did, then shame on you indeed) then you will know that Mrs. Toad and I went down to London for the weekend to visit some old school friends.  It was a little odd.  The couples with kids asked the married couples about marriage and the couples who were married asked the ones with kids about kids, but none of the couples who were married were the ones with the kids.  If only any of our gay pals had been there we’d probably have been able to engineer the final downfall of Old-fashioned Family Values (TM) all by ourselves.

Anyhow, we had a great time, but it can be a little tiring meeting people at lunch, then other people for dinner, and drinking all the way through both.  Mrs. Toad has already taken to her bed wailing about illness, and I doubt I will be putting in much of a shift once my daily tasks are over.

We have our next Ides of Toad gig on Saturday though, and I think that is the first exciting thing I am obliged to do this week, so there will be plenty of taking it easy I suspect. I may even start a new book.  Oooh, you can just feel the rock ‘n’ roll oozing from my pores can you not.

Friday 20th May 2011: This is Music 5th birthday celebrations at Sneaky Pete’s.

I find it amazing to think that This is Music is now five years old.  In promoter years – loosely similar to dog years – that is a hell of a long time, and I tip my hat to Jim and Tallah who are doing the work these days, as well as pals like HP, who only recently quite the team.  To celebrate their figuratively greying hairs they are hosting two nights, one on Friday at Sneaky Pete’s where Chad Valley will be making an appearance, and one the following week at Cabaret Voltaire with Penguins Kill Polar Bears.

Saturday 21st May 2011: Jonnie Common, Kill the Captains &  Enfant Bastard at the Wee Red Bar.

Jonnie Common has a new album on the way, which I can promise you is completely brilliant.  The video below is for Photosynth, the first single, and one of my all-time favourite songs of Jonnie’s.  Kill the Captains are on Armellodie Records through in Glasgow and when Johny Lamb recorded his Thirty Pounds of Bone Toad Session a couple of months ago he described them as a/ awesome and b/ face-meltingly loud, which sounds very promising indeed. And as for Enfant Bastard, well Cammy has been adding depth and beats to his chiptunes recently, and the whole thing sounds really good.  It might be the last time we see him perform for a wee while too. Tickets for this event can be had here for a fiver.

Well I know I normally let Dylan sort out the Sunday Supplements, and I cheated last week by writing one myself, but I am going to have to do it again, sorry.

The reason is simply that there is a lot of label news happening at the moment, and I really don’t want to overwhelm the blog with label chat if I can avoid it.  I am sure lots of you come here for reasons other than me trying to sell you things to pay for that yacht in the Caribbean we record labels generally aim for.

So, the news this week, in bullet point form for the lazy, is this:
1. Inspector Tapehead to play in-store at Avalanche Records on Thursday 30th September.
2. Meursault UK and European tour booked for October/November, with showcase gig at the Caves on the 25th.
3. The Stormy Seas added to the bill for the Inspector Tapehead album launch on the 30th.

1. Instore! Yep, the Tapeheads are currently touring the UK in the Toad Van (the shit one which works, not the cool one which doesn’t), but in advance of their album launch show on Thursday 30th September they are playing an in-store gig at Avalanche Records on Cockburn Street.  This will start at around half five when the store closes, I guess, and I will bring a case of beer as an additional inducement.

2. Tour! Having had a hectic festival season, Meursault have been taking a bit of a breather for the last month or so.  And they’ll need it because their October/November schedule is going to be hellishly busy, with a UK and European tour booked in back to back. The whole thing is kicking off with a headline show at the Caves in Edinburgh on the 25th October, supported by Port Royal and Enfant Bastard – tickets here.

25 Oct 2010 – The Caves, Edinburgh
26 Oct 2010 – Head of Steam, Newcastle
27 Oct 2010 – The Harley, Sheffield
28 Oct 2010 – Royal Park Cellars, Leeds
30 Oct 2010 – The Luminaire, London
31 Oct 2010 – The Playhouse Bar [free entry show], Norwich
2 Nov 2010 – Star & Garter, Manchester
3 Nov 2010 – Stereo, York
4 Nov 2010 – Dexters, Dundee
5 Nov 2010 – Beach Ballroom, Aberdeen
6 Nov 2010 – Stereo, Glasgow

19 Nov 2010 – Oh Galery, Caen, FRANCE
20 Nov 2010 – International, Paris, FRANCE
21 Nov 2010 – Planet Claire Session, Paris, FRANCE
22 Nov 2010 – Dwaze Zaken, Amsterdam, NETHERLANDS
23 Nov 2010 – Piala Libri, Brussels, BELGIUM
24 Nov 2010 – Musikbunker, Aachen, GERMANY
25 Nov 2010 – Schlachthof w/ Telekinesis [tbc], Wiesbaden, GERMANY
26 Nov 2010 – Spart 4, Saarbrucken, GERMANY
27 Nov 2010 – Cave du Bleu Lezard, Lausanne, SWITZERLAND
28 Nov 2010 – Le Lounge, Marseille, FRANCE
30 Nov 2010 – Stadtgarten, Erfurt, GERMANY
1 Dec 2010 – Morph Club, Bamberg, GERMANY
2 Dec 2010 – Feinkostlampe, Hannover, GERMANY
3 Dec 2010 – Gaengeviertel, Hamburg, GERMANY
4 Dec 2010 – Schlachthof, Aurich, GERMANY
5 Dec 2010 – [venue tba], Groningen, NETHERLANDS

3. Stormies! At the time I did the first posters for the Inspector Tapehead album launch we only had Humble Soul heroes The Miserable Rich and the Tapeheads themselves confirmed to play the show, but the Stormy Seas have since been confirmed as the final piece of the jigsaw.  The gig is taking place at the Edinburgh School of Art’s Wee Red Bar on Thursday 30th September, and tickets can be purchased here.

This is a co-promotion with my friends Tallah and Jim from This is Music, and Ali and Elaine from A&E Promotions.  The technical term for several promoters working together is is, I believe, a Clusterfuck, and the new flyer can be seen below:

So August is almost upon us. Traditionally –  or at least for as long as I’ve been living here – most bands and promoters in Edinburgh tend to just take the month off and make way for the festival. It’s a bit of a monolith. Every available venue (and most non-venue) space is booked up months in advance, and with so much happening every single day in August, it becomes rather difficult for smaller operations putting on shows. Of course there are exceptions – a lot of the bigger clubs just keep on trucking, and nights like Acoustic Edinburgh embrace the Fringe and put on shows as part of the official line-up.

This year, though – more so than any I can remember – seems to be bucking that trend. There’s a lot of activity going on outside of the festival – and lots of local bands and promoters putting on shows regardless. Which is great to see – another indication of the strength and confidence of the city’s musical community at the moment. I thought I’d give a run down of what’s caught my eye – as with so much on, it’s entirely possible for an amazing show to slip by un-noticed.

The Edge

Firstly, the musical leg of the Fringe – the Edge – has some really great shows this year. The Mum show may have been moved to Glasgow, but we still have David Byrne, Woodpigeon, Andrew Bird, Frightened Rabbit, Malcolm Middleton, and Jeffrey Lewis. And judging by the website, the festival seems to have just absorbed all the shows at Sneaky Pete’s – including Sleeping States (who I can’t recommend highly enough), Monotonix, Sparrow and the Workshop, the usual This is Music night and the mysteriously titled ‘Songs By Toad night’. It’s also great to see some Edinburgh bands forming part of the Edge line-up – with Broken Records at the Queens Hall, a double header from Unicorn Kid and Young Fathers at Cab Vol, and support slots from Meursault (at Frightened Rabbit), the Kays Lavelle (the Lost Brothers) and Withered Hand (Jeffrey Lewis). It’s something that I’ve felt was lacking in previous line-ups, and it’s a step in the right direction.

www.theedgefestival.com

Retreat!

Then, of course, there’s the ‘other’ festival. Retreat! is an all day event at the Bristo Hall on Sunday the 16th. 15 acts (Meursault, Withered Hand, Rob St. John, Tissø Lake, the Leg…), and DJs till 3am. Free entry. I can’t think of a better line-up. But then again, I did help pick it.

www.myspace.com/edinburghretreat

Trampoline

Trampoline are also putting on four shows over first two weekends, and really great line-ups including Adam Stafford (Y’all Is Fantasy Island), Jonnie Common (Down The Tiny Steps), Animal Magic Tricks, Conquering Animal Sound, Golden Ghost and Woodenbox.

www.myspace.com/trampolineuk

Bang Bang Club

Normally at the Speakeasy in Cabaret Voltaire, the Bang Bang Club is hosting a series of shows upstairs in the Teviot Hall. Highlights include Clinic, the Pineapple Chunks, Paul Vickers and the Leg, and a series of soundtrack events from Steven Severin.

www.myspace.com/bangbangclubedinburgh

Playing With The Past

There’s also an exclusive second screening of the Playing with the Past event from this year’s film festival on 22^nd August, with eagleowl, FOUND and Meursault performing live soundtracks to old Scottish films. Tickets are available now from the Filmhouse website or box office.

www.myspace.com/playingwiththepast

Cybraphon

FOUND – not willing to give up their ‘hardest working band in Edinburgh’ tag to Meursault just yet – also have a residency at InSpace (a gallery space – part of the new University building) with their Cybraphon project, including a live band performance on the 13^th (which is free but ticketed). It seems to be some kind of automated musical cupboard, containing a series of musical instruments, which reacts to online activity about the project in real time. Or something. For a more coherent explanation, try the Cybraphon site:

www.cybraphon.com

Leith Tape Club

Okay, strictly speaking not an Edinburgh show – but a nice trip out of the city is normally always welcome around the third week in August. Leith Tape Club at the Iso Bar continues in August on the 20^th, with a rather special all-star line-up including the Kays Lavelle and Meursault (solo, I think).

Leith Tape Club

National Portrait Gallery

There’s also a series of rather exclusive shows at the National Portrait Gallery, whilst the gallery is closed for a refurbishment. These include Rob St. John and Emily Scott on 8^th August, X-LionTamer on 21^st August, St Jude’s Infirmary and Zoey Van Goey on 22^nd August, and Withered Hand and Meursault on 29^th August.

National Portrait Gallery

Electric Circus

There’s been some great gigs in Electric Circus since it opened earlier this year, and they don’t seem to be losing any momentum in August, with shows from FOUND, Dent May, White Heath and Rob St. John (1st), Jesus H. Foxx (11th), The Phantom Band (19th), and Trembling Bells and Ben Reynolds (25th), amongst others.

Electric Circus

The Golden Hour

A blend of poetry, music and live visuals at the Forest Cafe on 19th August, with performances from Billy Liar and Withered Hand.

The Golden Hour

Shipping Forecast Garden Party

And I think there’s another shipping forecast garden party scheduled for 30^th August, with Come On Gang!

No details yet, but I’m sure Dave will keep us posted.

It is all pretty exciting. Please spam the comments with anything I’ve missed, as I’m sure there’s loads, and if any more are announced or come to light over the course of the month, it’ll no doubt make it’s way into the weekly listings.

Sleeping States – September, Maybe

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Woodpigeon – In Praise of the West Midlothian Bus Service

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Zoey Van Goey – City Is Exploding

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It’s funny, during the recent rise and rise of Sparrow & the Workshop I have started to wonder slightly, why them?  That’s not supposed to be a criticism of the band, because I think they’re brilliant, but there are a lot of good bands around these parts at the moment, and Sparrow’s current upward trajectory is probably the steepest.  Consequently, I had begun to wonder what it was about them in particular which seemed to capture the imagination of pretty much everyone.

Well on Friday I got my answer.  The circumstances were not the easiest, exactly: Sneaky Pete’s was like a bloody sauna, and recent sound complaints meant that the band had to make a few last minute adjustments and rearrange their set quite considerably.

Having been preceded by Randan Discotheque, a band who have never really captured my imagination I must confess, Sparrow & the Worlshop opened with a new song which was frankly bloody gorgeous.  A lot of bands seem to be able to generate an intial flurry of good material, but I always find it telling when they start writing after that initial burst, because a lot can’t manage it.  A band whose new material is consistently this good are clearly onto something.

The more acoustic setup – with three acoustic guitars, a single snare drum and cymbal, and a stomp-box instead of a bass drum – worked really well.  They even managed to add to their percussion by taping a tiny mic to Nick’s guitar and asking him to flick the end of it to fill out the higher end, which took some spotting, but was a really nice piece of improvisation.

In terms of the music, I think I even preferred some of the songs played this way.  Nick is clearly chanelling the spirit of the late Johnny Cash at the moment, and the sound he is making with his guitar is amazing.  With the quieter set the vocals could become a little less combative, allowing Jill’s voice to lose some of its fierceness and simply be lovely for an evening.  When all three were playing guitar there was a rich, confidently quiet aura to the performance which was really quite special.

I’ve seen Sparrow play with aggression in the past, and it’s a great sight to see.  This time, however, they were playing to a very appreciative crowd, and one they know quite well, and the more relaxed, low key approach this engendered brought a warm, generous spirit to the set and made this month’s This is Music one of the best gigs I have been to all year.  Truly brilliant.

Sparrow & the Workshop – The Gun

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MySpace | More mp3s | Buy their EP and single from Norman Records

Baaaaaaaaaaart HELP!  Are there really only two gigs worthy of a mention on in Edinburgh this week?  Surely not.  Where’s someone with some actual knowledge when you need them?

Mrs. Toad has left town this morning, heading for Australia.  She’ll be away for a fortnight this time, which is the longest we will have been apart since I moved up from London so you can expect me to become downright cranky by the end of next week.

In fact, if last week’s prolonged sulk is anything to go by, you can probably just expect me to be cranky in general, actually.  Nah, I’m over that though, I’ve pulled myself together now so there will be no more messing around, promise.

Tuesday 7th July 2009: Meursault at the Bowery. Gig Cancelled, Apparently.

Does it sound a bit stupid to say that I am friends with Ruth and Jane at the Bowery, and Song, by Toad Records is Meursault’s label and yet I know nothing about this whatsoever?  I suppose it does really.  While Meursault are sticking more closely to Pissing on Bonfires/Kissing With Tongues when they’re on the road, in Edinburgh they’ve started to introduce more and more songs into their set from their (apparently very loud) second album.  This record should be out early next year, and should contain songs like Crank Resolutions and Sleet, which anyone who’s been to a recent show should recognise.

Friday 10th July 2009: Sparrow & the Workshop & Randan Discotheque play This is Music at Sneaky Pete’s.

Unless Sneaky Pete’s get a lot of internal re-jigging done in a very short space of time, this is pretty likely to be an acoustic night.  This does not please the organisers, who will be rather taxed to put on a club night where the music is nice and quiet, but actually I would rather like to hear Sparrow & the Workshop play an acoustic set, so I’m rather looking forward to it.  Apparently, I will be doing some DJing, so you might want to take advantage of the gaps between bands to nip out for a cigarette or go to the toilet for ages or something like that.
Sparrow & the Workshop – My Crime (Toad Session)

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