Song, by Toad

Posts tagged waterboys

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Toadcast #107 – The Tardicast

Erm, really sorry that this is so very, very late, but life rather caught up with me this week.  So I never quite managed to find time to get my shit together until this evening, unfortunately.

It’s surprising how much of my time these weekly podcasts seem to take up – it can be quite hard to find an evening every single week to record these things.  What I find amazing is that I don’t run out of blather.  I don’t recall ever saying anything profound or all that intelligent either, so this little collection must represent hours and hours of inconsequential rambling.

On Friday a nice young lady in the pub asked me “Has anyone ever told you that you talk loads and loads.”  I suppose, looking back at a hundred and some podcasts the miracle is that actually the answer to that question is ‘no, not really, not that I can remember’.

Oh, and yes, that is Tina Turner and Kim Carnes you see there.  Suck it up, hipsters.

Toadcast #107 – The Tardicast

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01. The Walkmen – This Job is Killing Me (03.30)
02. Grandaddy – Hey Cowboy, the Phone’s For You (09.57)
03. Comaneci – Satisfied Girl (15.51)
04. Tina Turner – Private Dancer (17.50)
05. Trevor Moss & Hannah Lou – England (27.33)
06. Ruth Theodore – False Alarm (34.09)
07. The Waterboys – Sweet Thing (40.54)
08. Kim Carnes – Bette Davis Eyes (48.04)
09. R.E.M. – Half a World Away (53.55)
10. Radiohead – Creep (Acoustic) (59.59)

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Remembrance

poppy I get more than a little jumpy writing things about stuff like this, because I am far from knowledgable and, as someone who is almost always against the wars that ‘we’ have fought recently, it can seem a bit rich to me, writing about the people who fought in them.

My Granddad was a marine in WWII though.  He drove a landing craft in the D-Day landings, he pitched up in Singapore and Madagascar, fought in the Pacific and, erm… I don’t know much else to be honest, because he doesn’t really talk about it.

He’ll tell us funny stories when they occur to him, and it’s not like he avoids the topic, but I’ve never heard him tell any kind of tale about the war which I would describe as all that harrowing.  It’s possible that he’d rather not bring it up because the memories are a little hard to face, but I suspect it might be because, for all we would listen attentively, we actually would not be able to truly understand what the tales he would be telling actually, deep down, mean to him.

The world moves incredibly fast.  The things my Granddad does tell us which do make an impact are the tales of living in Wales and Manchester immediately before and after the war.  He talks about trying to get fired by his foreman at the steelworks just to prove he could face the man down.  He talks about his brother fighting their father, and running off with him to fend for themselves and make a living whilst he was in his early teens.  He talks about how he and my Grandma tried to keep the house warm, and how he would steal coal from work to put on the fire in the evening.

It’s difficult enough to know what the people who fight in modern wars really experience, despite some excellent films which try and get it across, but as much as anything when I think about my Granddad and his role in the Second World War and in particular the combination of that war and the society in which he lived at the time, it really strikes me that increasingly no-one understands what these guys went through, not properly.  Apart from a desire to fight Germans, one of the reasons he was so keen to get into the forces, in whatever division, was because working in the steelworks in Manchester was so incredibly shit.

The perception of the threat of someone bent on ‘taking over the world’, which in itself seems like a quaint concept these days, the lingering strength of the concept of England or Britain as an Island Empire, the overwhelming industrialisation, family life being so massively different and social standards radically so… it’s amazing how quickly people forget what life used to be like, even in their own childhoods.

For the best part of six years my Granddad fought in the British army against someone trying to conquer the nation, and indeed the whole continent.  Six years.  I don’t think that it would be possible for me to truly grasp that and more than anything else on Remembrance Day, that’s what I find myself thinking.

The Men They Couldn’t Hang – The Green Fields of France (No Man’s Land)

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The Waterboys – Red Army Blues

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Toadcast #26 – Broken Records Toad Session

Toad Sessions

Here we go folks: the first ever Toad Session, with local band and all-round Toad pals Broken Records. These sessions are generally going to take place in my living room, but seeing as these guys were quite keen to record one and their single release is imminent, it seemed sensible to rush things a little. So given my equipment has yet to arrive, we went down to Banana Row Studios and recorded four session tracks and had a bit of chat, and this is the result.

There’s a full podcast, mp3s of the individual songs, a Flickr photo gallery and couple of videos of the whole business, so there’s lots and lots of stuff to play with. I think in terms of workload I can possibly manage about one of these per month, so keep an eye out in the future.

Toadcast #26 – Broken Records Toad Session

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The mp3s include their forthcoming single If the News Makes You Sad Don’t Watch It, a couple of new tracks, Wolves and They All Fell Into the Sea, and a special Toad request, the truly beautiful Out on the Water.

Broken Records – If the News Makes You Sad, Don’t Watch It

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Broken Records – And They All Fell Into the Sea

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Broken Records – Wolves

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Broken Records – Out On the Water

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The videos are all posted on the main Song, by Toad YouTube page. There are session videos of Out on the Water and Wolves, but the video of the whole session will be posted a little bit later. We’re new to this, so the video editing is taking a little bit of time. It should be up in two weeks’, hopefully, so you’ll have to gird your loins until then I’m afraid, but I promise to let you know as soon as it makes an appearance.

Toadcast #26 Playlist:
01. Broken Records – If the News Makes You Sad, Don’t Watch It (03.34)
02. Broken Records – A Good Reason (07.27)
03. Micah P. Hinson & the Gospel Of Progress – Don’t You Forget (14.33)
04. John Cale – Paris 1919 (24.32)
05. The Moulettes – The Cannibal Song (29.40)
06. Yann Tiersen – Comptine D’un Autre Ete – L’apres-Midi (39.07)
07. Broken Records – And They All Fell Into the Sea (40.21)
08. Beirut – Elephant Gun (45.24)
09. The Waterboys – Sweet Thing (52.11)
10. Broken Records – Wolves (63.23)
11. My Latest Novel – When We Were Wolves (66.34)
12. Nick Cave & the Bad Seeds – Love Letter (72.39)
13. Broken Records – Out On the Water (83.16)

If I have one slight issue with these it’s that they’re a little too polished and sensible, really. Not enough of the rude, random style I tend to think gives this site its character. Maybe recording them in the house will change this, but then the recordings won’t be as good. Thoughts? Too shiny? Good like this? Let me know what you think.

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Two Thoughts on World Wars

POWs on the Eastern Front

I am not a historian (yes, I know it’s ‘an’ historian but it really does sound pretentious) or a patriot, so I am not going to go on about this, but there are two things that bug the living shit out of me when wars are mentioned, and World Wars in particular. I think these points need to be made because they address the two most irritating misconceptions I tend to find people have about the World Wars, in particular WW2. The songs are really, really fitting too so please don’t just pop them on. Actually listen.

1: Surrender Monkeys

I hear this said about the French all the time by both Brits and Americans and it really annoys me. Germany invaded and overran France in WW2 and their advance ground to a halt there in WW1. In fact in WW1 the extent of the slaughter was unprecedented in the world, and the battles in Northern France are legendary for their brutality and loss of life.

We have a house in France, and in every village there is a war memorial. On every war memorial is a list of names. The list is so long, for both world wars, that it beggars belief the town could have been even half that big in the first place. In most cases families lose numerous men. Over the course of both wars which were, let’s not forget, only twenty years apart, many families suffered double figure losses, and this is in every single tiny little village for miles and miles around.

The UK and the US have no idea what it is like to resist an actual invading army – the Spanish Armada in 1588 is, I believe, the last time Britain has come even close – so we quite simply have no right to judge what we do not understand. Can you imagine German officers in your home town? Can you imagine almost every single man between the age of about 17 and 45 being killed defending his home – literally too, none of this ‘defending our country against Tourism’ bullshit? No you bloody can’t, so if you want to talk Surrender Monkeys do it well the fuck out of my earshot because you have absolutely no idea what you’re talking about.

Leonard Cohen – The Partisan Lyrics (gut-wrenching)
The Men They Couldn’t Hang – The Green Fields of France Lyrics

2: We saved your goddam asses in the Second World War

You think so do you? Well, I am not about to deny that the Americans played a hugely important role in the Second World War because that would be stupid. But you want to know who ‘saved everyone’s asses’? Well, do you remember what happened to the Grande Armee de la Republique in 1812? What happened to the Germans in the First World War? The Nazis in WW2? I’ll tell you what, they all stupidly invaded Russia and their armies were slowly ground into submission in one long, horrific war of attrition after another.

How many Americans died in WW2? About half a million. British? Roughly the same. It sounds a lot doesn’t it. Well it’s peanuts – the Greeks lost a similar number. If you want to know who ‘saved our asses’ in WW2 consider that current estimates put Russian casualties of that war at about 26 million, split roughly in half between civilian and military deaths. Hitler was stupid enough to invade Russia before he’d polished off Britain and his army was ground down in one of the hardest, bitterest and most miserable campaigns imaginable. Over a third of all deaths in the Second World War were Russians. That’s who saved our asses in WW2.*

Funnily enough, the second on the casualty list? China, with 20 million, roughly 16 million of whom were civillians. Browsing that list I also notice that the Poles lost 20% of their population. Russia lost 13.4%. America lost 0.32% and Britain less than 1%. Sobering, isn’t it.

Billy Bragg – Think Again Lyrics
The Waterboys – Red Army Blues Lyrics

*Dear proper historians – no, I am not claiming it was that simple, just making a single, isolated point. And yes, I do know there was a war in the Pacific as well, but that’s a whole different story.

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Come in, Red Six…

Porkins

Red Six. Who was he? What was his like motivation, hm? Who really cares? Well today Song, by Toad cares. Today it is all about Red Six, or that poor anonymous Lieutenant in Star Trek – the one you can be absolutely certain isn’t going to survive the episode. Does anyone else remember Porkins from Star Wars with such affection as Mr Toad? This haven for losers, wastrels and ne’erdowells embraces Porkins, the only fat, bearded star fighter pilot in the universe, and today we dedicate some tunes to him. Or, at least, to his sort: the selfless, silent assistant, the unnamed extra, someone as crucial as, but far less celebrated than, Chewbacca the Wookie, someone without whose presence an album would never be as good as it is and who needs to be mentioned by me because no-one else is going to give the little trooper a pat on the back.

In other words, today at Song, by Toad, we will be celebrating the little man whose contribution to a song makes the music what it is. I don’t mean someone like Joby Talbot of The Divine Comedy, who is clearly crucial to Neil Hannon, because I just don’t know enough about music to directly discern his contribution. I’m talking about people like Bobby Valentino (who? I hear you ask) who played fiddle for The Men They Couldn’t Hang and never gets a mention. How about Steve Wickham – who was he? Well he was the brilliant fiddle player on Fisherman’s Blues, The Waterboys’ phenomenal late 80s folk explosion. He is relatively well known and respected in Ireland, incidentally, but not in indie-pop world, despite his contribution to one of the all time great folk-pop albums. And then there is Warren Ellis, who also plays the fiddle, this time for Nick Cave. And Dave Woodhead, who doesn’t play the fiddle, but the trumpet. Who was Dave Woodhead I hear you ask? Well you’ll find out.

Bobby Valentino – Shirt of Blue
Steve Wickham – We Will Not Be Lovers
Warren Ellis – The Willow Garden
Dave Woodhead – The Saturday Boy

More seriously, I always wonder how much of a contribution these guys actually make. Warren Ellis is the most well known of the bunch and as a bona fide Bad Seed I assume he is pretty central to the group, but what about the other guys. Billy Bragg had a few absolutely iconic trumpet solos in his early songs, so how did it work? Did he whistle it first, like he does at his gigs, and Dave Woodhead then played it? Or did Dave write the whole thing – in which case these lads are far more important than they ever get given credit for.

And as for the bloke who wrote Porkins’ Wikipedia entry, well firstly how did you manage to garner quite so much information from two or three seconds of film, and secondly, YOU SAD FUCK. Christ, imagine having that level of detailed knowledge about a minor character in fucking Star Wars, don’t you have any friends to spend your time with for Christ’s sake? Fuck me, that’s almost as sad as knowing the name of the bloke who played the fiddle for The Men They Couldn’t Hang. Eh? Oh.

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